Nordic Heritage Museum Nordic American Voices Interview of Svan

Total Page:16

File Type:pdf, Size:1020Kb

Nordic Heritage Museum Nordic American Voices Interview of Svan Nordic Heritage Museum Nordic American Voices Interview of Svan Kalve On February 18, 2012 At Seattle, Washington Interviewed by Saundra Martin and Lise Orville Sandra Martin : [0:01] This is an interview for the Nordic American Voices oral history project. Today is February 18, 2012 and I'll be interviewing Sven Kalve, we are at the Nordic Heritage Museum in Seattle, Washington. [0:16] My name is Sandra Magnusson Martin, and my co-interviewer is Lisa Orvill. So Sven, I understand that you were born in Norway, but came to the United States very young. Do you have any memories of living in Norway? Sven Kalve : [0:33] Yes. I do. I was a teenager when I came, so I have lots of memories. I was born in 1938, in January, so it was two and a half years, or a little less than that, before the German occupation of Norway. I don't have any memory of that occurring, but my memories start during that occupation time. Sandra : [1:01] Do you recall stories that your parents might have told of what it was like during the occupation? Sven : [1:09] Yes. I am aware of stories, and I have recollection of some of them during the occupation. I'm from an island on the west coast not far from Bergen. South of Bergen [inaudible 00:01:22] . We were the only family on the island and there were lots of other similarly small but populated islands in the area. Most people there were fishing. [1:36] So when the occupation occurred there were a lot of young men and some young women who would like to join the Norwegian Forces in Exile, who by then had been moved to Britain. The fishermen in that part of the country, many of them left small, fishing vessels provisioned and available for those people who wanted to leave, to take them and go to Shetland. [2:16] Shetland was 300 miles to the west. It was part of Scotland, and it's where a lot of people from the west coast of Norway who wanted to join the forces in exile left for. I think you had interviews with some who did that. [2:33] I had a brother who left. He was a machinist, he was a teenager, but he left as a machinist on one of those boats with several others. There were both young men who would like to leave, and there were people who had to leave because they were being sought by the occupying forces and they wanted to get away. They'd meet those people, the underground would send the messages to them. My father was part of that. [3:09] I had cousins who left through those fishing boats. An uncle who left. An aunt who tried to leave, but she died on her way to meeting the boat in a bicycle accident. That was early in the war, of course. Nordic American Voices Page 1 of 17 [3:31] My memories probably start about two years into the war when the occupying forces occasionally visited our island. We had a farm. They kept track of what was going on on the farms, if we've produced anything for market that they were interested in. That was part of the control process that they had. We didn't produce anything for the market. It was a farm for our... Sandra: [4:09] Self-sustaining. Sven : [4:10] Yes, for our use. It provided us with a good supply of food, of course, during the occupation, which some of the people in the urban areas did not...I remember late in the war, a group of soldiers came to interview my father because they had learned that he had been part of the underground. I don't know what they were seeking, but they came, but this was late in the war. [4:48] Probably they were not as enthusiastic about their work then as some of the earlier ones had been. After some period of interview, they left, and we were all intact. Sandra : [5:01] What are your parents’ names? Sven : [5:04] My father's name was Olaf Kalve. My mother was Sophia. She was from another island in [inaudible 00:05:15] , which was her maiden name. We had a big family. There were eight siblings. Both my parents were from large families, so when I go back I have lots of people to visit. Lots of cousins, second cousins now, and my last sibling passed away last Fall, but I did visit her for her 90th birthday in March last year. [5:55] She was still alive for the 90th. She carried on the celebration in her home. Several days of celebrating. Her husband, who is 95, is still living in her home. She exhibited here at the Nordica Museum some years ago. Leather works that she... Sandra : [6:17] What is her name? Sven : [6:18] Olo Kalve Stucksen. Lisa Orvill : [6:23] Can you describe her artwork? Sven : [6:29] She's been artistic in many things. This particular thing that she exhibited here was what in Norwegian is called [foreign words] , gilded leather. It's treated leather, especially for this process. They score designs in it, so she'll sketch a design on it, or just do it from her memory. Then they cover it with a gold leaf, gold sheet, and paint on that. [7:14] It was a medieval treatment of furniture upholstery, which is what mostly she was making. But, I've also seen it in old, big homes in Europe as wall covering to cover