For New Yorkers 1938
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William Poole - the Real "Bill the Butcher"
William Poole - The Real "Bill The Butcher" William Poole was a Nativist enforcer of The Native American Party, also known as The Know Nothing Party, which was a faction of the American Republican Party. The Know Nothing was a movement created by Nativists whom believed that the overwhelming immigration of German and Irish Catholic immigrants were a threat to republican values and controlled by the Pope in Rome. They were dubbed the Know Nothings by outsiders of their semi-secret organization. This had nothing to do with them knowing anything. It had to do with their reply when asked of the organization's activities, often stating, "I know nothing." Bill the Butcher was a leader of The Bowery Boys and known for his skills as being a good bare knuckle boxer. Poole's trade was that of a butcher, and was infuriated when many butchering licenses were being handed out to Irish immigrants. William Poole was born in Sussex County, New Jersey to parents of English protestant descent. His family moved to New York City in 1832 to open a butcher shop in Washington Market, Manhattan. Bill Poole trained in his father's trade and eventually took over the family store. In the 1840s, he worked with the Howard (Red Rover) Volunteer Fire Engine Company #34, Hudson & Christopher Street. Uunlike in the movie, William "The Butcher" Poole was shot in real life. However, he was shot at Stanwix Hall, a bar on Broadway near Prince. William Poole did not die in a glorious street battle against his Irish enemies. Instead, he died from the gun wound at his home on Christopher Street. -
'A Love So Strong'
The Criterion Friday, April 17, 2015 Page 15 Summary of Financial Status This summary of the financial status of the Archdiocese W. Tobin, Archbishop of the Archdiocese of Indianapolis. significant transactions among entities detailed in this summary of Indianapolis (“Archdiocese”) reflects activities of the The information presented has been derived from the audited have been eliminated. The complete audited financial statements chancery of the Archdiocese and certain affiliated agencies financial statements and does not include the activities of are available for public inspection at www.archindy.org/finance/ with direct accountability to the Most Reverend Joseph parishes, missions and schools of the Archdiocese. All archdiocese.html. Chancery and Certain Entities of the Archdiocese of Indianapolis Chancery and Certain Entities of the Archdiocese of Indianapolis Combined Statements of Financial Position as of June 30, 2014 and 2013 Combined Statements of Activities for the years ended June 30, 2014 and 2013 ASSETS 2014 2013 SUPPORT AND REVENUES 2014 2013 Cash and cash equivalents $ 63,176,741 $ 53,883,925 Assessments $ 10,593,348 $ 10,387,806 Investments 156,728,106 142,985,945 Service fees 25,288,118 23,425,777 Capital campaigns and contributions 11,487,228 10,394,658 State of the Receivables: Christ Our Hope Appeal 5,214,070 4,957,975 Contributions, net 5,175,831 6,756,225 Sales of goods and services 4,910,700 4,684,260 Deposit and loan fund, net 37,173,461 36,707,207 Program service fees and other 7,186,827 6,565,901 Am ounts due -
PERSHING SQUARE VIADUCT (Park Avenue Viaduct), Park Avenue from 40Th Street to Grand Central Terminal (42Nd Street), Borough of Manhattan
Landmarks Preservation Commission September 23, 1980, Designation List 137 LP-1127 PERSHING SQUARE VIADUCT (Park Avenue Viaduct), Park Avenue from 40th Street to Grand Central Terminal (42nd Street), Borough of Manhattan. Built 1917-19; architects Warren & Wetmore. Landmark Site: The property bounded by a line running easward parallel with the northern curb line of East 40th Street, a line running northward to the edge of Tax Map Block 1280, Lot 1, parallel with the eastern wall of the viaduct, a line running westward along the edge of Tax Map Block 1280, Lot 1, and a line running southward parallel with the western wall of the viaduct to the point of beginning. On March 11, 1980, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Pershing Square Viaduct (Park Avenue Viaduct) and the proposed designation of the related Landmark Site (Item No. 9). The hearing had been duly advertised in accordance with the provisions of law. Four witnesses spoke in favor of designation. There were no speakers in opposition to designation. DESCRIPTION AND ANALYSIS Located at Park Avenue and 42nd Street, tfie Pershing Square Viaduct was constructed tn 1917-1919. The viaduct extends from 40th Street to Grand Central Terminal at 42nd Street, linking upper and lower Park Avenue by way of elevated drives that make a circuit around the terminal building and descend to ground level at 45th Street. Designed in 1912 by the architectural firm of Warren & Wetmore, the viaduct was conceived as part of the original 1903 plan for the station by the firm of Reed & Stem. -
