DOCSLIB.ORG

Filmindex L X Ner

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Filmindex L X Ner One Touch of Venus („Venus på viften"). 1948. I.: William A. Seiter. Prod.: Lester Cowan. Manus.: Harry Kurnitz og Frank Tashlin. Foto: Frank Ra­ Filmindex l x ner. Musik: Leon Arnaud. Medv.: Ava Gardner, FRANK TASHLIN Robert Walker, Dick Haymes, Eve Arden, Olga San Juan, Tom Conway, James Flavin og Sara Allgood. Prod.: Universal-International. Dansk AF MORTEN PIIL prem.: 30. 9. 1949 i „Saga". Født 19. februar 1913 i Weehawken, New Jersey. Af­ brød sin skolegang som 12-årig for at tage korrespon­ Love Happy („Sardinmysteriet"). 1949. I.: David Mil dancekursus i tegning. Var samtidig avisdreng, bud for ler. Prod. : Lester Cowan. Manus.: Harpo Marx en slagter og medhjælper på en brystholderfabrik („dis­ Frank Tashlin og Mac Benoff. Foto: William C se sidste to beskæftigelser", siger Tas hitn, „har uden Mellor. Musik: Paul Smith. Medv.: Harpo, Chi tvivl kommet mig til gavn ved instruktion af mine to co og Groucho Marx, Ilona Massey, Vera-Ellen film med ]ayne Mansfield“) . Leverede vittighedsteg­ Marion Hutton, Raymond Burr, Bruce Gordon ninger til ugeblade (bl. a. tegneserien „Van Boring") Melville Cooper og Marilyn Monroe. Prod.: Uni og ankom 1933 til Hollywood for at lave tegnefilm for ted Artists. Dansk prem.: 16. 7. 1951 i „Carlton" Leon Schlesinger. 1935 gagmand for Gøg og Gokke, Thelma Todd og Charlie Chase. Beskæftiget med teg­ nefilm indtil 1944, da han begyndte at skrive manu­ Miss Grant Takes Richmond („Jeg gifter mig med che­ skripter. Lavede samme år en marionetfilmserie for fen") . 1949. I-: Lioyd Bacon. Prod.: S. Sylvan „LTnited Artists". 1945 gagmand for Harpo Marx („En Simon. Manus.: Nat Perrin, Devery Freeman og nat i Casablanca"), Bob Hope („Den tapre barber") og Frank Tashlin. Foto: Charles Lawton Jr. Musik: Eddie Bracken („The Ladies’ Man").Skrev 1946 radio- Morris Stoloff. Medv.: Lucille Ball, William Hol­ tekster for Eddie Bracken. Skrev og iscenesatte 1947 en den, Janis Garter, James Gleason, Frank McHugh, marionetfilm om menneskehedens historie fra skabelse Gloria Henry og George Cleveland. Prod.: Colum­ til atomødelæggelse. Skrev, producerede og iscenesatte bia. Dansk prem.: 14. 11. 1951 i „Carlton". 1952, 1954 og 1955 TV-film bl. a. for Jack Benny. Har skrevet følgende børnebøger: The Bear That Wasn’t" (overs. til dansk: „Bjørnen, som ikke var The Good Humor Man. 1950. I .: Lioyd Bacon. Prod.: bjørn", Fremad 1947), „The Possum That Didn’t", S. Sylvan Simon. Manus.: Frank Tashlin. Foto: „The World That Isn't" og „The Turtie That Lester White. Musik: Morris Stoloff. Medv.: Jack Couldn’t". Carson, Lola Albright, Jean Wallace, Peter Miles, George Reeves, Frank Ferguson, David Sharpe, Chick Collins og Eddie Parker. Prod.: Columbia. Deligh/fully Dangerous („Pigen fra Carnegie Hall"). 1945. I: Arthur Lubin. Prod.: Charles R. Rogers. A Woman of Distinction („Mit rygte er i fare"). 1950. Manus.: Walter DeLeon, Arthur Phillips og Frank I .: Edward Buzzell. Prod.: Buddy Adler. Manus.: Tashlin. Foto: Milton Krasner. Sange: Morton Charles Hoffman. Dialoger: Frank Tashlin. Foto: Gould. Medv.: Jane Powell, Ralph Bellamy, Con­ Joseph Walker. Musik: Morris Stoloff. Medv.: stance Moore, Morton Goulds orkester, Arthur Ray Milland, Rosalind Russell, Edmund Gwenn, Freacher, Louise Beavers. Prod.: United Artists. Janis Carter, Mary Jane Saunders, Frances Lede- Dansk prem.: 16. 