National Crisis for Norway
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Swedish Folk Music
Ronström Owe 1998: Swedish folk music. Unpublished. Swedish folk music Originally written for Encyclopaedia of world music. By Owe Ronström 1. Concepts, terminology. In Sweden, the term " folkmusik " (folk music) usually refers to orally transmitted music of the rural classes in "the old peasant society", as the Swedish expression goes. " Populärmusik " ("popular music") usually refers to "modern" music created foremost for a city audience. As a result of the interchange between these two emerged what may be defined as a "city folklore", which around 1920 was coined "gammeldans " ("old time dance music"). During the last few decades the term " folklig musik " ("folkish music") has become used as an umbrella term for folk music, gammeldans and some other forms of popular music. In the 1990s "ethnic music", and "world music" have been introduced, most often for modernised forms of non-Swedish folk and popular music. 2. Construction of a national Swedish folk music. Swedish folk music is a composite of a large number of heterogeneous styles and genres, accumulated throughout the centuries. In retrospect, however, these diverse traditions, genres, forms and styles, may seem as a more or less homogenous mass, especially in comparison to today's musical diversity. But to a large extent this homogeneity is a result of powerful ideological filtering processes, by which the heterogeneity of the musical traditions of the rural classes has become seriously reduced. The homogenising of Swedish folk music started already in the late 1800th century, with the introduction of national-romantic ideas from German and French intellectuals, such as the notion of a "folk", with a specifically Swedish cultural tradition. -
What Did They Sound Like?
Háskóli Íslands Hugvísindasvið Íslensk miðaldafræði What did they sound like? Reconstructing the music of the Viking Age Ritgerð til MA-prófs í íslenskum miðaldafræðum Chihiro Tsukamoto Kt.: 250493-3209 Leiðbeinandi: Þórir Jónsson Hraundal Janúar 2017 Abstract There has been much scholarship over the years regarding Scandinavian culture during the Viking Age (c. 793–1066 CE). However, often missing from these discussions is the study of music. This paper attempts to fill that gap by offering a reconstruction of Viking Age Scandinavian music. Archaeological evidence, literary records, and medieval music theories were used as the basis of this study. Archaeology indicates that Scandinavians played wind, string, and percussion instruments, while later Old Norse literary accounts detail the many circumstances wherein music was performed, and suggest the likely existence of different musical genres. I have consulted Arabic, Greek, and Latin accounts for contemporary sources, as the Scandinavian people did not have a written culture during this time. Marking a departure from typical historical analyses, I have also conducted a cross- cultural comparison of medieval Arabic, Greek, and Western European music theories in order to recognize what Scandinavian music could not have resembled. By combining archaeological, literary, and musical evidence, it is possible to propose a highly educated hypothesis on how Viking Age Scandinavian music may have sounded. Ágrip Mikið hefur verið rætt og ritað í gegnum árin um Skandinavíska menningu á Víkingaöld (um 793–1066 e.Kr.). Hins vegar er tónlist viðfangsefni sem oft virðist vanta í þessar umræður. Þessi ritgerð mun reyna að fylla það skarð með því að leggja fram tilgátu um endurgerð Skandinavískrar tónlistar frá Víkingaöld. -
DARKWOODS MAILORDER CATALOGUE October 2016