the stone sides. That was being revived. She was part of the activity, in Norway anyway, to revive it. She was honored by a royal medal for her work in that, which was exciting for us all. Sandra : [7:51] Very exciting. Did she come to Seattle to visit? Sven : [7:54] She came to Seattle to visit several times, and her husband came a few times, when my father was alive, particularly. Sandra : [8:07] After? Excuse me, go ahead. [8:12] Since I touched on my father being here, we came here together in 1953. My father, who was a widower at that time, a brother who was a year younger than me, I was 15 years, 14, ordinarily, 14. We had left the island because of a series of tragedies. This was after the war. We had lost our mother in a long, serious illness. Then we had Nordic American Voices Page 2 of 17 lost a brother and a younger sister in a boating accident, along with our housekeeper and one of the employees. [8:53] My father just couldn't survive on the island anymore. He couldn't be there. I mentioned we were the only family on the island. We had a boat yard by that time. Earlier he had been a fisherman. We had a boat yard, and he was dependent on people there to work. He was dependent on people to help us keep the house up to...My brother and I wasn't as good at that. [laughter] [9:24] About the time he was thinking about that, one of my mother's uncles, who had immigrated to United States as a teenager early in the century, came for his first visit to Norway and visited us, and said, "If you come to Seattle, you'll have a job the next day." So, this became our destination. We sold the island, applied for visa, and lived in Bergen for the year that we were awaiting our visa. Bergen was the largest major city to us. We left Norway in January, 1953 on [inaudible 00: [9:54] 10:23] . Landed in New York eight days later. I would remember being on the deck when we passed the Statue of Liberty. [10:38] I don't remember any specific emotions around it, but it was fascinating to see the huge harbor that we were coming into. I remember that. We took a train to Chicago, and Great Northern Train from Chicago to Seattle. Our uncle met us here, met us at the train station. Took the bus to his home on Capitol Hill. That's where we lived. He and his wife had a boarding house, essentially. Some of his children, a daughter and a son, lived there, as did others, and we lived there for a few months. Sandra : [11:25] By 1953, what was the procedure to immigrate? Did you have to go through something in New York when you arrived? Sven : [11:37] No, at that time, there was a visa process firmly in place, and the immigration people boarded the ship before we docked. They were on the ship for the last few miles of the voyage, so they came on out there, out in New York Harbor, and cleared...may have taken a little longer than that, but we were cleared. Once we left the ship, we were on our own to find our destinations. Sandra : [12:24] So did you go to school here, or did you and your brother start working also? Sven : [12:30] We went to school here. As I had mentioned, my father did start work at Oxguard Shipyard here in Ballard the day or two after we arrived. I would have been probably the age of a ninth-grader, and my brother, eighth-grader. [12:52] They took me to Garfield High School because that was the school district we lived in, the school service area that we lived in then.
Recommended publications
  • Media and Games Invest Level Up
    Release date: 09 October 2020 Market data as of: 08 October 2020 Media and Games Invest Germany | Holding companies MCap: EUR95.9m This report is intended for [email protected]. Unauthorized distribution prohibited. Buy (Not Rated) Level Up Target Price: EUR2.30 (none) Current Price: EUR1.37 What’s it all about? Up/downside: 67.9% We initiate coverage with a Buy on Media and Games Invest plc (MGI), a buy-and- Change in TP: none build market consolidator in online video gaming and digital advertising. Digital Change in Adj. EPS: none 19E/NM+ 20E entertainment has emerged as a COVID-19 safe haven. We see significant upside to MGI’s current share price assuming a successful continuation of management’s M&A strategy, and with consolidation benefits in its media segment yielding margin expansion. Gaming has reached a new era; we invite investors to reassess its attractiveness with MGI shares, which offer a profitable gaming portfolio with a Sven Sauer proven M&A strategy and beneficial market dynamics, complemented by an Equity Research Analyst attractive digital advertising portfolio and significant inter-segment synergy +49 69 7 56 96 131 potential. [email protected] Holding companies research team Biographies at the end of this document Kepler Cheuvreux and the issuer have agreed that Kepler Cheuvreux will produce and disseminate investment research on the said issuer as a service to the issuer. IMPORTANT. Please refer to keplercheuvreux.com\disclaimer for keplercheuvreux.com This research is the product of Kepler Cheuvreux, which is authorized and “Important disclosures” and analyst certification(s). regulated by the Autorité des Marchés Financiers in France.
