DOCSLIB.ORG

A ADVENTURE C COMEDY Z CRIME O DOCUMENTARY D DRAMA E

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
A ADVENTURE C COMEDY Z CRIME O DOCUMENTARY D DRAMA E PS PS MOVIES A TO Z MAY 2021 D ...And Justice For All (1979) 5/26 P R Beauty for the Asking (1939) 5/21 –––––––––––––––––––––– D ––––––––––––––––––––––– a ADVENTURE D 12 Angry Men (1957) 5/5 P D Behind Office Doors (1931) 5/5, 5/24 m A Damsel in Distress (1937) 5/10 w 36 Hours (1964) 5/29 m The Belle of New York (1952) 5/10 w Darby’s Rangers (1958) 5/29 c COMEDY u The 39 Steps (1935) 5/3 S D The Best Years of Our Lives (1946) 5/28 D Dark of the Sun (1968) 5/29 m 42nd Street (1933) 5/27 u Beyond a Reasonable Doubt (1956) 5/5 P R Dear Heart (1964) 5/2 z CRIME D The Big City (1963) 5/2 a Dersu Uzala (1975) 5/28 –––––––––––––––––––––– ––––––––––––––––––––––– o DOCUMENTARY A z The Big Heat (1953) 5/15 D Desperate Search (1952) 5/28 o ABBA: the Movie (1977) 5/6 D The Big Noise (1936) 5/22 w Destination Tokyo (1943) 5/29 D DRAMA D Above and Beyond (1952) 5/28 D The Big Picture (1989) 5/13 u Detour (1945) 5/19 m Absolute Beginners (1986) 5/21 z Born to Kill (1947) 5/20 D Devi (1960) 5/3 e EPIC w Ace of Aces (1933) 5/31 Hc The Boss Didn’t Say Good Morning (1937) 5/24 h The Devil-Doll (1936) 5/18 y D Across the Wide Missouri (1951) 5/28 The Brass Bottle (1964) 5/22 w The Devil’s Brigade (1968) 5/30 HORROR/SCIENCE-FICTION u Act of Violence (1948) 5/29, 5/30 D Breaker Morant (1980) 5/19 S u Diabolique (1955) 5/5 m c Adam’s Rib (1949) 5/12 P c Bringing Up Baby (1938) 5/12, 5/16 c Dinner at Eight (1933) 5/20 MUSICAL a The Adventures of Robinson Crusoe (1954) 5/18 z The Brothers Rico (1957) 5/22, 5/23 w The Dirty Dozen (1967) 5/30 R ROMANCE c The Affairs of Annabel (1938) 5/14 h A Bucket of Blood (1959) 5/5 R Dodsworth (1936) 5/13 D All Mine to Give (1957) 5/28 z Bullitt (1968) 5/17 S D Dogfight (1991) 5/25 H SHORTS h All Monsters Attack (1969) 5/26 m Bundle of Joy (1956) 5/21 m Don’t Knock the Rock (1956) 5/6 D America, America (1963) 5/25 y The Burning Hills (1956) 5/11 o Don’t Look Back (1967) 5/6 s SILENT m An American In Paris (1951) 5/16 D Butterfield 8 (1960) 5/17 D Draegerman Courage (1937) 5/24 D An American Romance (1944) 5/25 m Duchess of Idaho (1950) 5/4 u SUSPENSE/MYSTERY D Anatomy of a Murder (1959) 5/5 P –––––––––––––––––––––– C ––––––––––––––––––––––– c Dulcy (1940) 5/14 w o Antonio Gaudí (1984) 5/15 Ho Can You Imagine? (1936) 5/15 WAR –––––––––––––––––––––– ––––––––––––––––––––––– D Aparajito (1956) 5/2 D The Candidate (1972) 5/17 S E y WESTERN e Around the World in 80 Days (1956) 5/13 a Captain Horatio Hornblower (1951) 5/22 D Eat a Bowl of Tea (1989) 5/21 c