Price List May 2021 Table of Contents Knollstudio Vol
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Elegant Table Runner H
Elegant Table Runner Designed By Patty Peterson Featuring Kreinik Metallic Machine Sewing Threads Finished size 11.5" X 40.75" ave you ever wondered how you can use the decorative stitches on H your sewing machine? Well here’s a quick and easy project where you can combine your machine’s decorative stitches with beautiful metallic threads and make an absolutely elegant table accessory. Whether you make it for your own home or as a gift, this table runner project will help you see the possibilities of those decorative machine stitches in a whole new light! ! SUPPLY LIST: 1.!!! Kreinik Metallic Machine Sewing Threads (34 colors available). This project uses:! Fine Twist threads: 0001 SILVER, 0002 PEWTER, 0003 WHITE GOLD, 0006 ANTIQUE DK GOLD 2.!!! Kreinik Silver Metallized Gimp:! 0030 SILVER, 0032 ANTIQUE GOLD, 0033 BRASSY GOLD! 3.!!! Size 14 Topstitch needle 4.!!! Sewing or embroidery machine/combination 5.!!! Walking foot or dual feed foot to construct table runner 6.!!! Tear-away stabilizer (depending on your hoop size) 7.!!! Bobbin thread 8.!!! Scissors 9.!!! Kreinik Custom Corder!™ 10. !If you plan on embroidering out the stitches in your embroidery hoop you will need 3/4 yard of Kona Bay, Black cotton fabric !! 11. If you are sewing the decorative stitches you will need!1/2 yard Kona Bay, Black cotton fabric 12.! Background fabric 13" x 44" (WOF) width of fabric (our model uses light weight patterned nylon)! 13.! Backing fabric: Kona Bay, Black cotton 13" X 44" (WOF) 14. !Extra fabric to sew test stitches, such as a couple of 6" x 6" squares 15. -
Sleeveless Blouse Tutorial by Marianne Jeffrey Adventurousquilter.Blogspot.Com
Sleeveless Blouse Tutorial By Marianne Jeffrey Adventurousquilter.blogspot.com #sleevelessblousebyAQ Quick and easy to make! 1 Fabric Requirements This blouse tutorial has been written to suit any size; you take vital measurements and decide from several options offered. You will need up to: 2 yards of cotton fabric It is highly recommended you use cotton sateen as it drapes well. However you could use quilting cotton. I have found that a high quality yet lighter & softer quilting cotton such as some of those manufactured by Art Gallery Fabrics or M & S Textiles Australia drape well for use in cotton clothing. Harmony Art Organic Design has fabulous organic cotton sateen, you can buy it here: https://organiccottonplus.com/collections/prints-harmony-art Spoonflower also has a cotton sateen available in their range and offers a multitude delightful fabric designs by indie designers: https://www.spoonflower.com/ Rayon is another fabric option that drapes well but be sure to wash and dry before making the blouse to preshrink! Lightweight linen is also a great option or a linen/rayon blend! In dressmaking it is common for sewists to make a “wearable muslin” In simple terms a “muslin” involves making a ‘test’ garment from cheap fabric such as muslin to perfect the garment size, cut etc before using high quality fabrics for the final garment. A “wearable muslin” is made from cheaper quality fabric than your final garment, so that it is a wearable piece of clothing once it is complete! If you choose to do this you can shop the clearance aisle of large retailers such as Joann, Hobby Lobby, Walmart, Spotlight etc to buy cheap yardage for your test garment. -
Wood from Midwestern Trees Purdue EXTENSION
PURDUE EXTENSION FNR-270 Daniel L. Cassens Professor, Wood Products Eva Haviarova Assistant Professor, Wood Science Sally Weeks Dendrology Laboratory Manager Department of Forestry and Natural Resources Purdue University Indiana and the Midwestern land, but the remaining areas soon states are home to a diverse array reforested themselves with young of tree species. In total there are stands of trees, many of which have approximately 100 native tree been harvested and replaced by yet species and 150 shrub species. another generation of trees. This Indiana is a long state, and because continuous process testifies to the of that, species composition changes renewability of the wood resource significantly from north to south. and the ecosystem associated with it. A number of species such as bald Today, the wood manufacturing cypress (Taxodium distichum), cherry sector ranks first among all bark, and overcup oak (Quercus