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Radio Listenership Commercial and PBS
Radio Listenership Commercial and PBS Jan '17-Jun '17 Apr '17-Sep '17 6 months' data 6 months' data sample = 31,178 sample = 30,427 Listenership past 7 days 000s 000s Ukhozi FM 7,574 7,209 Umhlobo Wenene FM (UWFM) 5,422 5,409 Metro FM 4,044 4,028 Lesedi FM 3,212 3,057 Thobela FM 2,939 2,915 Motsweding FM 2,538 2,383 Gagasi FM 1,397 1,514 RSG 1,246 1,259 Ikwekwezi FM 1,337 1,249 East Coast Radio 1,101 1,105 Jacaranda FM 1,136 1,005 Kaya FM 95.9 931 979 Munghana Lonene FM (MLFM) 1,057 925 Ligwalagwala FM 931 920 947 913 900 Heart 104.9 FM 736 745 5FM 732 735 KFM 736 726 Phalaphala FM 696 689 YFM 99.2 665 560 Algoa FM (Radio Algoa) 511 501 702 448 471 Good Hope FM 536 457 Radio 2000 412 420 Capricorn FM 298 257 North West FM 287 232 OFM 294 224 trufm 158 209 SAfm 143 201 Lotus FM 206 176 Smile 90.4FM 164 162 Vuma 103 FM 54 134 Power 98.7 138 114 CapeTalk 92 87 Classic FM 102.7 60 59 Rise FM * 45 40 LM Radio * 21 22 Magic828 AM * 16 19 X-K FM 107.9 * 16 5 Notes: * Caution: small base size, provided for indicative purposes only ^ Disclaimer: Station not contactable/station airing could not be verified # Included from Apr '17 fieldwork period ## Included from Jul '17 fieldwork period Note: Any station with a base less than 40 will be grouped under "Small Base Stations" in the Software Release (as sample siz es are too small for analysis and results will be unstable) Radio Listenership Community (Nationwide) Jan '17-Jun '17 Apr '17-Sep '17 6 months' data 6 months' data sample = 31,178 sample = 30,427 Listenership past 7 days 000s 000s 657 AM -
A Channel Guide
Intelsat is the First MEDIA Choice In Africa Are you ready to provide top media services and deliver optimal video experience to your growing audiences? With 552 channels, including 50 in HD and approximately 192 free to air (FTA) channels, Intelsat 20 (IS-20), Africa’s leading direct-to- home (DTH) video neighborhood, can empower you to: Connect with Expand Stay agile with nearly 40 million your digital ever-evolving households broadcasting reach technologies From sub-Saharan Africa to Western Europe, millions of households have been enjoying the superior video distribution from the IS-20 Ku-band video neighborhood situated at 68.5°E orbital location. Intelsat 20 is the enabler for your TV future. Get on board today. IS-20 Channel Guide 2 CHANNEL ENC FR P CHANNEL ENC FR P 947 Irdeto 11170 H Bonang TV FTA 12562 H 1 Magic South Africa Irdeto 11514 H Boomerang EMEA Irdeto 11634 V 1 Magic South Africa Irdeto 11674 H Botswana TV FTA 12634 V 1485 Radio Today Irdeto 11474 H Botswana TV FTA 12657 V 1KZN TV FTA 11474 V Botswana TV Irdeto 11474 H 1KZN TV Irdeto 11594 H Bride TV FTA 12682 H Nagravi- Brother Fire TV FTA 12562 H 1KZN TV sion 11514 V Brother Fire TV FTA 12602 V 5 FM FTA 11514 V Builders Radio FTA 11514 V 5 FM Irdeto 11594 H BusinessDay TV Irdeto 11634 V ABN FTA 12562 H BVN Europa Irdeto 11010 H Access TV FTA 12634 V Canal CVV International FTA 12682 H Ackermans Stores FTA 11514 V Cape Town TV Irdeto 11634 V ACNN FTA 12562 H CapeTalk Irdeto 11474 H Africa Magic Epic Irdeto 11474 H Capricorn FM Irdeto 11170 H Africa Magic Family Irdeto -
The Development of a Business Model for a Community Radio Station
Developing a business model for a community radio station in Port Elizabeth: A case study. By Anthony Thamsanqa “Delite” Ngcezula Student no: 20531719 Submitted in partial fulfilment of the requirements for the degree of Masters in Business Administration at the NMMU Business School Research supervisor: Dr Margaret Cullen November, 2008 DECLARATION BY STUDENT FULL NAME: Anthony Thamsanqa “Delite” Ngcezula STUDENT NUMBER: 20531719 QUALIFICATION: Masters in Business Administration DECLARATION: In accordance with Rule G4.6.3, I hereby declare that this treaties with a title “Developing a business model for a community radio station in Port Elizabeth: A case study” is my own work and that it has not previously been submitted for assessment to another University or for another qualification. SIGNITURE: __________________________ DATE: ________________________ i ACKNOWLEDGEMENTS I would like to express my sincere gratitude and thanks to my research supervisor, Doctor Margaret Cullen, whose academic guidance and encouragement was invaluable. I wish to thank Kingfisher FM as without their cooperation this treatise would not have been possible. I would like to thank my wife, Spokazi for putting up with the long hours I spent researching and writing this treatise. I wish to thank my girls, Litha and Gcobisa for their unconditional love. I would like to thank my parents, Gladys and Wilson for the values they instilled in me. I wish to thank the following people who made listening to radio an experience and inspired my love for radio presenting and -
Yesterday • Today • Tomorrow