6. 1948 i „Platan" som midnats­ rer og Jerome Courtland. Prod.: Columbia. Dansk forestilling. prem.: 28. 8. 1950 i „Palladium". Variety Giri („40 stjerner og een pige"). 1947. I: George Marshall. Prod. : Daniel Dåre. Manus.: Kilt the Umpire. 1950. I.: Lioyd Bacon. Prod.: John Edmund Harmann, Frank Tashlin, Robert Welch Beck. Manus.: Frank Tashlin. Foto : Charles Law­ og Monte Brice. Foto: Lionel Lindon og Stuart ton Jr. Musik: Morris Stoloff. Medv.: William Thompson. Musik: Joseph J. Liley og Toy San­ Bendix, Una Merkel, Ray Collins, Gloria Henry, ders. Medv.: Mary Hatcher, Olga San Juan, De Richard Taylor, Connie Marshall og William Forest Kelly, William Demarest, Frank Faylen og Frawlye. Prod.: Columbia. Frank Ferguson. Prod.: Paramount. Dansk prem.: 23. 7. 1948 i „Merry" og „Odeon". The Lemon-Drop Kid („Skæg på Broadway"). 1951. Paleface („Blegansigt"). 1948. I.: Norman Z. McLeod. I.: Frank Tashlin. Med-instruktør: Sidney Land- Prod.: Robert L. Welch. Manus.: Edmund Har­ field. Prod.: Robert Welch. Manus.: Edmund mann og Frank Tashlin. Foto: Ray Rennahan Belour, Edmond Hartmann, Robert O’Brien og (Technicolor). Musik: Victor Young. Medv.: Frank Tashlin efter Damon Runyon. Foto : Daniel Bob Hope, Jane Russell, Robert Armstrong, Iris L. Fapp. Musik: Victor Young. Medv.: Bob Ho­ Adrian, Rober Watson, Jack Searl, Joseph Vitale pe, Marilyn Maxwell, Lioyd Nolan, Jane Darwell, og Charles Tronbridge. Prod.: Paramount. Dansk Andrea King, Fred Clark, Jay C. Flippen, William prem.: 8. 7. 1949 i „Palads". Frawley og Harry Bellaver. Prod.: Paramount. Dansk prem.: 26. 12. 1951 1 „Carlton". The Fuller Brush Man („Børst mig på ryggen"). 1948. I. og Prod.: S. Sylvan Simon. Manus.: Roy Hug­ The First Time. 1952. I.: Frank Tashlin. Prod.: Ha­ gins, Frank Tashlin og Devery Freeman. Foto: rold Hecht. Manus.: Jean Rouverol, Hugo Butler, Lester White. Musik: Franz Roemhold. Medv.: Frank Tashlin og Dåne Sussier. Foto: Ernest Laz- Red Skelton, Janet Biair, Don McGuire, Adele lo. Musik: Morris Stoloff. Medv.: Robert Cum- Jergens, Ross Ford, Trudy Marshall, Nicholas Joy, mings, Barbara Hale, Bill Goodwin, Jeff Donnel, Donald Curtis og Arthur Space. Prod.: Columbia. Carl Benton Reid, Mona Barrie og Paul Harvey. Dansk prem.: 20. 6. 1949 i „Saga". Prod. Columbia. 39 The Son of Paleface („Søn af Blegansigt"). 1952. I.: The Giri Can’t Help It („Pigen kan ikke gøre for Frank Tashlin. Prod.: Robert Welch. Manus.: det!“). 1956. I. og prod.: Frank Tashlin. Manus.: Frank Tashlin, Robert Welch og Joseph Quillan. Frank Tashlin og Herbert Baker efter en historie Foto: Harry J. Wild (Technicolor). Musik: Lyn af Garson Kanin. Foto: Leon Shamroy (De-Luxe- Murray. Medv.: Bob Hope, Jane Russell, Roy Ro­ color, Cinemascope). Musik: Lionel Newman. gers, „Trigger", Bill Williams, Lloyd Corrigan, Medv.: Tom Ewell, Jayne Mansfield, Edmond Paul E. Burns og Douglas Dumbrille. Prod.: Pa- O’Brien, Henry Jones, John Emery, Juanita Moo- ramount. Dansk prem.: 29. 4. 1953 i „Palads". re, Julie London, Ray Antony, Fats Domino, The Platters, Johnny Olenn og Abbey Lincoln. Prod.: Fox. Dansk prem.: 6. 5. 1959 i „Kinopalæet". Marry Me Again. 