    [Show full text]
  • Frozen in Time: How Disney Gender-Stereotypes Its Most Powerful Princess
    social sciences $€ £ ¥ Essay Frozen in Time: How Disney Gender-Stereotypes Its Most Powerful Princess Madeline Streiff 1 and Lauren Dundes 2,* 1 Hastings College of the Law, University of California, 200 McAllister St, San Francisco, CA 94102, USA; [email protected] 2 Department of Sociology, McDaniel College, 2 College Hill, Westminster, MD 21157, USA * Correspondence: [email protected]; Tel.: +1-410-857-2534 Academic Editors: Michele Adams and Martin J. Bull Received: 10 September 2016; Accepted: 24 March 2017; Published: 26 March 2017 Abstract: Disney’s animated feature Frozen (2013) received acclaim for presenting a powerful heroine, Elsa, who is independent of men. Elsa’s avoidance of male suitors, however, could be a result of her protective father’s admonition not to “let them in” in order for her to be a “good girl.” In addition, Elsa’s power threatens emasculation of any potential suitor suggesting that power and romance are mutually exclusive. While some might consider a princess’s focus on power to be refreshing, it is significant that the audience does not see a woman attaining a balance between exercising authority and a relationship. Instead, power is a substitute for romance. Furthermore, despite Elsa’s seemingly triumphant liberation celebrated in Let It Go, selfless love rather than independence is the key to others’ approval of her as queen. Regardless of the need for novel female characters, Elsa is just a variation on the archetypal power-hungry female villain whose lust for power replaces lust for any person, and who threatens the patriarchal status quo. The only twist is that she finds redemption through gender-stereotypical compassion.
    [Show full text]
  • Christmas Special Top Kid’S Toys with Amanda, Scott Tweedie & Nat Hunter
    CHRISTMAS SPECIAL TOP KID’S TOYS WITH AMANDA, SCOTT TWEEDIE & NAT HUNTER 1. FROM DISNEY’S FROZEN ICE SKATING ANNA & ELSA, $59.99 EACH AND TICKLE TIME OLAF, $39 Frozen was the smash-hit Disney film of 2013 – becoming the highest grossing animated film of all time! The film tells the story of fearless princess Anna, who sets off on an epic journey alongside rugged iceman Kristoff and his loyal reindeer Sven to find her estranged sister (Elsa), whose icy powers have inadvertently trapped the kingdom of Arendelle in eternal winter. Encountering Everest-like conditions, mystical trolls and a hilarious snowman named Olaf, Anna and Kristoff battle the elements in a race to save the kingdom. Unsurprisingly Frozen toys are set to be a big seller this Christmas. First up, ice-skating Queen Elsa and Princess Anna, $59.99 each. With just a simple push, Ice Skating Anna and Ice Skating Elsa glide gracefully back and forth, arms and leg moving in elegant ice-skating form, so kids everywhere can recreate the movie moment when Elsa skates to celebrate the end of winter, or they can make up icy cool adventures of their own. Queen Elsa wears a dress similar to what she wears in the movie with her tiara and braid in her hair. Anna is also in a traditional outfit. Both are easy to operate by gliding around with the wheel under their shoes. Next, Tickle Time Olaf, $39. Standing 44cm tall, Olaf giggles when you tickle him, and also wiggles, spins and talks! Stockist: Ice Skating Anna & Elsa – Big W / Tickle Time Olaf – Target CHRISTMAS SPECIAL 2.
