2020-05-29 Brand New Legit Resume

CLAIRE LEYDEN HR: RED EYES: BLUE HT: 5’5” [email protected] (914) 523-0359 WWW.CLAIRELEYDEN.COM US TOURS THE PIRATES OF PENZANCE MABEL NY GILBERT & SULLIVAN PLAYERS REGIONAL THEATRE A GENTLEMAN’S GUIDE...** PHOEBE BRISTOL VALLEY THEATER IT’S A SMALL WORLD** ANNE BRISTOL VALLEY THEATER THE PIRATES OF PENZANCE MABEL RIVERSIDE CENTER FOR PERFORMING ARTS SHERLOCK HOLMES… LILY MRS. TORY/KITTY BRISTOL VALLEY THEATER THE SORCERER ALINE COLLEGE LIGHT OPERA COMPANY BRIGADOON JEAN COLLEGE LIGHT OPERA COMPANY THE YEOMEN OF THE GUARD KATE COLLEGE LIGHT OPERA COMPANY A LITTLE NIGHT MUSIC MRS. SEGSTROM COLLEGE LIGHT OPERA COMPANY ** = production postponed TBA due to COVID-19 NEW YORK THEATRE HEIST! A NEW MUSICAL CYNTHIA THE PLAYERS THEATRE IOLANTHE / YEOMEN ENSEMBLE NY GILBERT & SULLIVAN PLAYERS THE DEBUTANTE ELAINE (lead) VICTOR HERBERT PROJECT LIVE SWEETHEARTS SYLVIA (lead) VICTOR HERBERT PROJECT LIVE THE ENCHANTRESS VIVIEN (lead) VICTOR HERBERT PROJECT LIVE PINWHEEL! A NEW MUSICAL MRS./ENSEMBLE RANDOM ACCESS THEATRE OPERA & CONCERT MADELEINE MADELEINE VICTOR HERBERT PROJECT LIVE DER FREISCHÜTZ BRIDESMAID HEARTBEAT OPERA COSÌ FAN TUTTE DESPINA DIVARIA PRODUCTIONS “MAGNIFICAT” SOLOIST CARNEGIE HALL / DCINY “CARMINA BURANA” SOLOIST MONMOUTH CIVIC CHORUS “ANY DREAM WILL DO” SOLOIST AXELROD PERFORMING ARTS CENTER TRAINING WILLIAMS COLLEGE, BA MUSIC & ENGLISH VOICE ANDREA DELGIUDICE, KEITH KIBLER ACTING SETH BARRISH, GABRA ZACKMAN, DENISE BESSETTE DANCE BALLET, TAP, MODERN (ALL 5+ YEARS) AW ARDS SEMIFINALIST LOTTE LENYA COMPETITION 2019 EMERGING TALENT AWARD LOTTE LENYA COMPETITION 2018 SPECIAL SKILLS ABILITIES FLUTE/PICCOLO, SIGHT SINGING, FIGURE SKATING, FRENCH, KNIFE THROWING DIALECTS RP, SCOTTISH, SOUTHERN, NEW YORK .

Copy Link

Recommended publications

The Red Mill Music by Victor Herbert Book and Lyrics by Henry Blossom
The Red Mill Music by Victor Herbert Book and Lyrics by Henry Blossom Performing version edited by James Cooper Cast of characters “Con” Kidder “Kid” Conner } Two Americans “doing” Europe Burgomaster Burgomaster of Katwyk-aan-Zee Franz Sheriff of Katwyk-aan-Zee Willem Keeper of The Red Mill Inn Capt Davis Van Damm In love with Gretchen Governor of Zealand Engaged to Gretchen Gretchen The Burgomaster’s daughter Bertha The Burgomaster’s sister Tina Barmaid at The Red Mill Inn, Willem’s daughter Hon. Dudley (pronounced “Fanshaw”) Solicitor from London touring Holland by Featherstonhaugh car with his daughters Countess de la Pere Touring Holland by car with her sons Giselle and Brigitte Dudley’s daughters Hans and Peter Countess’s sons or villagers Rose and Daisy Flower Girls Gaston Burgomaster’s servant Chorus of peasants, artists, burghers and other townspeople Time: 1906 Place: Katwyk-aan-Zee Act I: At the sign of The Red Mill Act II: The Burgomaster’s Mansion 1 Musical Numbers Overture 4 Act I 1. By the Side of the Mill 12 2. Mignonette (Tina and Girls) 27 3. You can Never Tell About a Woman (Burgomaster and Willem) 34 4. Whistle It (Con, Kid, Tina) 41 5. A Widow Has Ways (Bertha) 47 6. The Isle of Our Dreams (Davis and Gretchen) 51 7. The Streets of New York (Con and Kid and Chorus) 58 8. The Accident (Ensemble) 68 8b. When You’re Pretty and the World is Fair (Ensemble) 81 9. Finale I – Moonbeams (Gretchen, Davis and Chorus) 92 Act II 10. Gossip Chorus (Ensemble) 107 11.
