Paraphilia Iv

Total Page:16

File Type:pdf, Size:1020Kb

Paraphilia Iv PARAPHILIA IV 1 2 CONTENTS Cover art by John Coulthart Edited and Designed Artwork by Arnaud Loumeau p2, 43, 81, 155, 191, 249 By Paraphilia Editorial p4 ―A Hopscotch Ballad‖ Text & Photos by Jim Lopez Editors p5 ―Eleven Letters‖ p9 Díre McCain ―Menacing Daze‖ by Michael Roth, Images by D M Mitchell Chris Brandrick p12 ―Green Eyed Monster‖ by Claire Godden- Rowland, Photos by Malcolm Alcala p34 Kate MacDonald – Musical Editor ―The Good Cock‖ by Salena Godden, Photos by Jim Lopez – Columnist & Pistolero Thomas Evans p40 ―Market Street Greyhound Station‖ by Gene Gregorits p45 Contact Paraphilia Artwork by Dolorosa p70, 205 [email protected] ―Cult Of Exhultation‖ by A D Hitchin p71 Three Anamorphic Images by Jim Lopez p72, 120, Website 131 ―Fragments Of Humanity‖ by Christopher www.paraphiliamagazine.com Nosnibor, Photos by Max Reeves p73 www.myspace.com/paraphiliamagazine ―The Broken Novel‖ Text & Artwork by Ian Miller p77 Many thanks to; Johnny Coolart, Max ―Weight‖ by Rich Follett p79 ―The Serpent and the Starlight‖ by Nick Tosches Infeld, Pablo Vision, Jim Lopez, p83 Michael K, Nick Tosches, Sue Fox, ―Kastellorizon‖ by Charles Christian, Artwork by Robert Agasucci p86 Darius James, Tom Garretson, Stewart ―Necro-Dead Animal‖ by Ele-Beth Little, Drawing Home, Chris Morris, E. Elias Merhige, by Alfred Muro p96 and everyone who‘s extended ―The Persistence Of Memory‖ by David Conway, Photo by Max Reeves p98 kindness and encouragement. ―Gumbo‖ by Darius James, Artwork by Destiny McKeever p121 Submissions ―Genetically Modified Metzger Manifesto‖ by Stewart Home p132 This a free magazine distributed in the ―The Sleepbringer‖ by Patrick Wright p133 interests of giving culture back to the ―Death Wish Chameleon‖ by Cricket Corleone, people instead of the industry. We Photos by Richard A Meade p136 ―The Man With Two Hearts‖ by Rick Grimes p152 cannot pay for contributions to this ―The Good Schizoid‖ by Michelle Facchini, Photo publication. However, please see our by Little Shiva p153 website for details of our other ―Sweetie-Pie Begonia Babyhead‖ by Hank Kirton, Photo by Sid Graves p157 publishing ventures. ―Lend Me Yr Teeth‖ by Craig Woods, Artwork by Jad Fair p164 Any opinions or beliefs (religious, ―Carving Angels‖ by Claudia Bellocq, Photos by Guttersaint p192 political or moral) expressed anywhere ―When You Open This…‖ Artwork by Angela in this publication are not necessarily Suzzanne p197 those of the editors. We take no ―Crunch Time At Project Forever‖ by Ron Garmon p198 responsibility for anything we have ―Whimpers‖ by David Gionfriddo p206 published in the interest of the ―Sounds Abound‖ by Kate MacDonald (with Mary freedom of speech and expression. Leary, Craig Woods, Chris Morris and tENTATIVELY, a cONVENIENCE) p223 Contributors‘ contact information p258 3 EDITORIAL When analyzing and evaluating, the to endure is to succumb – to tighten the vast majority of human beings rely safety belt and cling to the handgrips. almost entirely upon the perceptible, often leading to reductive, and at times, Of course, the instant this happens, erroneous judgments. Whether it can pragmatism takes over, often be attributed to social and obliterating the intrinsic “idealism” that environmental influences, innatism, or a every human being possesses at birth. combination of the two is debatable, but What’s most absurd is that the rigid, unconscious self-induced confinement mechanical nature of “normal” society is the inevitable byproduct. in fact conflicts with Homo sapiens’ true inherent nature, which has been Others possess the ability to see beyond willingly suppressed via life-sustaining the superficial, enabling them to make ossification. Acclimation – while thorough, accurate assessments, which necessary for survival – equals afford both free will and extrication compliance, which often serves as an from the seemingly preordained. Their obstacle to self-realization. eyes are truly open, thus rendering the universe panoptic, and the possibilities Now the question is: What would limitless. Unfortunately, these people happen if human beings were granted are faced with the arduous task of trying consummate freedom? Liberated – not to harmonize in a contrasting, dissonant from the indispensable laws, but from world that revolves at a breakneck the prescribed restrictions, regulations, speed as the floor drops away. They and everyday stresses that have forced are, in essence, trapped on an them to adapt in order to subsist in a uncontrollable Gravitron that continues society that often breeds discontent? to spin, regardless of how many riders are thrown off. Ironically, the only way 4 COLUMN THE LAST DREGS OF POVERTY: A HOPSCOTCH BALLAD Text and Images By Jim Lopez The night started with a friend who in me, or maybe she didn‘t give a shit, wrung out his paint brush to be a as she broke a bag of ice loose on the regional manager for a Cable-TV Service cooler making a kissing sound. Provider, in New York. Now he can‘t get off the sofa except to hit, shit and The cold echo of a bar-well didn‘t say fumble his BlackBerry. I had to fly all much of anything except, ―There‘s a the way from Los Angeles to Queens to hollow sweetness in loneliness.