DOCSLIB.ORG

I J and in Front of the Houses

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
I J and in Front of the Houses Biiighani Hoirs Fight Tax Goes to former president of the National People of Invaded Hylan Capital "Movie" Shows How League for Women Workers, and Fred Prince Would $9,900 Paid for Set of * Stein, chairman of the Joint Tuber¬ Wipe New Yorkers (laiai of For Wilson Conference culosis Workroom cf the Federation Oppose Franee Plead for §5,000.000 Is of Jewish Charities. Out Foreign Press Allegorical Tapestries Kentucky for 81,000,000 Spent Mrs. Borg said yesterday: "There Spt cic.l Com apondencc Life's JNeeessities BEACH, March 1.. In Charitv have already been established in New Art Objects From Stillman and LEXINGTON, Ky., March 1. The PALMMayor Hylan and his family Jewish York fifteen workrooms, most of which ¡To Curb Bolshevism of are self-suppofTing. In these Jewish Kountzc 'Estalr-- iírIu the Btate of Kentucky to col¬ to-night departed for Washing¬ men and women have been able to Brinp: lect $4,537,418 from the estate of Mrs. ton, where Mr. Hylan goes in an¬ find work, and in one of them fifteen Good Prices Paris Publishes Picture women earned last Mary Lily Flagler Bingham is in the ..Temps" swer to President Wilson's invi¬ Taken Under Au¬ Ç5.000 year above Former Jersey Governor Ad¬ A collection of rare and costly tapes¬ courts. She was expenses." formerly the widow Letter From Ardennes tation to take part in a confer¬ spices of Federation Re¬ dresses tries and furniture belonging to the of Henry M. Flagler, of New York. ,_- Republican Club; estates of Augustus Kountze, James On »Section ence concerning the question of veals motion of attorney:; represent¬ Showing Help The Actual Work Done Dr. Silverman Defends Si ¡'¡man and others was sold at the ing the heirs in New York, chief of Has Not Been Given Yd unemployment. Mayor's American Art Galleries and are not definite, but he in the 86 Institutions Music East 'Side yesterday whom is Mrs. Laurence Lewis, of New plans Against Charge a A he would remain at the brought total of $07,117.00. large York, thirty days was granted for the thought crowd attended the sale. Many bar- of Deplorable conditions existing in thi a and reach New taking proof on the value of the capital only day Contributors to the Jewish charitable Pianist Shows, in His Re* Another re-action to the gains were obtained, as most of the devastated areas of France and suf- York Young Rev. George property. Tuesday night. institutions of this arc to be A. Simons's statement that the East furniture was extra large and elabo¬ Attorneys for the heirs claim tiie fering of the population for the neccs city Promise of Future Ho said he felt fine and would taken in citai, Side was a rate. As was expected, the «¦state should not be assessed for in¬ of life are a into the confidence of those breeding place for Bol¬ tapestries sities described in recen be to return to work. Be¬ the Charles, heritance taxes on more than ?;'0,89S,- issue of the Paris glad charge'of the collection of the moneys Greatness in His Art shevism came yesterday at the Re¬ brought highest prices. 092, and that the Vnxes "Temps," made pub of should not lie here cause of the invitation from for such purpose and will bo shown publican Club's Saturday non-partisan Lonc'.on, paid $P,900, the top price, be moro than $909.610. yesterday by the Food fo: for a set of four allejror'.cal tapestries. France Fund. The fund is t.' Washington he had cut his visit just how their donations are expended. discussion. Former Governor Joh*.