1953. I .: Frank Tashlin. Prod.: Alex Gottlieb. Manus.: Frank Tashlin og Alex Gott­ Oh! For a Man! („Ih, du forbarmende"). 1957. I. og lieb. Foto : Robert de Grasse. Musik: Raoul Krans­ prod.: Frank Tashlin. Manus.: Frank Tashlin ef­ haar. Medv.: Robert Cummings, Marie Wilson, ter George Axelrods lystspil „Will Success Spoil Roy Walker, Mary Costa, Jess Barker, Lloyd Cor­ Rock Hunter". Foto: Joe MacDonald (De-Luxe rigan, Jane Vincent, Richard Gaines, Moroni Ol­ Color, Cinemascope). Musik: Cyril J. Mockridge. sen, Frank Cady, Joanne Arnold og Bob Thomas. Medv.: Jayne Mansfield, Tony Randall, Betsy Prod.: R. K. O. Drake, Joan Blondeil, John Williams, Henry Jo­ nes, Lili Gentie, Mickey Hargitay, Dick Whitting- hill, Groucho Marx og pudlen Shamroy. Prod.: Susan Slept Here („Susan sov her"). 1953. I.: Frank Fox. Dansk prem.: 11. 8. 1958 i „Metropol". Tashlin. Prod.: Harriett Parsons. Manus.: Alex Gottlieb og Frank Tashlin efter Alex Gottliebs og Steve Fishers skuespil. Foto: Nicholas Musuraca Rock-a-Bye, Baby („Jerry som babysitter"). 1958. I.: (Technicolor). Koreografi: Robert Sidney. Sange : Frank Tashlin. Prod.: Jerry Lewis. Manus.: Frank Richard Myers og Jack Lawrence. Medv.: Dick Po- Tashlin efter en historie af Preston Sturges. Foto: well, Debbie Reynolds, Anne Francis, Alioy Moo- Haskel Boggs (Vistavision, Technicolor). Musik: re, Glenda Farrell, Horace Mac Mahon og Rita Walther Scharf. Sange: Harry Warren, Sammy Johnson. Dansk prem.: 16. 5. 1955 i „Palladium". Cahn. Medv. : Jerry Lewis, Marilyn Maxwell, Re- ginald Gardiner, Baccaloni, Hans Conried, Isobel Elsom og James Gleason. Prod.: Paramount. Artists and Models („Kunstnere og modeller"). 1955. Dansk prem.: 14. 11. 1960 i „Colosseum". I .: Frank Tashlin. Prod.: Hal Wallis. Manus.: Frank Tashlin, Hal Kanter og Herbert Baker efter Michael Davidsons og Norman Lessings skuespil. Geisha Boy („Jerry og kaninen"). 1958. I.: Frank Foto : Daniel L. Fapp (Technicolor, Vistavision). Tashlin. Prod. : Jerry Lewis. Manus.: Frank Tash­ Musik: Walter Scharf. Sange af Harry Warren og lin efter en historie af Rudy Makoul. Foto: Ha- Jack Brooks. Medv. : Dean Martin, Jerry Lewis, skell Boggs (Vistavision, Technicolor). Musik: Dorothy Malone, Shirley McLaine, Eddie Maye- Walter Scharf. Medv. : Jerry Lewis, Marie Mac- hoff, Eva Gabor, Anita Ekberg, George „Foghorn" donald, Robert Kazuyoshi, Nobu Atsumi McCar- Winslow og Jack Elam. Prod.: Paramount. Dansk thy, Sessue Hayakawa og Barton McLane. Prod. : prem.: 24. 2. 1958 i „Villabyernes bio". Paramount. Dansk prem.: 17. 5. 1960 i „Dag­ mar". The Lieutenant Wore Skirts („Løjtnant i skørter"). 1955. I. : Frank Tashlin. Prod. : Buddy Adler. Ma­ Say One For Me. 1959. I .: Frank Tashlin. Prod.: nus.: Albert Beich og Frank Tashlin. Foto: Leo Bing Crosby. Manus.: Robert O’Brien. Foto: Leo Tover (De-Luxe Color, Cinemascope). Musik: Cy- Tover (De-Luxecolor, Cinemascope). Musik: ril J. Mockridge. Sang af Ken Darby. Medv. : Tom Lionel Newman. Sange: Sammy Cahn og James Ewell, Sheree North, Rita Moreno, Rick Jackson, Van Heusen. Koreografi: Alex Romero. Medv. : Les Tremayne, Gregory Walcott, Alice
Load more

Recommended publications
  • ASUI Board Chair Spends Unauthorized Funds Mike Mcnulty the Student Elections