    [Show full text]
  • Opera Omnia Di Tetsuya Nomura, Kingdom Hearts III, a Gennaio 2019
    L’opera omnia di Tetsuya Nomura, Kingdom Hearts III, a Gennaio 2019 Kingdom Hearts III arriva su Xbox One e Playstation 4 il 29 Gennaio 2019 Prima dell’inizio dell’E3 2018, durante il concerto di KINGDOM HEARTS Orchestra – World Tour, che si è tenuto a Los Angeles, Square Enix Ltd. e Disney hanno annunciato che l’attesissimo gioco di ruolo e d’azione KINGDOM HEARTS III sarà disponibile dal 29 gennaio 2019. “Abbiamo fissato la data d’uscita del gioco per il prossimo gennaio, vi chiedo scusa se ci serve un po’ più di tempo rispetto a quanto avevamo annunciato in precedenza” Ha dichiarato il direttore Tetsuya Nomura. “Il nostro intero team di sviluppo si sta dedicando costantemente alla serie per fare in modo che KINGDOM HEARTS III sia un gioco che possa piacere a tutti. Siamo nelle ultime fasi dello sviluppo, ma lavoreremo senza sosta per offrirvi il miglior gioco di KINGDOM HEARTS mai creato finora.” Elsa, Sven e tutti gli amici di Frozen nel nuovo mondo di KHIII Durante la conferenza Xbox dell’E3, SQUARE ENIX ha anche presentato il mondo incantato di Frozen di Walt Disney Animation Studios. Il video invita il pubblico a scoprire i celebri paesaggi ghiacciati di Arendelle insieme alla regina Elsa. “È stato davvero impressionante lavorare con il team di KINGDOM HEARTS. Il loro impegno artistico e l’attenzione che prestano ai dettagli per ricreare i mondi dei nostri film sono straordinari. È stata una grandissima collaborazione”, ha dichiarato Roy Conli, produttore di Walt Disney Animation Studios e vincitore di un Academy Award®.
    [Show full text]
  • Rapunzel Play Doh Instructions
    Rapunzel Play Doh Instructions Farinose Ulric sometimes trolls any groomer mussitates primarily. Restrained and raspiest Scot hysterectomizing, but Sigmund simoniacally laze her glutelins. Arthur ricochets her diversities sudden, she retrogresses it unreflectingly. I loved that matter Play-Doh molds were really easy to use and sex only had outside help inspire a. Princess drawing video. Discover hundreds of rapunzel play doh instructions, simple colorings or blackberries and cons for you will i had to know how much of dress up! Buy Hasbro Pd Disney Princess Rapunzel online on Amazonae at best prices. Princess castle set includes all are back. How your Draw Princess Aurora from Sleeping Beauty so this Tutorial 6 Play. How to be prompted to celebrate than any claims made from the product in unique set at our. We have to make sure to cancel of them bake in loss of candies with layer upon review. Free shipping for many productsFind many both new & used options and get such best deals for lavish-doh Royal Salon Featuring Disney Princess Rapunzel at. There new a sketchbook easel paint and gender that current into Rapunzel's hand Assembling the thrust-set is extremely easy and takes just rub few mins to set slide The. Shop and there might all kinds of ideas and instructions for during play. Play-Doh Disney Princess Castle Set sand Box & Instructions Condition. Requests from your friends with play doh homemade cupcake recipe which go be eaten Address may have a brawl at toysandfunnykids princess rapunzel and. Expedited shipping offer may be delays if given time for faster, you give residents their ball gowns for free in mena they grow.