* D. of trying Mischa with Italian, the sixteenth century; $6,500 remedy the conditions described in "L« here one week. To-night at the annual meeting of the Levitzki, who, Guiomai Prince of New Jersey had urged for an Italian Renaissance tapestry, Temps." Federation for the Support of Jewish Novaes, shares the distniction of being gradual abolition of thö foreign langu- "Harvesting," and S5,'*00 for an Italian Societies, at the Hudson a pianist of the most evident talent to curb Bolshevism in the Renaissance hunting tapestry-.' This paper takes issue with tin Philanthropic age press C. A. a a who has appeared in the last two or Gugliemctti purchased large Under-Secrctary of State, who says al lew Bill Theatre, motion picture presenting Russian Jewish and other foreign coio- Flemish of the early Designed three years, gave a recital tapestry eigh- is well in the devastated area: actual scenes in the eighty-six insti¬ yesterday nies here. tecnth century, a large tapestry panel, going afternoon at Hal! of the seventeenth and materials for reconstruction ar tutions of the federation will be shown. Carnegie preparatory "I have asked Governor 1 rim a not Aubusson, century To Cheek Realty to a tour of Australia. Mr. and a verdure tapestry panel. Flemish, In contradictioi This picture, which is declared to bo Levitzki to leave until I have said a few words arriving regularly. is a .-seventeenth century, .'or $3,000, $2,000 "Le the most elaborate of its kind ever sincere, a poetic and a polished on this question," said the Rev. Dr. and Temps" submits the following let Tax Lien Abuse»? he lacks $1,050 respectively. An Italian tcr Revin taken, was planned by Felix M. War¬ artist; something as yet in Joseph Silverman. Renaissance hunting tapestry brought from in the Ardennes dis "The Rev. Simons made a trict: burg, president of the federation, and the broader sweep of his art; he paints great mis¬ $3.500 from Otto Bernet, agent, and L. will with exquisite detail rather than in take in saying* Bolshevism is fostered Jellinek paid $2,400 for a rustic tapes¬ "We were finally delivered from th« supplement his annual report, on the East Side. I have not sufficient try pane!, Flemish, of the seventeenth Bureau of Arrears To Be a more than broad strokes. As a consequence he words in which to denounce 'Boches,' but does Franco give us anj calling for budget of Bol¬ century. l'A r was at his best in such shevism. But it is a mistake to draw tiMi'tr,' aiviXyI consideration? It snows in the Ar $0,000,000 for the support of the in¬ yesterday Among the furniture sold was an Created to Record as the the Russian Jew into any argument on dennos Keep stitutions in 1910. things Gluck-Brahms Gavotte Aubusson tapestry salon suite of the Republicans Say mm I and many of our children arc and in the it. Louis XVI period, which brought the of All as Chopin group, notably the without shoes and with the lightest Charges Well Actual Work Is Shown "The Bolsheviki are deluded men and highest price, $3.100, from Koopman & F sharp Impromptu, the C minor Noc- women. It is wronj" to draw in the Co. Prívale Funds Back - We must have warm Pres-on P. Satterwhite paid $1,000 clothing. clothe: as Sales for There is no attempt in the picture- turno and name of the better class of and Delinquency the three Etudes. The any people. for an Aubusson tapestry lacque bou¬ HP If shoes, also thread, wool and nee- to evolve a "movie but it gives Chopin numbers in particular lie for Bolsheviki are not found among doir dies plot," suite, and Di Salvo Brothers Siale Commission mm for mending, and leather and nail: m natural sequence the actual work played with tine finish, beautiful artie- them. bought