    lVews. ~ Sports ~ DIVERSIONS - UI graduate student German tandem defines :. receives outstanding running success for the 4'+r, ro. 'o '; student award. VIIndah. 9p c~ O~ See page 4. See page 11. r+ ~r ,t(;f)(l!ls .r<'r tltIjj THE UNIVERSITY DF IDAHQ Frida, Se tember 8, 1995 ASUI —Moscow, Idaho Volume 971V0. S Stop the smoke ASUI Board Chair spends unauthorized funds Mike McNulty the student elections. The money for comment. Staff comes primarily from student fees ASUI Senator Clint Cook, who which supports ASUI's near $1 mil- resigned from office last week, said t was a flagrant misuse of lion annual budget. he was at the dinner which was a the students'noney," ASUI ASUI Senator Christs Manis said "reward" for board members who put President Wilson said Sean "it's a shame" the student legislature in over 20 hours of unpaid work dur- about a chairperson's decision to is often slowed down by minor ing the spring election. He said spend an unauthorized amount of details. Shaltry was just appointed to her cash on an dinner last expensive "We'e just tired of knit-picking," position and was unfamiliar with cer- semester. said Manis. "It's hard to keep things tain procedures. Angie Shaltry, chairperson for the moving when we have to deal with "No one told her the rules," said Student Issues Board, was authorized this.'" things like Cook. "Angie thought the money was to buy dinner for board members after President Wilson said he found out available to be spent." the spring election with a UI depart- stu- about the dinner party after most Cook said everything was "straight- mental purchase order issued by vacation dents had left for summer ened out" and the situation has been ASUI Business Adviser Sandra Gray.
    [Show full text]
  • Pope Protests Expulsion of Archbishop by Haiti
    THE VOICE HOI Blseayn* Blvd., Miami 3», tim. Return Pottage Guaranteed VOICE Weekly Publication of the Diocese of Miami Covering the 16 Counties of South Florida VOL II, NO. 37 Price $5 a year ... 15 cents a copy DEC. 2, 1960 Pope Protests Expulsion Of Archbishop By Haiti The Holy See has deplored Prince as he sat in his study purple sash and carried only the unjust and disrespectful by six uniformed gendarmes the passport and an airways treatment given to Archbishop and six members of the secret ticket to Paris which"had been Francois Poirier of Port au police. He was placed immedi- handed to him. ately aboard a plane for Mi- Prince by the Haitian govern- The 56-year-old prelate was ami with no personal effects ment when it expelled him met at the Miami International from Haiti on Thanksgiving Day and no money. Airport by Bishop Coleman F. last week. He wore his white robe with (Continued on Page 13) The Vatican expressed its grief in a telegram sent to the Archbishop in the name of Pope John XXIII by Dom- enico Cardinal Tardini, Vati- can Secretary of State. The wire was sent to Archbishop Poirier in his native France to which he returned after first landing in Miami on his forced flight into exile. The telegram said Pope John "is deeply grieved by the vio- lation of the holy rights of the BANISHED FROM HAITI, Archbishop Francois erck Wass, assistant chancellor, after forced Church." It expressed the Poirier is met at Miami's International Airport flight from Port au Prince.