[Show full text]
The Fortune Teller the OHIO LIGHT OPERA STEVEN BYESS STEVEN DAIGLE Conductor Artistic Director the Fortune Teller
VICTOR HERBERT The Fortune Teller THE OHIO LIGHT OPERA STEVEN BYESS STEVEN DAIGLE Conductor Artistic Director The Fortune Teller Music......................................Victor Herbert ENSEMBLE: Book and Lyrics......................Harry B. Smith Jacob Allen, Natalie Ballenger, Sarah Best, Lori Birrer, John Vocal Score Reconstruction........Adam Aceto Callison, Ashley Close, Christopher Cobbett, Mary Griffin, Anna-Lisa Hackett, Geoffrey Kannerberg, Andy Maughan, Ohio Light Opera Olivia Maughan, Evan McCormack, Geoffrey Penar, Will Perkins, Madeline Piscetta, Zachary Rusk, Mark Snyder, Raina Thorne, Artistic Director........................Steven Daigle Angela Vågenes, Joey Wilgenbusch. Conductor.................................Steven Byess Stage Director.......................Ted Christopher Sound Designer..........................Brian Rudell PROGRAM NOTES ...............................Michael D. Miller Choreographer.....................Carol Hageman Victor Herbert, acknowledged as Costume Designer.................Whitney Locher the Father of American Operetta, Scenic Designer...............................Erich Keil was born in Dublin in 1859, the Lighting Designer.....................Krystal Kennel grandson of Irish novelist-artist- Production Stage Manager...Katie Humphrey composer Samuel Lover. The family eventually moved to Stuttgart where CAST: Victor’s initial studies toward a Musette / Irma...........................Amy Maples career in medicine or law were soon Sandor...........................David Kelleher-Flight replaced
[Show full text]
Herbert's Songs: Designed for Classical Singers A
HERBERT’S SONGS: DESIGNED FOR CLASSICAL SINGERS A CREATIVE PROJECT PAPER SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENT FOR THE DEGREE MASTERS OF MUSIC BY LAURA R. KRELL DR. MEI ZHONG-ADVISOR BALL STATE UNIVERSITY MUNCIE, INDIANA JULY, 2012 Herbert’s Songs: Designed for Classical Singers Introduction Victor Herbert has undoubtedly provided America some of its greatest, most tender, romantic, invigorating, and challenging songs for soprano. Today, Herbert’s masterworks appear simultaneously in both Musical Theater Anthologies and Operatic Collections. Many students encounter questions as to performance practice: can these songs be sung as “musical theater,” with young, immature voices, or should they be studied by classical singers? Despite the pool of speculation swirling around this issue, there has not been any significant research on this particular topic. This study will detail the vocal abilities of Herbert’s most prolific sopranos (Alice Nielsen, Fritzi Scheff, and Emma Trentini), and identify compositional elements of three of Herbert’s most famous arias (“The Song of the Danube,” “Kiss Me Again,” and “Italian Street Song”), using historical data to demonstrate that each composition was tailored specifically for the versatility and profound vocal ability of each opera singer, and is poorly mishandled by those without proper classical training. The writer will offer observations from three amateur online recordings of “Art Is Calling For Me.” The writer will use the recordings to highlight specific pitfalls untrained singers may encounter while singing Herbert, such as maneuvering coloratura passages, breath control, singing large intervallic leaps, and the repeated use of the upper tessitura.
