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The Speckled Band and Other Stories
14767_The Speckled.qxd 27/08/1956 19:18 Page 1 MACMILLAN GUIDED READERS INTERMEDIATE LEVEL SIR ARTHUR CONAN DOYLE The Speckled Band and Other Stories Retold by Anne Collins MACMILLAN CLASSICS 14767_The Speckled.qxd 27/08/1956 19:18 Page 3 Contents THE SPECKLED BAND 1 An Early Morning Visitor for Holmes 4 2 Miss Stoner Begins Her Story 5 3 The Death of Julia 7 4 A Dangerous Enemy 11 5 A Visit to Stoke Moran 14 6 Dr Roylott Returns 18 7 Night of Terror 19 8 The Speckled Band 21 THE DANCING MEN 1 A Strange Drawing 24 2 Mr Cubitt’s Story 25 3 Mr Cubitt’s Second Visit 28 4 Terrible News 31 5 The Investigation Begins 33 6 Holmes Sends a Note 36 7 Holmes Explains the Mystery 38 8 The Murderer is Caught 42 THE RED-HEADED LEAGUE 1 A Strange Advertisement 46 2 The Red-Headed League 47 3 An Unusual Job 49 4 Who is Vincent Spaulding? 52 5 A Visit to Saxe-Coburg Square 54 6 Everything is Ready 58 7 The Capture of John Clay 61 8 The Mystery Explained 63 Points for Understanding 65 Glossary 75 List of titles at Intermediate Level 79 14767_The Speckled.qxd 27/08/1956 19:18 Page 4 THE SPECKLED BAND 1 An Early Morning Visitor for Holmes or many years, I was a good friend of Sherlock Holmes, the Ffamous private detective1. During this time, Holmes solved many unusual mysteries. But perhaps one of the most unusual was the mystery of the Speckled Band. -
Sherlock Holmes: the Final Adventure the Articles in This Study Guide Are Not Meant to Mirror Or Interpret Any Productions at the Utah Shakespeare Festival
Insights A Study Guide to the Utah Shakespeare Festival Sherlock Holmes: The Final Adventure The articles in this study guide are not meant to mirror or interpret any productions at the Utah Shakespeare Festival. They are meant, instead, to be an educational jumping-off point to understanding and enjoying the plays (in any production at any theatre) a bit more thoroughly. Therefore the stories of the plays and the interpretative articles (and even characters, at times) may differ dramatically from what is ultimately produced on the Festival’s stages. The Study Guide is published by the Utah Shakespeare Festival, 351 West Center Street; Cedar City, UT 84720. Bruce C. Lee, communications director and editor; Phil Hermansen, art director. Copyright © 2014, Utah Shakespeare Festival. Please feel free to download and print The Study Guide, as long as you do not remove any identifying mark of the Utah Shakespeare Festival. For more information about Festival education programs: Utah Shakespeare Festival 351 West Center Street Cedar City, Utah 84720 435-586-7880 www.bard.org. Cover photo: Brian Vaughn (left) and J. Todd Adams in Sherlock Holmes: The Final Adventure, 2015. Contents Sherlock InformationHolmes: on the PlayThe Final Synopsis 4 Characters 5 About the AdventurePlaywright 6 Scholarly Articles on the Play The Final Adventures of Sherlock Holmes? 8 Utah Shakespeare Festival 3 351 West Center Street • Cedar City, Utah 84720 • 435-586-7880 Synopsis: Sherlock Holmes: The Final Adventure The play begins with the announcement of the death of Sherlock Holmes. It is 1891 London; and Dr. Watson, Holmes’s trusty colleague and loyal friend, tells the story of the famous detective’s last adventure. -
Mystery on Baker Street
MYSTERY ON BAKER STREET BRUTAL KAZAKH OFFICIAL LINKED TO £147M LONDON PROPERTY EMPIRE Big chunks of Baker Street are owned by a mysterious figure with close ties to a former Kazakh secret police chief accused of murder and money-laundering. JULY 2015 1 MYSTERY ON BAKER STREET Brutal Kazakh official linked to £147m London property empire EXECUTIVE SUMMARY The ability to hide and spend suspect cash overseas is a large part of what makes serious corruption and organised crime attractive. After all, it is difficult to stuff millions under a mattress. You need to be able to squirrel the money away in the international financial system, and then find somewhere nice to spend it. Increasingly, London’s high-end property market seems to be one of the go-to destinations to give questionable funds a veneer of respectability. It offers lawyers who sell secrecy for a living, banks who ask few questions, top private schools for your children and a glamorous lifestyle on your doorstep. Throw in easy access to anonymously-owned offshore companies to hide your identity and the source of your funds and it is easy to see why Rakhat Aliyev. (Credit: SHAMIL ZHUMATOV/X00499/Reuters/Corbis) London’s financial system is so attractive to those with something to hide. Global Witness’ investigations reveal numerous links This briefing uncovers a troubling example of how between Rakhat Aliyev, Nurali Aliyev, and high-end London can be used by anyone wanting to hide London property. The majority of this property their identity behind complex networks of companies surrounds one of the city’s most famous addresses, and properties. -
A Thematic Reading of Sherlock Holmes and His Adaptations
