Hildegarde (Sainte, 1098-1179)

Total Page:16

File Type:pdf, Size:1020Kb

Hildegarde (Sainte, 1098-1179) 1/23 Data Hildegarde (sainte, 1098-1179) Langue : Latin Sexe : Féminin Naissance : 1098 Mort : 17-09-1179 Note : Écrivait aussi en allemand Mystique bénédictine. - Abbesse du monastère de Disibodenberg. - Poète, écrivain et compositeur Domaines : Religion Autres formes du nom : Hildegardis (sainte, 1098-1179) (latin) Hildegard of Bingen (sainte, 1098-1179) (anglais) Hildegard von Bingen (sainte, 1098-1179) (allemand) Hildegarde de Bingen (sainte, 1098-1179) (français) Hildegardis Bingensis (sainte, 1098-1179) (latin) Ildegarda di Bingen (sainte, 1098-1179) (italien) Hildegarde von Bingen (sainte, 1098-1179) ISNI : ISNI 0000 0001 1867 5311 (Informations sur l'ISNI) Hildegarde (sainte, 1098-1179) : œuvres (184 ressources dans data.bnf.fr) Œuvres musicales (127) "Surgissant à nouveau de la terre" "Hildegard's dream" (2014) (1994) de Aurélien Dumont de Alejandro Viñao avec Hildegarde (sainte, 1098-1179) comme Auteur du texte avec Hildegarde (sainte, 1098-1179) comme Auteur du texte Ordo virtutum O viridissima virga (1151) (1150) In matutinis laudibus sancte Ursule O felix anima (1120) Deus enim rorem O orzchis ecclesia In matutinis laudibus Kyrie eleison Quia ergo femina Columba aspexit per cancellos data.bnf.fr 2/23 Data O quam pretiosa O vis eternitatis O quam magnum miraculum O clarissima mater O dulcissime amator O virga ac diadema Spiritus Sanctus vivificans vita O successores fortissimi leonis O coruscans lux stellarum O lucidissima Apostolorum turba O nobilissima viriditas Symphonia harmoniae caelestium revelationum Laus Trinitati O frondens virga Cum processit factura Ave Maria, O auctrix O viriditas digiti Dei O virgo ecclesia plangendum est Quia felix pueritia O pulchre facies O Pastor animarum Cum erubuerint infelices Caritas abundat in omnia Studium divinitatis O cruor sanguinis O quam mirabilis Nunc gaudeant materna viscera O ignis Spiritus Paracliti O Jerusalem aurea civitas O rubor sanguinis O vos felices radices O magne Pater Cum vox sanguinis Ursule O beatissime Ruperte Hodie aperuit nobis Favus distillans Ursula O ecclesia oculi tui O felix apparitio Rex noster promptus est Unde quocumque venientes Sed diabolus O tu suavissima virga Alleluia O virga mediatrix Ave generosa Spiritui Sancto honor sit O vos imitatores excelse O virtus Sapientie O Euchari in leta via data.bnf.fr 3/23 Data Vos flores rosarum O tu illustrata O ignee spiritus O eterne Deus Voir plus de documents de ce genre Œuvres textuelles (56) Liber divinorum operum simplicis hominis Ordo virtutum (1163) (1151) Scivias Physica (1141) Liber subtilitatum diversarum naturarum creaturarum Expositiones quorumdam Evangeliorum Causae et curae Symphonia harmoniae caelestium revelationum Voir plus de documents de ce genre Manuscrits et archives (1) "Visiones sanctae Elisabeth Sconaugiensis (NAL 760)" avec Hildegarde (sainte, 1098-1179) comme Auteur du texte Adaptations réalisées à partir des œuvres de Hildegarde (sainte, 1098-1179) (1 ressources dans data.bnf.fr) Œuvres mixtes (1) Les recettes de la joie avec sainte Hildegarde (1993) data.bnf.fr 4/23 Data Documents sur Hildegarde (sainte, 1098-1179) (159 ressources dans data.bnf.fr) Livres (140) La santé de la femme selon , Wighard Strehlow, Monaco Qu'est-ce que l'âme, qu'est- , Pierre Dumoulin, [Nouan- Hildegarde de Bingen : Éditions du Rocher , DL ce que l'homme le-Fuzelier] : EdB , impr. (2021) 2021 (2020) 2020 Hildegarde de Bingen , Guy Lehideux, Véronique Prévention et guérison , Wighard Strehlow, Monaco (2020) Garcia (scénariste de selon Hildegarde de Bingen : Éditions du Rocher , DL bandes dessinées), (2020) 2020 Frédéric