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MEDIEVAL ARMOR Over Time
The development of MEDIEVAL ARMOR over time WORCESTER ART MUSEUM ARMS & ARMOR PRESENTATION SLIDE 2 The Arms & Armor Collection Mr. Higgins, 1914.146 In 2014, the Worcester Art Museum acquired the John Woodman Higgins Collection of Arms and Armor, the second largest collection of its kind in the United States. John Woodman Higgins was a Worcester-born industrialist who owned Worcester Pressed Steel. He purchased objects for the collection between the 1920s and 1950s. WORCESTER ART MUSEUM / 55 SALISBURY STREET / WORCESTER, MA 01609 / 508.799.4406 / worcesterart.org SLIDE 3 Introduction to Armor 1994.300 This German engraving on paper from the 1500s shows the classic image of a knight fully dressed in a suit of armor. Literature from the Middle Ages (or “Medieval,” i.e., the 5th through 15th centuries) was full of stories featuring knights—like those of King Arthur and his Knights of the Round Table, or the popular tale of Saint George who slayed a dragon to rescue a princess. WORCESTER ART MUSEUM / 55 SALISBURY STREET / WORCESTER, MA 01609 / 508.799.4406 / worcesterart.org SLIDE 4 Introduction to Armor However, knights of the early Middle Ages did not wear full suits of armor. Those suits, along with romantic ideas and images of knights, developed over time. The image on the left, painted in the mid 1300s, shows Saint George the dragon slayer wearing only some pieces of armor. The carving on the right, created around 1485, shows Saint George wearing a full suit of armor. 1927.19.4 2014.1 WORCESTER ART MUSEUM / 55 SALISBURY STREET / WORCESTER, MA 01609 / 508.799.4406 / worcesterart.org SLIDE 5 Mail Armor 2014.842.2 The first type of armor worn to protect soldiers was mail armor, commonly known as chainmail. -
Unto Their Imperial Majesties, Their Royal Majesties, Their Graces
Letter of Registration and Return May 2014 Unto Their Imperial Majesties, and to all unto these letters come do I, Baron Sebastian Javier de la Cruz, Imperial Sovereign of Arms, send greetings. This is the Official Letter of Registration and Return for the month of May, 2014. Reports were received from the following chapters: Esperance, Lancaster, Malta, Monaco, Somerset, Stirling, Terre Neuve, Wolfendorf The following chapters did not send in reports: Albion, Alhambra, Altland, Auroch’s Fjord, Bisqaia, Brandenburg, Brunico, Caer Leon, Cashel, Chesapeake, Connacht, Constantinople, Cyprus, Drachetor, Gloucester, Isle of Crete, Mann Abhainn, Murrisk, Pembroke, Raven’s Fjord, Roanoke, Thinaria, Tyr-Lynn, Umbria, York The devices received this month have been documented below. As well, I have some reinstatements of devices which had been released in a LoRR from last year. Following the registrations, releases, and reinstatements, I invite you all to take a look at the very excellent article by HE Dame Constance, Beltazure Queen of Arms. This month, she tackles the history and design of heraldic standards. In Service to the Empire, Baron Sebastian Javier de la Cruz Baron Imperial & Royal imperial sovereign of arms corrections: Somerset Estate of Somerset Device 27-00 Azure, three lions passant Argent. These arms are historic arms for the Duchy of Somerset. However, Somerset wishes to have them reserved for use for current and former Crowns of Somerset. Registered: Esperance House Glimlachen Device 01-02 Per pale Or and Sable, a chevron inverted embattled on chief, and in chief two crescents inverted Counterchanged. House Glimlachen Device 01-02 Per pale Sable and Or, a chevron inverted embattled on chief, and in chief two crescents inverted Counterchanged. -
Heraldic Terms
HERALDIC TERMS The following terms, and their definitions, are used in heraldry. Some terms and practices were used in period real-world heraldry only. Some terms and practices are used in modern real-world heraldry only. Other terms and practices are used in SCA heraldry only. Most are used in both real-world and SCA heraldry. All are presented here as an aid to heraldic research and education. A LA CUISSE, A LA QUISE - at the thigh ABAISED, ABAISSÉ, ABASED - a charge or element depicted lower than its normal position ABATEMENTS - marks of disgrace placed on the shield of an offender of the law. There are extreme few records of such being employed, and then only noted in rolls. (As who would display their device if it had an abatement on it?) ABISME - a minor charge in the center of the shield drawn smaller than usual ABOUTÉ - end to end ABOVE - an ambiguous term which should be avoided in blazon. Generally, two charges one of which is above the other on the field can be blazoned better as "in pale an X and a Y" or "an A and in chief a B". See atop, ensigned. ABYSS - a minor charge in the center of the shield drawn smaller than usual ACCOLLÉ - (1) two shields side-by-side, sometimes united by their bottom tips overlapping or being connected to each other by their sides; (2) an animal with a crown, collar or other item around its neck; (3) keys, weapons or other implements placed saltirewise behind the shield in a heraldic display. -