DARKWOODS MAILORDER CATALOGUE October 2016 DARKWOODS PAGAN BLACK METAL DI STRO / LABEL [email protected] www.darkwoods.eu Next you will find a full list with all available items in our mailorder catalogue alphabetically ordered... With the exception of the respective cover, we have included all relevant information about each item, even the format, the releasing label and the reference comment... This catalogue is updated every month, so it could not reflect the latest received products or the most recent sold-out items... please use it more as a reference than an updated list of our products... CDS / MCDS / SGCDS 1349 - Beyond the Apocalypse [CD] 11.95 EUR Second smash hit of the Norwegians 1349, nine outstanding tracks of intense, very fast and absolutely brutal black metal is what they offer us with “Beyond the Apocalypse”, with Frost even more a beast behind the drum set here than in Satyricon, excellent! [Released by Candlelight] 1349 - Demonoir [CD] 11.95 EUR Fifth full-length album of this Norwegian legion, recovering in one hand the intensity and brutality of the fantastic “Hellfire” but, at the same time, continuing with the experimental and sinister side of their music introduced in their previous work, “Revelations of the Black Flame”... [Released by Indie Recordings] 1349 - Hellfire [CD] 11.95 EUR Brutal third full-length album of the Norwegians, an immense ode to the most furious, powerful and violent black metal that the deepest and flaming hell could vomit... [Released by Candlelight] 1349 - Liberation [CD] 11.95 EUR Fantastic -
Introduction the Waldegrave Initiative Is the Name Given to a Policy Introduced in 1992 by Lord Waldegrave, an English Conservat
Introduction The Waldegrave Initiative is the name given to a policy introduced in 1992 by Lord Waldegrave, an English Conservative politician who served in the British Cabinet from 1990 – 1997. Under this policy, all government departments were encouraged to re-examine what had been previously regarded as particularly sensitive records, with the objective of declassifying a greater quantity of information. This initiative is widely regarded as the precursor to the UK’s Freedom of Information Act 2000, and it set a precedent of declassification across Western democracies. The Special Operations Executive (SOE) was a secret British organisation formed 22 July 1940 by Winston Churchill to conduct espionage, sabotage, and reconnaissance in occupied Europe against the Axis powers as well as to aid local resistance movements. As Mark Seaman put it, the SOE was formed to “foster occupied Europe’s resistance groups” and ensure that “Nazi occupation wasn’t an easy thing”.1 It operated in all countries or former countries occupied by or attacked by the Axis forces, except where demarcation lines were agreed with Britain's principal allies – namely the Soviet Union and the United States of America. Initially it was also involved in the formation of the Auxiliary Units, a top secret "stay-behind" resistance organisation, which would have been activated in the event of a German invasion of mainland Britain.2 To those who were part of the SOE or liaised with it, it was sometimes referred to as "the Baker Street Irregulars" (after the location of its London headquarters). It was also known as "Churchill's Secret Army" or the "Ministry of Ungentlemanly Warfare". -
Naiset Ylivoiman Takana
Naiset ylivoiman takana Edellisten vuosien tapaan norjalaiset ovat kuluneella kaudella onnistuneet esittämään hurjaa ylivoimaa maastohiihdon maailmancupissa. Miksi Norja on maastohiihdon ykkösmaa? Tähän koko hiihtoperhettä askarruttavaan kysymykseen etsivät vastausta niin valmentajat kuin penkkiurheilijat. TEKSTI ELINA HUHDANKOSI aksalainen hiihtolegenda Jochen huono talvi, niin silloinkin suksia myydään Behle kommentoi maastohiihdon 450 000 paria. Eli norjalaiset etsivät sen S nykytilaa: ”Ei tämä ole Norjan vika, lumen jostakin.” vaan muiden on tehtävä jotain. Lajille ei ole Suomessa vastaava määrä hyväksi, jos vain yksi maa hallitsee hiihtoa.” vaihtelee 150 000-250 000 suksiparin Norjan nais- ja mieshiihtäjät välillä. Ei siis ole mikään ihme, että Suomi ovat alkukauden aikana ehtineet tehdä voitti nuorten maailmanmestaruuden huikeita suorituksia maastohiihdon saralla. jääkiekossa eikä maastohiihdossa. Vuodenvaihteen jälkeen Norjan Norjan huippuhiihtäjät, jotka naishiihtäjät ottivat kolmoisvoiton ja pystyvät voittamaan yhä uudelleen ja mieshiihtäjät kaksoisvoiton Tour de Ski - uudelleen, nauttivat kotimaassaan erityistä kiertueella. Jopa norjalaiset pelkäävät suosiota. He ovat nuorten esikuvia, minkä ylivoimallaan pilaavan maastohiihdon seurauksena yhä useampi nuori haluaa tulla maineen. heidän kaltaisekseen. Norjassa hiihtäjien Hiihto on Norjan kansallinen taso on kiven kova, joten maajoukkueeseen urheilulaji. Suksimaahantuoja kommentoi pääsy edellyttää hiihtäjiltä todellista asiaa seuraavasti: ”Hyvänä talvena lahjakkuutta ja armotonta -