‖ Her smash an empty bottle of whisky, hair was weaved in a braid, and her labeled, ―Paddy,‖ over his head, as he down-cast gaze darkened her eyelids. tried to mash my face in a pile of coke, Her small, firm breasts begged for which I rolled out of and got into a cab, mother‘s milk. She pressed her lips alone; but not before he tossed $160 at revealing the depth of her thoughts and me, and shouted, ―Have a good time. the tightness of her heart. Rusted, Casino will be waiting to tickle your antique tears dripped through her veins, balls when you get home.‖ His dog, watering seeds of…seeds of… Casino, was staring at me, panting, with a horny look in his eyes and I had the Awe Fuck! I can‘t even smoke a scratch marks on my arm to prove that cigarette in this place! the little devil was in the mood. New York: a city populated with The Holiday Cocktail Lounge was cultivated loogie-hockers; where a trio closed so I walked into Banjo Jim‘s. The sings, ―If you need us, call us, or maybe band had packed up and gone home. I we‘ll just come over and spit in your was one of five left in the place: Doc face.‖ Boggs, Freddie King, Lightning Hopkins, myself and a tired barmaid, The barmaid‘s rusted tears stained an wearing a red dress under her jeans and indefinite seed of another vanished love T-shirt. Her smile was hidden by a that took too long. I asked for another slight, faint scent of hope. We didn‘t drink as my arms burned from holding recognize each other as anything more the fresh wonder of what it meant to be than a drink and a money transaction. treated as I believed I wanted to be, only Maybe I saw more in her than she saw I had no idea what that felt like. 5 She informed me that the she would be municipal chorus singing, ―You make closing at 3:00 a.m., but she was closed me feel like a disease I never asked for.‖ long before that. At least that‘s what I But who the fuck ever directly asked for told myself, since I wasn‘t clever enough a disease? to offer her what she wanted. New York is inhabited with a bunch of Need is easy to figure out and slow-walking kids trying to rule the accomplish. Want takes a delicate world, and they think that they do. charm that has no want of its own. Whereas, Los Angeles is populated with exhaust-hungry werewolves, practicing How is it possible to listen to Doc Boggs yoga, believing they‘re a star. New without having my own bottle of Yorkers are too unimpressed with the whisky in front of me, a knife in pocket stars because they‘re too preoccupied and a lit cigarette hanging from my with the dimming lights of culture. But mouth? it‘s still the York of New and there is so much damn concrete that one can‘t help but be breath taken, especially when the pollution will rip your lungs out whether you like it or not. So what difference does it make whether I smoke in an empty space with a lovely barmaid fifteen feet away and a jukebox, which is the only thing alive in this place? This might be Banjo Jim‘s but it sure as hell isn‘t Jim‘s Banjo. But it is the nicest surprise I‘ve had in a long time, so I‘ll just hold my cigarette and have another drink. I swallowed like a graduate maudlin who auctioned off his degree on E-Bay and made my way to an ―Irish Pub.‖ The Spartans should have done the world a favor and cast us all down as blemished children. You could hold a cigarette in your New York makes me want to wear a mouth in New York, but you better not Dodger‘s cap and make love to a cripple light it, or you‘ll be arrested by the 6 because she would be more honest than my boots, mouthing close into my ear, the rest of us. ―I‘ll be you‘re Rock-N-Roll dream and cream your jeans into the gutter of my A corner church with wrought-iron bars hopscotch court, you goddamn square.‖ was closed, as was the bar next door named ―Company,‖ so a drunk has no I choked, wondering if this would take alternative but to piss in the shadows of five years or five seconds and then the sanctuary.