Banners in Heraldic Art
Banners in heraldic art Magnus Backrnark Abstract The banner is very useful to heraldic art. It is a carrier of charges and colours, just like its coun terpart the shield. But where the shield can be seen as crude, heavy, flat and robust - its purpose being taking hits- the banner is brilliant, swift, full of I ife and motion. Its purpose is spiritual. It is lifted above anyone's head, above dust and confusion, for inspiration and guiding. Something of this character, I will with this article try to show by examples that the heraldic artist, if lucky, can translate in his or her work. First, we could though take a quick glance at the historical development of banners. The term banner approves, as we shall see, to a specific kind of flag, but in a wide sense of the word a banner is any ensign made of a peace of cloth, carried on a staff and with symbolic value to its owner(s). The profound nature of this innovation, which seem to be of oriental origin, makes it the mother of all kinds of flags. The etymologi cal root of the word banner is the French word banniere, derived from latin bandaria, bandum, which has German extraction, related to gothic bandwa, bandw6, 'sign'. 1 The birth of heraldry in the l2 h century Western world was preceded by centuries of use of early forms of banners, called gonfanons. From Bysantium to Normandy, everywhere in the Christian world, these ensigns usually were small rectangular lance flags with tai Is (Fig. -
A Pesticide Decision-Making Guide to Protect Pollinators in Landscape
A Pesticide Decision-Making Guide to Protect Pollinators in Landscape, Ornamental and Turf Management 2019 Edition By Maria van Dyke, Emma Mullen, Dan Wixted, and Scott McArt Pollinator Network at Cornell, 2018 Cornell University, Department Of Entomology Download this guide for free from: https://pollinator.cals.cornell.edu/resources/grower-resources/ Contents Choosing lower-risk pesticides for pollinators in landscape, ornamental & turf management ____ 1 How to use this guide 3 Understanding the terms in this guide 4 EPA Pesticide toxicity standards 4 Synergistic Interactions 4 Systemic Pesticides 4 Adjuvants and/or inert ingredients 5 Tying it all together: adopting an Integrated Pest and Pollinator Management (IPPM) approach 5 IPPM: Putting the “pollinator” in IPM: 6 Table 1: Product formulations and their active ingredients 7 Table 2: Pesticide synergies and acute, chronic, and sublethal toxicities for honey bees and other pollinators 10 Literature cited 25 Appendix A: Pollination contract ______________________________________________________ 29 Acknowledgments This research and development of this guide was supported by the New York State Environmental Protection Fund and New York Farm Viability Institute grant FOC 17-001. The expert advice and consultation provided by Dan Wixted of the Cornell Pesticide Management Education Program was supported by the Crop Protection and Pest Management Extension Implementation Program [grant no. 2017-70006-27142/project accession no. 1014000] from the USDA National Institute of Food and Agriculture. 1 Choosing lower-risk pesticides for pollinators in landscape, ornamental & turf management Managing pests on ornamentals, in landscapes, and in nurseries while protecting pollinators can be a balancing act. Pollinators (mostly bees) are busy pollinating blossoms in nurseries and landscapes at the same time growers and landscapers need to be managing specific pests and diseases. -
Revere's Bookplates
Revere’s Bookplates EVE RE’S engraving of bookplates is represented by eleven plates, four signed by him, four which were unquestionably his work, two which were probably his work, and one plate probably by his father, Apollos Rivoire. In general the plates are divided into two groups according to the style of the mantling. In the first group there are seven plates, three signed and four unsigned. They are almost identical, in the elaborate Chippendale style of mantling, scroll work, flowers, and motto ribbon. Revere used the same mantling many times, changing the coat-of- arms, the crest, and the name. It is probable that he used some English bookplate as his model, copying it faithfully, yet I have never located this English plate, although I have examined many thousands by English engravers. It is possible that he used his father’s Paul Rivoire plate for a model. The seven plates in the first group are as follows: Gardiner Chandler. Signed “P Revere scuip.” The coat-of-arms and the crest follow the design of the bookplate of his brother, John Chandler, Jr. (1721— i8oo), earlier engraved by Nathaniel Hurd; but the mantling is more elaborate and is distinctly Revere’s. Also the plate bears in the upper left corner the abbrevia tion “No,” with a superior “o” directly above two parallel lines, a characteristic of Revere’s bookplates and also of his colonial paper currency. Gardiner Chandler’s dates were 1723—1782 and the plate was probably engraved in the 1760’s. The original copper was long owned by Mrs. -
1 President's Message