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 12-2016 Crime and culture : a thematic reading of Sherlock Holmes and his adaptations. Britney Broyles University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Part of the American Popular Culture Commons, Asian American Studies Commons, Chinese Studies Commons, Cultural History Commons, Literature in English, British Isles Commons, Other Arts and Humanities Commons, Other Film and Media Studies Commons, and the Television Commons Recommended Citation Broyles, Britney, "Crime and culture : a thematic reading of Sherlock Holmes and his adaptations." (2016). Electronic Theses and Dissertations. Paper 2584. https://doi.org/10.18297/etd/2584 This Doctoral Dissertation is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. CRIME AND CULTURE: A THEMATIC READING OF SHERLOCK HOLMES AND HIS ADAPTATIONS By Britney Broyles B.A., University of Louisville, 2008 M.A., University of Louisville, 2012 A Dissertation Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Humanities Department of Comparative Humanities University of Louisville Louisville, KY December 2016 Copyright 2016 by Britney Broyles All rights reserved CRIME AND CULTURE: A THEMATIC READING OF SHERLOCK HOLMES AND HIS ADAPTATIONS By Britney Broyles B.A., University of Louisville, 2008 M.A., University of Louisville, 2012 Dissertation Approved on November 22, 2016 by the following Dissertation Committee: Dr. -
Elementary, My Dear Readers
NEW ORLEANS NOSTALGIA Remembering New Orleans History, Culture and Traditions By Ned Hémard Elementary, My Dear Readers NCIS (which stands for Naval Criminal Investigative Service) is an extremely popular “police procedural” television drama that has spun off as a New Orleans series. NCIS: New Orleans, which airs Tuesday nights on CBS, is set in the Crescent City and it would be highly unusual if you haven’t seen the show filming around town. It premiered on September 23, 2014. The episodes revolve around a fictional team of agents led by Special Agent Dwayne Cassius “King” Pride, Special Agent Christopher LaSalle, and Special Agent Meredith Brody. They handle criminal investigations involving the U.S. Navy and Marine Corps. If the NCIS team seems to be everywhere you look these days, allow yourself to travel back in literary time and imagine another famous detective team present all around you. Even if their bailiwick was late Victorian England, I seem to feel their presence all around this historic city. Perhaps you will, too. Arthur Conan Doyle penned his first Sherlock Holmes story, A Study in Scarlet, in novel form in 1886 at the age of 27. In it Holmes expounded: “Criminal cases are continually hinging upon that one point. A man is suspected of a crime months perhaps after it has been committed. His linen or clothes are examined and brownish stains discovered upon them. Are they blood stains, or mud stains, or rust stains, or fruit stains, or what are they? That is a question which has puzzled many an expert, and why? Because there was no reliable test. -
Book Reviews 203 1472 and 1475. the Final Chapter Considers the Production Process Spierinc and Van Lathem Followed in Creating
Book Reviews 203 1472 and 1475. The final chapter considers Thoroughly researched and extremely the production process Spierinc and van readable, this book nevertheless suffers Lathem followed in creating the prayer from a number of editorial lapses. The book’s “documented core,” with discus- majority are simply errors in spelling, sions of the text’s elaborate mise-en-page, although occasionally words are omitted or layout; the patterns of rubrication, line or transposed; and, in one particularly fillers, and partial borders; and the the- important case at the beginning of the matic interplay between illustration and codicological description in Appendix 2, text. Throughout the chapter, de Schryver a mistake in numbering the manuscript’s addresses the uncertainties involved folios introduces unnecessary confusion. in definitively assigning responsibility Most of these errors are likely the result for the execution of calligraphic and il- of the author’s failing health and unfortu- lustrative elements in a work that was nate death during the final preparation of the product of multiple craftsmen. In the the text and the publisher’s rush to get the end, however, he succeeds in supporting book into print “as quickly as possible,” his original attribution of the illumina- and, although bothersome, do not detract tion and scribal work to van Lathem and from the overall quality of de Schryver’s Spierinc, respectively, along with associ- scholarship. ates from their ateliers working in similar Whether addressing specifi c questions and complementary styles. about the prayer book’s creators and Rounding out the book are fi ve ap- contents or more general issues related to pendices. -
Convergence Culture Reconsidered