Arsenic and Old Lace (1942) 5/5 R Casablanca (1942) 5/15 c Earth Girls Are Easy (1988) 5/21 S STAR OF THE MONTH Hm Artistic Temper (1932) 5/15 y Cattle King (1963) 5/18 S D East of Eden (1955) 5/15 Movie Roberts a Atlantis, the Lost Continent (1961) 5/18 D Chaplin (1992) 5/24 S D East Side, West Side (1949) 5/16 P h Attack of The 50 Foot Woman (1958) 5/26 D Charulata (1965) 5/21 u The Electrical Brain (1943) 5/15 TCM SPOTLIGHT Order in the Court u The Clay Pigeon (1949) 5/30 c Eleven Men and a Girl (1930) 5/14 –––––––––––––––––––––– ––––––––––––––––––––––– B R Come Live with Me (1941) 5/25 o Elvis: That’s The Way It Is (1970) 5/6 NOT AVAILABLE IN CANADA c The Bachelor and the Bobby-Soxer (1947) 5/12 P c Confidentially Connie (1953) 5/14 R The Enchanted Cottage (1945) 5/11 c Bachelor Bait (1934) 5/21 D The Coward (1965) 5/3 w The Enemy Below (1957) 5/31 AVAILABLE AT TCM SHOP D The Bachelor Party (1957) 5/20 u Criminal Court (1946) 5/5 P D An Enemy of the People (1989) 5/3 SHOP.TCM.COM or 1-888-9-TCMSHOP m The Band Wagon (1953) 5/27 D The Crimson Kimono (1959) 5/21 c Everybody’s Hobby (1939) 5/21 For more information on any movie u The Bat’s Cave (1943) 5/22 u Crossfire (1947) 5/3 S D Everything Goes Wrong (1960) 5/23 playing this month, please search w Battle of the Bulge (1965) 5/31 m Cynthia (1947) 5/17 D Executive Suite (1954) 5/24 the TCM Database at tcm.com. w Battleground (1949) 5/31 MOVIES A TO Z APRILMAY 2019 2021 –––––––––––––––––––––– F ––––––––––––––––––––––– –––––––––––––––––––––– H ––––––––––––––––––––––– –––––––––––––––––––––– J ––––––––––––––––––––––– –––––––––––––––––––––– M ––––––––––––––––––––––– u The Falcon Takes Over (1942) 5/15 D H.M. Pulham, Esq. (1941) 5/10 S m Jamboree (1957) 5/6 h Macabre (1958) 5/5 u The Falcon’s Brother (1942) 5/22 c Hairspray (1988) 5/4 D Jeopardy (1953) 5/19 z Madeleine (1950) 5/5 P D Fat Girl (2001) 5/18 mc A Hard Day’s Night (1964) 5/6 D Journey Into Fear (1943) 5/29 z Main Street After Dark (1945) 5/15 c Father of the Bride (1950) 5/20 o Harlan County, U.S.A. (1976) 5/5 D Judgment at Nuremberg (1961) 5/19 P D A Man for All Seasons (1966) 5/17 S c Fatso (1980) 5/18 D The Heiress (1949) 5/25 D Man in the Wilderness (1971) 5/28 c The Feminine Touch (1941) 5/21 z Hell Drivers (1957) 5/19 –––––––––––––––––––––– K ––––––––––––––––––––––– D Man of the People (1937) 5/25 c The Fireman’s Ball (1967) 5/20 w Hell to Eternity (1960) 5/30 o Katharine Hepburn: All About Me (1993) 5/12 D The Manchurian Candidate (1962) 5/15 h Five Million Years to Earth (1968) 5/26 c High Hopes (1988) 5/27 D Keeper of the Flame (1942) 5/12 e Marie Antoinette (1938) 5/10 S c The Flirting Widow (1930) 5/14 D His Family