Layout 1 Copy 9/6/18 12:12 AM Page 1
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Vindicating Karma: Jazz and the Black Arts Movement
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2007 Vindicating karma: jazz and the Black Arts movement/ W. S. Tkweme University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Tkweme, W. S., "Vindicating karma: jazz and the Black Arts movement/" (2007). Doctoral Dissertations 1896 - February 2014. 924. https://scholarworks.umass.edu/dissertations_1/924 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. University of Massachusetts Amherst Library Digitized by the Internet Archive in 2014 https://archive.org/details/vindicatingkarmaOOtkwe This is an authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI. The bibliographic information for this thesis is contained in UMTs Dissertation Abstracts database, the only central source for accessing almost every doctoral dissertation accepted in North America since 1861. Dissertation UMI Services From:Pro£vuest COMPANY 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Michigan 48106-1346 USA 800.521.0600 734.761.4700 web www.il.proquest.com Printed in 2007 by digital xerographic process on acid-free paper V INDICATING KARMA: JAZZ AND THE BLACK ARTS MOVEMENT A Dissertation Presented by W.S. TKWEME Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 W.E.B. -
DB Music Shop Must Arrive 2 Months Prior to DB Cover Date
05 5 $4.99 DownBeat.com 09281 01493 0 MAY 2010MAY U.K. £3.50 001_COVER.qxd 3/16/10 2:08 PM Page 1 DOWNBEAT MIGUEL ZENÓN // RAMSEY LEWIS & KIRK WHALUM // EVAN PARKER // SUMMER FESTIVAL GUIDE MAY 2010 002-025_FRONT.qxd 3/17/10 10:28 AM Page 2 002-025_FRONT.qxd 3/17/10 10:29 AM Page 3 002-025_FRONT.qxd 3/17/10 10:29 AM Page 4 May 2010 VOLUME 77 – NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 www.downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
The Baddest Divas
The Baddest Divas Masika Kalysha Triple Threat (Model, Actress, Recording Artist) from Love & Hip Hip Hollywood -Season 1 T.J. Hooker Taylor (Son of Johnny Taylor) Marc Gordon of R&B Group LEVERT Bobby Brown introduces his new r&b duo "Paul Campbell" The Legendary Howard Hewett New Generation of Hip Hop Greg Wise & Joe Viski LIGHTS,CAMERA, ACTION (Model Spotlight) ONLIVE MAGAZINEI IssueCONTENTS/ Fall 2015 MZ. PANTHERESS Letter From The publisher: Welcome to our fall edition of OnLive Magazine, with Mz Pantheress, as we are just in the mist of Thanksgiving ,Christmas, & A Blessed New Year. Mz Pantheress, founder of OnLive Magazine,loves the entertainment world and always lives full of spunk. My motto is to "Live life happy, enjoy every precious moment. Live your dreams, just jump right in and make it your reality. and most importantly love yourself." OnLive Magazine staff would like to thank all of our friends out there for your support, & taking the time out to roll with us OnLive. We are a diverse entertainment magazine, and we will like to always continue to advertise & support Our Legendary artists out there. There is an array of great talent out there signed, unsigned, new & old; that we never really get to appreciate. However, Onlive appreciates it all, "We Luv What You Do"... And with that being said if you would like be OnLive ,feel free to contact one of our staff members. CONTACT: [email protected] 210-823-5477 Tribute to LEGENDARY ARTISTRY 06 Howard Hewett REINCARNATION- Past to Present 08 LEVERT II FLASHBACK TV 10 Walter Waiters SOUL CIRCUIT 2213 Brian Unkle funk Poe Lydia Harris 14 Donald Ceasar 15 TJ Hooker NEW GENERATION OF HIP-HOP 18 Greg Wise 20 Joe Viski Lights, Camera, Action 28 Merson Marcisse MZ. -
The Miami Sound with I
. ~g 1or a broken doll the year us from developing into real artists, their hand on the exit , "while I had went on sta ge (1909). "Did you instead of being performing ob to go on dragging the play around ." y break your doll?" Mary jects." So now she would like - just ts to know. "It wasn't my doll speaking theoretically - something all," says the common-sense SHE HAS played Queen Victoria, litt le, but choice. : Hayes. "It was the photogra Helen Hayes Harriet Beecher Stowe, Amanda in "If some really superb Juliet 's. Every little girl had to pose ... no star p art s "The Glass Menagerie," Mrs. An came along I'd like to do the Nurse. I it." trobus in "The Skin of Our Teeth," l started out reading her role once 1e