[Show full text]
Precious Nonsense
Precious Nonsense NEWSLETTER OF THE MIDWESTERN GILBERT AND SULLIVAN SOCIETY June 2001 -- Issue 63 Of course, you will understand that, as Chancellor of the Exchequer, I am bound to see that due economy is observed. There's nothing like a bargain. W ith the postal rate on letters weighing more than an ounce going up on July 1, it seemed like a good idea to try to get a "fat" newsletter out before the change. So here we are. Although we're lacking any play synopses this time around, we do have the answers to last year's Big Quiz, plenty of news of G&S productions, and some interesting insights from Arthur Robinson. So let's see how it goes. Oh, Members, How Say You, What is it You've Light Opera at (330) 263-2345 / www.wooster.edu/OHIOLIGHTOPERA/ . Or e-mail Done? [email protected]. And their address is The We were saddened and pleased to learn that MGS College of Wooster, Wooster, OH 44691. member and frequent G&S lead performer David Michaels is leaving the Chicago area for Seattle. Sad because he’s Although Light Opera Works isn't presenting any G&S going, and glad because he’ll be seeing more of his family this season, they do have an interesting program for youth, (and able to report on G&S activity in Washington State)! featuring, among other things, an opportunity to work on a Best wishes for his move and his future! production of The Pirates of Penzance. Their Musical Theater Summer Workshops (“for kids 8 to 18") this year By the way, someone asked what our membership include Annie (July 9-14, 2001), Pirates of Penzance (July statistics are, after the renewals were returned.
[Show full text]
1914 the Ascap Story 1964 to Page 27
FEBRUARY 29, 1964 SEVENTIETH YEAR 50 CENTS New Radio Study 7A^ I NEW YORK-Response Ratings, a new and unique continuing study measuring radio station and jockey effectiveness, will he 'r, launched in next week's issue. This comprehensive radio analysis- another exclusive Billboard feature-will he carried weekly. Three different markets will be profiled in each issue. It will kick off in the March 7 Billboard with a complete study of the New York, Nashville, and San Francisco markets. In subsequent weeks, the study will consider all key areas. This service has been hailed by broadcast The International Music -Record Newsweekly industry leaders as a major breakthrough in station and personality Radio -TV Programming Phono-Tape Merchandising Coin Machine Operating analysis. Beatles Business Booms But Blessings Mixed Beatles Bug BeatlesGross r z As They 17 Mil. Plus Paris Dealer, 31-4*- t 114 In 6 Months 150 Yrs. Old, Control Air NEW YORK - In the six By JACK MAHER six months prior to the peak of Keeps Pace NEW YORK - While a few their American success, Beatles manufacturers were congratu- records grossed $17,500,000 ac- Story on Page 51 lating the Beatles for infusing cording to EMI managing direc- new life and excitement into the tor John Wall. record business others were This figure, which does not quietly venting their spleen include the huge sales of Beatles against the British group. records ín the U. S., shows the At the nub of their blasphe- staggering impact the group has mies was the enormous amount had on the record industry t r 1.+ra.