Bakalářská Práce
UNIVERZITA PALACKÉHO V OLOMOUCI PEDAGOGICKÁ FAKULTA Katedra hudební výchovy Bakalářská práce Martina Lakomá Vývoj Heavy metalu se zaměřením na ženské interprety Olomouc 2018 Vedoucí práce: Mgr. Filip T. Krejčí, Ph.D. Prohlašuji, že jsem bakalářskou práci na téma „Vývoj Heavy metalu se zaměřením na ženské interprety“ vypracovala samostatně, s použitím uvedené literatury a zdrojů. V Prosenicích dne 11. 4. 2018 ………………………… Podpis autora práce Poděkování Ráda bych touto cestou poděkovala všem, kteří mi pomáhali s realizací mé bakalářské práce. Především mému vedoucímu práce Mgr. Filipu T. Krejčímu, Ph.D. za jeho ochotu a cenné rady. Velký dík také patří mé rodině a přátelům, kteří mě podporovali a inspirovali jak po dobu psaní práce, tak po celý čas mého studia. Anotace Bakalářská práce se zabývá vývojem hudebního žánru zvaného heavy metal. Celkově je rozdělena do čtyř částí, jejíž první část osvětluje pojem metal a metalovou subkulturu. Následující text zpracovává nejen jeho první projevy, ale i důležité milníky v čele s Black Sabbath, které metal formovaly. Chronologicky sestavuje obraz jeho zrodu a postupného rozvoje v další nekonečné množství subžánrů. Tyto odnože jsou nastíněny jak jejich charakteristikami, tak nejvýznamnějšími zástupci. Práce je do určité míry zaměřena i na vliv žen v tomto stylu. Proto se snaží nalézt stopy hudebnic či čistě ženských hudebních skupin v daných subžánrech, a na konci pátrání shrnout zjištěné poznatky. Klíčová slova pojem heavy metal, subkultura, vývoj, Black Sabbath, metalové subžánry, ženy v metalu Abstract The bachelor thesis is concerned with the development of the musical genre called “heavy metal“. It comprises four parts. The first chapter defines the terms – metal and metal subculture. -
Song List 2012
SONG LIST 2012 www.ultimamusic.com.au [email protected] (03) 9942 8391 / 1800 985 892 Ultima Music SONG LIST Contents Genre | Page 2012…………3-7 2011…………8-15 2010…………16-25 2000’s…………26-94 1990’s…………95-114 1980’s…………115-132 1970’s…………133-149 1960’s…………150-160 1950’s…………161-163 House, Dance & Electro…………164-172 Background Music…………173 2 Ultima Music Song List – 2012 Artist Title 360 ft. Gossling Boys Like You □ Adele Rolling In The Deep (Avicii Remix) □ Adele Rolling In The Deep (Dan Clare Club Mix) □ Afrojack Lionheart (Delicious Layzas Moombahton) □ Akon Angel □ Alyssa Reid ft. Jump Smokers Alone Again □ Avicii Levels (Skrillex Remix) □ Azealia Banks 212 □ Bassnectar Timestretch □ Beatgrinder feat. Udachi & Short Stories Stumble □ Benny Benassi & Pitbull ft. Alex Saidac Put It On Me (Original mix) □ Big Chocolate American Head □ Big Chocolate B--ches On My Money □ Big Chocolate Eye This Way (Electro) □ Big Chocolate Next Level Sh-- □ Big Chocolate Praise 2011 □ Big Chocolate Stuck Up F--k Up □ Big Chocolate This Is Friday □ Big Sean ft. Nicki Minaj Dance Ass (Remix) □ Bob Sinclair ft. Pitbull, Dragonfly & Fatman Scoop Rock the Boat □ Bruno Mars Count On Me □ Bruno Mars Our First Time □ Bruno Mars ft. Cee Lo Green & B.O.B The Other Side □ Bruno Mars Turn Around □ Calvin Harris ft. Ne-Yo Let's Go □ Carly Rae Jepsen Call Me Maybe □ Chasing Shadows Ill □ Chris Brown Turn Up The Music □ Clinton Sparks Sucks To Be You (Disco Fries Remix Dirty) □ Cody Simpson ft. Flo Rida iYiYi □ Cover Drive Twilight □ Datsik & Kill The Noise Lightspeed □ Datsik Feat. -
Enhancing the Resilience