Print 110774Bk Levitzki
110774bk Levitzki 8/7/04 8:02 pm Page 5 Mischa Levitzki: Piano Recordings Vol. 3 Also available on Naxos ADD Gramophone Company Ltd., 1927-1933 RACHMANINOV: CHOPIN: @ Prelude in G minor, Op. 23, No. 5 3:22 Great Pianists • Levitzki • 3 8.110774 1 Prelude in C major, Op. 28 0:55 Recorded 21st November 1929 2 Prelude in A major, Op. 28, No. 7 0:55 Matrix Cc 18200-1a; Cat. D 1809 3 Prelude in F major, Op. 28, No. 23 1:24 Recorded 21st November 1929 RCA Victor, 1938 Matrix Bb 18113-3a; Cat.DA1223 LEVITZKI: 4 Waltz No. 8 in A flat major, Op. 64, No. 3 3:00 # Waltz in A major, Op. 2 1:46 CHOPIN Recorded 19th November 1928 Recorded 5th May 1938; Matrix Cc 14770-1; Cat.ED18 Matrices BS 023101-1, BS 023101-1A (NP), Ballades, Preludes BS 023101-2, BS 023101-2A (NP); Cat. 2008-A 5 Waltz No. 11 in G flat major, $ Arabesque valsante, Op. 6 3:23 and Waltzes Op. 70, No. 1 2:26 Recorded 5th May 1938; Recorded 19th November 1928 Matrices BS 023100-1, BS 023100-1A (NP), Matrix Cc 14769-3; Cat.ED18 BS 023100-2, BS 023100-2A (NP), BS 023100-3, 6 Ballade No. 3 in A flat major, Op. 47 6:26 BS023100-3A (NP); Cat. 2008-B Recorded 22nd November 1928 Broadcasts LEVITZKI Matrices Bb 11786-5 and 11787-5; Cat.EW64 26th January, 1935: 7 Nocturne No. 5 in F sharp major, CHOPIN: Arabesque valsante Op. 15, No. -
Landmarks Preservation Commission November 22, 2016, Designation List 490 LP-2579
Landmarks Preservation Commission November 22, 2016, Designation List 490 LP-2579 YALE CLUB OF NEW YORK CITY 50 Vanderbilt Avenue (aka 49-55 East 44th Street), Manhattan Built 1913-15; architect, James Gamble Rogers Landmark site: Borough of Manhattan Tax Map Block 1279, Lot 28 On September 13, 2016, the Landmarks Preservation Commission held a public hearing on the proposed designation of the Yale Club of New York City and the proposed designation of the related Landmark Site. The hearing had been duly advertised in accordance with provisions of law. Six people spoke in support of designation, including representatives of the Yale Club of New York City, Manhattan Borough President Gale A. Brewer, Historic Districts Council, New York Landmarks Conservancy, and the Municipal Art Society of New York. The Real Estate Board of New York submitted written testimony in opposition to designation. State Senator Brad Hoylman submitted written testimony in support of designation. Summary The Yale Club of New York City is a Renaissance Revival-style skyscraper at the northwest corner of Vanderbilt Avenue and East 44th Street. For more than a century it has played an important role in East Midtown, serving the Yale community and providing a handsome and complementary backdrop to Grand Central Terminal. Constructed on property that was once owned by the New York Central Railroad, it stands directly above two levels of train tracks and platforms. This was the ideal location to build the Yale Club, opposite the new terminal, which serves New Haven, where Yale University is located, and at the east end of “clubhouse row.” The architect was James Gamble Rogers, who graduated from Yale College in 1889 and attended the Ecole des Beaux Arts in Paris during the 1890s. -
The New York City Draft Riots of 1863
University of Kentucky UKnowledge United States History History 1974 The Armies of the Streets: The New York City Draft Riots of 1863 Adrian Cook Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Cook, Adrian, "The Armies of the Streets: The New York City Draft Riots of 1863" (1974). United States History. 56. https://uknowledge.uky.edu/upk_united_states_history/56 THE ARMIES OF THE STREETS This page intentionally left blank THE ARMIES OF THE STREETS TheNew York City Draft Riots of 1863 ADRIAN COOK THE UNIVERSITY PRESS OF KENTUCKY ISBN: 978-0-8131-5182-3 Library of Congress Catalog Card Number: 73-80463 Copyright© 1974 by The University Press of Kentucky A statewide cooperative scholarly publishing agency serving Berea College, Centre College of Kentucky, Eastern Kentucky University, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky State College, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. Editorial and Sales Offices: Lexington, Kentucky 40506 To My Mother This page intentionally left blank Contents Acknowledgments ix -