is a realist. When she talks Viola in "Twelfth Night". but, in a tour with Maurice Evans, but "authentic" an actress as she might oh, the parts she never got to play, 1t her long career it's largely have wished, not in the 1920s, he made me switch to Jul iet, which 1t the things that didn't satisfy because of the long-run system. was a bad mistake. Const ance in when she was playing deb parts, "I was in Denmark once, and that kept her from being as but in the 1930s and 1940s, when 'King John' is a great role. Queen t h e y wanted nle to meet Katherine in 'Henry VIII.;' the irging on N ational Charts • • 1am1 uts ut a u ""-'oun Cont inued from IH distinct keyboard rhythms to Miami ' timore and the smoky mainstay of ehind TK since he decided to in 1970, and to TK in 1972. -
Programmation Jazz À Vienne De 1980 À 2019
PROGRAMMATION JAZZ À VIENNE DE 1980 À 2019 SOMMAIRE 1980 ............................................................................................................................................................................................. 3 1981 ............................................................................................................................................................................................. 4 1982 ............................................................................................................................................................................................. 5 1983 ............................................................................................................................................................................................. 6 1984 ............................................................................................................................................................................................. 7 1985 ............................................................................................................................................................................................. 9 1986 .......................................................................................................................................................................................... 11 1987 ......................................................................................................................................................................................... -
The New World Blues Five New Album Reviews Order Today Click Here! Four Print Issues Per Year
ALASTAIR GREENE The New World Blues Five New Album Reviews Order Today Click Here! Four Print Issues Per Year Every January, April, July, and October get the Best In Blues delivered right t0 you door! Artist Features, CD, DVD Reviews & Columns. Award-winning Journalism and Photography! Order Today ALASTAIR GREENE Click THE NEW WORLD BLUES Here! H NEW ALBUM H Produced by Tab Benoit for WHISKEY BAYOU RECORDS Available October 23, 2020 “Fronting a power blues-rock trio, guitarist Alastair Greene breathes in sulfuric fumes and exhales blazing fire.” - Frank John Hadley, Downbeat Magazine “Greene is a no frills rock vocalist. His fiery solos prove him a premier shredder who will appeal to fans of Walter Trout, Joe Bonamassa, and Albert Castiglia.” - Thomas J Cullen III, Blues Music Magazine “On THE NEW WORLD BLUES, Alastair makes it clear why he is a ‘guitar player’s guitar player,’ and this recording will surely leave the Alastair Greene stamp on the Blues Rock World.” - Rueben Williams, Thunderbird Management, Whiskey Bayou Records alastairgreene.com whiskeybayourecords.com BLUES MUSIC ONLINE November 11, 2020 - Issue 21 Table Of Contents 06 - ALASTAIR GREENE The New World Blues By Art Tipaldi & Jack Sullivan 18 - FIVE NEW CD REVIEWS By Various Writers 28 - FIVE BOOK REVIEWS 39 - BLUES MUSIC SAMPLER DOWNLOAD CD Sampler 26 - July 2020 PHOTOGRAPHY © LAURA CARBONE COVER PHOTOGRAPHY © COURTESY ALASTAIR GREENE Read The News Click Here! All Blues, All The Time, AND It's FREE! Get Your Paper Here! Read the REAL NEWS you care about: Blues Music News! -
Tony's Itunes Library