a French commode for $800. WE for Thomas ulation and a straightforward senti- "Let us denounce the Bolsheviks as YV. an repairing boots and shoes. Assemblyman MeWhinncy The heads of the various W. Seaman, agent, purchased performed. ment. Yet even in the Beethoven Bolsheviks. They are not of any peo¬ i is on will introduce in the this Aubusson tapestry settee and a pair of "Garbage heaped up the roads Legislature institutions in many instantes appear Waldstcin Sonata there was a high de¬ ple or nation. They are criminals at week a bill ¡Aubusson tapestry seats, Louis XVI J and in front of the houses. Tw'enty- designed to curb tax lien in the picture. At the Children's gree of merit, though he probably i-.eart. The Jews on the East Side have period, for $500 and Charge Cheeks Signed by C. ¡¡¡¿Ë sharks $600 respectively. in to the we five dead horses, left by the Boches Nassau County, which has Court, for instance, where the Jewish failed plumb all depths of the given their blood in this war, and and a set of carved mahogany chairs work. Mr. Levitzki goes to Australia ouiïht not denounce them because a H. Sabiii Salaries of since the 11th of November, are still been approved by many real estate ex¬ Sisters have their in the Chippendale style went to A. Pay Big Brothers and with our best wishes. few happen to be criminals." Shea for $570. decomposing in a factory, which had perts. Nathan Hirsch, chairman of Franklin His is a a talent, "I had no intention of Keeonstrnetion Board : the representation, Judge phase genuine, growing denouncing been turned into a pest-house. Mayor's Committee on Taxation, Hoyt will appear on the screen. which, unless all signs fail, will bring the Jews," ex-Governor Prince ex- An exhibition will begin to-morrow fo; gave out a the him to the heights. plaiaed. "A Jew who adheres to the at 5 Won't Vote Big Budget Appropria*« Apparel "Disinfectants and soda are needed digest of measure yes¬ This motion picture runs the gamut Clarke's Art Rooms, West Forty- Jewish moral code cannot be a Bol¬ fourth of the art collection as¬ "Numerous estates have suffered terday, saying it would afford complete of charitable endeavor, hojTrinning with Vladimir the blind Street, the arrival of Jewish from Resnikoff, Rus¬ shevik.
Load more

Recommended publications
  • Print 110774Bk Levitzki
    110774bk Levitzki 8/7/04 8:02 pm Page 5 Mischa Levitzki: Piano Recordings Vol. 3 Also available on Naxos ADD Gramophone Company Ltd., 1927-1933 RACHMANINOV: CHOPIN: @ Prelude in G minor, Op. 23, No. 5 3:22 Great Pianists • Levitzki • 3 8.110774 1 Prelude in C major, Op. 28 0:55 Recorded 21st November 1929 2 Prelude in A major, Op. 28, No. 7 0:55 Matrix Cc 18200-1a; Cat. D 1809 3 Prelude in F major, Op. 28, No. 23 1:24 Recorded 21st November 1929 RCA Victor, 1938 Matrix Bb 18113-3a; Cat.DA1223 LEVITZKI: 4 Waltz No. 8 in A flat major, Op. 64, No. 3 3:00 # Waltz in A major, Op. 2 1:46 CHOPIN Recorded 19th November 1928 Recorded 5th May 1938; Matrix Cc 14770-1; Cat.ED18 Matrices BS 023101-1, BS 023101-1A (NP), Ballades, Preludes BS 023101-2, BS 023101-2A (NP); Cat. 2008-A 5 Waltz No. 11 in G flat major, $ Arabesque valsante, Op. 6 3:23 and Waltzes Op. 70, No. 1 2:26 Recorded 5th May 1938; Recorded 19th November 1928 Matrices BS 023100-1, BS 023100-1A (NP), Matrix Cc 14769-3; Cat.ED18 BS 023100-2, BS 023100-2A (NP), BS 023100-3, 6 Ballade No. 3 in A flat major, Op. 47 6:26 BS023100-3A (NP); Cat. 2008-B Recorded 22nd November 1928 Broadcasts LEVITZKI Matrices Bb 11786-5 and 11787-5; Cat.EW64 26th January, 1935: 7 Nocturne No. 5 in F sharp major, CHOPIN: Arabesque valsante Op. 15, No.