PRESIDENT’S MESSAGE by David M. Cvet Summer is upon us with a vengeance, breaking temperature records from the 1930's – at least in Toronto. The warmer weather has had some fits and starts, with warm weather followed by frost, causing newly planted peppers and tomatoes to be damaged beyond saving. However, these exciting events pale in comparison to seeing the Queen's Beasts (some depicted on the right) who will be attending the Society's formal dinner at this year's Annual General Meeting, scheduled for October 1-3, 2010 in Ottawa. The Annual Meeting itself will be held at the Delta Ottawa Hotel on Queen Street. The Saturday evening dinner will take place at the Canadian Museum of Civilization (across the Ottawa River in Gatineau, Quebec), which will provide a grand setting for our annual banquet, graced as it will be with these impressive “guests”. We are indeed grateful to David Rumball for organizing this event, and for arranging with the museum to have the Queen's Beasts available for the dinner. I encourage our members to make the necessary calendar and travel to enhance the “coolness” factor of the Society in order to attract arrangements to attend this splendid event. new members – and to retain our present ones. One important reason for having the AGM in Ottawa this year As an example, at the recent Toronto Branch AGM (combined (rather than being hosted by the Prairie Branch, as it would have with the Society's Board meeting earlier the same day) the been in the usual sequence) is the expectation that the new formal dinner at Hart House was visually recorded by a Canadian Heraldic Authority tabard (donated by the Society) photographer I had arranged as my guest. -
Color Selector
Color Selector MasterColor ® Liquid Coloring Admixtures for Decorative Concrete Excellent color uniformity | Fade resistant | Beautiful, long-lasting vibrancy | Enhanced finishing characteristics Admixture Systems from Master Builders Solutions MasterColor Liquid-Coloring Admixtures for Decorative Concrete Hailstorm Gray MC1501 Stone Harbor MC2501 Mystic Shadow MC3501 Smokestack MC5001 Midnight MC7001 Pebble Shore MC1502 Portabella MC2502 English Walnut MC3502 Natural Bark MC5002 Pumpernickel MC7002 Light Chestnut MC1503 Wheat Berry MC2503 Deep Mauve MC3503 Barleywine MC5003 Wild Plum MC7003 Mountain Trail MC1504 Eagle’s Nest MC2504 Maple Syrup MC3504 Buffalo Brown MC5004 Fall Buckeye MC7004 Hilltop Tan MC1505 Weathered Oak MC2505 Mudslide MC3505 Country Cabin MC5005 Fox Tail MC7005 * The color chips depicted in this color selector show the approximate color of broom-finished, fully cured decorative concrete flatwork Plain concrete made with made with a medium gray cement, and a 0.45 to 0.50 water-cement medium gray cement ratio. Decorative concrete cured with BASF’s MasterKure® CC 1315 curing compound will be slightly darker in appearance. There are many factors that can impact the finished appearance of in-place decorative concrete. FOR PROFESSIONAL USE ONLY. Admixture Systems from Master Builders Solutions MasterColor Liquid-Coloring Admixtures for Decorative Concrete Soft Cranberry MC1506 Antique Rose MC2506 Persimmon MC3506 Red River Clay MC5006 Indiana Red MC7006 Gingerbread MC1507 Brick Oven MC2507 Canyon Rock MC3507 Tequila Sunrise -
Brass & Bronze
The Care and Preservation of Historical Brass and Bronze By Clara Deck, Conservator Revisions by Cuong T. Nguyen, Conservator, The Henry Ford INTRODUCTION Historical brass and bronze can be maintained for years of use and enjoyment provided that some basic care and attention is given to its preservation. The conservation staff at The Henry Ford has compiled the information in this fact sheet to help individuals care for their objects and collections. The first step in the care of collections is to understand and minimize or eliminate conditions that can cause damage. The second step is to follow basic guidelines for care, handling and cleaning. NOTE: This Information Sheet will present a brief overview of the care of brass and bronze objects, stressing appropriate storage and handling as the best means of preservation. It does not address the serious problem of preserving archaeological metals excavated from land or marine sites. People who collect un-conserved archaeological artifacts should be aware that they might be unstable if they do not receive appropriate conservation treatment. It is not within the scope of this document to address all the problems associated with outdoor bronze sculptures. This information sheet may provide some useful information for the care of these objects, but we encourage consultation with a professional conservator on such complicated artifacts. IDENTIFYING BRASS AND BRONZE ARTIFACTS Brass and bronze are alloys of copper. (Two or more metals are combined to form an alloy. Alloys generally have a different appearance or working properties that is dependent on their percent composition.) There are other alloys of copper include gunmetal (red brass), bell metal, and German silver, also called Nickel silver and "paktong". -