Garcia, Strasbourg : Signe , DL 2020 Analytical essays on music , New York : Oxford Hildegarde de Bingen , Josy Marty-Dufaut, by women composers University Press , 2020 (2020) [Rennes] : Éditions "Ouest- Volume 1 France" , DL 2020 (2020) Les biscuits de la joie , Sophie Macheteau, Paris : Le retour d'Hénoch et Élie , Brigitte Scohy, Paris : (2019) "Rustica" éditions , DL 2019 (2019) Vérone éditions , DL 2019 Les secrets de bien-être , Mélanie Schmidt-Ulmann, Guérir par l'alimentation , Wighard Strehlow, Monaco d'Hildegarde de Bingen Paris : Leduc.s poche , DL selon Hildegarde de Bingen : Éditions du Rocher , 2019 (2019) 2019 (2019) Sainte Hildegarde , Mauricette Vial-Andru, Les trésors thérapeutiques , Wighard Strehlow, (2019) Cabestany : Éditions Saint d'Hildegarde Strasbourg : Éditions du Jude , DL 2019 (2019) Signe , DL 2019 Petit grimoire de sorcière , Erika Laïs, Paris : Éditions Les remèdes de santé , Paul Ferris, Vanves : (2019) de Noyelles , DL 2019 d'Hildegarde de Bingen Marabout , DL 2019 (2019) Hildegard von Bingen's , Michael C. Gardiner, Miraculeuses plantes , Sophie Macheteau, Paris : Ordo virtutum Abingdon, Oxon ; New York, d'Hildegarde de Bingen Éditions de Noyelles , DL (2019) NY : Routledge, an imprint (2019) 2019 of the Taylor & Francis Group , 2019 Avec Hildegarde , Dominique Salan, Isa d' Hildegard von Bingen , Sara Salvadori, Milan : (2019) Audiffret, Paris : Éditions (2019) Skira , 2019 Lanore , DL 2019 data.bnf.fr 5/23 Data "Speculum futurorum , Roma : Istituto storico Hildegarde de Bingen , Daniel Elouard (professeur temporum" italiano per il Medio evo , (2018) de lettres), Paris : Salvator (2019) 2019 , DL 2018 Hildegarde de Bingen , Pascale Fautrier, Paris : Hildegarde de Bingen , Pascale Fautrier, [Paris] : (2018) Albin Michel , DL 2018 (2018) le Grand livre du mois , DL 2018 Hildegard of Bingen , Honey Meconi, Urbana : Miraculeuses plantes , Sophie Macheteau, Paris : (2018) University of Illinois Press d'Hildegarde de Bingen "Rustica" éditions , DL 2017 (2017) Prier 15 jours avec , Marie-Anne Vannier, L'approche thérapeutique , Peter Pukownik, Paris : Hildegarde de Bingen Bruyères-le-Châtel : de Hildegarde de Bingen au Éditions Médicis , DL 2017 (2017) Nouvelle cité , DL 2017 quotidien (2017) Le grand livre des secrets , Mélanie Schmidt-Ulmann, Ildegarda di Bingen , Giordano Frosini, Bologna de santé d'Hildegarde de Paris : Leduc.s éditions , DL (2017) : EDB Edizioni dehoniane Bingen 2017 Bologna , 2017 (2017) L'abécédaire de la santé , Corinne Graux, Montsûrs : Secrets et remèdes , Claire Desvaux, Sophie (2017) Éditions Résiac , DL 2017 d'Hildegarde de Bingen Macheteau, Paris : Rustica (2016) éditions , DL 2016 Hildegarde de Bingen , Marie-Anne Vannier, Paris Les secrets de bien-être , Mélanie Schmidt-Ulmann, (2016) : Entrelacs , DL 2016 d'Hildegarde de Bingen Paris : Leduc.s éditions , DL (2016) 2016 Les secrets de bien-être , Mélanie Schmidt-Ulmann, Hildegarde de Bingen et la , Victoria Cirlot, Paris : d'Hildegarde de Bingen [Paris] : le Grand livre du tradition visionnaire de l'Harmattan , DL 2016 (2016) mois , DL 2016 l'Occident (2016) Die Sinne in den Schriften , María José Ortúzar Hildegard of Bingen and , Jennifer Bain, Cambridge, Hildegards von Bingen Escudero, Stuttgart : Anton musical reception United Kingdom : (2016) Hiersemann Verlag , 2016 (2015) Cambridge University Press , 2015 Le livre de santé de sainte , Peter Pukownik, Paris : Hildegarde pour les , Mélody Molins, Paris : Hildegarde de Bingen Éditions Médicis , cop. débutants Édition IH , DL 2015 (2015) 2015 (2015) En bonne santé toute , Peter Pukownik, Paris : Hildegarde de Bingen , Audrey Fella, Paris : l'année avec sainte Éditions Médicis , cop. (2015) Éditions Points , DL 2015 Hildegarde de Bingen 2015 (2015) data.bnf.fr 6/23 Data A companion to Hildegard , Leiden ; Boston (Mass.) : Thérèse de Lisieux , Anne-Sophie Du Bouëtiez, of Bingen Brill , 2014 (2014) Claire Perret, Montrouge : (2014) Bayard jeunesse , DL 2014 Hildegarde de Bingen , Pierre Dumoulin, [Nouan- Les secrets de santé et , Daniel Maurin (2012) le-Fuzelier] : EdB , impr. bien-être de sainte (1948-2004), Saint-Julien- 2012 Hildegarde de Bingen en-Genevois ; Bernex- (2012) Genève : Jouvence éd. , impr. 2012 Vidi et intellexi , Maura Zátonyi, Münster : Le bien-être des seniors , Wighard Strehlow, (2012) Aschendorff , cop. 2012 selon sainte Hildegarde de Montsûrs : Éd. Résiac , Bingen impr. 2012 (2012) Prier 15 jours avec , Marie-Anne Vannier, Les maladies de la peau , Wighard Strehlow, Paris : Hildegarde de Bingen Bruyères-le-Châtel : selon sainte Hildegarde F.-X. de Guibert , impr. 2011 (2012) Nouvelle cité , impr. 2012 (2011) Two hagiographies , Hildegarde (sainte, Prévention et guérison des , Wighard Strehlow, Paris : (2010) 1098-1179), Paris : Peeters maladies selon Hildegarde F.-X. de Guibert , impr. 2010 , 2010 de Bingen (2010) Les recettes de la joie avec , Jany Fournier-Rosset, Hildegarde de Bingen, la , Audrey Fella, Paris : le sainte Hildegarde Paris : Pierre Téqui éditeur sentinelle de l'invisible Courrier du livre , impr. (2009) , [DL 2009] (2009) 2009 Les maladies de l'appareil , Wighard Strehlow, Paris : Les remèdes de santé , Paul Ferris, [Paris] : digestif F.-X. de Guibert , impr. 2009 d'Hildegarde de Bingen Marabout , DL 2009 (2009) (2009) Hildegard of Bingen and , Beverly Mayne Kienzle, Les maladies de la femme , Wighard Strehlow, Paris : her Gospel homilies Turnhout : Brepols , cop. (2009) F.-X. de Guibert , impr. 2009 (2009) 2009 Gesundheit im Spiegel der , Tübingen : M. Niemeyer , Cancer et insuffisance , Wighard Strehlow, Paris : Disziplinen, Epochen, 2008 immunitaire F.-X. de Guibert , impr. 2008 Kulturen (2008) (2008) Hildegarde de Bingen, la , Arnaud De La Croix, Petite pharmacie , Gottfried Hertzka, Paris : langue inconnue Monaco ; [Paris] : Alphée , domestique de
Recommended publications
  • TITLE Pages 160518
    Cover Page The handle http://hdl.handle.net/1887/64500 holds various files of this Leiden University dissertation. Author: Young, R.C. Title: La Cetra Cornuta : the horned lyre of the Christian World Issue Date: 2018-06-13 La Cetra Cornuta : the Horned Lyre of the Christian World Proefschrift ter verkrijging van de graad van Doctor aan de Universiteit Leiden op gezag van Rector Magnificus prof.mr. C.J.J.M. Stolker, volgens besluit van het College voor Promoties te verdedigen op 13 juni 2018 klokke 15.00 uur door Robert Crawford Young Born in New York (USA) in 1952 Promotores Prof. dr. h.c. Ton Koopman Universiteit Leiden Prof. Frans de Ruiter Universiteit Leiden Prof. dr. Dinko Fabris Universita Basilicata, Potenza; Conservatorio di Musica ‘San Pietro a Majella’ di Napoli Promotiecommissie Prof.dr. Henk Borgdorff Universiteit Leiden Dr. Camilla Cavicchi Centre d’études supérieures de la Renaissance Centre National de la Recherche Scientifique Université de Tours Prof.dr. Victor Coelho School of Music, Boston University Dr. Paul van Heck Universiteit Leiden Prof.dr. Martin Kirnbauer Universität Basel en Schola Cantorum Basiliensis Dr. Jed Wentz Universiteit Leiden Disclaimer: The author has made every effort to trace the copyright and owners of the illustrations reproduced in this dissertation. Please contact the author if anyone has rights which have not been acknowledged. TABLE OF CONTENTS Acknowledgements vii Foreword ix Glossary xi Introduction xix (DE INVENTIONE / Heritage, Idea and Form) 1 1. Inventing a Christian Cithara 2 1.1 Defining
