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03 Saggio Schwarz III:06 Benedetti* 14-09-2009 15:59 Pagina 1 03_Saggio_Schwarz_III:06 Benedetti* 14-09-2009 15:59 Pagina 1 Arturo Schwarz Cronologia Dada In coda ad alcune voci di questa mia cronologia ho Stati Uniti ag giunto, per inte g rarla, de gli estratti della cronologia A New York mostra del gruppo Younger American de l catalo go de lla m o stra “Dada” curata da Laure nt Le - Painter (G. Putnam Brinley, Arthur B. Carles, Arthur Do- bo n e te nutasi al Ce ntre Po m pido u dal 5 o tto bre 2005 ve, Lawrence Fellows, Marsden Hartley, John Marin, Al- al 9 ge nnaio 2006. G li e stratti so no qui ripo rtati in co r- fred Maurer, Eduard Steichen e Max Weber) alla Gal- sivo e tra virgolette in g rassetto, se guiti dalle iniziali [C.P.] leria 291, di Alfred Stieglitz (12-21 marzo 1910): si trat- ta della prima mostra dell’avanguardia americana più 1910 avanzata. In un articolo su Camera Work (New York, n. 31, Belgio luglio 1910, pp. 27-28) Benjamin de Casseres sottolinea Primi dipinti di Paul Joostens, in stile impressioni- l’importanza dell’individuo e dell’introspezione, e met- sta e puntillista. te in dubbio il comune concetto di pazzia, punti sui qua- li insisteranno più tardi i dadaisti. Francia In novembre Duchamp incontra Picabia al Salon URSS d’Automne di Parigi. Apollinaire inizia la sua collabo- A Pietroburgo, in aprile, prima manifestazione col- razione a L’Intransigeant quale critico d’arte. Chagall lettiva del gruppo futurista russo (Viktor Chlèbnikov, Va- giunge a Parigi dove si fermerà sino al 1914. sílij Kamènskij, Elena Guro e i tre fratelli Burljùk) costi- tuitosi alla fine del 1909: ignaro del futurismo italiano (il Germania primo manifesto futurista di Marinetti precede di pochi me- Hugo Ball, che all’università di Monaco prepara si la costituzione del gruppo), pubblica il primo almanac- una tesi su Nietzsche, abbandona l’università e in set- co, Sadòk Sudèj (titolo ambiguo che si presta a due lettu- tembre si reca a Berlino dove per un anno studierà re- re: “Trappola per giudici” oppure “Vivaio di giudici”). citazione alla Scuola drammatica di Max Reinhardt. Nel Non appena viene a conoscenza del contenuto dei suo diario (Die Flucht aus der Zeit, pubblicato nel 1927) manifesti futuristi di Marinetti, il gruppo prende le distanze. scrive: “Dal 1910 al 1914 tutto quanto, per me, era cen- A Mosca, in dicembre, prima mostra del gruppo trato sul teatro: la vita, la gente, le persone, l’amore, la Fante di Quadri (Lariònov, Goncˇaròva, i fratelli Burljùk, moralità. Per me il teatro significava una libertà incon- Aleksandra Ekster, Kandinsky, Tàtlin e altri). cepibile”. Walden fonda a Berlino il periodico Der Sturm, al- 1911 l’inizio settimanale (I:1, 3 marzo 1910-1932) e la Gal- leria omonima. Cile Cinque anni prima, nel 1905, Hausmann aveva in- Huidobro ha diciotto anni; pubblica a Santiago il contrato in un tram Baader. suo primo libro, Ecos del alm a, una raccolta di poesie. Italia Germania De Chirico, L’enigma di un pomeriggio d’autun- Berlino no, L’enigma dell’oracolo. Hugo Ball è direttore di scena allo Stadt-theater di Plauen. 1 03_Saggio_Schwarz_III:06 Benedetti* 14-09-2009 15:59 Pagina 2 Monaco tunno Apollinaire, Duchamp, Picabia e Gabrielle Buf- Arp incontra Kandinsky che esercita su di lui una fet Picabia si recano insieme nel Giura. profonda influenza. Si lega agli artisti del Blaue Reiter. Germania Italia Berlino De Chirico parte per Parigi dove si fermerà sino “Aprile: Walter Serner lascia Vienna e si stabili- al 1915; in questo periodo dipinge le opere più pregnanti sce in Germania per passare un dottorato in diritto. Co- della sua carriera. m incia a scrivere su Die Aktion, giornale d’arte e di cri- tica artistica pubblicato da Franz Pfemfert, militante po- Stati Uniti litico ostile a qualsiasi autorità. Prima della guerra, il Benjamin de Casseres torna sul tema della sanità circolo dei collaboratori di Die Aktion comprendeva e dell’insanità mentale, esalta il ruolo dell’inconscio Hugo Ball, Richard Huelsenbeck, Franz Jung e Hans nell’atto creativo e anticipa così un concetto base del Richter. Dadaismo (Camera Work, New York, n. 36, ottobre Settembre: Johannes Baader, architetto esercitan- 1911, p. 17). Prima mostra di Picasso alla Galleria 291: te a Berlino, è da qualche anno appassionato di esote- i critici la definiscono “una spaventevole accozzaglia rism o e m isticism o (co nce pisce ne l 1906 il pro ge tto di di opere” (New York Herald Tribune), “le farnetica- un “Tempio del Mondo”); le sue idee influenzano Raoul zioni di un pazzo” (Arthur Hoebe in The New York Hausm ann, co n cui stringe am icizia ne l 1905. In un cli- Globe). ma politico che non smette di deteriorarsi, Baader de- Prima opera astratta di Man Ray, Tappezzeria. creta che il 26 