Recommended publications
  • Precio Maketa Punk-Oi! Oi! Core 24 ¡Sorprendete!
    GRUPO NOMBRE DEL MATERIAL AÑO GENERO LUGAR ID ~ Precio Maketa Punk-Oi! Oi! Core 24 ¡Sorprendete! La Opera De Los Pobres 2003 Punk Rock España 37 100% Pure British Oi! Música Punk HC Cd 1 Punk Rock, HC Varios 6 100% Pure British Oi! Música Punk HC Cd 2 Punk Rock, HC Varios 6 100% Pure British Oi! Música Punk HC Cd 1 Punk Rock, HC Varios 10 100% Pure British Oi! Música Punk HC Cd 2 Punk Rock, HC Varios 10 1ª Komunion 1ª Komunion 1991 Punk Rock Castellón 26 2 Minutos Valentin Alsina Punk Rock Argentina 1 2 Minutos Postal 97 1997 Punk Rock Argentina 1 2 Minutos Volvió la alegría vieja Punk Rock Argentina 2 2 Minutos Valentin Alsina Punk rock Argentina 12 2 Minutos 8 rolas Punk Rock Argentina 13 2 Minutos Postal ´97 1997 Punk Rock Argentina 32 2 Minutos Valentin Alsina Punk Rock Argentina 32 2 Minutos Volvio la alegria vieja 1995 Punk Rock Argentina 32 2 Minutos Dos Minutos De Advertencia 1999 Punk Rock Argentina 33 2 Minutos Novedades 1999 Punk Rock Argentina 33 2 Minutos Superocho 2004 Punk Rock Argentina 47 2Tone Club Where Going Ska Francia 37 2Tone Club Now Is The Time!! Ska Francia 37 37 hostias Cantando basjo la lluvia ácida Punk Rock Madrid, España 26 4 Skins The best of the 4 skins Punk Rock 27 4 Vientos Sentimental Rocksteady Rocksteady 23 5 Years Of Oi! Sweat & Beers! 5 Years Of Oi! Sweat & Beers! Rock 32 5MDR Stato Di Allerta 2008 Punk Rock Italia 46 7 Seconds The Crew 1984 Punk Rock, HC USA 27 7 Seconds Walk Together, Rock Together 1985 Punk Rock, HC USA 27 7 Seconds New Wind 1986 Punk Rock, HC USA 27 7 Seconds Live! One Plus One
    [Show full text]
  • Altered States of Embodiment and the Social Aesthetics of Acupuncture Anderson KT* Machmer Hall University of Massachusetts-Amherst Amherst, Mass
    Integrati & ve e M iv t e Anderson, Altern Integ Med 2013, 2:3 a d n i c r i e n t DOI: 10.4172/2327-5162.1000112 l e A Alternative & Integrative Medicine ISSN: 2327-5162 Review Article Open Access Altered States of Embodiment and the Social Aesthetics of Acupuncture Anderson KT* Machmer Hall University of Massachusetts-Amherst Amherst, Mass. 01003, USA Abstract Acupuncture therapy encompasses various domains of experience: from the aesthetics and atmosphere of the clinic; to the sensorial aspects of needling; to the aftereffects in terms of potential changes in health and lifestyle. In my research (conducted in Galway and Dublin Ireland) one of the prevailing reasons expressed by patients as to the appeal of acupuncture, and rationale for its continual use, was that treatments were regarded as both pleasurable and transformative. This transformation–in either an immediate-sensorial, or a long-term behavioral way–is the key focus of this paper. Interviews with patients strongly suggested that an embodied sense of transformation– experiencing unusual bodily and emotional sensations–is not only part of the appeal, but is one of the key constructs for determining the medical efficacy of acupuncture. Such embodied transformations are referred to as altered states of embodiment (ASE). Keywords: Acupuncture therapy; Altered states of embodiment are interpreted as signs of acupuncture’s efficacy. Patient determinations (ASE) of efficacy rest in part, or at least coincide, with the appealing aspects of time, attention, pleasure, bodily transformations and visual imagery. Introduction Further, these are aspects of treatment that a quantitative analysis of Three predominant themes emerged from my interviews with acupuncture efficacy would find difficult to register.