    [Show full text]
  • Sequentia Benjamin Bagby, Director
    Sequentia Benjamin Bagby, director Benjamin Bagby voice and Anglo-Saxon harp Hanna Marti voice and harps Stef Conner voice Norbert Rodenkirchen wooden and bone flutes, harp Words of Power Charms, Riddles and Elegies of the Medieval Northlands (8th-11th centuries) The musicians of Sequentia present songs of magic, exile, of the uncertainty of fate, of longing and regret, of the healing power of magic herbs, of irony and just plain fun. The pagan roots of the recently christianized medieval north can still be discerned in some of the oldest manuscript sources known to us today: the Old English Beowulf epic (possibly 8th century), the Old Icelandic Edda, the poems surviving in ancient songbooks such as The 10th-century Exeter Book, and numerous fragments from Germany and Switzerland. Each of these chants, songs and spoken riddles gives us a glimpse into a time so distant from ours and yet near in spirit, a world of singing poets, warriors, valkyries and seeresses, healers and philosophers, whose creations were the first to be written down in English and other Germanic languages (in addition to Old English, we perform songs in Old High German and Old Icelandic, with a hint of Latin). In reconstructing lost musical traditions from this time, Sequentia searches once again to resonate again those long-silent, ancient voices, sometimes accompanied by harps and flutes, which would have been welcomed in any gathering of souls, pagan or Christian, those seeking help for their problems, entertaining their friends, or those giving voice to their longing for a lost partner, or a lost tribe.
    [Show full text]
  • Bibliografia Geral Sobre Hildegarda De Bingen 1. Obras Principais De Hildegarda De Bingen Em Edições Modernas Scivias
    Bibliografia geral sobre Hildegarda de Bingen 1. Obras principais de Hildegarda de Bingen em edições modernas Scivias (1141-51) - Hildegardis Scivias. Adelgundis Führkötter, CCCM, XLIII, XLIIIA, Turnhout, 1978. - Scivias. Trans. by Columba Hart and Jane Bishop. Introduction by Barbara J. Newman. Preface by Caroline Walker Bynum. New York: Paulist Press, 1990. - Hildegard von Bingen's Mystical Visions: Translated from Scivias. Bruce Hozeski (Translator), Matthew Fox (Introduction). Bear & Company; Reprint edition, 1995. - Scivias: Sache les voies ou Livre des visions (1141-1151). Traduit par Pierre Monat. Paris: Le Cerf, 1996. - Scivias. Conoce los caminos. Madrid: Editorial Trotta, 1999. - Scivias. Adelgundis Führkötter & Angela Carlevaris (eds.). Corpus Christianorum Scholars Version, vols. 43, 43A. Turnhout: Brepols, 2003. - Scivias. Primeira Parte, de Hildegarda de Bingen. Lectura y comentario al modo de uma lectio medievalis. Edición de Azucena Fraboschi. Índices. Buenos Aires: Miño y Dávila Editores. 2009. - Scivias: (Scito Vias Domini) Conhece os caminhos do Senhor. Tradutora para o inglês: Madre Columba Hart e Jane Bishop. Introdução de Barbara J. Newman. Prefácio de Caroline Walker Bynum. Pia Sociedade de São Paulo - Editora Paulus, 2017, 776 páginas. Physica (c. 1151-8) - Physica, ed. Charles Daremberg & F.A. Reuss. In: Patrologia Latina, vol. 197, 1882. (texto do manuscrito de Paris). - ‘Berlin-fragment’, ed. Heinrich Schipperges. In: Sudhoffs Archiv, 40, 1956, 44-77. - Le Livre des subtilités des créatures divines ou Physica (1151-1158) (t. I : Les plantes, les Éléments, les pierres, les métaux; t. II : Arbres, poissons, animaux, oiseaux). Traduction Pierre Monat. Grenoble: Jérôme Millon, 1993-1996. - Hildegard von Bingen’s Physica: The Complete English Translation of Her Classic Work on Health and Healing.
