Mason & Dixon, 3 Pages a Day, Read by Toby Levy
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Edwin Danson, UK: the Work of Charles Mason and Jeremiah Dixon
The Work of Charles Mason and Jeremiah Dixon Edwin DANSON, United Kingdom Key words: Mason, Charles; Dixon, Jeremiah; Mason-Dixon Line; Pre-revolutionary History; Surveying; Geodesy; US History; Pennsylvania; Maryland. ABSTRACT The geodetic activities of Charles Mason and Jeremiah Dixon in America between 1763-68 were, for the period, without precedent. Their famous boundary dividing Maryland from Pennsylvania, the Mason-Dixon Line, today remains a fitting monument to these two brave, resourceful and extremely talented scientists. Tutored by Astronomer Royal Dr James Bradley, Charles Mason was aware of the contemporary theories and experiments to establish the true shape of the Earth. He was also cognisant of what was being termed “the attraction of mountains” (deviation of the vertical). However, at the time it was no more than a theory, a possibility, and it was by no means certain whether the Earth was solid or hollow. The Mason-Dixon Line, a line of constant latitude fifteen miles south of Philadelphia, although the most arduous of their tasks, was only part of their work for the proprietors of Maryland and Pennsylvania. For the Royal Society of London, they also measured the first degree of latitude in America. In recent years, the Mason-Dixon Line Preservation Partnership has located many of the original markers and surveyed them using GPS. The paper reviews the work of Mason and Dixon covering the period 1756-1786. In particular, their methods and results for the American boundary lines are discussed together with comments on the accuracy they achieved compared with GPS observations. CONTACT Edwin Danson 14 Sword Gardens Swindon, SN5 8ZE UNITED KINGDOM Tel. -
The Mason Dixon Land Survey
Historic American Land Surveys: The Mason Dixon Land Survey 4 Hours PDH Academy PO Box 449 Pewaukee, WI 53072 (888) 564-9098 www.pdhacademy.com HISTORIC AMERICAN LAND SURVEYS – THE MASON-DIXON LINE SURVEY BY: NATHAN J. WALKER, PLS Objective: As the retracement surveyors of today are called upon to “follow in the footsteps” of those original surveyors who went before, it is useful and instructive to learn how and why the early surveyors conducted their projects. It is likewise worthwhile to consider the outcomes and consequences of the early land surveys that shaped and continue to influence America. This course seeks to study the historically important Mason-Dixon Line survey, the circumstances that led to the necessity of the survey, the surveyors who conducted the survey, and the methods and techniques they employed to complete their daunting project. Also, the lasting political and cultural effects of the survey will be examined and a timeline of events relating to the survey will be presented. Course Outline: The Mason-Dixon Line Survey A. Biographical Overview of Charles Mason B. Biographical Overview of Jeremiah Dixon C. Mason and Dixon’s Initial Expedition Section 1 – Historical Background 1. The Province of Maryland 2. The Province of Pennsylvania 3. The Penn-Calvert Boundary Dispute Section 2 – Surveying the Lines 1. Scope of the Survey 2. Celestial Observation and a Commencing Point 3. The Point of Beginning 4. The Tangent Line 5. The West Line and the North Line 6. Extending the West Line Section 3 – Lasting Effects of the Survey 1. The Delaware Wedge 2. -
Gerry Mulligan Discography
GERRY MULLIGAN DISCOGRAPHY GERRY MULLIGAN RECORDINGS, CONCERTS AND WHEREABOUTS by Gérard Dugelay, France and Kenneth Hallqvist, Sweden January 2011 Gerry Mulligan DISCOGRAPHY - Recordings, Concerts and Whereabouts by Gérard Dugelay & Kenneth Hallqvist - page No. 1 PREFACE BY GERARD DUGELAY I fell in love when I was younger I was a young jazz fan, when I discovered the music of Gerry Mulligan through a birthday gift from my father. This album was “Gerry Mulligan & Astor Piazzolla”. But it was through “Song for Strayhorn” (Carnegie Hall concert CTI album) I fell in love with the music of Gerry Mulligan. My impressions were: “How great this man is to be able to compose so nicely!, to improvise so marvellously! and to give us such feelings!” Step by step my interest for the music increased I bought regularly his albums and I became crazy from the Concert Jazz Band LPs. Then I appreciated the pianoless Quartets with Bob Brookmeyer (The Pleyel Concerts, which are easily available in France) and with Chet Baker. Just married with Danielle, I spent some days of our honey moon at Antwerp (Belgium) and I had the chance to see the Gerry Mulligan Orchestra in concert. After the concert my wife said: “During some songs I had lost you, you were with the music of Gerry Mulligan!!!” During these 30 years of travel in the music of Jeru, I bought many bootleg albums. One was very important, because it gave me a new direction in my passion: the discographical part. This was the album “Gerry Mulligan – Vol. 2, Live in Stockholm, May 1957”. -