YESTERDAY • TODAY • TOMORROW ARTSCAPE THEATRE CENTRE | 1 OUR THEME: YESTERDAY, TODAY & TOMORROW “… in order to celebrate the achievements over the past 50 years, we need to be mindful of how it came about, build on the work of those that came before us, and lead the way to a future that is even more inclusive, more equitable and more just – a constant strife.” – Marlene le Roux Yesterday, Today and Tomorrow Rajesh Jock CHAIRPERSON Artscape Theatre Centre Artscape Theatre Centre (formally the Nico Malan Theatre) has made major advances since its inception in 1971. Relying on a strong commitment from the National Department of Sport, Arts and Culture, the theatre now celebrates its Golden Anniversary! Entertainment, arts and culture contributes to the vibrancy, heritage and activation of the Cape Town Metropolitan City as well as the Western Cape Province, and plays an important role in tourism and economic growth. Since being renamed circa 1999, Artscape has provided a modern, contemporary and world-class regional venue supporting arts and culture, and especially local talent. Artscape represents a very special organisation, comprising committed professionals, who are dedicated to the advancement of many different local and international productions in the City of Cape Town and many other parts of the Western Cape Province. Combined with the passion and commitment of major stakeholders both nationally and provincially, Artscape has become a home for all in the arts and will continue to embrace the diverse communities of the Western Cape through performers and patrons. I thank and congratulate everyone who has, over many years, dedicated their expertise, time, effort and passion to continually building this wonderful organisation and making it what it is today. -
Office of the Western Cape Police Ombudsman
Office of the Western Cape Police Ombudsman Annual Report 2015-16 Western Cape Police Ombudsman 1 Annual Report 2015-16 Office of the Western Cape Police Ombudsman Annual Report 2015-16 CONTENTS PART A: GENERAL INFORMATION ……………………………………………….............……….……… 3 1. General Information ………………….........................……………….......................………………………….……..... 5 2. List of Abbreviations ……………………………………………………….…................................………………….……… 6 3. Foreword by Ombudsman …………………………………………….…..........................……………………………….. 7 4. Strategic Overview ………………………………………………………….….............................……………………………. 9 4.1 Vision …………………………………………………………………….........................……………………………….. 9 4.2 Mission …………………………………………………………………........................………………………………… 9 4.3 Values ……………………………………………………………………….........................……………………………. 9 4.4 Summary ……………………………………………………………………............................…………………….. 10 5. Legislative and other Mandates ………………………………………………….........................……………………… 12 6. The Complaint Resolution Process ……………………………………………………………..........................…….. 14 7. Organisational Structure ……………………………………………………………………………........................……… 18 PART B: PERFORMANCE INFORMATION ……………………………………….........…..………….. 21 1. Overview of WCPO Performance ………………..……………………………………………….............................… 23 1.1 Service Delivery Environment ………………………………………………………………...............……….. 23 1.2 Formation of Task Team ……………………………………………………………………….......................… 26 1.3 Best Practice -
Sounding the Cape, Music, Identity and Politics in South Africa Denis-Constant Martin
Sounding the Cape, Music, Identity and Politics in South Africa Denis-Constant Martin To cite this version: Denis-Constant Martin. Sounding the Cape, Music, Identity and Politics in South Africa. African Minds, Somerset West, pp.472, 2013, 9781920489823. halshs-00875502 HAL Id: halshs-00875502 https://halshs.archives-ouvertes.fr/halshs-00875502 Submitted on 25 May 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Sounding the Cape Music, Identity and Politics in South Africa Denis-Constant Martin AFRICAN MINDS Published by African Minds 4 Eccleston Place, Somerset West, 7130, South Africa [email protected] www.africanminds.co.za 2013 African Minds ISBN: 978-1-920489-82-3 The text publication is available as a PDF on www.africanminds.co.za and other websites under a Creative Commons licence that allows copying and distributing the publication, as long as it is attributed to African Minds and used for noncommercial, educational or public policy purposes. The illustrations are subject to copyright as indicated below. Photograph page iv © Denis-Constant -
Sample Application Narratives