agricultural commodities in terms pagoda and Q. lyrata) respectively are of economic impact. Indiana forests native only to the Ohio Valley region provide jobs to nearly 50,000 and areas further south; whereas, individuals and add about $2.75 northern Indiana has several species billion dollars to the state’s economy. such as tamarack (Larix laricina), There are not as many lumber quaking aspen (Populus tremuloides), categories as there are species of and jack pine (Pinus banksiana) that trees. Once trees from the same are more commonly associated with genus, or taxon, such as ash, white the upper Great Lake states. oak, or red oak are processed into In urban environments, native lumber, there is no way to separate species provide shade and diversity the woods of individual species. -
Simplified Sewing: Hems
South Dakota State University Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange SDSU Extension Fact Sheets SDSU Extension 1964 Simplified Sewing: Hems Cooperative Extension South Dakota State University Follow this and additional works at: https://openprairie.sdstate.edu/extension_fact Recommended Citation South Dakota State University, Cooperative Extension, "Simplified Sewing: Hems" (1964). SDSU Extension Fact Sheets. 865. https://openprairie.sdstate.edu/extension_fact/865 This Fact Sheet is brought to you for free and open access by the SDSU Extension at Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange. It has been accepted for inclusion in SDSU Extension Fact Sheets by an authorized administrator of Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange. For more information, please contact [email protected]. .. ... -~--- - --v · . --,-.-.- , -. ·. ..•, .. ·'··· .••,.,. - .t:\. --(. ......., • ... ·\•i• ....,.,•-•1•,··...- .,.. "\' ·,- • • • -:\. -: ·):.~\:,..,:}:,:.·,:,..,:;:,:.~:,-:-,:.0:.- ·,~\:,.!;;;; ··:,:.\!.t:,-;..:,t;.,:,:,:.i:1:,:.'.:.•; .-·F_:,~::::_:.~:~~~~~;.:::z~:;:'.·---~-~;:~~L ::·.1~~~~1::.:;.:_;~~: File Copy FS244 THE l-lE~I of your dress can have the "professional - Wearer should stand in a natural position with look" or the "homemade look." In general, the best arms at sides and weight on both feet. hem is the least conspicuous, and every step in making a hem is planned with this in mind There are several methods of marking a hem. You may use any one of these: The professional touch is recognize-cl by the follow- ing characteristics: Various types of chalk markers or pin markers - Inconspicuous from the right side Yardstick - Even distance from the floor Tailor's square. - Wide enough for good proportion and to gi\.re With some of these you can mark enough weight to hang well your own hem; others require a - Even in width help«. -
Taking Shape DARTS ADD SHAPE TURNING a FLAT PIECE of FABRIC INTO a THREE-DIMENSIONAL FORM to MATCH the CONTOURS of the BODY LINDA TURNER GRIEPENTROG
Techniques Taking Shape DARTS ADD SHAPE TURNING A FLAT PIECE OF FABRIC INTO A THREE-DIMENSIONAL FORM TO MATCH THE CONTOURS OF THE BODY LINDA TURNER GRIEPENTROG ustline, hip, waistline to tummy, elbow and shoulder. Darts can be horizontal, vertical or anywhere in between, straight or curved, but the stitching principles are the same. BThe goal of quality dart stitching is smooth, pucker-free points that don’t call attention to themselves. SHAPING A single-point dart is shaped like a triangle, and when stitched it takes a wedge of fabric out of the garment allowing for controlled fullness at the point. A single dart may be on the lengthwise fabric grain, angled or slightly curved. (1) A double-point or contour dart is diamond or rugby ball shaped, and is used to shape the waistline, leaving fullness at both ends for the bust and hip. (2) A French dart is a curved shape from the garment side seam to the bustline. This dart has cut edges joined like a seam. (3) V9082 Vintage Vogue, 1960. Misses’ A5(6-8-10-12-14) E5(14-16-18-20-22). Sew Rating: Average. Price code Orange. Illustrations: Theresa O’Connell Theresa Illustrations: 1 2 3 26 SEW TODAY May/June 2019 MARKING to anchor the stitches. Stitch (7) and stitch toward the point, Darts are indicated on the along the line, removing the A third technique for dart then repeat for the other pattern tissue by either solid pins as you get to them. Taper point, slightly overlapping or dashed lines and a dot the stitching to the point the beginning stitching lines at the point. -
Your Business Is Our Business!