[Show full text]
***Current Draft OPERA
CLAIRE LEYDEN Email: [email protected] www.ClaireLeyden.com Cell: (914) 523-0359 5’ 5” / Red Hair / Blue Eyes UPCOMING Der Freischütz (Dec 2019) Bridesmaid/Chorus Heartbeat Opera Dir. Louisa Proske The Debutante (Nov 2019) Elaine (lead) Victor Herbert Renaissance Project Live! Dir. Alyce Mott Iolanthe (Oct 2019) Ensemble New York Gilbert and Sullivan Players Dir. Albert Bergeret OPERATIC ROLES PERFORMED The Pirates of Penzance Mabel Riverside Center for the Performing Arts Dir. Catherine Flye Il barbiere di Siviglia Berta Teatro Lirico d’Europa / Opera NH Dir. Giorgio Lalov Suor Angelica Suor Genovieffa Narnia Vocal Arts Festival, Italy Dir. Maria Rosaria Omaggio Gianni Schicchi Nella Narnia Vocal Arts Festival, Italy Dir. Maria Rosaria Omaggio The Merry Widow Valencienne New Rochelle Opera Dir. Camille Coppola Così fan tutte Despina Divaria Productions, NYC Dir. Anton Armendariz Diaz Sweethearts Sylvia (lead) Victor Herbert Renaissance Project Live! Dir. Alyce Mott The Enchantress Vivien (lead) Victor Herbert Renaissance Project Live! Dir. Alyce Mott La Traviata Flora New York Opera Collaborative Dir. Andrea DelGiudice Rigoletto Giovanna/Countess Teatro Lirico d’Europa Dir. Giorgio Lalov SELECTED MUSICAL THEATRE / PLAYS Sherlock Holmes and the Jersey Lily Mrs. Tory/Kitty Bristol Valley Theater Dir. Karin Bowersock HEIST! A New Musical Cynthia Stitskaya The Players Theatre (Off-Broadway) Dir. James Will McBride Yeomen of the Guard / Pirates Ensemble New York Gilbert and Sullivan Players Dir. Albert Bergeret Princess Ida Princess Ida (cover) Village Light Opera Group Dir. Emily Cornelius The Sorcerer Aline Sangazure College Light Opera Company Dir. Mark A. Pearson The Yeomen of the Guard Kate College Light Opera Company Dir.
[Show full text]
Kiss Me Again
In G (b tf) g) In A (c# tf) a) In Bb (d tf) b£) • ,~ -Il-j741 ~ SUNG BY MISS FRITZI SCHEFF Soprano (c# a)!~~~ or Tenor (lead)to f¥j! and Contralto ca# c#) ~~~ to ~ or Baritone ~ fjl _-.J! TtliTitten on the Theme of IF I WERE ON THE STAGE FROM THE COMIC OPERA LYRIC BY 50Zo 60 cents net QUARTET_MALE FEMALE AND MIXEDVOICES 15 CENTS EACH NET OPERATIC ., . I.L '.~ Weal Duell \ 75P Nut ... HWiTNARK (S2 SONS, NEW YORK .CH I CAGO • LO N DON. P R INTEO IN U.S.A. ", ~ MOLLY An Irish Love Song Lyric by 80.10 Two Keys - .F, rc to f) M, ret to at) Music by RIDA JOHNSON YOUNG VICTOR HERBERT RathfiJr slowly. , I~ 1 .. ... '" . r-3';--- Mol - ly dear, the 3 ~ Noh, 1Jl~ ;1' fiJ I I r :$ ____ ~r~~ ., I 1 p ::::~ "if ~ ~ ~ P ate",~ ___ I' ---------, - , - - - _. , It ..- I ., ... Spring is here} And birds- their mates are call - ing; Tbeyre nest - ing now and t ~--- ..:~~ ~ -~ ~ f~-'- ::~~ . ---- - _. ::: ~ ~ '-----r' '1-:... -~= ~-----./ - -:;j , ten. -.. ~ I- ..- • -. so should we, For shel-tered- close we too must be, When dam is fall ing.~ - - ------ ten. 3 .- I- T ~' 8:::::: .,..:I: ~ - PT--::: ~ ~ :;; ~ .---- ~~(J ~ ; ,-' ------ 1- ;;;;;- ------ -- . :----. - , I L~ ~---; . ------ '---.It r"--V , _. .- It poco 1"Il. ..... - ~ ... , ~ Oh,.Mol-ly dear, the hon-ey bee The blush-ing rose is ~ S.,.... _____ .' ,~,. ..~ -'" I" .. • ~ 0,.- -:!=- 1'., J~j)~-- pr a tempo f V-r 1 r -I . - I---.. <. .. .--- I~I . r----- Published and Copyrighted MCMXIX by M.Witmark & Sons..7 Witmark BUilding,NewYork . CHICAGO ····SAN FRANCISCO .". LONDON •..• PARIS ......................................,............................................•........................·····················································1 i Complete Cop}es can be had wherever Music is sold.