Paths to Freedom: a Regional Underground Railroad Symposium
PATHS TO FREEDOM: A REGIONAL UNDERGROUND RAILROAD SYMPOSIUM View of the Columbia-Wrightsville Bridge, circa 1840 by W. H. Bartlett The York County History Center is hosting a two-day event to showcase recent scholarship on the Underground Railroad in south central Pennsylvania. It will provide insight into Underground Railroad activities in York County as well as connections throughout the region. The Mason–Dixon Line, surveyed by Charles Mason and Jeremiah Dixon in the 1760s, formed a 40-mile line that became the goal of freedom seekers. Assisting runaway slaves in their escape was illegal and punishable by prison time and fines, so much of the history associated with the secretive Underground Railroad movement is based upon oral traditions. Presenters will bring expertise both north and south of the Mason-Dixon Line and east and west of the Susquehanna River. Sponsored by: Bob & Donna Pullo and York College of PA, Department of History & Political Science Friday March 31, 2017 Saturday April 1, 2017 The Ground Swallowed Them Up: Underground Railroad Symposium Slavery and the Underground Railroad In York 9 a.m. - 3:15 p.m. County by Scott L. Mingus, Sr. Full schedule at 7-8 p.m. Author Talk 8:00-8:30 p.m. Book signing www.yorkhistorycenter.org Thank you to our partner: FREE - pre-registration requested: Goodridge Freedom Center www.yorkhistory.org or Registration required - see back [email protected] or (717) 848-1587 Historical Society Museum, Library & Archives Historical Society Museum, Library & Archives 250 E. Market St., York 250 E. Market St., York HOW TO REGISTER FEATURED SPEAKER Saturday April 1, 2017 DR. -
Papenfuse Layout.4
From Colony to State IN THE EMPIRE 1752 to 1769.2 Like most of the British empire in North [ 123 ] America, Maryland was left largely to its own devices until From Surveying to The first fifty years of the eighteenth century were a time of the 1750s. To be sure, there was a constant struggle for power Cartography institutional development and internal growth for the colo- within the colony. Both Lords Baltimore took an active inter- nies. As Edmund Burke was to point out in 1775 as he looked est in the affairs of their province and were forever at odds back on what seemed better times, it was a period of “wise with factions in the General Assembly. This very conflict and salutary neglect” during which the colonies were allowed strengthened the colonial assembly’s capacity for self-reli- to go much their own way.1 In Maryland the Calverts worked ance. It made it easier for Maryland to join the movement for diligently to maintain political and economic control. After independence in the 1770s, although the Proprietary, or Benedict Leonard Calvert, Cecil’s grandson, renounced his “Court,” Party cultivated its interest with such care and acu- Roman Catholicism and succeeded to the title as fourth Lord men that the decision for independence was far more painful Baltimore in 1715, the king restored his right to direct the in Maryland than in most of the other twelve colonies.3 government of the province, which had been taken from his Cartographic knowledge of Maryland did not advance father by force in 1689. -
Pynchon's Sound of Music
Pynchon’s Sound of Music Christian Hänggi Pynchon’s Sound of Music DIAPHANES PUBLISHED WITH SUPPORT BY THE SWISS NATIONAL SCIENCE FOUNDATION 1ST EDITION ISBN 978-3-0358-0233-7 10.4472/9783035802337 DIESES WERK IST LIZENZIERT UNTER EINER CREATIVE COMMONS NAMENSNENNUNG 3.0 SCHWEIZ LIZENZ. LAYOUT AND PREPRESS: 2EDIT, ZURICH WWW.DIAPHANES.NET Contents Preface 7 Introduction 9 1 The Job of Sorting It All Out 17 A Brief Biography in Music 17 An Inventory of Pynchon’s Musical Techniques and Strategies 26 Pynchon on Record, Vol. 4 51 2 Lessons in Organology 53 The Harmonica 56 The Kazoo 79 The Saxophone 93 3 The Sounds of Societies to Come 121 The Age of Representation 127 The Age of Repetition 149 The Age of Composition 165 4 Analyzing the Pynchon Playlist 183 Conclusion 227 Appendix 231 Index of Musical Instruments 233 The Pynchon Playlist 239 Bibliography 289 Index of Musicians 309 Acknowledgments 315 Preface When I first read Gravity’s Rainbow, back in the days before I started to study literature more systematically, I noticed the nov- el’s many references to saxophones. Having played the instru- ment for, then, almost two decades, I thought that a novelist would not, could not, feature specialty instruments such as the C-melody sax if he did not play the horn himself. Once the saxophone had caught my attention, I noticed all sorts of uncommon references that seemed to confirm my hunch that Thomas Pynchon himself played the instrument: McClintic Sphere’s 4½ reed, the contra- bass sax of Against the Day, Gravity’s Rainbow’s Charlie Parker passage. -