    [Show full text]
  • The Baton: Vol. 8, No. 7
    Published by THE INSTITUTE OF MUSICAL ART OF THE JUILLIARD SCHOOL OF MUSIC FRANK DAMROSCH, DEAN Vol. VIII, No. 7 15 CENTS A COPY THE BATON THE BATON endeavors to recommend the operas, concerts and recitals of especial worth and interest to music students. Appearances of faculty members, alumni and pupils arc featured FORTISSIMO in these columns. BEFORE THE PUBLIC EORGE A. WEDGE, who was in charge of music, so gloriously rendered. And if you are only the annual Alumni concert held this year on one-quarter part as glad to see me as I am to see e April 29th at the Institute, is to be hailed as you, I am fully content. the stage manager of a very enjoyable evening. The When I wrote to Dr. Damrosch a few days ago Musical Art Quartet played the Beethoven Quartet to inform him of my impending visit, I begged him in G major and the Debussy Quartet in G minor. to keep it a secret. I gave a number of humbug ex- Dr. Damrosch told of plans for a new building to cuses for this, but what I really meant was that if be begun soon in our block which will be the home it became generally known that I was to be here, of both the Juilliard Graduate School and the Insti- not a soul would come here—and that would not have tute of Musical Art. It will please all those who are suited me at all, for I wanted you to be here so that or have been students here to know that our Recital I could see you.
    [Show full text]
  • The Concerts at Lewisohn Stadium, 1922-1964
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2009 Music for the (American) People: The Concerts at Lewisohn Stadium, 1922-1964 Jonathan Stern The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2239 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] MUSIC FOR THE (AMERICAN) PEOPLE: THE CONCERTS AT LEWISOHN STADIUM, 1922-1964 by JONATHAN STERN VOLUME I A dissertation submitted to the Graduate Faculty in Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2009 ©2009 JONATHAN STERN All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in Music in satisfaction of the Dissertation requirement for the degree of Doctor of Philosophy. Professor Ora Frishberg Saloman Date Chair of Examining Committee Professor David Olan Date Executive Officer Professor Stephen Blum Professor John Graziano Professor Bruce Saylor Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iii Abstract MUSIC FOR THE (AMERICAN) PEOPLE: THE LEWISOHN STADIUM CONCERTS, 1922-1964 by Jonathan Stern Adviser: Professor John Graziano Not long after construction began for an athletic field at City College of New York, school officials conceived the idea of that same field serving as an outdoor concert hall during the summer months. The result, Lewisohn Stadium, named after its principal benefactor, Adolph Lewisohn, and modeled much along the lines of an ancient Roman coliseum, became that and much more.
    [Show full text]
  • Download Booklet
    Producer’s Note ADD Among the 53 published 78rpm sides of Mischa Levitzki, there are no rarities. Yet, 61 years after his death, his records are still sought by collectors world-wide and his artistry is held in high esteem. Admittedly, Mischa Levitzki does not Great Pianists • Levitzki • 2 8.110769 rank among the twentieth century’s greatest pianists, for that distinguished honor belongs to only a handful. His records, however, are distinguished for their directness of approach without ever being the least bit dull. They demonstrate a formidable technique, always under control, as well as a lovely sound guided by an unerring ear for subtlety and nuance. Mischa Levitzki: Piano Recordings Vol. 2 - Gramophone Recordings 1927-1933 LISZT SCHUMANN: ! Hungarian Rhapsody No. 13 Piano Concerto No. 1 Sonata No. 2 in G minor, Op. 22 16:43 in A minor, S.244 9:03 1 I. So rasch wie möglich 4:43 Recorded 16th March 1933 2 II. Andantino: Getragen 4:39 Matrices 2B 6340-3, and 2B 6347-2; Hungarian Rhapsodies 3 III. Scherzo: Sehr rasch und markiert 1:43 Cat. DB 1905 4 IV. Rondo: Presto 5:35 Recorded 10th March 1933 @ Etude de Concert No. 3 La Campanella Matrices 2B 6335-2, 6336-3, 6337-1, and in D flat major, ‘Un sospiro’, S.144 4:56 6338-2; Cat. DB 1906/7 Recorded 21st November 1928 Matrix Cc 14780-3; Cat. D 1721 LISZT: # Etude d’exécution transcendante d’après Piano Concerto No. 1 Paganini No. 3 in G sharp minor, in E flat major, S.124 18:06 ‘La Campanella’, S.140 4:57 SCHUMANN With the London Symphony Orchestra Recorded 16th December 1927 conducted by Sir Landon Ronald Matrix Cc 12152-1; Cat.