    [Show full text]
  • Coronet 1956-1962
    AUSTRALIAN RECORD LABELS THE CORONET LABEL 1956–1962 COMPILED BY MICHAEL DE LOOPER OCTOBER 2019 CORONET, 1956–1962 THE CORONET LABEL MADE ITS DEBUT IN JANUARY 1956. PRIOR TO ITS ACQUISITION BY A.R.C., TITLES FROM THE U.S. COLUMBIA CATALOGUE WERE RELEASED IN AUSTRALIA THROUGH PHILIPS RECORDS. CORONET KLC CLASSICAL 12” AND KGC 7” EP’S ARE NOT LISTED HERE CORONET KP SERIES 78’S KP-001 BIBLE TELLS ME SO / SATISFIED MIND MAHALIA JACKSON 2.56 KP-002 OOH BANG JIGGILY JANG / JIMMY UNKNOWN DORIS DAY 1.56 KP-003 MAYBELLINE / THIS BROKEN HEART OF MINE MARTY ROBBINS 1.56 KP-004 I WISH I WAS A CAR / REMEMB'RING PETER LIND HAYES 4.56 KP-005 BONNIE BLUE GAL / BEL SANTE MITCH MILLER AND HIS ORCHESTRA 3.56 KP-006 SIXTEEN TONS / WALKING THE NIGHT AWAY FRANKIE LAINE 1.56 KP-007 PIZZICATO WALTZ / SKIDDLES GEORGE LIBERACE & HIS ORCHESTRA 2.56 KP-008 HEY THERE! / WAKE ME ROSEMARY CLOONEY KP-009 HEY THERE! / HERNANDO'S HIDEAWAY JOHNNIE RAY KP-010 BAND OF GOLD / RUMBLE BOOGIE DON CHERRY 3.56 KP-011 MEMORIES OF YOU / IT'S BAD FOR ME ROSEMARY CLOONEY KP-012 LEARNING TO LOVE / SONG OF SEVENTEEN PEGGY KING KP-013 TELL ME THAT YOU LOVE ME / HOW CAN I REPLACE YOU TONY BENNETT 2.56 KP-014 TOUCH OF LOVE / WITH ALL MY HEART VAL VALENTE 1.56 KP-015 WHO'S SORRY NOW? / A HEART COMES IN HANDY JOHNNIE RAY 2.56 KP-016 TAKE MY HAND / HAPPINESS IS A THING CALLED JOE JERRI ADAMS 6.56 KP-017 JOHNNIE'S COMIN' HOME / LOVE, LOVE, LOVE JOHNNIE RAY 1.56 KP-018 LET IT RING / LOVE'S LITTLE ISLAND DORIS DAY KP-019 LAND OF THE PHARAOHS / THE WORLD IS MINE PERCY FAITH AND HIS ORCHESTRA
    [Show full text]
  • SHSU Video Archive Basic Inventory List Department of Library Science
    SHSU Video Archive Basic Inventory List Department of Library Science A & E: The Songmakers Collection, Volume One – Hitmakers: The Teens Who Stole Pop Music. c2001. A & E: The Songmakers Collection, Volume One – Dionne Warwick: Don’t Make Me Over. c2001. A & E: The Songmakers Collection, Volume Two – Bobby Darin. c2001. A & E: The Songmakers Collection, Volume Two – [1] Leiber & Stoller; [2] Burt Bacharach. c2001. A & E Top 10. Show #109 – Fads, with commercial blacks. Broadcast 11/18/99. (Weller Grossman Productions) A & E, USA, Channel 13-Houston Segments. Sally Cruikshank cartoon, Jukeboxes, Popular Culture Collection – Jesse Jones Library Abbott & Costello In Hollywood. c1945. ABC News Nightline: John Lennon Murdered; Tuesday, December 9, 1980. (MPI Home Video) ABC News Nightline: Porn Rock; September 14, 1985. Interview with Frank Zappa and Donny Osmond. Abe Lincoln In Illinois. 1939. Raymond Massey, Gene Lockhart, Ruth Gordon. John Ford, director. (Nostalgia Merchant) The Abominable Dr. Phibes. 1971. Vincent Price, Joseph Cotton. Above The Rim. 1994. Duane Martin, Tupac Shakur, Leon. (New Line) Abraham Lincoln. 1930. Walter Huston, Una Merkel. D.W. Griffith, director. (KVC Entertaiment) Absolute Power. 1996. Clint Eastwood, Gene Hackman, Laura Linney. (Castle Rock Entertainment) The Abyss, Part 1 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss, Part 2 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss. 1989. (20th Century Fox) Includes: [1] documentary; [2] scripts. The Abyss. 1989. (20th Century Fox) Includes: scripts; special materials. The Abyss. 1989. (20th Century Fox) Includes: special features – I. The Abyss. 1989. (20th Century Fox) Includes: special features – II. Academy Award Winners: Animated Short Films.