    [Show full text]
  • Sequentia's Origins at the Schola Cantorum Basiliensis
    SEQUENTIA’S ORIGINS AT THE SCHOLA CANTORUM BASILIENSIS by Benjamin Bagby Schola Cantorum, Mittelalterklasse (1975) left to right (upper row): Sally Jans-Thorpe, Anne Smith, Barbara Thornton, Benjamin Bagby, Paul O’Dette (lower row): Catherine Liddell, Harlan Hokin, Alice Robbins. Every ensemble has its origins in a feeling of sympathy among like-minded musicians: at first there are enthusiasms for specific repertoires, perhaps a vision of sound, shared goals, and a lot of late-night discussion, hopefully matched in intensity by endless rehearsal. This was also the case for the origin of Sequentia, which was conceived at the Schola Cantorum in Basel, beginning in 1975 as a student group, and which evolved until the first professional concert under the name ‘Sequentia’ given on 29 March 1977 in Brussels. By the autumn of that year, Sequentia was firmly established in Cologne. What follows are some memories of the ensemble’s beginnings in Basel, and the transition from Basel to Cologne. The crucible in which Sequentia was vocalists Harlan Hokin, Sally Jans-Thorpe, forged was the medieval music perfor- Pilar Figueras, Barbara Thornton and mance class of the ensemble Studio der Benjamin Bagby. Sometimes Hopkinson frühen Musik, under the general direction Smith would also sit in, and in subsequent of Thomas Binkley. As part of a unique years we were joined by others, such as new diploma program for medieval and Sigrid Lee & Dana Maiben (vielles), and renaissance music at the Schola Canto- Candace Smith & Willem de Waal (voic- rum Basiliensis, called into life by Wulf es). I think every one of these musicians Arlt in 1972, their ensemble had been in- would agree today that those were ex- vited to move to Basel from its longtime tremely intense years in Basel.
    [Show full text]
  • Finding the Lost Voice of Our Germanic Ancestors: an Interview with Benjamin Bagby
    Finding the Lost Voice of our Germanic Ancestors: An Interview with Benjamin Bagby Joshua Buckley “Early Music” is usually defined as music originating prior to the end of the Baroque period in 1750. As most compositions written before the eighteenth century were under-prescriptive, one of the central issues for early music performers is the open- ended nature of historical interpretation. For performers of medieval music, or music written earlier than 1300, the problem is even thornier. As Benjamin Bagby has written: “We some- times may know how this music was performed, but we will never know how it sounded.” This is why the quality and style of early music (and especially medieval music) can vary so dramat- ically. Performances tend to oscillate between dry academicism (many early music performers are more qualified as professors than musicians), and what Bagby calls “drums and fun” (think: Renaissance Fairs, the Society for Creative Anachronism, and pointy shoes). While Bagby has lamented the fact that medieval music has yet to embrace the kind of rigorous discipline one finds in other genres, his own work has been a remarkable excep- tion. Since forming the medieval music ensemble Sequentia with the late Barbara Thornton in 1977, Bagby has continued to develop as a researcher and scholar, a teacher, and performer. He has thoughtfully dissected and carefully reassembled the concept of historically informed performance. And perhaps most impor- tantly, his ability to balance scholarship with passionate personal engagement has earned Sequentia its reputation as the most famous medieval music group in the world. Among the many projects that fill out Sequentia’s sprawling discography, the group has performed some of the earliest songs ever written in the English language (English Songs of the Middle Ages, 1988), explored early Spanish music (on the Vox Iberica trilogy, 1992), and recorded a sampling of monophonic narrative Vol.