Network 10'S Baby Joy
Media Release Network 10’s Baby Joy. One Born Every Minute. Due In 2019. We’re just bursting with baby joy as we welcome the life-changing factual series, One Born Every Minute to the 10 family. Produced by Endemol Shine Australia, this tender and emotional series will be set in a bustling maternity ward and will capture all of the fear, love and joy that comes with welcoming new life into the world. From the reception desk to the operating theatre, remotely-operated cameras will capture the unpredictable, emotional and sometimes precarious situations that happen every day in a maternity unit. On commissioning the series, Network 10 Chief Content Officer Beverley McGarvey, said: Network 10 “We have seen our audiences really embrace and enjoy an insight into the world of A CBS Company genuinely amazing Australians including paramedics and life-guards so having the opportunity to now get close to the incredible and dedicated teams who help us through childbirth is not only thrilling but is a real privilege and a series we believe will be very special.” Endemol Shine Australia CEO Carl Fennessy, said: “One Born Every Minute is one of the world’s most dramatic, emotional and breath taking factual series. We are incredibly proud to bring this BAFTA Award winning format to Australian audiences in 2019”. From no-nonsense nurses to first-time mums and anxious dads, the human drama of One Born Every Minute will have you holding your breath, reaching for the tissues….and maybe rethinking your family plan. Created by Dragonfly, part of Endemol Shine UK, this award -winning documentary series has now been adapted in 10 markets including France, Denmark, Czech Republic and Israel. -
Our Editorial
1 REFLECTIONS Our Editorial. By Sian Hannagan Jun 2014 Birth in New Zealand has come a long way due to the efforts of the women and midwives before us. Since the Nurses Amendment Act was instated in 1990, women got a real choice in their place of birth. Annette King in her address at the 100 th anniversary of Midwifery in NZ in 2004, said “Although the amendment to the Nurses Act was minor, the consequences for midwifery were significant. The most important outcome of that piece of legislation for midwifery was that it permitted midwives to operate as fully independent providers of pregnancy and childbirth services without reference to or supervision by medical practitioners.“ This amendment signalled a huge change in the birth culture of New Zealand. Prior to this change, birth looked very different. I remember talking to my mother in law about her births. When she was birthing my husband, she was told by the nurses to “hold on” and “keep her legs crossed” so that the Doctor had time to arrive and deliver her baby. He turned up, just in the nick of time, and smoked a cigarette while he watched her birth her baby and left shortly thereafter. He got paid a tidy sum for his attentive care. With the nurses amendment act, medical practitioners lost their monopoly on funding, causing the power balance to shift, the result being more choice for women. However, as we enter the 21 st century, while the same law is in place, we still have to overcome obstacles when it comes to our view of birth. -
Segregated & Exploited
Segregated & Exploited A Call to Action! The Failure of the Disability Service System to Provide Quality Work National Disability Rights Network: Protection, Advocacy & Assistance The National Disability Rights Network (NDRN), is the nonprofit membership organization for the Protection and Advocacy (P&A) system and Client Assistance Program (CAP). The P&A/CAP network was established by the United States Congress to protect the rights of people with disabilities and their families through legal support, advocacy, referral, and education. The P&A/CAP network is the largest provider of legally based advocacy services to people with disabilities in the country. NDRN strives to create a society in which people with disabilities are afforded