Tree (1935) 5/25 w Kelly’s Heroes (1970) 5/30 R Marty (1955) 5/25 D Flower Drum Song (1961) 5/21 c His Girl Friday (1940) 5/23 D A Kid For Two Farthings (1955) 5/25 D Maybe It’s Love (1935) 5/21 w Flying Leathernecks (1951) 5/31 u The Hitch-Hiker (1953) 5/19 h King Kong (1933) 5/3 S z Mean Streets (1973) 5/24 S u Foreign Correspondent (1940) 5/22 m Hold On! (1966) 5/6 sR The Kiss (1929) 5/26 P w The Memphis Belle: A Story of a Flying c The Fortune Cookie (1966) 5/14 m Hollywood Party (1934) 5/20 u A Kiss Before Dying (1956) 5/4 S Fortress (1944) 5/30 D Foxes (1980) 5/14 c Hollywood Shuffle (1987) 5/17 S u The Kiss Before the Mirror (1933) 5/23 w Merrill’s Marauders (1962) 5/29 h Frankenstein (1931) 5/23 D The Holy Man (1965) 5/3 m Kiss Me Kate (1953) 5/27 sR The Merry Widow (1925) 5/23 m Funny Girl (1968) 5/27 z The Honeymoon Killers (1970) 5/18 D Klondike Casanova (1946) 5/15 m The Merry Widow (1934) 5/16 c The Honeymoon Machine (1961) 5/14 c Metropolitan (1990) 5/16 –––––––––––––––––––––– ––––––––––––––––––––––– G D The Hoodlum Saint (1946) 5/4 –––––––––––––––––––––– L ––––––––––––––––––––––– o MGM Parade Show # 16 (1955) 5/4, 5/15, 5/25 m The Gay Divorcee (1934) 5/10 D The Hook (1963) 5/30 D Ladies of the Jury (1932) 5/12 P D Midnight Mary (1933) 5/6 P c The Gazebo (1960) 5/5 c Hopscotch (1980) 5/14 w Lafayette Escadrille (1958) 5/11 D Mildred Pierce (1954) 5/16 c Georgy Girl (1966) 5/4 c Hot Money (1936) 5/14 a Lassie Come Home (1943) 5/17 a Miss Robin Crusoe (1954) 5/18 c Gidget (1959) 5/13 m How to Succeed in Business Without e The Last Voyage (1960) 5/18 P m A Modern Cinderella (1932) 5/22 m Gigi (1958) 5/2 Really Trying (1967) 5/17 S m Let’s Do It Again (1953) 5/14 sc Modern Times (1936) 5/24 u Gilda (1946) 5/15 D Human Voice (2014) 5/18 c Life Is Sweet (1990) 5/27 o Monterey Pop (1968) 5/20 c The Girl He Left Behind (1956) 5/11 c The Little Hut (1957) 5/18 sD Morning Glory (1933) 5/12 –––––––––––––––––––––– ––––––––––––––––––––––– c Girlfriends (1978) 5/4 I D Little Women (1949) 5/17 h The Most Dangerous Game (1932) 5/18 Ho Glimpses of Ontario (1942) 5/22 D I Accuse! (1958) 5/19 P D The Loneliness of the Long Distance Runner c Mr. Chump (1938) 5/14 o Glimpses of Washington State (1940) 5/15 c I Married A Witch (1942) 5/11 P (1962) 5/16 w Mrs. Miniver (1942) 5/2 h Godzilla vs. Monster Zero (1965) 5/26 D I Want to Live! (1958) 5/16 R The Lonely Wife (1964) 5/2 c Muriel’s Wedding (1994) 5/4 h Goke, Body Snatcher from Hell (1968) 5/26 c If It’s Tuesday, This Must Be Belgium (1969) 5/13 c The Long, Long Trailer (1954) 5/15 D The Music Room (1958) 5/3 a The Golden Arrow (1962) 5/11 c Imitation General (1958) 5/29 D Looking for Mr.