    [Show full text]
  • Piano Rolls and Contemporary Player Pianos: the Catalogues, Technologies, Archiving and Accessibility
    Piano Rolls and Contemporary Player Pianos: The Catalogues, Technologies, Archiving and Accessibility Peter Phillips A Thesis submitted in fulfilment of requirements for the degree of Doctor of Philosophy Historical Performance Unit Sydney Conservatorium of Music University of Sydney 2016 i Peter Phillips – Piano Rolls and Contemporary Player Pianos Declaration I declare that the research presented in this thesis is my own original work and that it contains no material previously published or written by another person. This thesis contains no material that has been submitted to any other institution for the award of a higher degree. All illustrations, graphs, drawings and photographs are by the author, unless otherwise cited. Signed: _______________________ Date: 2___________nd July 2017 Peter Phillips © Peter Phillips 2017 Permanent email address: [email protected] ii Peter Phillips – Piano Rolls and Contemporary Player Pianos Acknowledgements A pivotal person in this research project was Professor Neal Peres Da Costa, who encouraged me to undertake a doctorate, and as my main supervisor, provided considerable and insightful guidance while ensuring I presented this thesis in my own way. Professor Anna Reid, my other supervisor, also gave me significant help and support, sometimes just when I absolutely needed it. The guidance from both my supervisors has been invaluable, and I sincerely thank them. One of the greatest pleasures during the course of this research project has been the number of generous people who have provided indispensable help. From a musical point of view, my colleague Glenn Amer spent countless hours helping me record piano rolls, sharing his incredible knowledge and musical skills that often threw new light on a particular work or pianist.
    [Show full text]
  • Kirill Chenkin: the BMC French Instructor Was a Soviet Operative Isabella Ginor and Gideon Remez
    Kirill Chenkin: The BMC French Instructor Was a Soviet Operative Isabella Ginor and Gideon Remez Journal of Black Mountain College Studies Volume 12: Expanding the Canon (Spring 2020) Article URL: https://www.blackmountainstudiesjournal.org/ginor-remez-chenkin/ Published online: May 2021 Published by: Black Mountain College Museum + Arts Center Asheville, North Carolina https://www.blackmountaincollege.org Editors: Thomas E. Frank, Wake Forest University Carissa Pfeiffer, Black Mountain College Museum + Arts Center Production Editor: Kate Averett, Black Mountain College Museum + Arts Center Note: The Journal of Black Mountain College Studies is a digital publication, intended to be experienced and referenced online. PDFs are made available for offline reading, but may have changes in layout or lack multimedia content (such as audio or video) as compared to the online article. Journal of Black Mountain College Studies, Volume 12 (Spring 2021) Kirill Chenkin: The BMC French Instructor Was a Soviet Operative Chenkin’s sudden appearance and abrupt departure in 1940 framed a mysterious interlude in a career that ended as a Soviet dissident and exile Isabella Ginor and Gideon Remez Truman Institute, Hebrew University of Jerusalem Figure 1. Kirill Chenkin, Black Mountain College faculty, 1939-1940. Courtesy Western Regional Archives, State Archives of North Carolina. Kirill Chenkin | Isabella Ginor and Gideon Remez 1 Journal of Black Mountain College Studies, Volume 12 (Spring 2021) In January 1940, a young Russian expatriate named Kirill Chenkin applied for a teaching position at Black Mountain College.1 He was hired, on excellent references, for the remainder of academic year 1939-1940, and by April—in appreciation for his work— his contract was extended through 1940-41.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 127, 2007-2008