    [Show full text]
  • Darwinism, Heredity, and Atavism in Thomas Hardy's Novels
    Journal of Literature and Art Studies, August 2019, Vol. 9, No. 8, 830-839 doi: 10.17265/2159-5836/2019.08.003 D DAVID PUBLISHING “I Am the Family Face”: Darwinism, Heredity, and Atavism in Thomas Hardy’s Novels QI Jun-jie Department of Etudes Anglaises, University of Sorbonne Nouvelle-Paris 3, Paris, France 19th-century scientific breakthroughs and developments exerted huge influence upon Thomas Hardy’s literary work, among which Darwinian discourses as well as issues of heredity and degeneration have attracted considerable critical attention. These scientific discourses can find their literary echoes in Hardy’s novels. Hardy’s characters are trapped by biological determinism and are therefore deprived of freewill, a devastating element which contributes to Hardy’s tragic vision. In Hardy’s early novels, Darwinism and other scientific issues are dealt with in a discursive manner, as is the case in A Pair of Blue Eyes; it is only in his late novels, especially in Tess of the d’Urbervilles and Jude the Obscure, that Hardy finally succeeds in incorporating Darwinian and hereditary discourses into his literary and philosophical conception and design. Thus to use a Darwinian term, this paper investigates the evolutionary process in which Hardy grows gradually adept in his artistic attempt to fuse the contemporary scientific discourses with his literary imagination, as well as in using scientific issues to mediate between authorial intention and critical expectation. Keywords: Darwinism, heredity, pedigree, atavism, pathology The influence of 19th-century scientific breakthroughs and developments on Thomas Hardy has been widely acknowledged and examined, among which Darwinian discourses and issues of heredity and degeneration have attracted considerable critical attention.
    [Show full text]
  • Localisation of Visual Hallucinations
    BRITISH MEDICAL JOURNAL 16 JULY 1977 147 of hypothermia; the duration of cardiac arrest; and the disturbances of sleep or consciousness.4 Hallucinations may be promptness and correctness of treatment. Peterson's pessi- evoked by sensory deprivation, but other factors are usually mistic report from California,8 in which all 15 near-drowned present; thus the "black-patch" delirium that may follow children who had fits, fixed dilated pupils, flaccidity, and loss cataract extraction in the elderly probably results from sensory Br Med J: first published as 10.1136/bmj.2.6080.147 on 16 July 1977. Downloaded from of pain sensation suffered severe anoxic encephalopathy, deprivation and mild senile brain changes and is more frequent may be explained by the high water temperatures there. In when hearing is also impaired.5 warm water the protective effect of hypothermia against brain Hallucinations may be due to focal lesions. Past experiences, damage would be missing. In contrast was the case described the quality of eidetic imagery, and psychodynamic "actors in Trondheim, Norway,9 in which a 5-year-old fell through influence the content of organic hallucinosis,6 and it would be ice in fresh water with an outside temperature of 10° below unwise to lean too heavily on the occurrence and nature of zero centigrade. He was in the water for 22 minutes and was hallucinosis in localising intracranial lesions. Visual hallucina- brought out apparently dead, with widely dilated pupils and tions are a relatively infrequent accompaniment oflesions ofthe bluish white skin. He was warmed up (the method was not calcarine cortex (Brodmann's area 17), which has few thalamo- described) and-despite the risks noted above-was given cortical connections; yet they may occur as a false-localising external cardiac massage without suffering ventricular symptom of frontal or subtentorial lesions.