    [Show full text]
  • Xwayneturner Mended for Adult Audiences 1 Anniversary Party
    — Head costume—much less re- THE EVENING STAR, Washington, D. C. • , _ vealing. ** THURSDAY. MAT «¦ IMS Jeanmaire Gets C-10 WHERE Jeanmaire, always the Part- iminiMs PASSING SHOW New (Clad) Look sienne, sighed; “What willthey OPfN 10.41 AM THE WHEN think of me in this?” AND By the Associated Press CURRENT THEATER ATTRACTIONS HOLLYWOOD. A Deluge of Charm, AND TIME OF BHOWING Jeanmaire, the French dancer who is credited with KERR uhb. ' Stage putting sex in ballet, showed &¦' up one lil&iit:s Arena “The Mousetrap”; for of her numbers In A Dash of Heroism "Anything Goes” in her own 8:30 pun. conception TUf M By JAY CARMODY Screen of a dance costume. DADDY LONG LEGS. a 30th Century- “THE ETERNAL SEA.” A Republic Chase”; It took Director Robert film. produced by Samuel C. Engel, picture, produced by John H. Auer, Ambassador—“ The Sea REMA.MI.M- / fox by Auer, Lewis, directed by Jean Neaulesco. choreography directed screenplay by Alan 1, 3:05, 5:10, 7:20 and 9:30 p.m. Designer Edith Head by Fred Astaire. David Robel and Roland Rivkin based upon a story by william JOHN H.MOBKWS/s. screenplay Henry Haines, and Bing Crosby an hour to Petit, by and Phoebe Wister with a musical score by Capitol "Strategic Air Com- Ephorn from Jean Webster'* novel, with ¦lmer Bernstein. At Keith's. tell her why j HERBERT J. VATES score by Johnny Mercer. At The Cast mand”; 11 a.m., 12:55, 2:55, 5:15, the costume musical * Loew s Palace. Admiral John M.
    [Show full text]
  • Zum Werk Von Frank Tashlin
    Vollautomatische Spontandemontagen : notorische beste Ansichten : zum werk von Frank Tashlin Autor(en): Lachat, Pierre Objekttyp: Article Zeitschrift: Filmbulletin : Zeitschrift für Film und Kino Band (Jahr): 36 (1994) Heft 195 PDF erstellt am: 05.10.2021 Persistenter Link: http://doi.org/10.5169/seals-867086 Nutzungsbedingungen Die ETH-Bibliothek ist Anbieterin der digitalisierten Zeitschriften. Sie besitzt keine Urheberrechte an den Inhalten der Zeitschriften. Die Rechte liegen in der Regel bei den Herausgebern. Die auf der Plattform e-periodica veröffentlichten Dokumente stehen für nicht-kommerzielle Zwecke in Lehre und Forschung sowie für die private Nutzung frei zur Verfügung. Einzelne Dateien oder Ausdrucke aus diesem Angebot können zusammen mit diesen Nutzungsbedingungen und den korrekten Herkunftsbezeichnungen weitergegeben werden. Das Veröffentlichen von Bildern in Print- und Online-Publikationen ist nur mit vorheriger Genehmigung der Rechteinhaber erlaubt. Die systematische Speicherung von Teilen des elektronischen Angebots auf anderen Servern bedarf ebenfalls des schriftlichen Einverständnisses der Rechteinhaber. Haftungsausschluss Alle Angaben erfolgen ohne Gewähr für Vollständigkeit oder Richtigkeit. Es wird keine Haftung übernommen für Schäden durch die Verwendung von Informationen aus diesem Online-Angebot oder durch das Fehlen von Informationen. Dies gilt auch für Inhalte Dritter, die über dieses Angebot zugänglich sind. Ein Dienst der ETH-Bibliothek ETH Zürich, Rämistrasse 101, 8092 Zürich, Schweiz, www.library.ethz.ch http://www.e-periodica.ch Vollautomatische Spontandemontagen Notorisch beste Ansichten zum Werk von Frank Tashlin HOLLYWOOD OR BUST «Die wussten damals nicht, sehen -, dann packten Roy Williams reden wollen, dann gebe ich es ganz was sie mit einem (ein massiger, kräftiger Kerl) und ich gern zu: Solche Spässe fanden wir Burschen namens Ducky Nash den Stuhl mitsamt Ducky drin.
