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A Thesis Submitted for the Degree of PhD at the University of Warwick Permanent WRAP URL: http://wrap.warwick.ac.uk/ 84893 Copyright and reuse: This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. For more information, please contact the WRAP Team at: [email protected] warwick.ac.uk/lib-publications Culture is a Weapon: Popular Music, Protest and Opposition to Apartheid in Britain David Toulson A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in History University of Warwick Department of History January 2016 Table of Contents Acknowledgements………………………………………………………………...iv Declaration………………………………………………………………………….v Abstract…………………………………………………………………………….vi Introduction………………………………………………………………………..1 ‘A rock concert with a cause’……………………………………………………….1 Come Together……………………………………………………………………...7 Methodology………………………………………………………………………13 Research Questions and Structure…………………………………………………22 1)“Culture is a weapon that we can use against the apartheid regime”……...25 The Cultural Boycott and the Anti-Apartheid Movement…………………………25 ‘The Times They Are A Changing’………………………………………………..34 ‘Culture is a weapon of struggle’………………………………………………….47 Rock Against Racism……………………………………………………………...54 ‘We need less airy fairy freedom music and more action.’………………………..72 2) ‘The Myth -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
A Shabby London Suburb?
fr-. Am Qifi a walk round the working class and 0 0- Q l radlcal history of Hammersmzth 1 revolting peasants... heretics... civil war agitators... chartists... sujffragettes... socialists... i irish republicans... anarchists... suffocated tory rnps with satsurnas in their mouths... A ~ Harnrnersrnith has seen it all. with "the aid of this pamphlet you can wander the streets of one of west london’s finest neighbourhoods, delving into its proud and rebellious history... - g%|Qggg||.%' ' ' ' " IF“ "‘*“‘IiflHlli -, I ':-.}_5;- __-{'3 i ; 4; ._: -' _- E _ i if.) vi’ ‘ r "' -“' ' "'7' \'- 7-"L -'-*-'-' c-‘+:: ".3'.-11-.-.--2'-.-. ;--.-.+'~o'q-... .-1.. % i . p, '. :t ..' . - ~r“ a‘Z, ' his. '1‘ H:-'__§"€:5' ‘f.-_ I .. ---:=;>.-.-..<;.-.--- ' - .-14.-.-.,I,-. _‘__ H _,f_ __ if l i Ir?-‘_: F‘ I; I ‘L. IL I -gé- I in ' -1 1.5 #_>_5_.- i' . E " in' . _-..;;_‘D I". -" - I J .24‘__;- -'_ -Q ll; ~:>Ei 1'. -1 A .. - __- _; __ :._ atJ II: M“_,.._.-5. lgufr . l Y i-iii. .- _ . 5%-i ._l_;__ ._ 1-. - 'i_.\_ |__ 1-._. **r'i‘7i=~*}.-' 1: __ __ __ ....:..................._.._*s . 3 . ' .-all ' 'I ' ' ....... “'-~‘ "'1' (',7r;>:'1l'e:1"2por'a1‘_v cre2g'r;z=.'1'z1g'.' the ;.n'<)c‘e.s.sirj.>11 for Quecrcrl C7';11"ol1'r1e’s func1'a1_., 1821. - past tense - a wander round the working class and radical history of harnmersrnith This walk was originally researched and drawn up by members of the West Lortdon Arrarch.ists & Radicals group (since defunct), who guided about 30 people around the walk on Friday 3 May 2001. -
Andy Higgins, BA
Andy Higgins, B.A. (Hons), M.A. (Hons) Music, Politics and Liquid Modernity How Rock-Stars became politicians and why Politicians became Rock-Stars Thesis submitted for the degree of Ph.D. in Politics and International Relations The Department of Politics, Philosophy and Religion University of Lancaster September 2010 Declaration I certify that this thesis is my own work and has not been submitted in substantially the same form for the award of a higher degree elsewhere 1 ProQuest Number: 11003507 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 11003507 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Abstract As popular music eclipsed Hollywood as the most powerful mode of seduction of Western youth, rock-stars erupted through the counter-culture as potent political figures. Following its sensational arrival, the politics of popular musical culture has however moved from the shared experience of protest movements and picket lines and to an individualised and celebrified consumerist experience. As a consequence what emerged, as a controversial and subversive phenomenon, has been de-fanged and transformed into a mechanism of establishment support. -
The Clash and Mass Media Messages from the Only Band That Matters