(Periodicals postage paid in Seattle, WA) TIME-DATED MATERIAL — DO NOT DELAY News Special Issue Learn a little Welcome to our about Norwegian Kunnskap er makt. Education Issue! meteorites – Francis Bacon Read more on page 3 Read more on page 8 – 18 Norwegian American Weekly Vol. 124 No. 7 February 22, 2013 Established May 17, 1889 • Formerly Western Viking and Nordisk Tidende $1.50 per copy News in brief Find more at blog.norway.com Enhancing the resilience News The Norwegian Government has Norges Bank decided to cancel all Guinea’s debt to Norway, which amounts governor calls for to around NOK 100 million a more resilient (USD 17.2 million). Minister of International Development economy in Heikki Eidsvoll Holmås commented, “In August last year, face of Europe’s we cancelled NOK 42 million of financial crisis Guinea’s debt to Norway. I am glad that we can now cancel the rest. This means that this West STAFF COMPILATION African country can now use Norwegian American Weekly more of its income on schools and public health services without the heavy burden of debt.” In his annual address on Feb. (Ministry of Foreign Affairs) 14, Central Bank governor Øystein Olsen argued for ways to enhance Culture the Norwegian economy in light of In most of Norway, schools Europe’s financial suffering. are closed the week of Feb. “Norway’s oil and gas re- 18 for the winter break. Many sources provide an economic base Norwegian families will head that few other countries enjoy. In- up to their cottage this weekend, come levels are among the highest to enjoy the peak of the skiing in the world and the people of Nor- Photo: Ståle Andersen / Norges Bank season. -
Referat Fra Møte Med Ordførere I Troms 8 Nov 2019
Referat fra møte med kommunene/ordførerne i Troms - Marint vern Andfjorden Møtested: Harstad, Harstad kommune Dato: 8. november 2019 Tid: Klokka 11:00 – 14:30 Tilstede: • Jan Fredrik Jenssen, Ordfører i Tranøy kommune • Espen Ludviksen, Varaordfører i Harstad kommune, Leder planutvalget • Jan Inge Lakså, Enhetsleder i areal og byggesakstjenesten. Prosjektansvarlig for Kystplan Midt- og Sør-Troms • Inger Andreassen, Marin arealplanlegger i Lenvik kommune. Prosjektleder for Kystplan Midt- og Sør-Troms. • Audun Sivertsen, Plan- og næringsleder i Tranøy kommune. • Tom-Rune Elisseussen, Ordfører for nye Senja kommune. • Roar Åge Jakobsen, Ordfører i Berg • Åsmund Andreassen, Fylkesmannen i Nordland • Inge Berg, Fylkesmannen i Troms og Finnmark • Evy Jørgensen, ass miljødirektør i Fylkesmannen Troms og Finnmark Frafall: • Fred Ove Flakstad, Ordfører i Torsken kommune. • Geir Inge Sivertsen, Ordfører Lenvik kommune/Varaordfører Senja kommune. Referent: Fylkesmannen i Nordland og Fylkesmannen i Troms og Finnmark Historikk: Historikken for marin verneplan ble gjennomgått fra 80 tallet og frem til nå. Det ble stilt spørsmål om bakgrunnen og størrelsen for plassering på de foreslåtte transektene, og at særlig de nordnorske transektene virket store, sammenlignet med de andre foreslåtte marine verneområdene. Fylkesmannen er enig i at områdene er store. Fylkesmannen legger til grunn at det er gjort grundige analyser for den endelige utvelgelsen av kandidater for marint vern i 2004. Fylkesmannen opplyser om at transektene er plassert ut fra ulike klimasoner, og at de hver for seg, men også samlet skal gi et bilde på variasjon i undersjøisk naturmangfold langs kysten i Norge. Historikken viser at det ligger politiske føringer for at et marint vern skal være mildt og ikke legge unødige begrensinger for eksisterende fiskeri og akvakulturvirksomhet. -
Norway's Jazz Identity by © 2019 Ashley Hirt MA
Mountain Sound: Norway’s Jazz Identity By © 2019 Ashley Hirt M.A., University of Idaho, 2011 B.A., Pittsburg State University, 2009 Submitted to the graduate degree program in Musicology and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy, Musicology. __________________________ Chair: Dr. Roberta Freund Schwartz __________________________ Dr. Bryan Haaheim __________________________ Dr. Paul Laird __________________________ Dr. Sherrie Tucker __________________________ Dr. Ketty Wong-Cruz The dissertation committee for Ashley Hirt certifies that this is the approved version of the following dissertation: _____________________________ Chair: Date approved: ii Abstract Jazz musicians in Norway have cultivated a distinctive sound, driven by timbral markers and visual album aesthetics that are associated with the cold mountain valleys and fjords of their home country. This jazz dialect was developed in the decade following the Nazi occupation of Norway, when Norwegians utilized jazz as a subtle