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Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
Annual Report
ANNUAL REPORT 2014 Management Message 02 At the center of our businesses 04 12 Group Profi le | Businesses | Societal, Social and Litigation | Risk Factors 07 Environmental Information 41 1. Group Profi le 09 1. Corporate Social Responsibility (CSR) Policy 42 2. Businesses 20 2. Societal Information 47 3. Litigation 32 3. Social Information 62 4. Risk Factors 38 4. Environmental Information 77 5. Verifi cation of Non-Financial Data 85 3 Information about the Company | Corporate Governance | Reports 91 1. General Information about the Company 92 2. Additional Information about the Company 93 3. Corporate Governance 106 4. Report by the Chairman of Vivendi’s Supervisory Board on Corporate Governance, Internal Audits and Risk Management – Fiscal Year 2014 147 5. Statutory Auditors’ report, prepared in accordance with Article L.225-235 of the French Commercial Code, on the Report prepared by the Chairman of the Supervisory Board of Vivendi SA 156 4 Financial Report | Statutory Auditors’ Report on the Consolidated Financial Statements | Consolidated Financial Statements | Statutory Auditors’ Report on the Financial Statements | Statutory Financial Statements 159 Selected key consolidated fi nancial data 160 I - 2014 Financial Report 161 II - Appendices to the Financial Report: Unaudited supplementary fi nancial data 191 III - Consolidated Financial Statements for the year ended December 31, 2014 195 IV - Vivendi SA - 2014 Statutory Financial Statements 294 56 Recent events | Outlook 337 Responsibility for Auditing 1. Recent events 338 the Financial Statements 341 2. Outlook 339 1. Responsibility for Auditing the Financial Statements 342 ANNUAL REPORT 2014 The Annual Report in English is a translation of the French “Document de référence” provided for information purposes. -
Issue 510 Bud & Broadway on the Move Taking a Morning Show on a Remarkable Journey from Market No
August 1 2016, Issue 510 Bud & Broadway On The Move Taking a morning show on a remarkable journey from market No. 188 to No. 22 was all part of the five- (and-a-half) year plan for WIL/St. Louis’ Bud & Broadway. Of course, their decades of programming and on-air experience helped. Country Aircheck reached out for a travelogue. In 2010, WTVY/Dothan, AL PD Jerry Broadway brought in Bud Ford for afternoons. “After he and I met and started hanging out, we figured out pretty quick that we should be doing a morning show together,” says Broadway. “I was already on the morning show, and an opportunity came up to add a partner, and I decided Bud was going to be that guy.” Don’t Be Your Own Boss: The two tapped prodigious programming experience – Ford’s includes WKDF/Nashville – and aimed to create a show either would hire. Easier said than done, Flatts Forward: Big Machine’s Rascal Flatts in Dallas Saturday it turns out. “It challenges us,” says Ford. “There are two sides. (7/30). Pictured are (back, l-r) KPLX’s Mark Phillips, RF’s Jay The thing that makes you DeMarcus, KPLX & KSCS’ Mac Daniels, RF’s Gary LeVox, KPLX’s great at being a PD kills Victor Scott, RF’s Joe Don Rooney, KSCS’ Connected K and KPLX’s your ability to be on air, Skip Mahaffey; (front, l-r) KPLX & KSCS’ Rebecca Kaplan, KSCS’ because the on-air portion Trapper John Morris and Big Machine’s Alex Valentine. has got to be what we call unpredictable predictability. -
Meet Warner's Matt Signore Bandtwango Funds The