    [Show full text]
  • Anthracite Coal 13
    Rock and Mineral 10-Specimen Kit Companion Book Presented by This mineral kit was also made possible through the generosity of the mining companies who supplied the minerals. If you have any questions or comments about this kit please contact the SME Pittsburgh Section Chair at www.smepittsburgh.org. For more information about mining, visit the following web site: www.smepittsburgh.org BSA’s www.scouting.org - search “Mining in Society” SME’s www.mineralseducationcoalition.org/ Updated July 2016 © SME Pittsburgh Section The SME Pittsburgh Section thanks the companies, mines, and individuals who provided mineral samples and donated time or services that made these mineral kits possible. Alpha Natural Resources, Inc. CONSOL Energy, Inc. Coolspring Stone Supply John T. Boyd Company Morton Salt Murray Energy Corporation Newmont Mining Corporation Reed Gold Mine (State of North Carolina) Steelhead Specialty Minerals United States Gypsum Company US Steel Corporation United Taconite (Cliffs Natural Resources, Inc.) CONTENTS INTRODUCTION 3 MINERAL IDENTIFICATION 5 FUELS 10 Bituminous Coal 12 Anthracite Coal 13 BASE METAL ORES 14 Iron Ore 15 Copper Ore 16 PRECIOUS METALS 17 Gold Ore 18 ROCKS AND INDUSTRIAL MINERALS 19 Gypsum 21 Limestone 22 Marble 23 Salt 24 Zeolite 25 Note: many of the images reproduced here are from Wikipedia which allows non commercial use or from the Minerals Education Coalition web site http://www.mineralseducationcoalition.org/minerals. INTRODUCTION The effect rocks and minerals have on our daily lives is not always obvious, but this book will help explain how essential they really are. If you don’t think you come in contact with minerals every day, think about these facts below and see if you change your mind.
    [Show full text]
  • Phenomenology of Embodied Dreamwork with Puerto Rican Women: a Dissertation Lourdes F
    Lesley University DigitalCommons@Lesley Graduate School of Arts and Social Sciences Expressive Therapies Dissertations (GSASS) 2010 Phenomenology of Embodied Dreamwork with Puerto Rican Women: A Dissertation Lourdes F. Brache-Tabar Lesley University Follow this and additional works at: https://digitalcommons.lesley.edu/expressive_dissertations Part of the Art Therapy Commons, Latin American Studies Commons, and the Psychology Commons Recommended Citation Brache-Tabar, Lourdes F., "Phenomenology of Embodied Dreamwork with Puerto Rican Women: A Dissertation" (2010). Expressive Therapies Dissertations. 46. https://digitalcommons.lesley.edu/expressive_dissertations/46 This Dissertation is brought to you for free and open access by the Graduate School of Arts and Social Sciences (GSASS) at DigitalCommons@Lesley. It has been accepted for inclusion in Expressive Therapies Dissertations by an authorized administrator of DigitalCommons@Lesley. For more information, please contact [email protected]. 1 Phenomenology of Embodied Dreamwork with Puerto Rican Women A DISSERTATION (submitted by) Lourdes F. Brache-Tabar In partial fulfillment of the requirements for the degree of Doctor of Philosophy LESLEY UNIVERSITY May 2010 2 3 STATEMENT BY AUTHOR This dissertation has been submitted in partial fulfillment of requirements for an advanced degree at Lesley University and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this dissertation are allowable without special permission, provided that accurate acknowledgment of source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the Dean of the Graduate College when in his or her judgment the proposed use of the material is in the interests of scholarship.
    [Show full text]
  • Class Cleavage Roots and Left Electoral Mobilization in Western Europe Vincenzo Emanuele
    Article Lost in Translation? Class Cleavage Roots and Left Electoral Mobilization in Western Europe Vincenzo Emanuele I investigate whether the strength of the class cleavage in Western Europe still “translates” into the electoral mobilization of the left. This research question is addressed through comparative longitudinal analysis in nineteen Western European countries after World War II. In particular, the impact of class cleavage is investigated by disentangling its socio-structural (working-class features) and organizational (corporate and partisan) components, thus accounting for its multidimensional nature. Data show that both components have a significant impact in Western Europe after 1945. However, while the socio-structural element is still nowadays a substantial predictor of left electoral mobilization, the impact of the organizational element has decreased over time and has become irrelevant in the last twenty-five years. Therefore, the class cleavage is not entirely lost in translation, but left electoral mobilization is no longer dependent upon the organizational features of trade unions and political parties that originally emerged to represent working-class interests. investigate whether and under what conditions the (i.e., the presence of a strong industrial working class, high I electoral mobilization of the Western European left is membership rates in trade unions and left-wing parties) predicted by the strength of the class cleavage. The and the electoral support for class bloc parties starting point of this investigation is represented by Bar- (i.e., communist, socialist, and social democratic parties). tolini’sinfluential work (2000), a macro-historical analysis However, Bartolini’s empirical results are drawn from the of thirteen Western European countries in the period “golden age” of class politics, where the working class was 1860–1980.