[Show full text]
Untitled, It Is Impossible to Know
VICTOR HERBERT ................. 16820$ $$FM 04-14-08 14:34:09 PS PAGE i ................. 16820$ $$FM 04-14-08 14:34:09 PS PAGE ii VICTOR HERBERT A Theatrical Life C:>A<DJA9 C:>A<DJA9 ;DG9=6BJC>K:GH>INEG:HH New York ................. 16820$ $$FM 04-14-08 14:34:10 PS PAGE iii Copyright ᭧ 2008 Neil Gould All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means—electronic, mechanical, photocopy, recording, or any other—except for brief quotations in printed reviews, without the prior permission of the publisher. Library of Congress Cataloging-in-Publication Data Gould, Neil, 1943– Victor Herbert : a theatrical life / Neil Gould.—1st ed. p. cm. Includes bibliographical references (p. ) and index. ISBN-13: 978-0-8232-2871-3 (cloth) 1. Herbert, Victor, 1859–1924. 2. Composers—United States—Biography. I. Title. ML410.H52G68 2008 780.92—dc22 [B] 2008003059 Printed in the United States of America First edition Quotation from H. L. Mencken reprinted by permission of the Enoch Pratt Free Library, Baltimore, Maryland, in accordance with the terms of Mr. Mencken’s bequest. Quotations from ‘‘Yesterthoughts,’’ the reminiscences of Frederick Stahlberg, by kind permission of the Trustees of Yale University. Quotations from Victor Herbert—Lee and J.J. Shubert correspondence, courtesy of Shubert Archive, N.Y. ................. 16820$ $$FM 04-14-08 14:34:10 PS PAGE iv ‘‘Crazy’’ John Baldwin, Teacher, Mentor, Friend Herbert P. Jacoby, Esq., Almus pater ................. 16820$ $$FM 04-14-08 14:34:10 PS PAGE v ................
[Show full text]
Herbert in Pittsburgh
From the "Idol's Eye" to "Tristan":Victor Herbert in Pittsburgh Robert F. Schmalz University of Southwestern Louisiana For nearly a century, the cities of Philadelphia and Pittsburgh have been represented by two of the nation's finest orchestral ensembles. Although colorful and sometimes controversial personalities spice the histories of both organiza- tions, Victor Herbert's mercurial career as conductor of the Pittsburgh orchestra is particularly noteworthy. Indeed, during his brief tenure in Pittsburgh the composer of "Babes in Toyland" and "Naughty Marietta" exerted an extraordi- nary influence on the musical life of his adopted city. Victor Herbert succeeded Frederick Archer to become the second conduc- tor of the Pittsburgh Symphony Orchestra in 1898, only the fourth season of the orchestra's existence. Inheriting an organization which was confused and divided over Archer's dismissal, the thirty-eight year old conductor launched a six-year association which proved to be a rewarding experience for the city, the orchestra, and the conductor alike. Those who anticipated a new beginning were not disappointed. Herbert brought with him to Pittsburgh a decidedly popular image. Born on February 1, 1859, he was the grandson of Samuel Lover, an Irish novelist, poet and songwriter. He had pursued a musical career in Germany, studying at the Stuttgart Conservatory. Herbert toured France, Germany and Italy as cello soloist with the Stuttgart Orchestra in the late 1870's and early 1880's. It was during this period that he produced his first compositions, completing both a suite and a concerto for cello and orchestra, as well as several songs.