February 13, 2017, Issue 536 Meet Warner’s Matt Signore Named as incoming Warner Music Nashville COO as far back as July, Matt Signore brings 25 years of record busi- ness experience, a long history with WMN Chairman/CEO John Esposito and a few other Nashville connections to the role he started Jan. 1. CA: How did you end up in the music business? MS: I worked as a CPA in New York for a big accounting firm. Back in that day with those jobs, you hoped one of your clients would hire you. I had a friend who worked on the acquisition of Island Records by Polygram, went there and basically had a job for me. I was 26 years old, got a $3,000 raise and I could wear jeans to work. I came home and said, “I think I want to do this.” I wasn’t a musician and didn’t want to be in the music business, necessarily. But I went to work for Matt Signore Island and ultimately Island/Def Jam on the business side. How did you meet Espo? Exclusive Club: AT&T Pebble Beach Pro-Am tournament winner In 1994, he was the head of catalog sales at Polygram. He was Jordan Spieth (l) and partner Jake Owen celebrate a big the guy trying to get labels to clear things for catalog work, and my weekend on the links. In addition to the pair placing third in boss was a pain in the ass. His first memory of me was as the fi- the Pro-Am, Owen was honored with the Arnie Award, which nance guy at Island who helped him get stuff done. -
THE MUSICAL FEATURES of 2015'S TOP-RANKED COUNTRY SONGS
THE MUSICAL FEATURES OF 2015’s TOP-RANKED COUNTRY SONGS By Mason Taylor Allen Senior Honors Thesis Department of Music University of North Carolina at Chapel Hill April 22, 2016 Approved: Dr. Jocelyn R. Neal, Thesis Advisor Dr. Allen Anderson, Reader Dr. Andrea Bohlman, Reader © 2016 Mason Taylor Allen ALL RIGHTS RESERVED ii ABSTRACT Mason Taylor Allen: The Musical Features of 2015’s Top-Ranked Country Songs Under the direction of Dr. Jocelyn R. Neal The 2015 top-ten country songs analyzed in this study are characterized by the various formats of their song form, harmonies, and lyrics. This thesis presents a comprehensive study of the structure and narratives in sixty-seven songs that summarizes the distinctive features within those domains of contemporary commercial country music. A detailed description of the norm along with identifiable trends emerges. The song form that features most prominently in this repertory includes a verse-chorus-bridge form with three iterations of the chorus, an intro and outro section, and instrumental sections immediately following each chorus. The top-ten country songs have varying degrees of departure from this typical model. Primary features of the harmonies of these top songs include the frequent use of a double-tonic complex, the absence of a 5-1 authentic cadence, the same chord progression throughout the verse, chorus, and bridge, and the use of only two chords throughout the song. Lyrical analyses show that 2015 songs are continuing the traditional themes about romantic attraction, love, heartache, good times and partying, home, family, nostalgia, religion, and inspiration, within the context of small-town country life that this genre has used for years. -
Mason & Dixon, 3 Pages a Day, Read by Toby Levy
On January 1st, 2006 I began to fulfill my New Years resolution to read Thomas Pynchon's Mason & Dixon at a pace of three pages a day. I resolved to look everything up that was interesting or obscure. I took a lot of notes throughout the nine months it took to read the book. This is the result. If you find any errors, please email me at [email protected] and I'll incorporate your corrections into this text. Toby Levy pages 1-3: Page 5 reveals that the year at the start of this book is 1786, and the place is Philadelphia. This is The first numbered page in the hardcover first where Charles Mason died earlier that year. The first edition is page 6. named character is Whiskers the cat. The children are identified on this page only as "the twins and their Leafing back from there, page 1 is the one that sister." They and assorted friends gather in this family has only the words "Mason & Dixon" in chapter room to hear tall tales told by the Reverend Wicks heading typeface about a quarter of the way down the Cherrycoke. Cherrycoke (the name of a bit character in page. The ampersand usage is correct in that it was a Gravity's Rainbow) came to Philadelphia to attend business partnership. Mason is always listed first Mason's funeral but arrived too late. The house because he was generally considered to be the man in belongs to his sister Elizabeth and Elizabeth's husband, charge of their two major undertakings. -