    [Show full text]
  • Omnia + My Indigo + Blutengel + Rain Diary + Lacrimosa + Thirty Seconds to Mars Dr
    Nr. 05 · Mai 2018 frei verkäuflich frei Keine Jugendgefährdung Keine THIRTY SECONDS TO MARS WISBORG DR. MARK BENECKE OMNIA BLUTENGEL LACRIMOSA MY INDIGO LOREENA MCKENNITT WE ARE SCIENTISTS HEILEMANIA OMNIA + MY INDIGO + BLUTENGEL + RAIN DIARY + LACRIMOSA + THIRTY SECONDS TO MARS WITT + ROBERT GÖRL (DAF) + MIDNATTSOL + LOREENA MCKENNITT + SOLAR FAKE WISBORG + LAURA FELLA (FAUN) + SOL INVICTUS + BIANCA STÜCKER & DR. MARK BENECKE STONEMAN + IN STRICT CONFIDENCE + WE ARE SCIENTISTS + HEILEMANIA 27. Wave-Gotik-Treffen alljährliche Zusammenfinden in Deutschland/Leipzig vom 18. Mai bi 21. Mai 2018 Folgende Künstler haben ihre Darbietungen bereits zugesagt: 3TEETH (USA) G ACTORS (USA) G AEON RINGS (USA) G AEVERIUM (D) G ALL GONE DEAD (USA) – exklusives Europa- Konzert G A PROJECTION (S) G ARCANA (S) G ASH CODE (I) G ATARAXIA (I) G AUTHOR & PUNISHER (USA) G AUTOBAHN (GB) G BEINHAUS (D) G BLACK LIGHT ASCENSION (GB) G BLACK LINE (GB/USA) G BLANCK MASS (GB) G BOOTBLACKS (USA) G BOY HARSHER (USA) G BUZZ KULL (AUS) G CELLAR DARLING (CH) G CENTHRON (D) G CESAIR (NL) G CHAMELEONS VOX (GB) G CONFRONTATIONAL (I) G CRISIS (GB) G CRYING VESSEL (CH) G DAGEIST (F) G DEAD LEAF ECHO (USA) G DETACHMENTS (GB) G DE/VISION (D) G DIE KAMMER (D) G DIORAMA (D) G DIVE (B) G DOOL (NL) G DONNER & DORIA (D) G DRIFTER (S) G E-CRAFT (D) G EDEN WEINT IM GRAB (D) G EINAR SELVIK (N) G EIVØR (FO) G ELEGANT MACHINERY (S) G EMINENZ (D) G ES23 (D) G EXT!ZE (D) G FABRIK C (D) G FADERHEAD (D) G FAIRYTALE (D) G FEUERSCHWANZ (D) G FIRST HATE (DK) G FORMALIN (D) G FRANK THE BAPTIST
    [Show full text]
  • Jack Dejohnette's Drum Solo On
    NOVEMBER 2019 VOLUME 86 / NUMBER 11 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert.
    [Show full text]
  • A Cleavage Trend Reveals a More Natural Décolletage for Hollywood Stars on the Red Carpet - Nytimes.Com 2/18/14 1:10 PM
    A Cleavage Trend Reveals a More Natural Décolletage for Hollywood Stars on the Red Carpet - NYTimes.com 2/18/14 1:10 PM http://nyti.ms/1m96c6u FASHION & STYLE Taking the Plunge at the Awards A Cleavage Trend Reveals a More Natural Décolletage for Hollywood Stars on the Red Carpet By TATIANA BONCOMPAGNI FEB. 12, 2014 Out with the Wonderbra, in with the ... sag? (And we don’t mean the Screen Actors Guild.) Dresses with revealing necklines have been stealing the spotlight this awards season, signaling, perhaps, a new era in red-carpet décolletage. At the Guild’s awards last month, Michelle Dockery, a star of “Downton Abbey,” wore a black and white J. Mendel dress that exposed much of her chest, while at the Golden Globes, more than a half-dozen actresses (Amy Adams, Sandra Bullock and Kate Mara among them) turned up in low-cut frocks that seemed to defy the use of regular brassieres. This is a new kind of cleavage ideal: Not the often artificially inflated breasts of yore, but a more naturalistic teardrop shape that harks back to the 1970s. Tired, perhaps, of exposing the top of the breasts, with the obvious leers that practice inspires, stars are now exposing the sides (sometimes at their peril: witness, along with a tsking Twitterverse, the “House of Cards” star Robin Wright’s flash of a pasty during her acceptance speech). At the Globes, Julianna Margulies and Margot Robbie, from “The Wolf of Wall Street,” also went nonchalantly low-cut. Valerie Steele, director and chief curator of the Museum at the Fashion Institute of Technology in New York, has noticed the shift.