    [Show full text]
  • The Late 20Th-Century Commercial Revival of Hildegard of Bingen Laura Patterson Washington University in St
    Washington University in St. Louis Washington University Open Scholarship All Theses and Dissertations (ETDs) January 2010 The Late 20th-Century Commercial Revival of Hildegard of Bingen Laura Patterson Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/etd Recommended Citation Patterson, Laura, "The Late 20th-Century Commercial Revival of Hildegard of Bingen" (2010). All Theses and Dissertations (ETDs). 477. https://openscholarship.wustl.edu/etd/477 This Thesis is brought to you for free and open access by Washington University Open Scholarship. It has been accepted for inclusion in All Theses and Dissertations (ETDs) by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY Department of Music THE LATE 20TH-CENTURY COMMERCIAL REVIVAL OF HILDEGARD OF BINGEN by Laura Colleen Patterson A thesis presented to the Graduate School of Arts and Sciences of Washington University in partial fulfillment of the requirements for the degree of Master of Arts May 2010 Saint Louis, Missouri Table of Contents Introduction..............................................................................................................3 Incorporating Ideologies: Authenticity, New Age Religion, and Feminism............8 Sequentia: Hearing the “Real” Hildegard...............................................................18 Vox Animae: New Age Kids on the Block.............................................................31
    [Show full text]
  • Allison Monroe Is the Recipient of the 2017 Barbara Thornton Memorial Scholarship Awarded by Early Music America
    Allison Monroe is the recipient of the 2017 Barbara Thornton Memorial Scholarship awarded by Early Music America. This award is given by EMA to “an outstanding and highly-motivated (and possibly unconventional) young performer of medieval music who seeks to widen his/her experience through more advanced study and/or auditions in Europe.” The recipient is chosen by a jury of musicians who knew or worked with the great medieval music specialist and teacher, Barbara Thornton (1950-1998), who came to Europe from New York in 1970, filled with plans to study early music, and went on to co-found the medieval music ensemble Sequentia with Benjamin Bagby in 1977. The selection of Allison Monroe was unanimous and enthusiastic. The jurors were impressed by Allison's clearly-stated project, her presentation, her singing and playing with passion, mastery and depth of feeling, and her dedication to her art. Excerpts of some remarks by the jurors: “I have rarely encountered such a purposeful player, whose bow seems to be an extension of her musical thought, effortlessly flowing with great dignity from idea into sound”. “Allison Monroe gets to the heart of what this award is about--both in the way she plans to dedicate herself to European studies in a focused manner, and in the way her presentation honors Barbara Thornton's spirit: she transmits being personally authentic, and that is the truest and perhaps only real type of authenticity we can strive for in these strange times. “ “...a convincing vocal approach, taking into consideration a self-accompanied Cantiga de Santa Maria as a rhetorical challenge, and developing a convincing accompaniment approach through heterophonic playing on rebec.
    [Show full text]
  • Sequentia – Ensemble for Medieval Music
    Sequentia – Ensemble for medieval music Benjamin Bagby, voice, harps & direction Hanna Marti, voice & harp Norbert Rodenkirchen, flutes A production of the Schola Cantorum Basiliensis - Hochschule für Alte Musik Recorded at Topaz Audio Studios, Cologne, from 31 July to 5 August 2017 Recording producer, editing and mastering: Reinhard Kobialka Scientific advice: Sam Barrett, University of Cambridge Photographs: Susanna Drescher | Design: Rosa Tendero Executive producer & editorial director scb : Thomas Drescher | Sequentia: Katja Zimmermann All texts and translations © 2018 Schola Cantorum Basiliensis Executive producer & editorial director Gloss a/ note 1 music: Carlos Céster Assistance (Glossa): María Díaz, Mark Wiggins © 2018 note 1 music gmbh This recording would not have been possible without the support provided at various stages by the British Academy, the Leverhulme