[Show full text]
A Celebration of Paul Whiteman's Historic Aeolian Hall Concert of February 12, 1924
THE UNIVERSITY MUSICAL SOCIETY OF THE UNIVERSITY OF MICHIGAN presents A Celebration of Paul Whiteman's Historic Aeolian Hall Concert of February 12, 1924 Reconstructed and conducted by MAURICE PERESS Ivan Davis and Dick Hyman, Pianists The 1985 Palais Royale Orchestra Wednesday Evening, July 3, 1985, at 8:00 Power Center for the Performing Arts Ann Arbor, Michigan True Form of Jazz Seventy years ago Livery Stable Blues ................................ La Rocca With modern embellishments Mama Loves Papa ............................ Baer Comedy Selections (arranged and adapted by Ross German) Yes, We Have No Bananas ............................................... Silver So This Is Venice ..................................................... Thomas Contrast Legitimate Scoring vs. Jazzing Whispering ....................................................... Schonberger Recent Compositions with Modern Score Limehouse Blues ...................................................... Braham Linger Awhile .......................................................... Rose Raggedy Ann ........................................................... Kern Piano Music by Zez. Confrey Kitten on the Keys Three Little Oddities: Romanza, Impromptu, Novelette Nickel in the Slot (with orchestra) Dick Hyman, Pianist Irving Berlin Medley Orange Blossoms in California A Pretty Girl Is Like a Melody Alexander's Ragtime Band Dick Hyman and Orchestra INTERMISSION Adaptation of Standard Selections to Dance Rhythm Pale Moon .............................•••••.............. To a
[Show full text]
Mlle. Modiste
VICTOR HERBERT Mlle. Modiste The Ohio Light Opera Michael Borowitz Conductor Steven Daigle Director Mlle. Modiste Music.....................................Victor Herbert BACKGROUND NOTES...............Michael Miller Lyrics.....................................Henry Blossom By the time composer Victor Herbert began work Orchestral Restoration...........Bruce Herman in 1905 on his comic opera Mlle. Modiste, he already Conductor........................Michael Borowitz had fourteen Broadway shows to his credit and a Stage Director.........................Steven Daigle reputation as America’s most prominent composer of stage music. Long frustrated with the demands of The Ohio Light Opera Broadway publishers and producers that he simply Steven Daigle, Artistic Director crank out a bunch of songs and leave the rest to them, CAST: he and librettist Henry Blossom set out on the Modiste Fifi....................................Sara Ann Mitchell project with the goal of creating a new musical/ Étienne....................................Todd Strange dramatic paradigm for American operetta. In his words, Conte de St. Mar.....................Boyd Mackus “A comic opera with any pretense at artistic merit has Hiram Bent...............................Dennis Jesse the two forces [music and drama] so closely related and inter-woven that the audience senses them as one and Gaston.......................................Jacob Allen the same thing. Every situation requires some definite Mme. Cecily..............................Julie Wright sort of music and the
[Show full text]
Victor Herbert Triumph "Naughty Marietta"
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org THE MUSIC TRADE REVIEW 49 New York. I won't keep a girl in a company un- but said nothing of coming to America.'' In case THAT Marie Empress, who is here from Eng- less she keeps her appointment at the theaters. of Mascagni's non-appearance, Mr. Vittadini will land and has "consented" to appear in vaudeville, The average New York chorus girl is much more conduct the work. asserts she has in her repertoire of songs an un- particular about keeping other appointments. And published ballad by Gilbert and Sullivan, entitled the salaries singers demand—and get! Believe "Other Days." She will also sing Feist songs. me, the musical show keeps the producer 'produc- THAT her agent announces Miss Empress will ing' until he has to look twice for car fare." pay $1,000 to the composer furnishing her with MREVIDVMEARS the most suitable new song, this to be hers ex- HARRIS ADDS TO OPERETTA PRIZE. clusively and to remain unpublished. THAT more music like that of Victor Herbert's THAT a Newark hotel advertises: "The Baer in "Naughty Marietta" is wanted by the American The Shuherts announce that another $1,000 has Mixed Quartette This Week; Also Good Music." public. been added to the $1,000 prize they had previously THAT Robert Hood Bowers is now the orches- offered for an American operetta by American THAT several of the numbers have more of the tra leader for "Alma, Where Do You Live?" at authors, similar to "Madame Troubadour," the spirit of real poetry than is usually associated Joe Weber's Theater.
[Show full text]