The Westampton Eye
Westampton Middle School’s Spring 2019 The Westampton Eye Mr. Leone — Nick M., Carter W. — Emily C, Derrick G., Isabella I., Steve A. — Special Correspond- Advisor Editors Taylor L., Nick M., Naveah M., ent Isabella I., Taylor L., — Daivik P., Aaron R., Rajvir S., Photographers Carter W. — Reporters Annie jr Review By Taylor L. The drama club at Westampton Middle School puts on a play every year. This year the play was Annie jr. Many students and staff take part in the play every year. This year the part of Annie was played by Gabriella W. Gabriella has an amazing voice, and she put on a beautiful performance. The play was very well thought out with the dances and choreog- raphy. Mr. Condoleon and Mr. Tornquist directed and choreographed an amazing show. The play was very funny and interesting. Annie was a very good choice. So to everyone who worked on the play: you did an amaz- ing job! EDITORIAL: Women’s History Month In Praise Of Bethany Hamilton By Isabella I. Through long periods of history women have been consid- ered inferior to men. That is why when Women's History Month comes around it is important to recognize how far we have come. There have been some very amazing and powerful women in his- tory, and we need to appreciate them. One of these incredible women is Bethany Hamilton. She was attacked by a 14-foot-long tiger shark on a surfboard at the age of 13 and lost her left arm. Everyone was convinced she would never surf again. -
Gerry Mulligan Discography
GERRY MULLIGAN DISCOGRAPHY GERRY MULLIGAN RECORDINGS, CONCERTS AND WHEREABOUTS by Gérard Dugelay, France and Kenneth Hallqvist, Sweden January 2011 Gerry Mulligan DISCOGRAPHY - Recordings, Concerts and Whereabouts by Gérard Dugelay & Kenneth Hallqvist - page No. 1 PREFACE BY GERARD DUGELAY I fell in love when I was younger I was a young jazz fan, when I discovered the music of Gerry Mulligan through a birthday gift from my father. This album was “Gerry Mulligan & Astor Piazzolla”. But it was through “Song for Strayhorn” (Carnegie Hall concert CTI album) I fell in love with the music of Gerry Mulligan. My impressions were: “How great this man is to be able to compose so nicely!, to improvise so marvellously! and to give us such feelings!” Step by step my interest for the music increased I bought regularly his albums and I became crazy from the Concert Jazz Band LPs. Then I appreciated the pianoless Quartets with Bob Brookmeyer (The Pleyel Concerts, which are easily available in France) and with Chet Baker. Just married with Danielle, I spent some days of our honey moon at Antwerp (Belgium) and I had the chance to see the Gerry Mulligan Orchestra in concert. After the concert my wife said: “During some songs I had lost you, you were with the music of Gerry Mulligan!!!” During these 30 years of travel in the music of Jeru, I bought many bootleg albums. One was very important, because it gave me a new direction in my passion: the discographical part. This was the album “Gerry Mulligan – Vol. 2, Live in Stockholm, May 1957”. -
MV Newsletter 3-06
Bama Breeze Jimmy’s latest CD is scheduled to be released on October 10. Award winning bassist Glenn Worf, Mobile native Will Kimbrough, Little Feats’ Billy Payne, and Party At The End Of The World slide guitar master Sonny Landreth joined Jimmy and the resident Coral Weather With You Reefers in Key West last February at what was then the Party At The End Of The World. We knew better than to refer to it as such so early, but it Everybody's On The Phone was a working title. In between fishing and boating trips, and sampling the Whoop De Doo keys culinary offerings, “should I spend time on the treadmill or eat at Hogfish,” Jimmy and his talented troop started the “party” that ended as Nothin' But A Breeze “weather” in Mac McAnally’s studio in Muscle Shoals. Cinco De Mayo In Memphis All the talent trapped in the old