Load more

Recommended publications
  • A ADVENTURE C COMEDY Z CRIME O DOCUMENTARY D DRAMA E
    MOVIES A TO Z MARCH 2021 Ho u The 39 Steps (1935) 3/5 c Blondie of the Follies (1932) 3/2 Czechoslovakia on Parade (1938) 3/27 a ADVENTURE u 6,000 Enemies (1939) 3/5 u Blood Simple (1984) 3/19 z Bonnie and Clyde (1967) 3/30, 3/31 –––––––––––––––––––––– D ––––––––––––––––––––––– –––––––––––––––––––––– ––––––––––––––––––––––– c COMEDY A D Born to Love (1931) 3/16 m Dancing Lady (1933) 3/23 a Adventure (1945) 3/4 D Bottles (1936) 3/13 D Dancing Sweeties (1930) 3/24 z CRIME a The Adventures of Huckleberry Finn (1960) 3/23 P c The Bowery Boys Meet the Monsters (1954) 3/26 m The Daughter of Rosie O’Grady (1950) 3/17 a The Adventures of Robin Hood (1938) 3/9 c Boy Meets Girl (1938) 3/4 w The Dawn Patrol (1938) 3/1 o DOCUMENTARY R The Age of Consent (1932) 3/10 h Brainstorm (1983) 3/30 P D Death’s Fireworks (1935) 3/20 D All Fall Down (1962) 3/30 c Breakfast at Tiffany’s (1961) 3/18 m The Desert Song (1943) 3/3 D DRAMA D Anatomy of a Murder (1959) 3/20 e The Bridge on the River Kwai (1957) 3/27 R Devotion (1946) 3/9 m Anchors Aweigh (1945) 3/9 P R Brief Encounter (1945) 3/25 D Diary of a Country Priest (1951) 3/14 e EPIC D Andy Hardy Comes Home (1958) 3/3 P Hc Bring on the Girls (1937) 3/6 e Doctor Zhivago (1965) 3/18 c Andy Hardy Gets Spring Fever (1939) 3/20 m Broadway to Hollywood (1933) 3/24 D Doom’s Brink (1935) 3/6 HORROR/SCIENCE-FICTION R The Angel Wore Red (1960) 3/21 z Brute Force (1947) 3/5 D Downstairs (1932) 3/6 D Anna Christie (1930) 3/29 z Bugsy Malone (1976) 3/23 P u The Dragon Murder Case (1934) 3/13 m MUSICAL c April In Paris
    [Show full text]
  • Down Argentine Way: Los Remakes De Películas Argentinas En Hollywood En Los Años Cuarenta1
    DOWN ARGENTINE WAY: LOS REMAKES DE PELÍCULAS ARGENTINAS EN HOLLYWOOD EN LOS AÑOS CUARENTA1 Down Argentine Way: Remakes of Argentine Films in 1940’s Hollywood ALEJANDRO KELLY HOPFENBLATTa INSTITUTO DE ARTES DEL ESPECTÁCULO RAÚL H. CASTAGNINO (UNIVERSIDAD DE BUENOS AIRES) / CONICET DOI: 10.15366/secuencias2020.51.005 RESUMEN El creciente acceso a archivos internacionales y el fortalecimiento de redes globales han llevado en los últimos años a una reconsideración de numerosos preceptos sobre los cuales se ha basado la historiografía del cine. Uno de los campos fundamentales de esta renovación ha sido el de los cines nacionales, donde las perspec- tivas comparadas y trasnacionales han desplazado la mirada hacia las dinámicas globales y a los canales de circulación en que estas se insertaron. El estudio de los remakes transnacionales configura un terreno de gran riqueza para esta renovación, ya que presenta la posibilidad de entrelazar prácticas industriales y comerciales, estrategias narrativas y transfor- maciones geopolíticas. En lo que respecta al período clásico, la preeminencia de Hollywood como nodo cen- tral de gran cantidad de transposiciones de textos internacionales hace que sea un foco ineludible al plantear investigaciones sobre estos films. Entre la multiplicidad de países que se involucraron en la práctica del remake, un caso poco considerado es el de Argentina, que, a lo largo de los años cuarenta, tuvo dos películas propias que fueron adaptadas por el cine estadounidense: Los martes, orquídeas (Francisco Mugica, 1941) y Romance musical (Ernesto Arancibia, 1947), que se convirtieron en Bailando nace el amor (You Were Never Lovelier, William A. Seiter, 1942) y Ro- mance en alta mar (Romance on the High Seas, Michael Curtiz, 1948), respectivamente.