Here It Seemed, at Least in Spirit, As Were Benjamin Franklin and Charles Mason Themselves
theCelebrating Stargazer and the Surveyor homas Pynchon was there it seemed, at least in spirit, as were Benjamin Franklin and Charles Mason themselves. Others who attended this year’s annual Surveyors’ Rendezvous in Philadelphia most certainly shared the sentiment. Pynchon’s prose sets the stage for this report, in colorful passages, respect- fully shared here, from his epic novel Mason & Dixon (1997). A master of majick and mysticism in the printed word, Pynchon captures a moment of dockside Philadelphia 1763, captivating words delight one’s senses with glints of light on balls of cheese and slip- pery eel skins, musty nets creaking with cargo, boisterous seamen and hawkers of brackish-smelling shell food, bound together with the anticipation found in the postures of 35-year-old Mason and 30-year-old Dixon as they await the precious measuring instruments about to be unloaded: Philadelphia ‘Tis the middle of November, though seeming not much different from a late English summer. It is an overcast Evening, rain in the Offing. In a street nearby, oysters from the Delaware shore are being cried by the Waggon-load. The Surveyors stand together at the Quarter-deck, Mason in gray stockings, brown breeches, and a snuff-color’d Coat with pinch-beck buttons,—Dixon in red coat, Breeches, and boots, and a Hat with a severely Military rake to it,—waiting the Instruments,… as all around them Sailors and Dockmen labor, nets lift and sway as if by themselves, bulging with Drafting a map in the field. This American Civil War mapper demonstrates the fine art of 19th century cartography to the many modern mappers at the Harland House picnic. -
The Queers Interview in Support of Their New DVD Release the Queers Are Here Page 1 of 14
The Queers interview in support of their new DVD release The Queers are Here Page 1 of 14 enter e-mail address nmlkji Subscribe nmlkj Unsubscribe Music New Music Music Featured Music PunkTV. Interviews CDs MoviesPhotos Events Features Products News Charts Bands Videos Product The Queers interview in support of their new DVD release The Queers are Here All Interviews 10th April Dixon Christie E-MAIL THIS PRINT THIS » Anne Heller interview in... » XMS3 interview in... » The Showdown interview... » Sarah from Cradle of... » Nomad 67 interview in... PunkTV.ca: We’re here on the line with Joe Queer from the Queers in support » Nick Pruher and Joe... of their new MVD DVD release The Queers Are Here. How are you Mr. Joe » Necro interview about... Queer? » Matthew Morgan interview... Excellent amigo. » James Szfnarowski... » Forign Legion interview... » Black Halos Interview PunkTV.ca: Super good, it’s awesome. Where are you right now? » Cradle of Filth Live... I am sitting on my ass in the hotel in Buffalo New York. » The Living End interview... » Impaler Interview with... » Testament Interview with... PunkTV.ca: So you’re probably just as cold as we are here in Alberta Canada » Static Thought Interview... Ya it’s not exactly warm out here but oh well it’s all good. » Since the Flood... » Obituary Interview with... » Foreign Legion Interview... PunkTV.ca: Did you get there last night or this morning. » Cradle of Filth Live... We got in at 4AM, we were a little nervous about crossing the border but they let us » 3 Inches of Blood... through reluctantly back into our own country. -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
Mason, Dixon Made Mark in Carroll" Carroll County Times Article for 29 June 2008 by Mary Ann Ashcraft