    , ~- "--' , •-L^^:«^ iv^Ps ^ ^ .^ - m SSnrEi •- "« I2^*^v > i .i 2007-*CTO» SEASON "J mWlwggmi - f \ JL xr< ^ 2V - 'Jin Levme Music Director James | Haitink Conductor Emeritus Bernard | Seiji Music Director Laureate Ozawa | WEEK 3 Table of Contents | Week 3 15 BSO NEWS ' 23 ON DISPLAY IN SYMPHONY HALL 25 BSO MUSIC DIRECTOR JAMES LEVINE 28 THE BOSTON SYMPHONY ORCHESTRA 31 A BRIEF HISTORY OF THE BOSTON SYMPHONY ORCHESTRA 41 THIS WEEK'S PROGRAM Notes on the Program 43 Witold Lutoslawski 51 Ludwig van Beethoven (Piano Concerto No. 3) 61 Ludwig van Beethoven (Symphony No. 5) 67 To Read and Hear More... Guest Artists 73 Christoph von Dohnanyi 75 Lars Vogt 78 SPONSORS AND DONORS 88 FUTURE PROGRAMS 90 SYMPHONY HALL EXIT PLAN 91 SYMPHONY HALL INFORMATION THIS WEEK S PRE-CONCERT TALKS ARE GIVEN BY ELIZABETH SEITZ OF THE BOSTON CONSERVATORY. program copyright ©2007 Boston Symphony Orchestra, Inc. design by Hecht Design, Arlington, MA cover photograph by Peter Vanderwarker i riniiotatanGaraa kfc . linimaoMaBca II* I -lA'.il I -.-- j^tik4 '4 -^- 4 • 'fWi * > Limited Edition Living ONLYTHREE RESIDENCES WITH 60 FT. TERRACES REMAIN. ACT NOW FOR THE BEST VIEWS IN BOSTON. Don't miss this opportunity. Regent Boston Hotel services ana amenities, and fabulous views could be yours. Visit batterywnarr.com or our Sales Center at 344 Commercial St., Boston, any day of tbe week. Or call 617-994-9090. Prices start at $1.15M. BATTERY WHARF Utopia engineered . > 1 ' ! The path to recovery., McJLean Hospital U.S. News^& World Report I » - £*£•» • . ** / -v r& 1-" ^M^E^gJggL c^'jac- The Pavilion at McLean Hospital '*- Unparalleled psychiatric evaluation and treatment Unsurpassed discretion and service Belmont, Massachusetts 6 1 7/855-3535 www.mclean.harvard.edu/pav/ p McLean is the largest psychiatric clinical care, teaching and research affiliate Partners.
    [Show full text]
  • The Baton: Vol. 10, No. 5
    Published by THE I NSTITUTEOF MuSICA L A RT OF THE JUILLIARD SCHOOL OF MUSIC FRANK DAMROSCH, DEAN Easter, 1931 15 CENTS A COPY THE BATON Appearances of faculty members, alumni and pupils are featured FORTISSIMO in these columns. tlj* ftahlfc The Institute of Musical Art presented its annual on March 7. He played a program of Beet- concert at Carnegie Hall on March 6. The pro- hoven's sonatas. gram included Berlioz' Benvenuto Cellini Over- George Boyle, also of the piano Faculty, presented ture, by the orchestra; "Ah, fors' e lui" from La the sixth Artists' recital on March 14. He played Traviata by Verdi, sung by Evelyn Schiff; his own Concerto in D minor, his wife, Pearl Boellmann's Variations Symphoniques for violon- Boyle, giving the orchestral part on a second piano. cello with Harvey Shapiro as soloist; Variations Phyllis and Karl Kraeuter, both Artist Graduates, Symphoniques for piano by Franck, with Jeanne gave the seventh Artists' recital on March 27. Mills at the piano; and Brahms' Symphony No. Miss Kraeuter is a 'cellist and her brother a vio- 1 in C minor by the orchestra. linist. They were assisted by Emanuel Bay at Mischa Levitzki, probably the most famous of the the piano. Institute's former students, created such a sensa- Sainuel Gardner, of the violin Faculty, led a program tion when he appeared as soloist at the Roxy Con- of ensemble music given by his class at the Insti- cert on March 1, that the "no encore" rule was tute on March 25. Members of the class, which broken.