tool of resistance to Nazi cultural policies. This dialect was further enriched through the Scandinavian residencies of African American free jazz pioneers Don Cherry, Ornette Coleman, and George Russell, who tutored Norwegian saxophonist Jan Garbarek. Garbarek is credited with codifying the “Nordic sound” in the 1960s and ‘70s through his improvisations on numerous albums released on the ECM label. Throughout this document I will define, describe, and contextualize this sound concept. Today, the Nordic sound is embraced by Norwegian musicians and cultural institutions alike, and has come to form a significant component of modern Norwegian artistic identity. This document explores these dynamics and how they all contribute to a Norwegian jazz scene that continues to grow and flourish, expressing this jazz identity in a world marked by increasing globalization. -
NORDIC COOL 2013 Feb. 19–Mar. 17
NORDIC COOL 2013 DENMARK FINLAND Feb. 19–MAR. 17 ICELAND NorwAY SWEDEN THE KENNEDY CENTER GREENLAND THE FAroE ISLANDS WASHINGTON, D.C. THE ÅLAND ISLANDS Nordic Cool 2013 is presented in cooperation with the Nordic Council of Ministers and Denmark, Finland, Iceland, Norway, and Sweden. Presenting Underwriter HRH Foundation Festival Co-Chairs The Honorable Bonnie McElveen-Hunter, Marilyn Carlson Nelson, and Barbro Osher Major support is provided by the Honorable Bonnie McElveen-Hunter, Mrs. Marilyn Carlson Nelson and Dr. Glen Nelson, the Barbro Osher Pro Suecia Foundation, David M. Rubenstein, and the State Plaza Hotel. International Programming at the Kennedy Center is made possible through the generosity of the Kennedy Center International Committee on the Arts. NORDIC COOL 2013 Perhaps more so than any other international the Faroe Islands… whether attending a performance festival we’ve created, Nordic Cool 2013 manifests at Sweden’s Royal Dramatic Theatre (where Ingmar the intersection of life and nature, art and culture. Bergman once presided), marveling at the exhibitions in Appreciation of and respect for the natural environment the Nobel Prize Museum, or touring the National Design are reflected throughout the Nordic countries—and Museum in Helsinki (and being excited and surprised at they’re deeply rooted in the arts there, too. seeing objects from my personal collection on exhibit there)… I began to form ideas and a picture of the The impact of the region’s long, dark, and cold winters remarkable cultural wealth these countries all possess. (sometimes brightened by the amazing light of the , photo by Sören Vilks Sören , photo by aurora borealis). -
Persecution, Collaboration, Resistance
Münsteraner Schriften zur zeitgenössischen Musik 5 Ina Rupprecht (ed.) Persecution, Collaboration, Resistance Music in the ›Reichskommissariat Norwegen‹ (1940–45) Münsteraner Schrift en zur zeitgenössischen Musik Edited by Michael Custodis Volume 5 Ina Rupprecht (ed.) Persecution, Collaboration, Resistance Music in the ‘Reichskommissariat Norwegen’ (1940–45) Waxmann 2020 Münster x New York The publication was supported by the Deutsche Forschungsgemeinschaft , the Grieg Research Centre and the Westfälische Wilhelms-Universität Münster as well as the Open Access Publication Fund of the University of Münster. Bibliographic information published by the Deutsche Nationalbibliothek Th e Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografi e; detailed bibliographic data are available in the Internet at http://dnb.dnb.de Münsteraner Schrift en zur zeitgenössischen Musik, Volume 5 Print-ISBN 978-3-8309-4130-9 E-Book-ISBN 978-3-8309-9130-4 DOI: https://doi.org/10.31244/9783830991304 CC BY-NC-SA 4.0 Waxmann Verlag GmbH, 2020 Steinfurter Straße 555, 48159 Münster www.waxmann.com [email protected] Cover design: Pleßmann Design, Ascheberg Cover pictures: © Hjemmefrontarkivet, HA HHI DK DECA_0001_44, saddle of sources regarding the Norwegian resistance; Riksarkivet, Oslo, RA/RAFA-3309/U 39A/ 4/4-7, img 197, Atlantic Presse- bilderdienst 12. February 1942: Th e newly appointed Norwegian NS prime minister Vidkun Quisling (on the right) and Reichskomissar Josef Terboven (on the left ) walking along the front of an honorary