Reconsidering Transmedia(l) Worlds Nicole Gabriel, Bogna Kazur, and Kai Matuszkiewicz 1. Introduction “Any thoughtful study of contemporary transmedia must start with the vital caveat that transmedia is not a new phenomenon, born of the digital age.” (Jason Mittell 2014, 253; emphasis in the original) To begin with, we would like to agree with the general sentiment of Mittell’s statement: ‘transmedia,’ which Mittell seems to use as an abbreviation of the term ‘transmediality,’ is not a new phenomenon. But can it really be a mere coincidence that these two terms and other related concepts such as ‘transmedial worlds’ have been introduced and extensively discussed in academic discourses since the early 2000s, less than ten years after the introduction of home computers and the inter- net to numerous private households, and at about the same time as the Web 2.0 came into existence? We do not think so. Rather, we believe that the increasing research interest of media studies in these phenomena and the various concepts used in this research field are indicators of a fundamental change in (trans)media culture that is a result of the emergence of digital technologies as well as their mas- sive influence on our everyday lives. The aims of this paper are to take a closer look at the terminology used to de- scribe different phenomena in the field of transmedia studies, to differentiate be- tween these terms and concepts and render them more precise, and to put trans- media(l) worlds into a historical context through the analysis of three case studies: the transmedial universe of Sherlock Holmes, the Alien saga, and the transmedial world of The Legend of Zelda. -
Sherlock Holmes: “The Speckled Band” Rfqs Directions
Sherlock Holmes: “The Speckled Band” RFQs Directions: Please answer the following in complete sentences in your reading composition book. You must provide evidence and the PPL (page, paragraph, and line) along with your answer. 1. How does the narrator’s relationship to the protagonist affect his perspective? 2. State the observations that Holmes makes to know that Miss Stoner is agitated? Why does Holmes then offer Miss Stoner coffee? 3. What evidence supports Miss Stoner’s fear that her sister was murdered? 4. Choose the best word to describe Dr. Roylott’s behavior when he came to visit Sherlock Holmes at 221B Baker Street. And explain why that is the best word to describe Dr. Roylott. bullish [boo l-ish] adj. – 1. like a bull to obstinate furious [fyoo r-ee-uh s] adj. – 1. extremely angry taciturn [tas-i-turn] adj. – 1. dour, stern to silent in expression throttle [throt-l] v. – 1. to choke or suffocate in any way 2. to silence 5. Why does Sherlock Holmes obtain a copy of Helen Stoner’s mother’s will? 6. List at least two clues that Holmes and Watson find at Stoke Moran to support Miss Stoner’s claim, and explain how they help to support Miss Stoner’s claim that her sister’s death was not accidental. 7. List at least two elements in the story that help to create Suspense as Holmes and Watson wait to hear the whistle? 8. What is the “Speckled Band,” and how does it resolve the crime? Sherlock Holmes: Vocabulary & Idioms Lesson 1 “The Speckled Band” Part I. -
The Evolution of Sherlock Holmes: Adapting Character Across Time
The Evolution of Sherlock Holmes: Adapting Character Across Time and Text Ashley D. Polasek Thesis submitted in fulfilment of the requirements for the degree of DOCTOR OF PHILOSOPHY awarded by De Montfort University December 2014 Faculty of Art, Design, and Humanities De Montfort University Table of Contents Abstract ........................................................................................................................... iv Acknowledgements .......................................................................................................... v INTRODUCTION ........................................................................................................... 1 Theorising Character and Modern Mythology ............................................................ 1 ‘The Scarlet Thread’: Unraveling a Tangled Character ...........................................................1 ‘You Know My Methods’: Focus and Justification ..................................................................24 ‘Good Old Index’: A Review of Relevant Scholarship .............................................................29 ‘Such Individuals Exist Outside of Stories’: Constructing Modern Mythology .......................45 CHAPTER ONE: MECHANISMS OF EVOLUTION ............................................. 62 Performing Inheritance, Environment, and Mutation .............................................. 62 Introduction..............................................................................................................................62 -
Exsherlockholmesthebakerstre