THE CLASH AND MASS MEDIA MESSAGES FROM THE ONLY BAND THAT MATTERS Sean Xavier Ahern A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2012 Committee: Jeremy Wallach, Advisor Kristen Rudisill © 2012 Sean Xavier Ahern All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor This thesis analyzes the music of the British punk rock band The Clash through the use of media imagery in popular music in an effort to inform listeners of contemporary news items. I propose to look at the punk rock band The Clash not solely as a first wave English punk rock band but rather as a “news-giving” group as presented during their interview on the Tom Snyder show in 1981. I argue that the band’s use of communication metaphors and imagery in their songs and album art helped to communicate with their audience in a way that their contemporaries were unable to. Broken down into four chapters, I look at each of the major releases by the band in chronological order as they progressed from a London punk band to a globally known popular rock act. Viewing The Clash as a “news giving” punk rock band that inundated their lyrics, music videos and live performances with communication images, The Clash used their position as a popular act to inform their audience, asking them to question their surroundings and “know your rights.” iv For Pat and Zach Ahern Go Easy, Step Lightly, Stay Free. v ACKNOWLEDGMENTS This thesis would not have been possible without the help of many, many people. -
Uk Versus Usa at the Shockwaves Nme Awards 2007
STRICTLY EMBARGOED UNTIL 8PM MONDAY 29 TH JANUARY Insert logo UK VERSUS USA AT THE SHOCKWAVES NME AWARDS 2007 Expect blood, sweat and tears as we prepare for what will undoubtedly be one big dirty rock’n’roll battle of the bands – and of the nations – at the Shockwaves NME Awards 2007 . The best of British – Arctic Monkeys , Muse and Kasabian – will take on stateside success stories My Chemical Romance and The Killers on March 1 at Hammersmith Palais. Let battle commence! This year, there’s no one clear leader but FIVE bands that dominate the nominations list. With four nominations each, Arctic Monkeys, Muse, Kasabian, The Killers and My Chemical Romance have been chosen by the fans to fight it out on the night. For the past two years, it’s been British bands sweeping the board, but this year The Killers and My Chemical Romance may very well make the 2007 ceremony a stateside success story. Arctic Monkeys made NME Awards history last year by scooping the Award for both Best New Band and Best British Band in the same year, in addition to winning Best Track and scoring a nomination for Best Live Band . Sheffield’s favourites have matched their achievement, with four nominations this year for Best British Band, Best Live Band, Best Album and Best Music DVD. Arctic Monkeys said: “Very nice, we didn’t think we would get any this year! It seems weird for us to be alongside them [the competition] because we still feel like a little band. When it’s your own thing you don’t really see yourself alongside The Killers and Kasabian.” The Monkeys have more than one tough fight on their hands if they want to claim the Best British Band title for the second year running, though. -
Smash Hits Volume 50
OCTOBER 30 NOVEMBER 12 1980 tstti: TErrar5 HAZEL O'CONNOR AQAM & THE ANTS ORCHESTRAL MANOEUVRES & STATUS QUO IN COLOUR - ^gW^**^Oct. 30-Nov. 121980 Vol. 2 No. 22 THE TIDE IS HIGH Blondie 2 TOWERS OF LONDON XTC 5 DANCING WITH MYSELF Generation X S GENTLEMEN TAKE POLAROIDS Japan 8 ONE MAN WOMAN Sheena Easton 11 GIVE ME AN INCH Hazel O'Connor 18 LA-DI-DA Sad Cafe 21 IN MY STREET The Chords 24/25 LET ME TALK Earth Wind & Fire 27 I NEED YOUR LOVIN' Teena Marie 30 ALL OUT OF LOVE Air Supply 30 PASSING STRANGERS Ultravox 35 The Tide Is High HEROES The Stranglers 39 WHOSE PROBLEM Motels 42 Blondie FASHION David Bowie 51 on Chrysalis Records JAPAN: Feature 6/7/8 HAZEL O'CONNOR: Feature 16/17/18 STATUS QUO: Colour Poster 28/29 &KS2ES3S—-— ADAM & THE ANTS: Feature 40/41 O.M.I.T.D.: Colour Poster 52 BITZ 13/14/15 BIRO BUDDIES 22&34 CARTOON 22 MADNESS COMPETITION 24 DISCO 27 Repeat chorus CROSSWORD 31 REVIEWS 32/33 WHITESNAKE COMPETITION 34 rl antSVO,Jtob STAR TEASER 36 IutHf'' t «herrnan FACT IS 43 INDEPENDENT BITZ 44 LETTERS 47/48 BADGE OFFER 48 GIGZ 50 chorus Repeat Editor Editorial Assistants Contributors Ian Cranna Bev Hillier Robin Katz Linda Duff Red Starr 9" 1 nts you to be Fred Dellar hw •"" STKiBut I II artT Advertisement w my deaf David Hepworlh Manager Mike Stand m V Rod Sopp m the kinda Kelly Pike ' ^ •* who aive" u ju« J Hk. th.t. (Tel: 01-439 8801) Jill Furmanovsky oh no Design Editor Assistant Steve Bush Steve Taylor Adie Hegarty 'roduction Editor Editorial Consultant Publisher Kasperde Graaf Nick Logan Peter Strong to fade Repeat chorus Editorial and Advertising address: Smash Hits, 52-55 Carnaby Street, London W1V 1PF. -
RSD List 2020