Nov 2018 Under the Freedom of Information Act, agencies are required to proactively disclose frequently requested records. Often the National Endowment for the Arts receives requests for examples of funded grant proposals for various disciplines. In response, the NEA is providing examples of the “Project Information” also called the ”narrative” for five successful Arts Education projects that received NEA funding. The selected examples are not the entire funded grant proposal and only contain the grant narrative and selected portions. In addition, certain portions may have been redacted to protect the privacy interests of an individual and/or to protect confidential commercial and financial information and/or to protect copyrighted materials. The following narratives have been selected as examples because they represent a diversity of project types and are well written. Although each project was funded by the NEA, please note that nothing should be inferred about the ranking of each application within its respective applicant pool. We hope that you will find these records useful as examples of well written narratives. However please keep in mind that because each project is unique, these narratives should be used as references, rather than templates. If you are preparing your own application and have any questions, please contact the appropriate program office. You may also find additional information regarding the grant application process on our website at Apply for a Grant | NEA . Arts Education Atlanta Shakespeare Company Shakespeare Tavern Heart of Los Angeles Youth Inc., HOLA Seattle Public Schools Washington Office of Superintendent Public Instruction OSPI Women's Audio Mission WAM 17-980349 Attachments-ATT20-Project_Information.pdf Atlanta Shakespeare Company Shakespeare Tavern Project Information MAJOR PROJECT ACTIVITIES: In Total Access Shakespeare (TAS), students experience Shakespeare in the most meaningful way: by using their own unique voices to create art. -
Western Cape Jazz Legends
Western Cape Jazz Legends Foreword The Western Cape Jazz legends which unveiled on 17 March 2011 pays homage to the rich jazz heritage of the Western Cape. The publishing of the Western Cape Jazz Legends Booklet gives a wider audience access to an appreciation of the contribution of these musicians who often plied their trade under the most difficult circumstances and with very little material reward. The short biographies are informed by existing literature and interviews conducted with family members. The list is by no means comprehensive but it does indicate our resolve to give homage, to acknowledge, to preserve and to promote the rich musical heritage of the Western Cape. Documenting our musical history not only ensures that the impact of the role of these legends on the musical landscape of the Western Cape is captured for posterity, but also that their stories serve as a source of inspiration to aspiring musicians. This booklet represents an important step towards the building of a socially inclusive Western Cape. These Jazz Legends united us around our common love for music and the unique sounds of Cape Town Jazz. Let’s celebrate their achievement and resolve that we will continue to build on this initiative to acknowledge our musicians who created musical melodies which filled us with joy, often leaving us in awe of their amazing talent and with a deep sense of self-worth and cultural warmth. Dr IH Meyer Minister of Cultural Affairs and Sport Western cape Government. Western Cape Jazz Legends 1 2 Western Cape Jazz Legends IntroductIon The Department of Cultural Affairs and Sport has embedded in its vision, “… A socially cohesive and creative Western Cape.” The arts and culture component of the department has embraced this vision and the Western Cape Jazz Legends project is reflective thereof. -
On Air with the Community an Exploration of Five Community Radio Stations in the Western Cape Kelsey Warren SIT Study Abroad
SIT Graduate Institute/SIT Study Abroad SIT Digital Collections Independent Study Project (ISP) Collection SIT Study Abroad Fall 2014 On Air With the Community An Exploration of Five Community Radio Stations in the Western Cape Kelsey Warren SIT Study Abroad Follow this and additional works at: https://digitalcollections.sit.edu/isp_collection Part of the African Studies Commons, Civic and Community Engagement Commons, Communication Technology and New Media Commons, Community-Based Research Commons, Critical and Cultural Studies Commons, Mass Communication Commons, Social Influence and Political Communication Commons, and the Social Media Commons Recommended Citation Warren, Kelsey, "On Air With the Community An Exploration of Five Community Radio Stations in the Western Cape" (2014). Independent Study Project (ISP) Collection. 2028. https://digitalcollections.sit.edu/isp_collection/2028 This Unpublished Paper is brought to you for free and open access by the SIT Study Abroad at SIT Digital Collections. It has been accepted for inclusion in Independent Study Project (ISP) Collection by an authorized administrator of SIT Digital Collections. For more information, please contact [email protected]. On Air With the Community An Exploration of Five Community Radio Stations in the Western Cape Kelsey Warren Shifra Jacobson In partial fulfilment of the requirements for South Africa: Multiculturalism and Human Rights, School for International Training, Study Abroad, a program for World Learning. Cape Town Fall 2014 Table of Contents Acknowledgements -
Healthy Community Radio Station