    [Show full text]
  • 1944-06-30, [P ]
    Friday, .Tune 3*), JQ44 THE TOLEDO UNION JOURNAL Page 5 ‘Dear Marfin Heard on a Hollywood Movie Set HOLLY WOOD — John News and Gossip of Stage and Serei n Conte and Marilyn Maxwell are enacting one of the j. - ■- <fr.:-;-UUZ;.,> . .ll . , ..■■j , f -r .. Lr „ — . .. romantic interludes in the Abbott and Costello starrer, Star I*refers Pie “Lost in a Harem," on &tage Stars Use Own Names 26 at M-G-M. «► As the scene begins, Ar Birthday ‘Cake’ , S mF k v i Conte takes Marilyn's hand HOLLYWOOD — Judy Gar­ In New Screen Vogue and says; {, .* diettjo, land defied tradition on her HOLLYWOOD (Special)—If a present trend continues in “I love you.” Hofljwood wri’ers may soon stop worrying about what names to “I’m — I’m speechless,” twenty-second birthday. ' ' I ’ says Marilyn. “As we say in At a family dinner tendered give their screen characters. Actors will simply use their own America, 'this is so sud­ the young star by her mother, names—as more and more of them are now doing. den'.” By TED TAYLOR Mrs. Ethel Gilmore, the familiar Take the instance of Jose Iturbi. He made his screen debat AmAmL W. birthday cake was conspicuous playing himself in "Thousads Cheer.” “After I have regained my throne, will you marry by its absence. Judy’s favorite In 20th Century Fox s Four Jills and a Jeep,” they prac- HOLLYWOOD (FP)—This fs probably the first ease on record dessert is chocolate pie. After tically dropped the traditional me?” Conte asks her. M-G-M Stars Two New “Yes,” repli“s Maralyn, as of a man nominating himself for a movie plot.
    [Show full text]
  • The Green Sheet and Opposition to American Motion Picture Classification in the 1960S
    The Green Sheet and Opposition to American Motion Picture Classification in the 1960s By Zachary Saltz University of Kansas, Copyright 2011 Submitted to the graduate degree program in Film and Media Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. ________________________________ Chairperson Dr. John Tibbetts ________________________________ Dr. Michael Baskett ________________________________ Dr. Chuck Berg Date Defended: 19 April 2011 ii The Thesis Committee for Zachary Saltz certifies that this is the approved version of the following thesis: The Green Sheet and Opposition to American Motion Picture Classification in the 1960s ________________________________ Chairperson Dr. John Tibbetts Date approved: 19 April 2011 iii ABSTRACT The Green Sheet was a bulletin created by the Film Estimate Board of National Organizations, and featured the composite movie ratings of its ten member organizations, largely Protestant and represented by women. Between 1933 and 1969, the Green Sheet was offered as a service to civic, educational, and religious centers informing patrons which motion pictures contained potentially offensive and prurient content for younger viewers and families. When the Motion Picture Association of America began underwriting its costs of publication, the Green Sheet was used as a bartering device by the film industry to root out municipal censorship boards and legislative bills mandating state classification measures. The Green Sheet underscored tensions between film industry executives such as Eric Johnston and Jack Valenti, movie theater owners, politicians, and patrons demanding more integrity in monitoring changing film content in the rapidly progressive era of the 1960s. Using a system of symbolic advisory ratings, the Green Sheet set an early precedent for the age-based types of ratings the motion picture industry would adopt in its own rating system of 1968.
    [Show full text]
  • Wedding Ringer -FULL SCRIPT W GREEN REVISIONS.Pdf
    THE WEDDING RINGER FKA BEST MAN, Inc. / THE GOLDEN TUX by Jeremy Garelick & Jay Lavender GREEN REVISED - 10.22.13 YELLOW REVISED - 10.11.13 PINK REVISED - 10.1.13 BLUE REVISED - 9.17.13 WHITE SHOOTING SCRIPT - 8.27.13 Screen Gems Productions, Inc. 10202 W. Washington Blvd. Stage 6 Suite 4100 Culver City, CA 90232 GREEN REVISED 10.22.13 1 OVER BLACK A DIAL TONE...numbers DIALED...phone RINGING. SETH (V.O.) Hello? DOUG (V.O.) Oh hi, uh, Seth? SETH (V.O.) Yeah? DOUG (V.O.) It’s Doug. SETH (V.O.) Doug? Doug who? OPEN TIGHT ON DOUG Doug Harris... 30ish, on the slightly dweebier side of average. 1 REVEAL: INT. DOUG’S OFFICE - DAY 1 Organized clutter, stacks of paper cover the desk. Vintage posters/jerseys of Los Angeles sports legends adorn the walls- -ERIC DICKERSON, JIM PLUNKETT, KURT RAMBIS, STEVE GARVEY- DOUG You know, Doug Harris...Persian Rug Doug? SETH (OVER PHONE) Doug Harris! Of course. What’s up? DOUG (relieved) I know it’s been awhile, but I was calling because, I uh, have some good news...I’m getting married. SETH (OVER PHONE) That’s great. Congratulations. DOUG And, well, I was wondering if you might be interested in perhaps being my best man. GREEN REVISED 10.22.13 2 Dead silence. SETH (OVER PHONE) I have to be honest, Doug. This is kind of awkward. I mean, we don’t really know each other that well. DOUG Well...what about that weekend in Carlsbad Caverns? SETH (OVER PHONE) That was a ninth grade field trip, the whole class went.