Your business is our business! 2019 Collection Editorial I am proud to present our third catalogue dedicated to our business customers. Each year, our Business department works along with hundreds of hotels, restaurants and offices in their new or remodeling projects, with a focus on style and inspiration. Isn’t it true that hotels and restaurants are the most popular new hot spots and a favourite topic of the interior design press? That’s why we are offering you even more style-driven products, specially designed to comply with the needs of businesses. And because it’s hard to select from so many styles, and helpful advice is always welcome, we have developed a brand new innovative service: Interior Design Consulting. This “turnkey” service provided by our interior designers features moodboards, layout plans and 3D modelings to help you achieve your project goals in 2019. We wish you every success as well as an enjoyable and rewarding venture! Julie Walbaum, General Manager Contents On p.36-37, you will find our selection of mattresses, bed bases, duvets, pillows, sheets, and on p. 38 to 41, all the products that meet business standards. Exclusive styles, just for you! Special products for businesses*: Interior Design Consulting Services: Delivery exactly to specifications: Fireproof treatment, folding table tops, adjustable Moodboards, layout plans, 3D modelings, etc. on Delivery to upper floors, dispatch, unpacking, removal of legs, desks with cable pass-throughs, etc. quotation (see p.2). packaging. Business Collection Exclusive discounts! Over 6500 furniture and decorative items modelled in 3D with Sketchup. A team dedicated to Business customers If you have questions, need advice or want a quote, + 33 251 71 13 70 [email protected] maisonsdumonde.com/UK/en/professionnels Except with the written permission of Maisons du Monde, reproduction of the texts, photographs, illustrations or logotypes is prohibited under intellectual property laws. -
Almost Amish Apron, Children's Size
Almost Amish Apron, Children’s Size 7 ½” Selvages 1/2” Pocket 7 ½ ” Ruffle Ruffle Tie (makes 2) 17” waistband Body of Apron (cut 1) 11 ” Fold 3 ¾” 3 ¾” 3 ¾ ” 4 ½ ” 13” 1/2 yd red fabric for ruffles, ties, waistband, and pocket 3/8 yd floral fabric for body of apron (makes 2) 1. Make ties by sewing right sides together then turning right side out. 2. Form ruffle by sewing two pieces together to form one long piece, fold in half length-wise with wrong sides together, run gathering stitch (long machine stitch) with raw edges together. 3. Apply ruffle to side and bottom edges of apron, gathering up the ruffle to fit and discarding extra ruffle. 4. Prepare pocket and topstitch onto apron. Sew on button. 5. With right sides together stitch waistband to top edge of apron, folding ends of waistband under to be even with edge of ruffle. Fold waistband to inside and pin barely over seam. On right side of apron, topstitch waistband near seam line. 6. Insert ties into ends of waistband and stitch across. Almost Amish Apron, Detailed Instructions 1. Fabric amounts and cutting of pieces are shown below. 9” Selvages Pocket 9” Ruffle Ruffle Tie Tie 22” waistband Body of Apron (cut 1) 13 ¼” Fold 4” 4” 4 ¾ ” 4 ¾ ” 5” 19” 3/4 yd red fabric for ruffles, ties, waistband, and pocket 5/8 yd floral fabric for body of apron 2. Fold tie in half length-wise right sides together and press. Stitch long edge and one short edge 1/2” from raw edge. -
Resource Book for Furniture Renovation, Refinishing And