"Mason, Dixon Made Mark in Carroll" Carroll County Times article for 29 June 2008 By Mary Ann Ashcraft Couldn’t you just kick yourself sometimes! What did I have to do on October 19, 2002, that was more important than watching a re-enactment of the placing of a Mason-Dixon crownstone near Harney on the Maryland-Pennsylvania boundary? Hundreds of media types, surveyors and local residents were gathered to see a 575-pound replica of an original marker lowered into position precisely on the line where English surveyors Charles Mason and Jeremiah Dixon would have sunk one about 1765. Somehow I missed that special event, and I’ll probably never see the likes of it again! Descendants of William Penn and the Maryland Calverts had been arguing over the boundary between their two colonies since Penn received his charter in the 1680s. The 40th parallel was supposed to be the dividing line, but if that had been used, Philadelphia would have ended up in Maryland! So in 1763, Charles II of England sent two of his best surveyors to settle the question. After nearly 5 years of slashing their way through primeval forests and encountering Native Americans who were not especially hospitable, Mason and Dixon finished their task of defining the boundaries between Penn’s “Three Lower Counties” (now Delaware) plus the rest of Pennsylvania and Maryland. Every mile of the boundary was marked with a stone, but at every fifth mile the surveyors erected special “crownstones” which had been brought over as ballast in their ship. Opposite sides of the 5-foot stones were carved with the coats of arms of the Penn and Calvert families, leaving no doubt about who controlled which side. -
Christmas Songbook
Merry Xmas Christmas Songbook Contents 2000 Miles1 Little Drummer Boy 31 All I Want for Christmas is You2 Little Saint Nick 32 Away in a Manger3 Lonely this Christmas 33 Blue Christmas4 Mary’s Boy Child 34 Christmas Alphabet5 Mele Kalikamaka 35 Christmas Dream6 Merry Christmas Everybody 36 Christmas is All Around7 Merry Christmas Everyone 37 Christmas Island8 Merry Christmas (I Don't Want to The Christmas Song9 Fight Tonight) 38 Deck the Halls 10 Mistletoe and Wine 39 Ding Dong Merrily on High 11 O Come All Ye Faithful 40 Do They Know It’s Christmas 12 Only You 41 Fairytale of New York 13 Rocking Around the Christmas Tree 42 Feliz Navidad 14 Rudolph the Red-Nosed Reindeer 43 Frosty the Snowman 15 Santa Baby 44 Gaudete (instrumental) 16 Santa Claus is Coming to Town 45 God Rest Ye Merry Gentlemen 17 Silent Night 46 Good King Wenceslas 18 Silver Bells 47 Happy Christmas (War is Over) 19 A Spaceman Came Travelling 48 Have Yourself a Merry Little Christmas 20 Stop the Cavalry 50 I Believe in Father Christmas 21 Thank God it’s Christmas 51 In the Bleak Midwinter 22 Twelve Days of Christmas 52 I Saw Three Ships 23 We Three Kings 53 It's Beginning to Look a Lot Like We Wish You a Merry Christmas 54 Christmas 24 When a Child is Born 55 I wish it Could be Christmas Every Day 25 White Christmas 56 Jingle Bell Rock 26 Winter Song 57 Jingle Bells 27 Winter’s Tale 58 Joy to the World (instrumental) 28 Winter Wonderland 59 Last Christmas 29 Auld Lang Syne 60 Let it Snow 30 2000 Miles The Pretenders Intro G / / G / / C / / D / / G / / G / / C / / D / / (x2) ------------------------------------------------ --------2-3-0-------2-3---------2-3-0-------2-3- 2-----------------------2----------------------- ------------------------------------------------ G C D G C D G C D G C D He's go…ne, 2000 miles, Is very far. -
Fresh Off the Most Successful Album of His Prolific Career, I'm Comin' Over
Fresh off the most successful album of his prolific career, I’m Comin’ Over, which earned him a #1 debut and numerous industry accolades, Chris Young says he kept getting asked the same question about his hotly anticipated follow up: “Are you feeling the pressure?” But in truth, he wasn’t. Back in the co-producer’s chair with Corey Crowder for the second time (third if you count the 2016 holiday classic, It Must Be Christmas), Young felt completely at ease working on his seventh studio album, Losing Sleep. “I would argue there was less pressure,” says the star, who was just inducted as the newest member of the Grand Ole Opry. “We were even more comfortable than we were last time, and instead of it being like ‘We have to nail this,’ now it was like ‘OK, we did something really cool last time. Let’s try and build on that.’” Young is no stranger to building on success. Over his nearly 12 years with RCA Nashville, he’s steadily taken on more and more responsibility with each project, writing a few more songs each time, staying immersed in his craft and eventually taking the reins completely. With his last project, I’m Comin’ Over, the Tennessee native funneled his wide range of influences into a sound that miXed reverence for country’s past with a sense of eXcitement about its future – and it connected with fans like never before. “I’m Comin’ Over,” “Think of You” (featuring Cassadee Pope), and “Sober Saturday Night” (featuring Vince Gill) all reached the top of the country radio charts, while the first two singles from the project have both earned Platinum-record status.