THE HEALTHY COMMUNITY RADIO STATION Franz Krüger, Romanus Monji and Mike Smurthwaite COPYRIGHT STATEMENT © WITS RADIO ACADEMY, OSISA (2013) This publication was produced by the Wits Radio Academy in partnership with the Open Society Initiative for Southern Africa (OSISA). Copyright in this article is vested with the Wits Radio Academy and OSISA. This report may be reproduced in whole or in part as long as correct accreditation is observed. CONTENTS FOREWORD . 3 INTRODUCTION . 4 PART 1: MODELS OF HEALTH . 6 Chapter 1: The Search for Health and Sustainability in Community Radio . 6 1: Mission and Governance . 14 2: Management and Staff . 19 3: Infrastructure and Finance . 24 4: Programming . 28 5: Community Involvement . 33 PART 2: STATION HEALTH CHECK TOOL . 37 Introduction . 37 Chapter 1: Method and Process . 38 Chapter 2: Checking for Health in Five Dimensions . 42 a) Mission and Governance . 42 b) Management and Staff . 43 c) Infrastructure and Finance . 44 d) Programming . 46 e) Community Involvement . 47 Chapter 3: Analysis and Action . 48 Bibliography . 52 Appendix 1: Sources and Types of Income . 53 Appendix 2: Analysing a Show . 54 Appendix 3: Guidelines for Focus Group Discussions . 56 Appendix 4: The Structure of a Report . 59 1 2 FOREWORD Dr Dumisani Moyo Programme Manager, Media and ICTs, OSISA Several books, handbooks and ‘toolkits’ have been written on community radio in Africa since the liberalisation of the airwaves on the continent in the 1990s . Most of these have focused on mapping the rapid development of the community radio sector and the attendant challenges and opportunities, while a few have focused on policy and regulatory issues . -
Private & Confidential SAARF AMPS
Private & Confidential SAARF AMPS Jan - Dec 14 Rolling Average Release Layout SAARF AMPS Dec 14 ADULTS with Branded Products Prepared for:- South African Audience Research Foundation (SAARF®) Copyright Reserved Apr-14 Private & Confidential SAARF AMPS DEC '14 Section (Rolling Average Release Layout) Prepared for:- South African Audience Research Foundation (SAARF®) Prepared by:- Nielsen SAARF AMPS DEC '14 AMPS ® DEC '14 PAGE A TECHNICAL DATA Informants : 25584 Adult Population : 37665 (Adults 15+) H/Hold Weight : 15236 Cards Per : 1-57, 58, 61, 62, 64-68, 70, 72, 73-75, 91-93, 203-299, 300-316, 501-504 Questionnaire Questionnaire No. : Columns 1-6 Card Designation : Columns 78-80 (Numeric) Adult Population : c9227-c9236 Weight Household : c9237-c9246 Weight (## Not to be used with personal demographics) Large Item : c9247-c9256 Decision Maker (## Not to be used with personal demographics) Weights (These must be used for Household Products only on a filtered base of male heads of household and females who are wholly or partly responsible for the day-to-day purchases of the household = c9147'2') Household : c9257-c9266 Purchaser Weights (These must be used for Household Products only on a filtered base of those wholly or partly responsible for the day-to-day purchases of the household = c9147'1') Weight Format : Weights stretch over 10 columns with the seventh column being the decimal point represented an '&38' (.000) Weight Decimal Point Columns Population c9233-c9236 Household c9243-c9246 Decision Maker c9253-c9256 Purchaser c9263-c9266 NB:: PLEASE USE SMALL BASES WITH CAUTION ** For further notes see Special Notes in Technical Report SAARF AMPS DEC '14 RECOMMENDATIONS FOR WEIGHT SELECTION PAGE B There are 4 sets of weights on the SAARF AMPS DEC '14 The type of analysis to be done and the phrasing of the question will determine which weight should be used. -
University of Cape Town
Town Cape of University Sartorial Disruption An investigation of the histories, dispositions, and related museum practices of the dress/fashion collections at Iziko Museums as a means to re-imagine and re-frame the sartorial in the museum. Erica de Greef The copyright of this thesis vests in the author. No quotation from it or information derivedTown from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes Capeonly. of Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University Thesis presented for the Degree of Doctor of Philosophy Department of African Studies University of Cape Town January 2019 “Clothes are people to Diana Vreeland. Her interest in them is deep and human” (Ballard, 1960:293, cited in Clark, De la Haye & Horsley. 2014:26) This text represents a full and original submission for the degree of Doctor of Philosophy at the University of Cape Town. This copy has been supplied for the purpose of research, on the understanding that it is copyright material, and that no quotation from the thesis may be published without proper acknowledgment. Cover Image: SAM14268: Beadwork Detail. Photograph by Andrew Juries, Courtesy of Andrew Juries. iii iv Abstract In this thesis I investigate and interrogate the historical and current compositions, conditions and dispositions of three collections containing sartorial objects of three formerly separate museums – the South African Museum, the South African National Gallery and the South African Cultural History Museum.