Music 2053 songs, 6:16:50:58 total time, 9.85 GB Name Time Album Artist ABC 2:54 The Ultimate Collection The Jackson 5 Across 110th Street 3:51 Midnight Mover - The Bobby Womack ... Bobby Womack Addiction 4:27 Late Registration Kanye West AEIOU 8:41 Freestyle Explosion, Vol. 3 Freeze African Dance 6:08 1989 Keep On Movin' Soul II Soul African Mailman 3:10 Nina Simone Piano Afro Loft Theme 6:06 Om 100: A Celebration of the 100th Re... Various Artists The After 6 Mix (Juicy Fruit Part Ll) 3:25 Juicy Fruit Mtume After All 4:19 Al Jarreau After The Love Is Gone 3:58 The Best Of Earth, Wind & Fire Vol.II Earth Wind & Fire After the Morning After 5:33 Maze ft Frankie Beverly Again 5:02 Once Again John Legend Agony Of Defeet 4:28 The Best Of Parliament: Give Up The ... Parliament Ai No Corrida 6:26 The Dude Quincy Jones Ain't Gon' Beg You 4:14 Free Yourself Fantasia Ain't No Mountain High Enough 3:30 25 #1 Hits From 25 Years, Vol. I Diana Ross Ain't No Stopping Us Now 7:03 Boogie Nights Soundtrack McFadden & Whitehead Ain't No Sunshine 2:07 Lean On Me: The Best Of Bill Withers Bill Withers Ain't No Sunshine 3:44 Greatest Hits Dangelo Ain't No Sunshine 11:04 Wattstax - The Living Word (disc 2 of 2) Isaac Hayes Ain't Nobody 4:48 Night Clubbing Rufus and Chaka Kahn Ain't too proud to beg 2:32 The Temptations Ain't We Funkin' Now 5:36 Classics, Vol. -
The Mississippi Mass Choir
R & B BARGAIN CORNER Bobby “Blue” Bland “Blues You Can Use” CD MCD7444 Get Your Money Where You Spend Your Time/Spending My Life With You/Our First Feelin's/ 24 Hours A Day/I've Got A Problem/Let's Part As Friends/For The Last Time/There's No Easy Way To Say Goodbye James Brown "Golden Hits" CD M6104 Hot Pants/I Got the Feelin'/It's a Man's Man's Man's World/Cold Sweat/I Can't Stand It/Papa's Got A Brand New Bag/Feel Good/Get on the Good Foot/Get Up Offa That Thing/Give It Up or Turn it a Loose Willie Clayton “Gifted” CD MCD7529 Beautiful/Boom,Boom, Boom/Can I Change My Mind/When I Think About Cheating/A LittleBit More/My Lover My Friend/Running Out of Lies/She’s Holding Back/Missing You/Sweet Lady/ Dreams/My Miss America/Trust (featuring Shirley Brown) Dramatics "If You come Back To Me" CD VL3414 Maddy/If You Come Back To Me/Seduction/Scarborough Faire/Lady In Red/For Reality's Sake/Hello Love/ We Haven't Got There Yet/Maddy(revisited) Eddie Floyd "Eddie Loves You So" CD STAX3079 'Til My Back Ain't Got No Bone/Since You Been Gone/Close To You/I Don't Want To Be With Nobody But You/You Don't Know What You Mean To Me/I Will Always Have Faith In You/Head To Toe/Never Get Enough of Your Love/You're So Fine/Consider Me Z. Z. -
The World of SOUL PRICE: $1 25
BillboardTheSOUL WorldPRICE: of $1 25 Documenting the impact of Blues and R&Bupon ourmusical culture The Great Sound of Soul isonATLANTIC *Aretha Franklin *WilsonPickett Sledge *1°e16::::rifters* Percy *Young Rascals Estherc Phillipsi * Barbara.44Lewis Wi gal Sow B * rBotr ho*ethrserSE:t BUM S010111011 Henry(Dial) Clarence"Frogman" Sweet Inspirations * Benny Latimore (Dade) Ste tti L lBriglit *Pa JuniorWells he Bhiebelles aBel F M 1841 Broadway,ATLANTIC The Great Sound of Soul isonATCO Conley Arthur *KingCurtis * Jimmy Hughes (Fame) *BellE Mg DeOniaCkS" MaryWells capitols The pat FreemanlFamel DonVarner (SouthCamp) *Darrell Banks *Dee DeeSharp (SouthCamp) * AlJohnson * Percy Wiggins *-Clarence Carter(Fame) ATCONew York, N.Y. 10023 THE BLUES: A Document in Depth THIS,the first annual issue of The World of Soul, is the initial step by Billboard to document in depth the blues and its many derivatives. Blues, as a musical form, has had and continues to have a profound effect on the entire music industry, both in the United States and abroad. Blues constitute a rich cultural entity in its pure form; but its influence goes far beyond this-for itis the bedrock of jazz, the basis of much of folk and country music and it is closely akin to gospel. But finally and most importantly, blues and its derivatives- and the concept of soul-are major factors in today's pop music. In fact, it is no exaggeration to state flatly that blues, a truly American idiom, is the most pervasive element in American music COVER PHOTO today. Ray Charles symbolizes the World Therefore we have embarked on this study of blues. -
MISSISSIPPI LEGISLATURE REGULAR SESSION 2018 By