    [Show full text]
  • National Film Registry
    National Film Registry Title Year EIDR ID Newark Athlete 1891 10.5240/FEE2-E691-79FD-3A8F-1535-F Blacksmith Scene 1893 10.5240/2AB8-4AFC-2553-80C1-9064-6 Dickson Experimental Sound Film 1894 10.5240/4EB8-26E6-47B7-0C2C-7D53-D Edison Kinetoscopic Record of a Sneeze 1894 10.5240/B1CF-7D4D-6EE3-9883-F9A7-E Rip Van Winkle 1896 10.5240/0DA5-5701-4379-AC3B-1CC2-D The Kiss 1896 10.5240/BA2A-9E43-B6B1-A6AC-4974-8 Corbett-Fitzsimmons Title Fight 1897 10.5240/CE60-6F70-BD9E-5000-20AF-U Demolishing and Building Up the Star Theatre 1901 10.5240/65B2-B45C-F31B-8BB6-7AF3-S President McKinley Inauguration Footage 1901 10.5240/C276-6C50-F95E-F5D5-8DCB-L The Great Train Robbery 1903 10.5240/7791-8534-2C23-9030-8610-5 Westinghouse Works 1904 1904 10.5240/F72F-DF8B-F0E4-C293-54EF-U A Trip Down Market Street 1906 10.5240/A2E6-ED22-1293-D668-F4AB-I Dream of a Rarebit Fiend 1906 10.5240/4D64-D9DD-7AA2-5554-1413-S San Francisco Earthquake and Fire, April 18, 1906 1906 10.5240/69AE-11AD-4663-C176-E22B-I A Corner in Wheat 1909 10.5240/5E95-74AC-CF2C-3B9C-30BC-7 Lady Helen’s Escapade 1909 10.5240/0807-6B6B-F7BA-1702-BAFC-J Princess Nicotine; or, The Smoke Fairy 1909 10.5240/C704-BD6D-0E12-719D-E093-E Jeffries-Johnson World’s Championship Boxing Contest 1910 10.5240/A8C0-4272-5D72-5611-D55A-S White Fawn’s Devotion 1910 10.5240/0132-74F5-FC39-1213-6D0D-Z Little Nemo 1911 10.5240/5A62-BCF8-51D5-64DB-1A86-H A Cure for Pokeritis 1912 10.5240/7E6A-CB37-B67E-A743-7341-L From the Manger to the Cross 1912 10.5240/5EBB-EE8A-91C0-8E48-DDA8-Q The Cry of the Children 1912 10.5240/C173-A4A7-2A2B-E702-33E8-N
    [Show full text]
  • Quentin Tarantino Retro
    ISSUE 59 AFI SILVER THEATRE AND CULTURAL CENTER FEBRUARY 1– APRIL 18, 2013 ISSUE 60 Reel Estate: The American Home on Film Loretta Young Centennial Environmental Film Festival in the Nation's Capital New African Films Festival Korean Film Festival DC Mr. & Mrs. Hitchcock Screen Valentines: Great Movie Romances Howard Hawks, Part 1 QUENTIN TARANTINO RETRO The Roots of Django AFI.com/Silver Contents Howard Hawks, Part 1 Howard Hawks, Part 1 ..............................2 February 1—April 18 Screen Valentines: Great Movie Romances ...5 Howard Hawks was one of Hollywood’s most consistently entertaining directors, and one of Quentin Tarantino Retro .............................6 the most versatile, directing exemplary comedies, melodramas, war pictures, gangster films, The Roots of Django ...................................7 films noir, Westerns, sci-fi thrillers and musicals, with several being landmark films in their genre. Reel Estate: The American Home on Film .....8 Korean Film Festival DC ............................9 Hawks never won an Oscar—in fact, he was nominated only once, as Best Director for 1941’s SERGEANT YORK (both he and Orson Welles