DOCUMENT RESUME ED 224 910 CE 034 646 AUTHOR Barton, Diane; Robinson, Jay TITLE Resource Book forFurniture.Renovation, Refinishing and Aeupholstering. INSTITUTION Madison Area Technical Collo Wis.;Wisconsin State Board of Vocational, Asechnical, andAdult Education, Wadison. PUB DATE 82 MOTE 69p.; For related document?, see CE034 642-649. PyB,TYPE Guides - Classroom Use - Guides (ForTeachers) (052) EDRS PRICE MFOI/PC03 Plus Postale. DESCEcIPTORS Adult Proarams; Adult VocationalEducation: *Furniture; Glossaries; *Home Fbrnishings;Learning Aciivities, *Occupational-Ho" Economics; *Resource Materials IDENTIFIERS *Furniture Refini,shing; *Upholsterers This resource book for furniturerenovation (refinishing and reupholstering) is one of four resourcebooks .developed.for,use in Code 30 or adultvocational programs in the home furnishings service area.-Representative,illustrative, and book are Furniture informative materials cont4ned in the resource 4 Woods, Cuts and Matching Vdneers,'WoodJoints, Joints Used In Furniture Construction, Vocabulary ofWood, Wood Classification, Exotic Woods, Woods Physical Propertiesavd Source Chart, Chronology of Furniture Styles, Dictionaryof Upholstery Terms, Upholstery Materials and Supplies, FurnitureFabrics, Estimating Fabrics to Reupholster Vari.ous Pieces ofFurniture, Removing Old Cover, Construction Processes in Upholstery,Spring and Spring Work, Attaching Burlap, Determining Size ofTack for Job, and Installing Final Coverings. (YLB) ********************w************************************************* Reproductions -
Instructions and Free Patterns
Instructions and free patterns www.mybernette.com “Romantic style” project sewing instructions Frilly blouse Sizes 3434––––4242 European (4(4(4-(4 ---1212 US/6US/6----1414 UK) You'll need - 1.2m (1 3/8 yd) pink taffeta (fabric width 1.5m (5')) - 0.45m (½ yd) white tulle (fabric width 1.5m (5')) - 0.50 m (1/2 yd) pink voile (fabric width 1.5m (5')) - 1.5m (1 2/3 yd) satin ribbon, approx. 4mm (1/6") wide - Assorted sewing and embroidery threads in pink - Embroidery stabilizer for the facing - Spray adhesive - Sewing thread to match the color of the fabric - Gathering foot - Cording foot Fabric rerecommendationcommendation Taffeta or other shiny, slightly crisp fabric for the blouse. Sheer fabrics that can be gathered with the gathering foot for the frills. Good to know The decorative stitches will cause the fabric to shrink slightly, so be sure to add 2.5cm (1") seam allowance to the outer facing when cutting it out. After embellishing the facing with decorative stitching, reposition the paper pattern on the stitched fabric and trim the seam allowance to 1.5cm (5/8"). Cutting out Seam allowanceallowancess ––– When cutting out, add 1.5cm (5/8") seam allowance to all edges and the hem, and 1cm (3/8") to armhole curves. Pink taffeta 2 x front 1 x back to fabric fold 2 x facing 2 x belt loops: 1.5cm x 8cm (5/8" x 3 ¼"), including seam allowance 1 x belt: 8cm x 66cm (3 ¼" x 26"), including seam allowance 2 x bias binding for armhole, cut on cross-grain: 4cm x 47cm (1 5/8" x 18 1/2") Sheer voile, taffetataffeta,,,, or tulle Tear or cut (depending on the fabric's texture) 2cm- (7/8"-) wide strips for the frill on the facing. -
Folding Chairs
Folding Chairs When I began researching folding chairs I expected to find an abundance of information about how they were used, what materials were best, where to purchase them and similar questions to aide in a civilian portrayal. After all a variety of folding chairs abound in military photographs and illustrations. The further I researched the more evident it became that I was not going to find a list of chairs which Civil War era civilian reenactors should be using, an abundance of manufacturing statistics leading up to the war, or even advice for selecting the chairs and their upholstery in home economy books. Instead, I found despite a history dating back centuries, folding chairs were minimally used domestically during the first half of the nineteenth century. This was followed by a resurgence in popularity during and immediately following the War, which may have sprouted during the 1850s in the United States and earlier in the century in Europe*. This finding