    [Show full text]
  • THE MUSICAL FILM GENRE \' I' 1955-1979
    CALIFORNIA STATE UNIVERSITY, NORTHRIDGE THE MUSICAL FILM GENRE \' i' 1955-1979 A thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in Mass Communication by Cathy Rabin June, 1980 The thesis of Cathy Rabin is approved: Dr. JolmlAllyn Dr. Susan Hem:y rt. ftolm Schultheiss, Carmittee Chairperson - California State University Northridge ii ACKNOWLEDGEMENTS Gratitude is extended to Dr. Susan Henry for her con­ cern and the dedication of her time and knowledge through­ out this study. The author wishes to express thanks to Dr. John Schultheiss and Dr. John Allyn for their assistance and for serving on this thesis committee. The author also wishes to acknowledge Dr. Timothy E. Scheurer for his previous work in the field and his assis­ tance on this thesis. iii TABLE OF CONTENTS Page ACKNOWLEDGEMENTS iii LIST OF CHARTS . vi-i ABSTRACT viii Chapter 1 INTRODUCTION 1 SIGNIFICANCE . • • . • . • • . 3 KEY POINTS • • . • • • • • • • . • • • 4 BACKGROUND OF THE STUDY • • • • · 5 DE F I N I T I 0 NS. • • • • • • • • · • • • 6 STUDY LIMITATIONS • • • • • . 8 ORGANIZATION • • • • • • · 9 CONCLUSIONS • • . • • . • • • • • • 10 2 REVIEW OF LITERATURE 13 INTRODUCTION' • • . • • • · 13 INDICES .••• ·. • . • . • • • • • 13 FILM MUSICALS: BOOKS . • • • . • • 17 FILM MUSICALS: ARTICLES........ 20 FILM DEVELOPMENTS • . • . • • • 22 ROCK MUSIC AND FILM • • • • . • • • 26 STATE OF THE ART OF MUSICALS . • • • • 30 ADDITIONAL SOURCES .••••.... • 32 SUMMARY ••••. ~.......... 32 METHODOLOGY SOURCES • . • • . • • 34 METHODOLOGY
    [Show full text]
  • Kosmorama058.Pdf
    Forsidebillédet Henning Carlsens Sydafrika-film „Dilemma" Indhold Nye ansigter................................................................................................................................................. 3 Nye billeder ................................................................................................................................................. 4 Nye ansigter: Bent Christensen.................................. 5 Nye ansigter: Henning Carlsen ................................................................................ 6 Nye ansigter: Palle Kjærulff-Schmidt.................................................................................................. 7 Nye ansigter: Klaus Rif bjerg .............................................................................................................. 8 Nye ansigter: Leif Panduro ................................................................................................................... 9 Citizen Welles af Jean Béranger................................................................................................................ 10 Close u p ......................................................................................................................................................... 18 Tashliniana af Morten P i i l ........................................................................................................................ 19 Festivalrapport: Berlin af Arne Svensson.............................................................................................
    [Show full text]
  • Frank Tashlin Robert-Claude Bérubé
    Document generated on 09/26/2021 5:59 p.m. Séquences La revue de cinéma Flash sur un réalisateur Frank Tashlin Robert-Claude Bérubé Rire et délire Number 38, October 1964 URI: https://id.erudit.org/iderudit/51848ac See table of contents Publisher(s) La revue Séquences Inc. ISSN 0037-2412 (print) 1923-5100 (digital) Explore this journal Cite this article Bérubé, R.-C. (1964). Flash sur un réalisateur : Frank Tashlin. Séquences, (38), 28–31. Tous droits réservés © La revue Séquences Inc., 1964 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ FLASH SUR UN REALISATEUR FRANK TASHLIN Robert-C. Bérubé Il a grandi dans l'atmosphère des cher, le père de Popeye; à vingt- studios d'animation ; c'est autour six ans, il travaillait pour Walt Dis­ des tables à dessins que s'est faite ney, imaginant les mésaventures son éducation. A quinze ans, il était qui allaient fondre sur Mickey garçon de course chez Max Fleis- Mouse ou Donald Duck. Pas éton- 28 SÉQUENCES nant qu'il conçoive le comique ci­ sieurs scènes d'un film dont il n'é­ nématographique dans les termes tait pas satisfait; et malgré la si­ explosifs qui sont le propre des gnature officielle de Sidney Lan- dessins animés.