lost to John Ford that year)—but his Mr. and Mrs. Hitchcock ..........................10 critical stature grew over the 1960s and '70s, even as his career was winding down, and in 1975 the Academy awarded him an honorary Oscar, declaring Hawks “a giant of the Environmental Film Festival ....................11 American cinema whose pictures, taken as a whole, represent one of the most consistent, Loretta Young Centennial .......................12 vivid and varied bodies of work in world cinema.” Howard Hawks, Part 2 continues in April. Special Engagements ....................13, 14 Courtesy of Everett Collection Calendar ...............................................15 “I consider Howard Hawks to be the greatest American director.
    [Show full text]
  • Ronald Davis Oral History Collection on the Performing Arts
    Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability.
    [Show full text]
  • Representations of Masculinity in Contemporary Hollywood Comedies a Thesis Presented to the Facult
    In the Company of Modern Men: Representations of Masculinity in Contemporary Hollywood Comedies A thesis presented to the faculty of the College of Fine Arts of Ohio University In partial fulfillment of the requirements for the degree Master of Arts Nicholas D. Bambach August 2016 © 2016 Nicholas D. Bambach. All Rights Reserved. 2 This thesis titled In the Company of Modern Men: Representations of Masculinity in Contemporary Hollywood Comedies by NICHOLAS D. BAMBACH has been approved for the School of Film and the College of Fine Arts by Ofer Eliaz Assistant Professor of Film Elizabeth Sayrs Interim Dean, College of Fine Arts 3 ABSTRACT BAMBACH, NICHOLAS D., M.A., August 2016, Film In the Company of Modern Men: Representations of Masculinity in Contemporary Hollywood Comedies Director of Thesis: Ofer Eliaz This thesis discusses the increasing visibility of masculine identity in contemporary Hollywood comedies. I examine how shifting developments in economic, societal, cultural, and gender relations impacted the perception of cinematic masculinity. The men, more specifically white and heterosexual, in these films position themselves as victims and, as a result, turn to alternative outlets to ease their frustrations and anxieties. In order to broadly survey the genre of the past two decades, I focus on three consistently popular character tropes in Hollywood comedies: slackers, office workers, and bromantic friendships. All the male characters discussed throughout the thesis are plagued by their innermost anxieties and desires that compromise their gendered identities. However, these films resort to a regressive understanding of masculinity and functions within the dominant heteronormative structures. This thesis demonstrates how Hollywood comedies present a contradictory and multifaceted image of modern masculinity.