WRITTEN BY ERIC COBLE ADAPTED FROM THE GRAPHIC NOVELS BY TONY LEE AND DAN BOULTWOOD © Dramatic Publishing Company Drama/Comedy. Adapted by Eric Coble. From the graphic novels by Tony Lee and Dan Boultwood. Cast: 5 to 10m., 5 to 10w., up to 10 either gender. Sherlock Holmes is missing, and the streets of London are awash with crime. Who will save the day? The Baker Street Irregulars—a gang of street kids hired by Sherlock himself to help solve cases. Now they must band together to prove not only that Sherlock is not dead but also to find the mayor’s missing daughter, untangle a murder mystery from their own past, and face the masked criminal mastermind behind it all—a bandit who just may be the brilliant evil Moriarty, the man who killed Sherlock himself! Can a group of orphans, pickpockets, inventors and artists rescue the people of London? The game is afoot! Unit set. Approximate running time: 80 minutes. Code: S2E. “A reminder anyone can rise above their backgrounds and past, especially when someone else respectable also respects and trusts them.” —www.broadwayworld.com “A classic detective story with villains, cops, mistaken identities, subterfuge, heroic acts, dangerous situations, budding love stories and twists and turns galore.” —www.onmilwaukee.com Cover design: Cristian Pacheco. ISBN: 978-1-61959-056-4 Dramatic Publishing Your Source for Plays and Musicals Since 1885 311 Washington Street Woodstock, IL 60098 www.dramaticpublishing.com 800-448-7469 © Dramatic Publishing Company Sherlock Holmes: The Baker Street Irregulars By ERIC COBLE Based on the graphic novel series by TONY LEE and DAN BOULTWOOD Dramatic Publishing Company Woodstock, Illinois • Australia • New Zealand • South Africa © Dramatic Publishing Company *** NOTICE *** The amateur and stock acting rights to this work are controlled exclusively by THE DRAMATIC PUBLISHING COMPANY, INC., without whose permission in writing no performance of it may be given. -
Speckled Band -- FINAL P
The Speckled Band -- FINAL p. 1 c. 2002 One Act Audio Theatre THE SPECKLED BAND by Sir Arthur Conan Doyle Adaptation by Glenn Carlson and Scot Crisp for One Act Audio Theatre 1 INT. NARRATION 1 SFX: MUSIC UP WATSON: When reflecting upon the many cases in which I shared the confidence of my friend Sherlock Holmes, I can recall none more disturbing than the one that began on an early April morning back in '83. WATSON: Holmes was a late riser as a rule, so imagine my surprise when I awoke to find him standing, fully dressed, at the foot of my bed in the rooms we shared then on Baker Street, at only a quarter past seven. SFX: MUSIC OUT 2 INT. WATSON'S BEDCHAMBER -- MORNING 2 HOLMES: Watson ... Watson! WATSON: Holmes! What is it then? A fire? HOLMES: No, a client. It seems that a young lady has arrived in a considerable state of excitement insisting upon a consultation. I presume you wish to dress and follow this from the outset? WATSON: Most certainly. BED CLOTHES TOSSED w/ SOUNDS OF DRESSING UNDER WATSON: What do you know of this young lady? HOLMES: Nothing particular as of this moment, but when young ladies wander about the metropolis at this hour of the morning, and knock sleepy people up out of their beds, I gather something very pressing is at hand. (CONTINUED) The Speckled Band -- FINAL p. 2 c. 2002 One Act Audio Theatre 2 CONTINUED: 2 WATSON: Indeed. HOLMES: Mrs. Hudson described her as a young woman, dressed in black, heavily veiled, and at this moment waiting for us in the sitting room. -
Not Your Grandfather's Sherlock Holmes
d “nOt YOuR GRandFatHeR’S SHeRlOCk HOlMeS”: Guy Ritchie’s 21st Century Reboot of a 19th Century british Icon Ashley Liening Sherlock Holmes “has enjoyed the most vigorous afterlife of any fictional character” posits thomas leitch, adaptation scholar and author of Film Adaptation and Its Discontents (leitch 207). Indeed, a franchise has been built around Sir arthur Conan doyle’s quirky detective, so much so that Sherlock Holmes has become one of the most adapted literary figures of all time, outnumbered only by Frankenstein’s monster, tarzan, and dracula (207). Clare Parody asserts, “Franchise practice has produced and surrounded some of the highest grossing and best-known fictional texts, characters, plots, and worlds of the twentieth and twenty-first centuries,” and Sherlock Holmes is no exception (211). From 1900 till the present day, Sherlock Holmes has been portrayed by “nearly 100 actors, in over 200 films, from more than a dozen different countries,” and it does not appear like “Sir arthur Conan doyle’s violin- playing, pipe-smoking, cocaine-injecting sleuth” is going any- where anytime soon (Cook 31). In fact, the twenty-first century has experienced a resurgence in more “straightforward” Holmes adaptations, namely bbC’s Sherlock (2010), which aired in three ninety-minute episodes and portrays a tech-savvy twenty-first century Holmes, and Guy Ritchie’s 2009 and 2011 35 big screen adaptations, the latter of which will be the focus of this essay. I aim to explore the ways in which Guy Ritchie’s Sher lock Holmes (2009) adaptation, while inextricably bound to Conan doyle’s storytelling franchise, diverges from its prede- cessors in that it is not an amalgamation of other Holmes adap- tations.