MISSISSIPPI LEGISLATURE REGULAR SESSION 2018 By: Senator(s) Frazier, Horhn, Norwood, To: Rules Simmons (12th), Blackmon, Blount, Butler, Witherspoon, Jackson (11th), Barnett, Clarke, Dearing, Jackson (32nd), Michel SENATE CONCURRENT RESOLUTION NO. 580 1 A CONCURRENT RESOLUTION RECOGNIZING AND SALUTING THE ARTISTS, 2 PRODUCERS AND ENGINEERS OF LEGENDARY JACKSON-BASED SOUL MUSIC 3 PIONEERS "MALACO RECORDS" ON THE OCCASION OF THEIR 50TH 4 ANNIVERSARY IN THE RECORDING INDUSTRY. 5 WHEREAS, a Mississippi Blues Trail Marker stands at the gate 6 of the recording studio that was founded on Northside Drive in 7 1967, and remains the home of Malaco Records, sharing the story of 8 one of the foremost labels in Southern Soul, Blues and Gospel 9 Music; and 10 WHEREAS, known as "The Last Soul Company," Malaco has 11 survived in a tumultuous, fickle field by catering to a passionate 12 niche audience rather than chasing hits and trends. Malaco, Inc., 13 was officially created a year after the studio building opened. 14 Details aren't set, but plans to celebrate the 50th Anniversary 15 include special vinyl releases, a coffee table photo book, a 16 gospel celebration concert, and other events throughout the year; 17 and 18 WHEREAS, Malaco's struggles, as well as its successes, are 19 part of the legacy. The seeds for Malaco were set at Ole Miss, S. C. R. No. 580 *SS26/R1152* ~ OFFICIAL ~ N1/2 18/SS26/R1152 PAGE 1 (lr\tb) 20 where Pi Kappa Alpha fraternity brothers Tommy Couch, Sr., and 21 Wolf Stephenson booked bands for dances. Later in Jackson, Couch 22 and brother-in-law, Mitchell Malouf, started Malaco Attractions. -
Two Steps from the Blues: Creating Discourse and Constructing Canons in Blues Criticism
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2001 Two steps from the blues: Creating discourse and constructing canons in blues criticism John M. Dougan College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the African American Studies Commons, American Literature Commons, Mass Communication Commons, and the Music Commons Recommended Citation Dougan, John M., "Two steps from the blues: Creating discourse and constructing canons in blues criticism" (2001). Dissertations, Theses, and Masters Projects. Paper 1539623381. https://dx.doi.org/doi:10.21220/s2-nqf0-d245 This Dissertation is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Reproduced with with permission permission of the of copyright the copyright owner. owner.Further reproductionFurther reproduction prohibited without prohibited permission. without permission. TWO STEPS FROM THE BLUES: CREATING DISCOURSE AND CONSTRUCTING CANONS IN BLUES CRITICISM A Dissertation Presented to The Faculty of the Department of American Studies The College of William & Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Doctor of Philosophy by John M. Dougan 2001 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. UMI Number: 3026404 Copyright 2001 by Dougan, John M. All rights reserved. UMI___ ® UMI Microform 3026404 Copyright 2001 by Bell & Howell Information and Learning Company. All rights reserved. -
Michigan's Jazz Renaissance Pittsburgh Enters New Era
Moon Hooch, seen here at NattJazz in Norway, will play several festivals in 2018. (Photo: Oddbjørn Steffensen) PITTSBURGH MICHIGAN’S JAZZ HEALDSBURG FEST JAZZFEST BONN ENTERS NEW ERA RENAISSANCE CELEBRATES 20 YEARS BUILDS ON HERITAGE Page 86 Page 105 Page 111 Page 125 MAY 2018 DOWNBEAT 83 84 DOWNBEAT MAY 2018 JOEY KENNEDY Vibraphonist Roy Ayers performs last year in Pittsburgh. ittsburgh’s contributions to the jazz fir- University. out the cultural district. Later that night, jam mament stretch from seminal figures That vibe persists. At this year’s event, now sessions will be held around town. In between, Plike Roy Eldridge, Kenny Clarke and called the Pittsburgh International Jazz Festival a ticketed concert at the August Wilson Center Earl “Fatha” Hines to modern-day luminar- (June 15–17), the bulk of the action will take for African American Culture will feature bass- ies like Geri Allen, Steve Nelson and Jeff “Tain” place on three outdoor stages near Liberty ist Marcus Miller’s quintet with Pittsburgh Watts. But as the 21st century dawned, the one- Avenue. Though the staging area will be more native Brett Williams on piano. time Steel City lacked a major jazz festival. spacious than last year’s location, near Penn Burley Wilson stressed that the decision to That began to change one day in 2009, when Avenue and 9th Street, about 20,000 people are charge admission—even on a limited basis, for Janis Burley Wilson, then an executive with the expected to pack the streets to hear the music— the Miller concert and a few ancillary activi- Pittsburgh Cultural Trust, met with trumpet- for free.