ice house on Key West’s historic waterfront Reggabilly Hill set the substance for the new recording, and the style was added by Mac and Mr. Utley. Meanwhile, Jimmy was overseas watching World Cup soccer and Elvis Presley Blues hanging with Mark Knopfler – not exactly dire straits. A video was filmed last Hula Girl At Heart summer for the song “Bama Breeze” and Jimmy told the Boston Globe’s Steve Morse, “It's a tribute to those honky-tonks that line the Gulf Coast where Wheel Inside The Wheel I grew up on the Alabama, Mississippi, Florida coast of the Gulf. It's about Silver Wings the infamous Flora-Bama bar. -
Countrybreakout Chart Covering Secondary Radio Since 2002
COUNTRYBREAKOUT CHART COVERING SECONDARY RADIO SINCE 2002 Thursday, February 9, 2017 NEWS CHART ACTION MusicRow's Country Radio Meet & Greet New On The Chart —Debuting This Week ! Artist/song/label—chart pos. ! Sam Hunt/Body Like A Backroad/MCA Nashville— 41 ! Zac Brown Band/My Old Man/Southern Ground-Elektra—48 ! Keith Urban w/ Carrie Underwood/The Fighter/Capitol Nashville—53 ! Blake Shelton/Every Time I Hear That Song/Warner Bros— 61 ! Frankie Ballard/You’ll Accomp’ny Me/Warner Bros— 74 ! Jackie Lee/Getting Over You/Broken Bow—80 ! ! ! Greatest Spin Increase MusicRow's 15th Annual Country Radio Meet & Greet CountryBreakout Awards will be held Wednesday, Feb. 22. Featured performers are Rachael Artist/song/label—Spin Increase Turner (Rustic Records) and Alex Smith (Lila Records). For more, visit Sam Hunt/Body Like A Backroad/MCA Nashville—496 musicrow.com. Zac Brown Band/My Old Man/Southern Ground-Elektra—464 ! Lady Antebellum/You Look Good/Capitol Nashville— 372 Lady A To Announce ACM Awards Nominees Keith Urban w/ Carrie Underwood/The Fighter/Capitol Nashville—315 ! !Blake Shelton/Every Time I Hear That Song/Warner Bros—238 ! Most Added ! Artist/song/label—No. of Adds ! Zac Brown Band/My Old Man/Southern Ground-Elektra— 40 ! Sam Hunt/Body Like A Backroad/MCA Nashville—31 ! Keith Urban w/ Carrie Underwood/The Fighter/Capitol Nashville—27 ! Blake Shelton/Every Time I Hear That Song/Warner Bros—22 ! Lady Antebellum/You Look Good/Capitol Nashville—11 ! Easton Corbin/A Girl Like You/Mercury Nashville—11 ! Brett Young/In Case You Didn’t Know/BMLG— 6 ! Rachael Turner/Hurts Don’t It/Rustic Records— 6 ! Shane Owens/All The Beer In Alabama/AmeriMonte— 5 Lady Antebellum will appear live on CBS This Morning on Thursday, Feb. -
Power Gold: Concentration Game CMA Sets Trend for Industry
February 10, 2020, Issue 691 Power Gold: Concentration Game This edition of Country Aircheck’s Power Gold is led by eight artists who combine for 46 of the Top 100 most-heard Gold hits. Luke Bryan and Florida Georgia Line lead the parade with seven songs apiece, followed by Jason Aldean and Zac Brown Band with six each. Rounding out the top PG hit-makers are Kenny Chesney, Thomas Rhett, Blake Shelton and Carrie Underwood, all with five hits in the Top 100. One artist – Dierks Bentley – places four songs in this elite group, meaning that nine acts are responsible for 50% of the current Power Gold. More thoughts on that later. Twenty-three songs from 20 artists are new Luke Bryan to the Top 100 since we ran the list last year (CAW 1/14/19). Interestingly, four songs in that group are more than five years old and are actually making a return appearance to the PG 100. They are Tim McGraw’s “Live Like You Were Dying” (2004), Bentley’s “Free And Easy (Down The Staff Hearted: WNCY/Appleton, WI’s Shotgun Shannon, Luke Road I Go)” (2007), Bryan’s “I See You” (2015) and FGL’s “Sippin’ Reid, Charli McKenzie, Hannah, Dan Stone and PJ (l-r) show On Fire” (2015). off the station’s 23rd annual Y100 Country Cares for St. Jude This Top 100 Power Gold – along with the airplay information in Kids Radiothon total. the previous paragraph – is culled from Mediabase 24/7 and music airplay information from the Country Aircheck/Mediabase reporting panel for the week of January 26-Feb. -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time.