Artist Title Label Format Format details/ Reason behind release 3 Pieces, The Iwishcan William Rogue Cat Resounds12" Full printed sleeve - black 12" vinyl remastered reissue of this rare cosmic, funked out go-go boogie bomb, full of rapping gold from Washington D.C's The 3 Pieces.Includes remixes from Dan Idjut / The Idjut Boys & LEXX Aashid Himons The Gods And I Music For Dreams /12" Fyraften Musik Aashid Himons classic 1984 Electonic/Reggae/Boogie-Funk track finally gets a well deserved re-issue.Taken from the very rare sought after album 'Kosmik Gypsy.The EP includes the original mix, a lovingly remastered Fyraften 2019 version.Also includes 'In a Figga of Speech' track from Kosmik Gypsy. Ace Of Base The Sign !K7 Records 7" picture disc """The Sign"" is a song by the Swedish band Ace of Base, which was released on 29 October 1993 in Europe. It was an international hit, reaching number two in the United Kingdom and spending six non-consecutive weeks at number one on the Billboard Hot 100 chart in the United States. More prominently, it became the top song on Billboard's 1994 Year End Chart. It appeared on the band's album Happy Nation (titled The Sign in North America). This exclusive Record Store Day version is pressed on 7"" picture disc." Acid Mothers Temple Nam Myo Ho Ren Ge Kyo (Title t.b.c.)Space Age RecordingsDouble LP Pink coloured heavyweight 180 gram audiophile double vinyl LP Not previously released on vinyl Al Green Green Is Blues Fat Possum 12" Al Green's first record for Hi Records, celebrating it's 50th anniversary.Tip-on Jacket, 180 gram vinyl, insert with liner notes.Split green & blue vinyl Acid Mothers Temple & the Melting Paraiso U.F.O.are a Japanese psychedelic rock band, the core of which formed in 1995.The band is led by guitarist Kawabata Makoto and early in their career featured many musicians, but by 2004 the line-up had coalesced with only a few core members and frequent guest vocalists. -
Friday Refrain
Genre Artist Album Americana The Dustbowl Revival With A Lampshade On Blues Albert Cummings Someone Like You Christian All-4-One Twenty + Country Amy Helm Didn’t It Rain Covers Harriet Every Breath You Take Dance Travis Barker 100 Electronica Earthly Days Electronica Hybrid Minds Lifted EP Electronica Hyper Soul X Features of Love Electronica M.E.S.H. Piteous Gate Electronica Venetian Snares Your Face Electronica Vinyl Williams Into Jazz Daniel Franck Quartet The Hangout Jazz James Brandon Days of Freeman Metal Deathrite Revelation of Chaos Metal Hope Drone Cloak of Ash Metal Indesinence III Playground of Dirty Ghosts Cataracts Rock Playground of Ducktails St. Catherine Rock Playground of Elmore Judd Insect Funk Rock Playground of Foreign Tongues Fragile, as said before Rock Playground of Grave Babies Holographic Violence Rock Playground of Jessie Jones Jessie Jones Rock Playground of Vacation Non-Person Rock Pop Elle Exxe Lost in L.X. Pop Heather Russell Got This feeling Pop-Rock We Came As Romans We Came As Romans Rap/Hip-hop Capone-N-Noreaga Lessons Rap/Hip-hop Ghost Writerz GWz All The Way Rap/Hip-hop Hopsin Pound Syndrome Rap/Hip-hop Ilyas Nashid Transformation Part 1: Ego Reggae/Dub Don Hutson Got To Leave This Place Rock Eleventh Dream Day Works for Tomorrow Rock Gus G. Brand New Revolution Screaming Fell to Low Low in the Dust Rock? Singer- Bea Miller Not An Apology Songwriter Singer- Chris Staples Cheap Shades EP Songwriter Singer- Eleni Mandell Dark Lights UP Songwriter Singer- Mr. David Viner So Well Hid Songwriter Singer- The -
“The Mania of the Moment”: Cinema, Dance Hall, and the Rise of 1920S Leisure Culture in Britain
“The Mania of the Moment”: Cinema, Dance Hall, and the Rise of 1920s Leisure Culture in Britain Kathryn Reilly Yurkovsky Senior Thesis Seminar Professor Lisa Tiersten 1 May 2015 Table of Contents Acknowledgements ……………………………………………………………………...………. 1 Introduction …………………………………………………………………………………...…. 2 Historiography ………………………………………………………………………………...… 5 Chapter I ……………………………………………………………………………………....…. 7 Setting the Scene: The Making of a LeisureFriendly Britain Chapter II……………………………………………………………………………………….. 22 “Wherever you look”: The Growth and Democratization of 1920s Leisure Chapter III………………………………………………………………………………………. 35 “A Certain Universal Frivolity”: Anxieties Over Popular Culture and the Growth of Cheap Amusements Chapter IV………………………………………………………………………………………. 46 “The Talk of London”: Advertising Cinema and Dance Hall in the 1920s Conclusion ………………………………………………………………………………...…… 59 Appendix A ………………………………………………………………………………..