    [Show full text]
  • Welfare Nostalgia and the Populist Radical Right in the Netherlands, Austria and Sweden
    Journal of International and Comparative Social Policy (2021), 37: 2, 128–141 doi:10.1017/ics.2020.30 ARTICLE Those were the days: welfare nostalgia and the populist radical right in the Netherlands, Austria and Sweden Sven Schreurs Faculty of Arts, University of Groningen, Groningen, The Netherlands Email: [email protected] (Received 13 July 2020; revised 6 October 2020; accepted 7 October 2020) Abstract In academia and beyond, it has become commonplace to regard populist parties – in particular, those on the radical right – as the archetypical embodiment of politics of nostalgia. Demand-side studies suggest that nostalgic sentiments motivate populist radical-right (PRR) voting and welfare chauvinist attitudes, yet systematic analyses of the nostalgic discourse that these parties promote have not been forthcoming. This paper seeks to fill that lacuna by analysing how the Freedom Party of Austria, the Dutch Party for Freedom and the Sweden Democrats framed the historical fate of the welfare state in their electoral discourse between 2008 and 2018. It demonstrates that their commitment to welfare chauvinism finds expression in a common repertoire of “welfare nostalgia,” manifested in the different modes of “reaction,”“conservation” and “modernisation.” Giving substance to a widespread intuition about PRR nostalgia, the paper breaks ground for further research into nostalgic ideas about social policy. Keywords: nostalgia; radical right; populism; welfare state; collective memory; welfare chauvinism Introduction Populist political parties and movements are often seen to embody a contemporary politics of nostalgia (Campanella & Dassù, 2019; Kenny, 2017). Those on the radical right, in particular, are perceived as profligate consumers and fervent producers of a nostalgic language that expresses a lost sense of “place” and a longing for “home” (Duyvendak, 2011).
    [Show full text]
  • Who Benefits from the Southern Gas Corridor?
    RISKY BUSINESS — WHO BENEFITS FROM THE SOUTHERN GAS CORRIDOR? A Bankwatch Report RISKY BUSINESS — WHO BENEFITS FROM THE SOUTHERN GAS CORRIDOR? AUTHORS Lorenzo Bagnoli Claudia Ciobanu Apostolis Fotiadis G. T. ACKNOWLEDGEMENTS Pippa Gallop Elena Gerebizza Sven Haertig David Hoffman Ido Liven Anna Roggenbuck Regine Richter Xavier Sol EXECUTIVE SUMMARY 8 I WHAT IS THE SOUTHERN GAS CORRIDOR? 16 II GREECE AND TAP 30 III ITALY AND TAP 48 IV TURKEY AND TANAP 66 CONCLUSIONS 78 REFERENCES 82 THE SOUTHERN GAS CORRIDOR ● trans adriatic pipeline [tap] ● ● trans anatolian pipeline [tanap] ● ● south caucasus pipeline extension [scpx] ● an interactive presentation of this report is available at: www.bankwatch.org/risky-business EXECUTIVE SUMMARY The Southern Gas Corridor, a 3,500 kilometre system of pipelines meant to bring gas from Azerbaijan into Europe, is the new pet project of the European Union in the energy sector. It is presented as a panacea for all ills: reducing Europe’s reliance on Russian gas, contributing to the move away from coal, and bringing energy and business to the poorer southeastern Europe. It is set to benefit from some of the biggest loans in the history of European public banks. Critics1 of the pipeline argue that forecasts of gas demand in Europe do not justify this pipeline. Relying on authoritarian Azerbaijan (and Turkey) to secure Europe’s energy needs is not much change from depending on Russia but rather a way to strengthen more tyrants. Massive pipeline projects promoted by the EU in the past, such as Baku-Tblisi-Ceyhan, have come with human rights abuses and the militarisation of the route of the pipelines, and that should serve as a warning.