Trust, the Isaac Newton Trust, the Music & Letters Trust, Pembroke College, Cambridge, and the Faculty of Music at the University of Cambridge. We would also like to thank the Maja Sacher-Stiftung for supporting this production. Schola Cantorum Basiliensis – Hochschule für Alte Musik University of Applied Sciences and Arts Northwestern Switzerland ( fhnw ) Boethius: Songs of Consolation Metra from 11th-century Canterbury 5 01 Carmina qui quondam (1,1) 6:54 02 Heu, quam praecipiti (1,2) 6:08 03 Tunc me discussa (1,3) 2:27 04 Quisquis composito (1,4) 2:09 05 O stelliferi (1,5) 8:11 06 Cum Phoebi radiis (1,6) 3:04 07 Nubibus atris (1,7) 3:32 08 Stans a longe (instrumental
    [Show full text]
  • Seiji Ozawa Hall 20Th Anniversary Season June 27-July 15, 2014
    seiji ozawa hall 20th anniversary season june 27-july 15, 2014 Andris Nelsons, Ray and Maria Stata Music Director Designate Bernard Haitink, LaCroix Family Fund Conductor Emeritus, Endowed in Perpetuity Seiji Ozawa, Music Director Laureate 133rd season, 2013–2014 Trustees of the Boston Symphony Orchestra, Inc. Edmund Kelly, Chair • William F. Achtmeyer, Vice-Chair • Carmine A. Martignetti, Vice-Chair • Stephen R. Weber, Vice-Chair • Theresa M. Stone, Treasurer David Altshuler • George D. Behrakis • Jan Brett • Paul Buttenwieser • Ronald G. Casty • Susan Bredhoff Cohen, ex-officio • Richard F. Connolly, Jr. • Diddy Cullinane • Cynthia Curme • Alan J. Dworsky • William R. Elfers • Thomas E. Faust, Jr. • Michael Gordon • Brent L. Henry • Charles W. Jack, ex-officio • Stephen B. Kay • Joyce Linde • John M. Loder • Nancy K. Lubin • Robert J. Mayer, M.D. • Robert P. O’Block • Susan W. Paine • Peter Palandjian, ex-officio • John Reed • Carol Reich • Arthur I. Segel • Roger T. Servison • Wendy Shattuck • Caroline Taylor • Roberta S. Weiner • Robert C. Winters Life Trustees Vernon R. Alden • Harlan E. Anderson • David B. Arnold, Jr. • J.P. Barger • Gabriella Beranek • Leo L. Beranek • Deborah Davis Berman • Peter A. Brooke • John F. Cogan, Jr. • Mrs. Edith L. Dabney • Nelson J. Darling, Jr. • Nina L. Doggett • Mrs. John H. Fitzpatrick† • Nancy J. Fitzpatrick • Thelma E. Goldberg • Charles H. Jenkins, Jr. • Mrs. Béla T. Kalman • George Krupp • Mrs. Henrietta N. Meyer • Richard P. Morse • David Mugar • Mary S. Newman • Vincent M. O’Reilly • William J. Poorvu • Peter C. Read • Edward I. Rudman • Richard A. Smith • Ray Stata • Thomas G. Stemberg • John Hoyt Stookey • Wilmer J. Thomas, Jr.
    [Show full text]
  • Benjamin Bagby Web Sites: &
    Benjamin Bagby Web sites: www.sequentia.org & www.BagbyBeowulf.com Full name: Benjamin Rock Bagby Date of birth: 20 February, 1951 Place of birth: Evanston, Illinois (USA) Citizenship: USA Married to Katarina Livljanic since 2001 Education Diplom für Musik des Mittelalters, Schola Cantorum Basiliensis (Basel, Switzerland), 1977. Bachelor of Music, Oberlin College Conservatory of Music (voice), 1974. Bachelor of Arts, Oberlin College (German literature), 1974. Professional Activities . 1977 – present: Co-founder & co-director (since 1998 sole director), vocalist and harpist: Sequentia ensemble for medieval music. Bagby has created over 70 innovative concert programs of medieval music and music drama, giving performances in Western and Eastern Europe, North and South America, Africa, the Middle East, Japan, Korea, and Australia. Sequentia performs 15 to 30 concerts yearly, developing 1-2 new programs each year. 1978 – present: Numerous recordings with European radio and television, 1978-2005. The booklets which accompany these recordings are of the highest scholarly quality. Mr. Bagby has collaborated with such philologists as Peter Dronke, Pierre Bec, Ulrich Müller, Heimir Palsson and Laurence Moulinier, and with musicologists such as Leo Treitler, Edward Roesner, Hartmut Möller and Richard Crocker. 1981 – present: Recordings (LP and CD): over two dozen (see discography). 1984 – present: Bagby and Sequentia have been dedicated to teaching intensive summer courses in medieval music performance. The most important of these is the two-week course taught yearly at the University of British Columbia in Vancouver, Canada. Of the more than 200 students who have attended this advanced course over the years, more than 20 have gone on to become members of Sequentia or of other professional ensembles.
    [Show full text]