settembre di ogni anno sarà un giorno Primi dipinti astratti di Marsden Hartley. per “seminare la pace nel mondo” e propone una co- smogonia secondo cui egli sarebbe il garante di questa 1912 pace. Autunno: Hannah Höch e Georg Gross cominciano Cile gli studi in una scuola colle gata al Museo di arti appli- Huidobro fonda a Santiago il periodico Musa Jo- cate di Berlino-Charlottenburg”. [C.P.] ven, vicino alla corrente modernista. Questa corrente assume in America Latina due aspetti diversi: in Brasi- Colonia le (come in Portogallo) si identifica più genericamente Max Ernst partecipa alla mostra “Rheinische Ex- con il termine “avanguardia”; nel resto dell’America La- pressionisten” alla Galerie Feldman, a Colonia. tina (come in Spagna) il Modernismo ha le sue radici nel Simbolismo francese. Monaco Incontro di Ball e Huelsenbeck, che frequentano Francia il gruppo Der Blaue Reiter. Si legano di amicizia con Aprile: Arthur Cravan pubblica a Parigi il primo Kandinsky. fascicolo del primo periodico proto-Dada, Maintenant. Arp partecipa alla seconda mostra del Blaue Rei- L’ultima frase dell’ultima pagina riassume perfettamente ter a Monaco. Fa la conoscenza di Robert Delaunay. la filosofia di Cravan e dei dadaisti: “La gloria è uno scandalo”. Romania Erik Satie pubblica la prima parte di Mémoires d’un Tristan Tzara (Samuel Rosenstock), Marcel Janco Amnésique, un’autobiografia in puro stile Dada, in SIM e Ion Vinea fondano il periodico Simbolul (Il simbolo); (Journal de la So cié té Musicale Indé pe ndante , Parigi, Tzara vi pubblica le sue prime poesie con lo pseudoni- 15 aprile 1912). mo S. Samyro. Picabia dipinge le prime opere proto-Dada: Dan- ses à la source, La procession à Seville, Figure triste. In Stati Uniti giugno incontro con Apollinaire. In un articolo su Camera Work (New York, n. 37, Viaggio di Picabia e Apollinaire a Londra. In au- gennaio 1912, pp. 17-18) Benjamin de Casseres sotto- 2 03_Saggio_Schwarz_III:06 Benedetti* 14-09-2009 15:59 Pagina 3 linea l’aspetto non utilitario dell’arte, il valore del pa- fa parte il poeta e critico d’arte Guillaume Apollinaire. radosso, la necessità di mettere perennemente in di- Duchamp, Picabia e Georges Ribemont-Dessaignes si scussione le conquiste dell’intelletto. so no inco ntrati pe r la prim a vo lta ne l 1911, ne l g rup- Nel fascicolo seguente (n. 38, aprile 1912, pp. 17- po dei “Cubisti di Puteaux”, noto centro del cubismo 18) de Casseres continua ad anticipare i temi centrali francese. dello spirito Dada sottolineando il ruolo dell’ironico in Ducham p realizza alcuni studi prelim inari per la arte. Sposa messa a nudo dai suoi celibatari, anche (Il Gran- de Vetro). 1913 No ve m bre : G razie alle re lazio ni di Picabia, Du- champ trova un impiego a mezza giornata alla biblio- Cile teca Sainte-Gene viève, a Parigi, lavoro che m anterrà fi- Huidobro pubblica a Santiago due raccolte di poe- no a quando no n lasce rà la Francia in gue rra, ne l 1915”. sie, Canciones en la noche e La G ruta de l sile ncio , e un [C.P.] lavoro teatrale, Cuando el amor se vaya. Con Pablo de Rokha, in settembre, fonda la rivista Azul / El arte li- Germania bre. Il gruppo Die Brücke si scioglie a Monaco. Hugo Ball si lega a un gruppo di scrittori espressionisti; fon- Francia da, con Hans Leybold, il periodico Revolution. Picabia dipinge quadri ai quali dà titoli Dada: Ud- Max Ernst partecipa alla mostra “Rheinische Ex- nie (Jeune fille américaine, Danse), Edtaonisl (ecclésia- pressionisten” allestita alla libreria Cohen di Bonn (10 stique), Catch as Catch Can, Culture physique ecc. luglio – 10 agosto). Marcel Duchamp crea il primo oggetto proto-Da- da, il famoso Readymade aiutato Ruota di Bicicletta,e Berlino dipinge la Macinatrice di Cioccolata in cui una mac- Settembre-novembre: “Erster Deutscher Herbst- china comune, senza nessun valore “estetico”, è resa con salon” [Primo salone d’autunno tedesco] organizzato da la stessa cura che un artista d’avanguardia dedichereb- Herwarth Walden nelle sale della Potsdamer Strasse 75, be a una natura morta, un paesaggio o un nudo. Con con la partecipazione di artisti americani, austriaci, fran- Erratum musicale scrive la prima partitura musicale in cesi, olandesi, indiani, italiani, rumeni, russi, svizzeri e cui è il caso a determinare le note della composizione. spagnoli. Per l’Italia espongono i futuristi (Marinetti terrà Con Incontro di pugilato anticipa i personaggi mecca- due conferenze, il 27 e il 30 novembre). Tra gli artisti nomorfi di Picabia. tedeschi sono presenti anche Arp e Max Ernst. Erik Satie scrive una commedia musicale in un at- Al Café des Westens, Hausmann fa la conoscenza to, Le Piège de Méduse, che costituisce il primo lavoro di alcuni futuri dadaisti. teatrale proto-Dada di questi anni.
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