equal opportunity and are able to fully participate by exercising choice and self determination. It promotes the integrity and capacity of the P&A/CAP national network by providing training, technical assistance, legislative advocacy, and legal support. NDRN advocates for the enactment and vigorous enforcement of laws protecting the civil and human rights of people with disabilities. Reports, like this one, are an integral part of the services NDRN provides to the P&A/CAP network and the disability rights movement in general. Please visit www.NDRN.org for more information. Cover photo by WQAD in the Quad Cities, IA (www.wqad.com). Image of the unheated and boarded up bunkhouse where Henry’s Turkey Service housed its workers with disabilities. A Letter from the Executive Director Dear Friends, Today, across the United States of America, hundreds of thousands of people with disabilities are being isolated and financially exploited by their employers. -
Thailand Invitational 2017
Field Guides Tour Report Thailand Invitational 2017 Feb 25, 2017 to Mar 18, 2017 Dave Stejskal & John Rowlett For our tour description, itinerary, past triplists, dates, fees, and more, please VISIT OUR TOUR PAGE. This shimmering Green-tailed Aethopyga is one of the fanciest sunbirds we saw on the tour! Photo by participant Fred Dalbey. It’s been two months now since our Thailand adventure closed and yet I live with persistent reminders of episodes from that trip that arise almost daily! No doubt, in part, because this was my first tour to this extraordinary country for birds, food, culture, and people (and now we know, butterflies!). And in part because I knew that ours was the last tour, after 21 wonderful years, that our heralded Asia guide Dave Stejskal would lead to Siam. Ouch, bite the man! Having the encounters, as we did, with so many legendary birds--Spoon-billed Sandpiper and Nordmann’s Greenshank, Silver Pheasant and Siamese Fireback, Great Hornbill and Silver-breasted Broadbill, Crested Jay and Ratchet-tailed Treepie, Sultan Tit and Giant Nuthatch, and overwhelming numbers of bulbuls, babblers, leaf warblers, and flycatchers--is enough to assure an exceptional birding tour. But to insure an experience of the highest quality, it was necessary to collect a stellar group of participants under the leadership of a first-rate guide and mix in some fabulous Thai food, some Siamese culture, and Dave’s good friend Wat with the best ground crew in the business in order to produce the kind of trip we in fact enjoyed. It was a humdinger. -
Small Magazines
The ENGLISH JOURNAL Vol. XIX NOVEMBER 1930 No. 9 SMALL MAGAZINES EZRA POUND I The earlier history—I might almost call it the pre-history of the small magazines in America—has been ably and conscientiously presented by Dr. Rene Taupin in his L'lnfluence du Symbolisme Francais sur la Poesie Americaine (Paris: Champion, 1930); and I may there leave it for specialists. The active phase of the small magazine in America begins with the founding of Miss Monroe's magazine, Poetry, in Chicago in 1911. The significance of the small magazine has, obviously, noth ing to do with format. The significance of any work of art or litera ture is a root significance that goes down into its original motivation. When this motivation is merely a desire for money or publicity, or when this motivation is in great part such a desire for money direct ly or for publicity as a means indirectly of getting money, there oc curs a pervasive monotony in the product corresponding to the un derlying monotony in the motivation. The public runs hither and thither with transitory pleasures and underlying dissatisfactions; the specialists say: "This isn't litera ture." And a deal of vain discussion ensues. The monotony in the product arises from the monotony in the motivation. During the ten or twenty years preceding 1912 the then-called "better magazines" had failed lamentably and even offensively to maintain intellectual life. They are supposed to have been "good" 689 690 THE ENGLISH JOURNAL during some anterior period. Henry Adams and Henry James were not, at the starts of their respective careers, excluded; but when we reach our own day, we find that Adams and James had a contempt for American editorial opinion in no way less scalding than—let us say—Mr. -
Zerohack Zer0pwn Youranonnews Yevgeniy Anikin Yes Men
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