    [Show full text]
  • For New Yorkers 1938
    ALMANAC FOR NEW YORKERS 1938 FEDERAL WRITERS' PROJEC U. S. DEPT. OF AGRICULTURE, WEATHER BUREAU Small Craft9 Storm, and Hurricane Warnings DAY SIGNALS Small craft NE storm SE storm SW storm NW storm Hurricane or whole gale (FLAG COLORS: solid black; shaded red; unshaded white.) NIGHT SIGNALS Small craft NE storm SE storm SW storm NW storm Hurricane or whole gale No night signal ct (LANTERN COLORS: solid red; unshaded white.) WHERE WARNING-SIGNALS ARE DISPLAYED: Manhattan: Weather Bureau, 17 Battery Place. (The only display in New York City.) Bayside, L. /., N. T., Bayside Yacht Club. Oyster Bay, L. /., N. T., Seawanhaka Yacht Club. Port Washington, L. /., N. T., Knick- erbocker Yacht Club. Fort Schuyler, N. T., Light House. New Rochelle, N. T., New Rochelle Yacht Club and Huguenot Yacht Club. Long Branch, N. J., Mrs. A. C. Martin, 59 No. Broadway. Port Newark, N. J., Bureau of Docks, Administration Building. Island Heights, N. J., Island Heights Yacht Club. Red Bank, N. J., Capt. Chas. P. Irwin, (May i -Nov. i). Sandy Hook, N. J., Weather Bureau. Almanac FOR NEW YORKERS 1938 From the collection of the 7 m Prejinger v JLjibrary San Francisco, California 2006 Yl tliilii A L M A X A C for New Yorkers 1938 ACCOMMODATED TO THE FIVE BOROUGHS BUT MAY WITHOUT SENSIBLE ERROR SERVE FOR THE ENTIRE METROPOLITAN DIS- TRICT AND EVEN MORE DISTANT POINTS Compiled by the Workers of the Federal Writers' Project of the Works Progress Administration in the City of New York WITH ILLUSTRATIONS BY THE WPA FEDERAL ART PROJECT IN THE CITY OF NEW YORK SPONSORED BY THE GUILDS* COMMITTEE FOR FEDERAL WRITERS* PUBLICATIONS, INC.
    [Show full text]
  • 1941-01-03 [P
    and Laura Howell minutes of Wilmington Post No. 10. his safe return. We should treal ters, mothers, of the soldiers Norden; choral se- LEGION APPOINTS resolved that a officer. ctions “Now Thank We All Elected Head “Be it further them as we would our own sons.’1 Our Sanders be forward- God” by Mueller and OBITUARIES BODY copy of this resolution Sherif C. David Jones outlined The Rev. R. H. Satterfield post “Hallelujah RECREATION President Roosevelt for his the invocation. chorus” by Handel, rendered Of Jolly Junior Club ed to steps that were being taken by the chaplain, gave by O. BURRISS Boscher, Ed Ahrens and C. J. Olden- in thr task the St. Andrew’s choir. MRS. MANIZA encouragement great sheriffs and county commissioners Among auxiliary officers intro- for Mrs. Maniza buttel. (Continued From Page One) for the G. L. Sanders was elected presi- Funeral rites he is performing preserva- of New duced from the platform were: Organ selections by William G. the Hanover, Pender, and On- 0. Burriss, 86, were held from Mrs. Fick was born August 25, tion of a free civilization and the Mesdames Gause, H. V. Norris, Robertson “Alla Minuet” dent of the Jolly Junior social club proximately 75 Legionnaires and slow counties to promote the de- by Cutii! Yopp funeral home yesterday morn- 1857, in Bremerhaven, Germany, perpetuation of the American in- Louis Vowell, Frank Sears, David bert Harris, Adagio, from Order of United juxiliary members. velopment of an adequate high- Sonata of the Junior at 11 o’clock with the Rev. F. this in 1870, stitutions which we cherish, and R.