…….62 Bibliography ……………………………………………………………………………...……..71 1 Acknowledgements Earlier this month, Gallup published an expansive study in response to a simple question: “Is College Worth It?” The study, which surveyed over 30,000 university graduates, created a list of the “Big Six” factors that made for a successful and worthwhile college experience, and led to longterm career and life achievement. According to the study, the top four experiences of successful students are: “(1) a professor who made them excited about learning (2) professors who cared about them as a person (3) a mentor who encouraged them to pursue their goals and dreams. (4) worked on a longterm project.” Although many, many people and experiences have made Barnard “worth it” for me, I have Professor Tiersten to thank for giving me the top four keys to success. Your constant support, your ability to make us laugh, and, most of all, the genuine interest and care you have invested in me over the course of this year means more to me than a million college degrees. -
Breweryarts.Co.Uk | 01539 725133 Spring 2020 Theatre | Music
Theatre | Music | Comedy | Dance | Cinema Art | Creative Learning | Food & Drink The biggest arts venue in Kendal Spring 2020 breweryarts.co.uk | 01539 725133 Massive Wagons - Fri 6 & Sat 7 Mar 02 Spring 2020 Box Office: 01539 725133 For full listings and to book online: breweryarts.co.uk Follow us on twitter: @BACKendal | facebook: @TheBreweryArtsCentreKendal Theatre 03 When Darkness Seeps Emergence - Thu 5 Mar Emergence Tour 2020: Sun 26 Jan & Sat 1 Feb Emergence Dance Warehouse | Starts 8pm Thu 5 Mar | Starts 8pm | Theatre £7 / £6 U25 & Unwaged £13 / £10 U25 & Unwaged Sun 2 Feb | Starts 8pm Emergence, the postgraduate Tickets £7 | Kendal Library dance company of Joss Arnott £7 / £6 U25 & Unwaged Dance and the University of On a cold, dark winter’s night Salford, returns with a new cohort, join our team of talented Future two new works and the chance Creatives and experience four to see a reimagining of one of adapted tales by Edgar Allan Arnott’s acclaimed productions. Poe, if you dare... Night of the Living Dead Crusaders by Frances Poet The Price of Land Ladies That Bus - Tue 11 & Wed 12 Feb Remix: imitating the dog Wed 5 & Thu 6 Feb Presented by Geoff Cox Tue 3 & Wed 4 Mar Theatre | Starts 8pm Directed by Kevin Dyer Starts 7.30pm | Theatre | £18.50 £7 / £6 U25 & Unwaged Sat 22 Feb | Theatre £15.50 U25 & Unwaged As part of National Theatre Starts 8pm | £10 Seven strangers take refuge Connections, Brewery Youth Eight voices, eight stories, eight from flesh eating ‘ghouls’ in an Theatre 15+ bring you this working lives, eight moments isolated farmhouse. -
The Dancing Front: Dancing, Morale, and the War Effort in Britain During World War II
The dancing front: dancing, morale, and the war effort in Britain during World War II James Nott Date of deposit 22 08 2016 Document version Author’s accepted manuscript Access rights Copyright © The Author 2016. Published by Oxford University Press. All rights reserved. This work is made available online in accordance with the publisher’s policies. This is the author created, accepted version manuscript following peer review and may differ slightly from the final published version. Citation for Nott, J. J. (2017). The dancing front: dancing, morale, and the published version war effort in Britain during World War II. Journal of Social History, 51(2), 387-406. Link to published https://doi.org/10.1093/jsh/shw112 version Full metadata for this item is available in St Andrews Research Repository at: https://research-repository.st-andrews.ac.uk/ Scheduled for publication in the Winter 2017 (51:2) issue of the Journal of Social History The Dancing Front: Dancing, Morale and the War Effort in Britain during World War II INTRODUCTION In December 1942 a correspondent for the Dancing Times described the dancing in the popular Liverpool dance hall the Grafton Rooms, nicknamed the “United Nations Ballroom of the North West”: Nightly on the spacious floor can be seen members of practically every nationality now serving under the banners of the United Nations…Here come the men of the merchant convoys, the lads in navy blue direct from escort duty, the well groomed airmen, the gallant boys in battle dress and – particularly during the past year – an ever increasing number of girls who have exchanged their ballroom frocks for the neat uniforms of the ATS, the WAAF and WRNS...[and] many girls… from the ‘Factory Front.’1 Such scenes were not unique to Liverpool, however.