    [Show full text]
  • MGM 70 YEARS: REDISCOVERIES and CLASSICS June 24 - September 30, 1994
    The Museum of Modern Art For Immediate Release May 1994 MGM 70 YEARS: REDISCOVERIES AND CLASSICS June 24 - September 30, 1994 A retrospective celebrating the seventieth anniversary of Metro-Goldwyn- Mayer, the legendary Hollywood studio that defined screen glamour and elegance for the world, opens at The Museum of Modern Art on June 24, 1994. MGM 70 YEARS: REDISCOVERIES AND CLASSICS comprises 112 feature films produced by MGM from the 1920s to the present, including musicals, thrillers, comedies, and melodramas. On view through September 30, the exhibition highlights a number of classics, as well as lesser-known films by directors who deserve wider recognition. MGM's films are distinguished by a high artistic level, with a consistent polish and technical virtuosity unseen anywhere, and by a roster of the most famous stars in the world -- Joan Crawford, Clark Gable, Judy Garland, Greta Garbo, and Spencer Tracy. MGM also had under contract some of Hollywood's most talented directors, including Clarence Brown, George Cukor, Vincente Minnelli, and King Vidor, as well as outstanding cinematographers, production designers, costume designers, and editors. Exhibition highlights include Erich von Stroheim's Greed (1925), Victor Fleming's Gone Hith the Hind and The Wizard of Oz (both 1939), Stanley Kubrick's 2001: A Space Odyssey (1968), and Ridley Scott's Thelma & Louise (1991). Less familiar titles are Monta Bell's Pretty Ladies and Lights of Old Broadway (both 1925), Rex Ingram's The Garden of Allah (1927) and The Prisoner - more - 11 West 53 Street, New York, N.Y. 10019-5498 Tel: 212-708-9400 Cable: MODERNART Telex: 62370 MODART 2 of Zenda (1929), Fred Zinnemann's Eyes in the Night (1942) and Act of Violence (1949), and Anthony Mann's Border Incident (1949) and The Naked Spur (1953).
    [Show full text]
  • George P. Johnson Negro Film Collection LSC.1042
    http://oac.cdlib.org/findaid/ark:/13030/tf5s2006kz No online items George P. Johnson Negro Film Collection LSC.1042 Finding aid prepared by Hilda Bohem; machine-readable finding aid created by Caroline Cubé UCLA Library Special Collections Online finding aid last updated on 2020 November 2. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections George P. Johnson Negro Film LSC.1042 1 Collection LSC.1042 Contributing Institution: UCLA Library Special Collections Title: George P. Johnson Negro Film collection Identifier/Call Number: LSC.1042 Physical Description: 35.5 Linear Feet(71 boxes) Date (inclusive): 1916-1977 Abstract: George Perry Johnson (1885-1977) was a writer, producer, and distributor for the Lincoln Motion Picture Company (1916-23). After the company closed, he established and ran the Pacific Coast News Bureau for the dissemination of Negro news of national importance (1923-27). He started the Negro in film collection about the time he started working for Lincoln. The collection consists of newspaper clippings, photographs, publicity material, posters, correspondence, and business records related to early Black film companies, Black films, films with Black casts, and Black musicians, sports figures and entertainers. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: English . Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Portions of this collection are available on microfilm (12 reels) in UCLA Library Special Collections.
    [Show full text]
  • William Reese Company Americana ● Rare Books ● Literature
    William Reese Company AMERICANA ● RARE BOOKS ● LITERATURE AMERICAN ART ● PHOTOGRAPHY __________ 409 TEMPLE STREET NEW HAVEN, CONNECTICUT 06511 (203) 789-8081 FAX (203) 865-7653 [email protected] www.williamreesecompany.com California Antiquarian Book Fair 2018 Presentation Copy from the Former President 1. Adams, John Quincy: ORATION ON THE LIFE AND CHARACTER OF GILBERT MOTIER DE LAFAYETTE. DELIVERED AT THE REQUEST OF BOTH HOUSES OF THE CONGRESS OF THE UNITED STATES, BEFORE THEM, IN THE HOUSE OF REPRESENTATIVES AT WASHINGTON, ON THE 31st DECEMBER, 1834. Washington: Printed by Gales and Seaton, 1835. 94pp. Contemporary red straight-grained morocco, ruled in gilt. Extremities lightly rubbed. Internally clean. Fine. In a red half morocco and cloth box. A presentation copy of Adams’ speech honoring the memory of Revolutionary War hero Marquis de Lafayette. Though not inscribed, this copy is in a presentation binding of red straight-grained morocco, of the sort favored by the Adams family for decades, and is printed on thick paper. John Quincy Adams devoted his entire career to government service. The son of President John Adams, he himself served as the sixth president, as a U.S. Senator from 1803 to 1808, as Secretary of State from 1817 to 1825, and in the U.S. House of Representatives from 1831 until his death in the U.S. Capitol in 1848. Moses Mason, Jr. (1789-1866) was born in Dublin, New Hampshire, and moved with his family to Maine when he was about ten years of age. He studied medicine and practiced it in Maine, and also held a number of local civil service positions.
    [Show full text]