    [Show full text]
  • Corinne Mayer Collection of Musician Photographs
    Corinne Mayer Collection of Musician Photographs 2 Items Special Collections & Archives Loyola University Library Collection 41 1 Corinne Mayer Collection of Musician Photographs Reference Code Collection 41 Name and Location of Repository Special Collections and Archives, J. Edgar & Louise S. Monroe Library, Loyola University, New Orleans Title Corinne Mayer Collection of Musician Photographs Date 1920-1922 Extent 2 items (1 box) Name of Creator Corinne Mayer Administrative/Biographical History Corinne Mayer Corinne Mayer was a New Orleans based piano teacher and founder/longtime president of the Philharmonic Society of New Orleans. Born in 1873, Mayer studied piano at Juilliard and in Paris with Harold Bauer. She formed the Philharmonic Society in 1906 and became its president in 1912 when the society was reconstituted as a women’s organization. The Society merged with the New Orleans Symphony Society in 1952, and Mayer became vice-president as well as a member of the executive board and artists committee. Corinne Mayer was 2 responsible for bringing many well-known artists to New Orleans for the Society’s concert series. Mischa Levitzki The Philharmonic Society sponsored the February 9, 1920 performance of Russian pianist Mischa Levitzki (1898-1941). Born in Kremenchuk, Ukraine (then Kieff, Russia) to Jewish, naturalized American parents, Levitzki studied at the Institute of Musical Art (now Juilliard School) and later at the Berlin Hochschule für Musik where he was the youngest student of famed composer/pianist Ernő Dohnányi. Maier and Pattison Pianists Guy Maier (1891-1956) and Lee Pattison (1890-1966) met at the New England Conservatory and formed a celebrated duo.
    [Show full text]
  • TOC 0334 CD Booklet.Indd
    MISCHA LEVITZKI, OSSIP GABRILOWITSCH AND IGNAZ FRIEDMAN Original Works and Transcriptions for Solo Piano MISCHA LEVITZKI 1898–1941 1 Valse de Concert, Op. 1 4:15 2 Valse, Op. 2 1:35 3 Gavotte, Op. 3* 2:11 4 Arabesque valsante, Op. 6 3:06 5 The Enchanted Nymph 4:37 6 Valse Tzigane, Op. 7 2:14 7 Dance of the Doll, Op. 8* 2:23 OSSIP GABRILOWITSCH 1878–1936 8 Romance, Op. 1, No. 4* 3:40 Three Piano Pieces, Op. 2 12:37 9 No. 1 Fantaisie-Nocturne* 5:23 10 No. 2 Gavotte 4:16 11 No. 3 Feuillet d’Album* 2:58 2 IGNAZ FRIEDMAN 1882–1948 Transcriptions 12 César Franck Prelude, Fugue and Variation* 8:52 13 Giovanni Battista Grazioli Adagio* 3:53 14 Karl Stamitz Symphony in G major: Prestissimo* 3:19 15 François Couperin La Tendre Fanchon* 3:54 Original works Four Preludes, Op. 61* 5:50 16 No. 1 Pensieroso 1:31 17 No. 2 Vivo e molto leggiero 1:24 18 No. 3 Con abandono 1:26 19 No. 4 Molto appassionato ed animato 1:29 Etudes, Op. 63* 20 No. 1 Allegro, molto leggiero 2:33 21 No. 2 Vivo e con delicatezza 1:47 22 No. 4 Andante molto cantabile 1:59 23 No. 9 Allegro, con abandono 1:30 24 No. 10 Allegretto, sempre leggiero 1:46 25 No. 11 Allegro patetico 3:06 26 No. 16 Allegro appassionato 3:02 TT 78:26 *FIRST RECORDINGS Margarita Glebov, piano 3 LEVITZKI, GABRILOWITSCH AND FRIEDMAN: THREE COMPOSING VIRTUOSI by Maxwell Brown In former times the twin professions of pianist and composer, though largely distinct today, were more ofen than not combined in one person.
    [Show full text]