Ing Items Have Been Registered
ACCEPTANCES Page 1 of 20 January 2008 LoAR THE FOLLOWING ITEMS HAVE BEEN REGISTERED: ÆTHELMEARC Ælfra Long. Device change. Per pale argent and lozengy argent and purpure, three domestic cats rampant contourny sable crowned Or. The submitter is a court baroness and thus entitled to display a coronet. The submitter’s previous device, Per pale argent and lozengy argent and purpure, three domestic cats rampant contourny sable, is released. Æsa Helgulfsdottir. Name and device. Per bend argent and sable, a flame azure and an arrow bendwise argent. Aquila Blackmore. Device change. Gules, on a lozenge ployé argent between in chief two coronets Or, a mullet sable, a bordure embattled argent. The submitter is a court baron and thus entitled to display a coronet. The submitter’s previous device, Argent, vetu ployé gules, a mullet sable within a bordure embattled argent, is retained as a badge. Beniamin Hackewode. Name and device. Vert, a wolf rampant contourny maintaining a halberd argent, in dexter chief a mullet Or. Brandubh Ó Donnghaile. Badge. (Fieldless) A drum bendwise argent. Catrijn van der Hedde. Device. Or, a dragon’s head cabossed sable and on a chief vert three triangles inverted Or. Éamonn mac Alaxandair. Name and device. Per bend sinister argent and Or, three dexter hands in bend sinister and a lion rampant gules, a bordure sable. As precedent notes: There was some concern whether this was too reminiscent of the Red Hand of Ulster, a prohibited charge in the SCA. It turns out that the Red Hand of Ulster was used as an augmentation, not as a main charge. -
Knllhtsj^ARMOR
School Picture Sei Number 10 KNllHTSj^ARMOR THE METROPOLITAN MUSEUM OF ART KNIGHTS IN ARMOR The knight was a warrior on horseback. He and his men had to fight for their liege lord when ever their services were demanded. In return the knight received a grant of land or special privi leges to provide for the cost of his armor, the care of his horse, and the upkeep of his household and retinue. He was considered a member of the nobility and obeyed the code of ethics which we call chivalry. Thus a knight should be loyal, courageous, and courteous as well as skilled in all the arts of war. His obligations to his lord and his own sense of honor brought him into many conflicts. He fought in major wars and countless minor ones. As a Crusader he "took the cross" and journeyed to the Holy Land to fight the infidels. As a champion of the wronged or to settle a point of honor, he challenged another knight in single combat. In quest of adventure he wandered about strange lands as a knight errant. When times were peace ful, he kept in training by fighting in jousts and tournaments. In these enclosed pictures you will see the vari ous activities of the knight, as well as some of his weapons and the armor that provided the pro tection he needed. THE METROPOLITAN MUSEUM OF ART 1. NORMAN CONQUEST Detail, Bayeux embroidery French, Late 11th Century Bayeux THE METROPOLITAN MUSEUM OF ART In the time of William the Conqueror, knights seem to have worn armor of rings sewed on heavily padded garments, conical helmets, and carried javelins, swords, and kite-shaped shields. -
Heraldry for Beginners
The Heraldry Society Educational Charity No: 241456 HERALDRY Beasts, Banners & Badges FOR BEGINNERS Heraldry is a noble science and a fascinating hobby – but essentially it is FUN! J. P. Brooke-Little, Richmond Herald, 1970 www.theheraldrysociety.com The Chairman and Council of the Heraldry Society are indebted to all those who have made this publication possible October 2016 About Us he Heraldry Society was founded in 1947 by John P. Brooke-Little, CVO, KStJ, FSA, FSH, the Tthen Bluemantle Pursuivant of Arms and ultimately, in 1995, Clarenceux King of Arms. In 1956 the Society was incorporated under the Companies Act (1948). By Letters Patent dated 10th August 1957 the Society was granted Armorial Bearings. e Society is both a registered non-prot making company and an educational charity. Our aims The To promote and encourage the study and knowledge of, and to foster and extend interest in, the Heraldry Society science of heraldry, armory, chivalry, precedence, ceremonial, genealogy, family history and all kindred subjects and disciplines. Our activities include Seasonal monthly meetings and lectures Organising a bookstall at all our meetings Publishing a popular newsletter, The Heraldry Gazette, and a more scholarly journal, The Coat of Arms In alternate years, oering a residential Congress with speakers and conducted visits Building and maintaining a heraldry archive Hosting an informative website Supporting regional Societies’ initiatives Our Membership Is inclusive and open to all A prior knowledge of heraldry is not a prerequisite to membership, John Brooke-Little nor is it necessary for members to possess their own arms. e Chairman and Council of the Heraldry Society The Society gratefully acknowledges the owners and holders of copyright in the graphics and images included in this publication which may be reproduced solely for educational purposes.