    [Show full text]
  • Historical Painting Techniques, Materials, and Studio Practice
    Historical Painting Techniques, Materials, and Studio Practice PUBLICATIONS COORDINATION: Dinah Berland EDITING & PRODUCTION COORDINATION: Corinne Lightweaver EDITORIAL CONSULTATION: Jo Hill COVER DESIGN: Jackie Gallagher-Lange PRODUCTION & PRINTING: Allen Press, Inc., Lawrence, Kansas SYMPOSIUM ORGANIZERS: Erma Hermens, Art History Institute of the University of Leiden Marja Peek, Central Research Laboratory for Objects of Art and Science, Amsterdam © 1995 by The J. Paul Getty Trust All rights reserved Printed in the United States of America ISBN 0-89236-322-3 The Getty Conservation Institute is committed to the preservation of cultural heritage worldwide. The Institute seeks to advance scientiRc knowledge and professional practice and to raise public awareness of conservation. Through research, training, documentation, exchange of information, and ReId projects, the Institute addresses issues related to the conservation of museum objects and archival collections, archaeological monuments and sites, and historic bUildings and cities. The Institute is an operating program of the J. Paul Getty Trust. COVER ILLUSTRATION Gherardo Cibo, "Colchico," folio 17r of Herbarium, ca. 1570. Courtesy of the British Library. FRONTISPIECE Detail from Jan Baptiste Collaert, Color Olivi, 1566-1628. After Johannes Stradanus. Courtesy of the Rijksmuseum-Stichting, Amsterdam. Library of Congress Cataloguing-in-Publication Data Historical painting techniques, materials, and studio practice : preprints of a symposium [held at] University of Leiden, the Netherlands, 26-29 June 1995/ edited by Arie Wallert, Erma Hermens, and Marja Peek. p. cm. Includes bibliographical references. ISBN 0-89236-322-3 (pbk.) 1. Painting-Techniques-Congresses. 2. Artists' materials- -Congresses. 3. Polychromy-Congresses. I. Wallert, Arie, 1950- II. Hermens, Erma, 1958- . III. Peek, Marja, 1961- ND1500.H57 1995 751' .09-dc20 95-9805 CIP Second printing 1996 iv Contents vii Foreword viii Preface 1 Leslie A.
    [Show full text]
  • Rocks and Minerals Make up Your World
    Rocks and Minerals Make up Your World Rock and Mineral 10-Specimen Kit Companion Book Presented in Partnership by This mineral kit was also made possible through the generosity of the mining companies who supplied the minerals. If you have any questions or comments about this kit please contact the SME Pittsburgh Section Chair at www.smepittsburgh.org. For more information about mining, visit the following web sites: www.smepittsburgh.org or www.cdc.gov/niosh/mining Updated August 2011 CONTENTS Click on any section name to jump directly to that section. If you want to come back to the contents page, you can click the page number at the bottom of any page. INTRODUCTION 3 MINERAL IDENTIFICATION 5 PHYSICAL PROPERTIES 6 FUELS 10 BITUMINOUS COAL 12 ANTHRACITE COAL 13 BASE METAL ORES 14 IRON ORE 15 COPPER ORE 16 PRECIOUS METAL ORE 17 GOLD ORE 18 ROCKS AND INDUSTRIAL MINERALS 19 GYPSUM 21 LIMESTONE 22 MARBLE 23 SALT 24 ZEOLITE 25 INTRODUCTION The effect rocks and minerals have on our daily lives is not always obvious, but this book will help explain how essential they really are. If you don’t think you come in contact with minerals every day, think about these facts below and see if you change your mind. • Every American (including you!) uses an average of 43,000 pounds of newly mined materials each year. • Coal produces over half of U.S. electricity, and every year you use 3.7 tons of coal. • When you talk on a land-line telephone you’re holding as many as 42 different minerals, including aluminum, beryllium, coal, copper, gold, iron, limestone, silica, silver, talc, and wollastonite.
    [Show full text]