    [Show full text]
  • This Electronic Thesis Or Dissertation Has Been Downloaded from Explore Bristol Research
    This electronic thesis or dissertation has been downloaded from Explore Bristol Research, http://research-information.bristol.ac.uk Author: Roberts, Steven F Title: High Fidelity Widescreen Cinema VistaVision Film Production and Style in Britain and the USA General rights Access to the thesis is subject to the Creative Commons Attribution - NonCommercial-No Derivatives 4.0 International Public License. A copy of this may be found at https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode This license sets out your rights and the restrictions that apply to your access to the thesis so it is important you read this before proceeding. Take down policy Some pages of this thesis may have been removed for copyright restrictions prior to having it been deposited in Explore Bristol Research. However, if you have discovered material within the thesis that you consider to be unlawful e.g. breaches of copyright (either yours or that of a third party) or any other law, including but not limited to those relating to patent, trademark, confidentiality, data protection, obscenity, defamation, libel, then please contact [email protected] and include the following information in your message: •Your contact details •Bibliographic details for the item, including a URL •An outline nature of the complaint Your claim will be investigated and, where appropriate, the item in question will be removed from public view as soon as possible. High Fidelity Widescreen Cinema: VistaVision Film Production and Style in Britain and the USA Steven Francis Roberts A dissertation submitted to the University of Bristol in accordance with the requirements for award of the degree of Doctor of Philosophy in the Faculty of Arts, Department of Film and Television September 2019 68079 words Abstract In the 1950s, widescreen cinema transcended industry standards of aspect ratio and film size on an international scale.
    [Show full text]
  • Jimmy Van Heusen Papers PASC-M.0127
    http://oac.cdlib.org/findaid/ark:/13030/kt5s20204k No online items Finding Aid for the Jimmy Van Heusen Papers PASC-M.0127 Finding aid prepared by Kevin C. Miller of the Center for Primary Research and Training Plus, UCLA Special Collections staff, 2009; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Online finding aid last updated 2021 January 4. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections Finding Aid for the Jimmy Van PASC-M.0127 1 Heusen Papers PASC-M.0127 Contributing Institution: UCLA Library Special Collections Title: Jimmy Van Heusen papers Creator: Van Heusen, Jimmy 1913-1990 Identifier/Call Number: PASC-M.0127 Physical Description: 83 Linear Feet(166 boxes) Date (inclusive): 1853-1994 Date (bulk): 1939-1972 Abstract: Collection consists of American song composer Jimmy Van Heusen's papers and materials, both business and personal. Items include an extensive collection of unpublished music manuscripts and song lyrics, published sheet music, correspondence, personal papers, and business documents. Many materials relate to his interactions with Johnny Burke, Sammy Cahn, Bing Crosby, Frank Sinatra, and others, and to his publishing companies Burke & Van Heusen, Inc. and Van Heusen Music Corporation. Also includes sound and audiovisual materials, including his personal LP collection, unpublished home recordings, and home movies. Photographic material includes both press and personal prints, some negatives, and color slides. Other items include performance scripts, altered lyrics, biographic materials, professionally assembled scrapbooks, and other published materials from his personal collection.
    [Show full text]
  • Television-Digest-19
    WEEKLY Television Digest JULY 4, 1960 1960 CA9'IO VOL. 16: No. 27 The authoritative service for executives engaged in all branches of the television arts & industries SUMMARY -INDEX OF WEEK'S NEWS ',9 tJ L 5 Congress Consumer Electronics PAYOLA BILL CLEARS HOUSE, hits Senate snag in Aug. hearings RCA TRIMS FAT from corporate structure to beef up its thrust into on suspension & forfeituIes. Senate. okays Sec. 315 suspension for computer field (pp. 3 & 15). Presidential tickets (pp. 1, 5 & 6). - JAPAN RADIO QUOTAS for export to U.S. & Canada set at about BOOSTER 'BILL VOTED. FCC to act fast, expected to finalize rules 1959 level, as self-imposed embargo on transistor sets is '.lifted; much as proposed. Major question: How much time do old operat- scant comfort for domestic makers (p. 14). ors need to comply? (p. 4). ENTER THE COMPACTRON, GE's new multi -unit tube which may Stations bring substantial cost reductions in TV -radio -stereo -evolutionary weapon in tube -vs. -transistor battle (pp. 14 & 16). NAB SCANS 1959 TV-RADIO FINANCES, finds "typical" TV sta- REVERBERATION DEVICES blasted by Columbia's Shallow in tion profits to 14.3% of up 10% (p. 2). rose sales, revenues first industry attack. They distort carefully balanced recordings, FM TOTALS MOUNT AS AM pipelines clog. Mid -year figures show he claims (p. 16). 741 operating FMs, 3,484 AMs. Applications for new FMs total Programming 114, AMs 786 (p. 4). Dept. (p. 12). FCC LIVE TV SHRINKS ON NETS, with only one out of 4 nighttime hours scheduled for next season.
    [Show full text]