leaves us with a significant quandary regarding the use of folding chairs among civilian reenactors. True. Folding chairs offer several appealing factors. They are easy to pack. They are easy to carry. They offer a periodesque look to a display, home or encampment. They are frequently less expensive then mid-nineteenth century non-folding chairs or their reproductions. They are also documented for military use. Are any of these factors justification enough for the use of folding chairs by civilians? Sorry. I am not going to answer that question for you. I am going to provide you with a summary of what information I have found to aid you in your decision on chair use. -
Warsaw University of Life Sciences
Annals Warsaw University of Life Sciences Forestry and Wood Technology No 96 Warsaw 2016 Contents: KAMILA PŁOŃSKA, JAROSŁAW SZABAN, WOJCIECH KOWALKOWSKI, MARCIN JAKUBOWSKI “Dynamics of change in the cut-to-length timber market in Poland“ 7 MARZENA PÓŁKA, BOŻENA KUKFISZ “Analysis of explosive parameters of jatoba dust in wood and furniture industry” 12 KAZIMIERZ PRZYBYSZ, KAMILA PRZYBYSZ, BORUSZEWSKI PIOTR, “Application of cellulosic pulps from fast-growing plants in production of packaging papers” 17 KAMILA PRZYBYSZ, KAZIMIERZ PRZYBYSZ “Evaluation of dimensional properties of cellulosic fibers as a tool for swift, initial evaluation of papermaking potential of pulp” 25 RATAJCZAK IZABELA, KOWALEWSKI PAWEŁ, WOŹNIAK MAGDALENA, 1SZENTNER KINGA, NOWACZYK GRZEGORZ, MICHAŁ KRUEGER, COFTA GRZEGORZ “TiO2-SiO2 as a potential agent in wood preservation” 26 1 WOŹNIAK MAGDALENA, RATAJCZAK IZABELA, KINGA SZENTNER, IWONA RISSMANN, GRZEGORZ COFTA “Investigation of the use of impregnating formulation with propolis extract and organosilanes in wood protection – chemical analyses. Part I: FTIR and EA analyses” 32 RATAJCZAK IZABELA, WOŹNIAK MAGDALENA, MICHAŁ KRUEGER, SŁAWOMIR BORYSIAK “Investigation of the use of impregnating formulation with propolis extract and organosilanes in wood protection – chemical analyses. Part II: AAS, XRF and XRD analyses” 38 WOŹNIAK MAGDALENA, RATAJCZAK IZABELA, AGNIESZKA WAŚKIEWICZ, KINGA SZENTNER, GRZEGORZ COFTA, PATRYCJA KWAŚNIEWSKA-SIP “Investigation of the use of impregnating formulation with propolis extract and organosilanes -
Table of Contents Knollstudio Vol
Table of Contents KnollStudio Vol. One Introduction Designer Index 3 Visual Index 5 Using the KnollStudio Price List 16 Spinneybeck Leather Grades 17 Upholstery Notes 18 f California Technical Bulletin 133 19 Knoll and Sustainable Design 22 GREENGUARD™ Certified KnollStudio Products 23 KnollStudio Finish Code Chart: Compatibility with Knoll Office Systems 25 Materials and Finishes 26 Product Maintenance 28 KnollStudio 20-Day Program 30 KnollStudio 20-Day Program Upholstery Scope 30 Items Available on KnollStudio 20-Day Program 31 Placing Your KnollStudio Order 33 Side Chairs and Lounge Seating David Adjaye : The Washington Collection for Knoll™ 34 Edward Barber & Jay Osgerby : Sofa Collection 38 Edward Barber & Jay Osgerby : Pilot by Knoll™ Lounge Collection 46 Edward Barber & Jay Osgerby : Piton™ Stools 50 Harry Bertoia : Side Chair 52 Harry Bertoia : Two-Tone Side Chair 54 Harry Bertoia : Barstools 56 Harry Bertoia : Diamond Lounge Seating 60 Harry Bertoia : Two-Tone Diamond Chair 62 Harry Bertoia : Bird Lounge Chair and Ottoman 64 Harry Bertoia : Asymmetric Chaise 66 Harry Bertoia : Bench 68 Pierre Beucler and Jean-Christophe Poggioli: Contract Lounge Seating 70 Pierre Beucler and Jean-Christophe Poggioli: Residential Lounge Seating 76 Cini Boeri : Lounge Collection 88 Marcel Breuer : Cesca Chair 92 Marcel Breuer : Wassily Chair 96 Don Chadwick : Spark Series 98 Pepe Corte´s : Jamaica Barstool 102 Jonathan Crinion : Crinion Chair 104 Joseph Paul D’Urso : Contract Lounge Seating 106 Joseph Paul D’Urso : Residential Lounge Seating 110