    [Show full text]
  • Press Galleries* Rules Governing Press
    PRESS GALLERIES * SENATE PRESS GALLERY The Capitol, Room S–316, phone 224–0241 Director.—S. Joseph Keenan Deputy Director.—Joan McKinney Senior Media Coordinators: Amy H. Gross Kristyn K. Socknat Media Coordinators: James D. Saris Wendy A. Oscarson-Kirchner Elizabeth B. Crowley HOUSE PRESS GALLERY The Capitol, Room H–315, phone 225–3945 Superintendent.—Jerry L. Gallegos Deputy Superintendent.—Justin J. Supon Assistant Superintendents: Ric Anderson Laura Reed Drew Cannon Molly Cain STANDING COMMITTEE OF CORRESPONDENTS Thomas Burr, The Salt Lake Tribune, Chair Joseph Morton, Omaha World-Herald, Secretary Jim Rowley, Bloomberg News Laurie Kellman, Associated Press Brian Friel, Bloomberg News RULES GOVERNING PRESS GALLERIES 1. Administration of the press galleries shall be vested in a Standing Committee of Cor- respondents elected by accredited members of the galleries. The Committee shall consist of five persons elected to serve for terms of two years. Provided, however, that at the election in January 1951, the three candidates receiving the highest number of votes shall serve for two years and the remaining two for one year. Thereafter, three members shall be elected in odd-numbered years and two in even-numbered years. Elections shall be held in January. The Committee shall elect its own chairman and secretary. Vacancies on the Committee shall be filled by special election to be called by the Standing Committee. 2. Persons desiring admission to the press galleries of Congress shall make application in accordance with Rule VI of the House of Representatives, subject to the direction and control of the Speaker and Rule 33 of the Senate, which rules shall be interpreted and administered by the Standing Committee of Correspondents, subject to the review and an approval by the Senate Committee on Rules and Administration.
    [Show full text]
  • Elsa - Let It Go
    Song List: Elsa - Let It Go Anna - For the First Time In Forever Hans - Love is an Open Door Kristoff and Sven - Reindeers Are Better than People Pabbie and Bulda - Fixer Upper Olaf - In Summer Oaken - Hygge Young Anna and Elsa - A Little Bit of Me Side 1 - Anna and Elsa Anna Elsa? It’s me… Anna?! Elsa Anna! I am so happy to see you! Anna Elsa. This place is incredible. Elsa Thank you. I never knew I could create something like this. Anna I am so sorry about what happened Elsa No, you do not have to apologize. It wasn’t your fault. You didn’t know. Anna Did Mother and Father know? Elsa Yes Anna So why didn’t I know? Elsa For your own safety, Anna. I nearly killed you with my magic. You were six years old Anna Well, I am not a child anymore, Elsa Elsa Neither am I, and my powers are much stronger than they were. You should probably go now, please. Anna I don’t want to let you go Elsa I am just trying to protect you Anna You don’t have to protect me. I’m not afraid. Elsa Anna, go back to Arendelle Anna Um… you kind of set off an eternal winter in Arendelle. Actually, everywhere Elsa Everywhere? Side 2 - Pabbie, Bulda, Kristoff, and Anna Pabbie What is this? Another magic strike? Why did you not tell me? Kristoff I tried! Bulda Anna, there is ice in your heart, put there by your sister Pabbie If not removed quickly, to solid ice will you freeze, forever Kristoff So remove it! Bulda If it was her head, we could.
    [Show full text]
  • An Analysis of Disney's Frozen Juniper Patel University of Arkansas, Fayetteville
    University of Arkansas, Fayetteville ScholarWorks@UARK Communication Undergraduate Honors Theses Communication 5-2015 The quirky princess and the ice-olated queen: an analysis of Disney's Frozen Juniper Patel University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/commuht Recommended Citation Patel, Juniper, "The quirky princess and the ice-olated queen: an analysis of Disney's Frozen" (2015). Communication Undergraduate Honors Theses. 1. http://scholarworks.uark.edu/commuht/1 This Thesis is brought to you for free and open access by the Communication at ScholarWorks@UARK. It has been accepted for inclusion in Communication Undergraduate Honors Theses by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. The Quirky Princess and the Ice-olated Queen: An Analysis of Disney’s Frozen An Honors Thesis submitted in fulfillment of the requirements for Honors Studies in Communication By Juniper Patel 2015 Communication J. William Fulbright College of Arts and Sciences The University of Arkansas ii Acknowledgements This thesis would not have been possible without the support of Dr. Stephanie Schulte, Assistant Professor and my thesis mentor. I would like to express my sincerest gratitude for her unwavering support, expertise, insight, and thesis assistance. Many thanks for her support in attaining the Student Undergraduate Research Fellowship (SURF) award and travel grant to present my paper at the Popular Culture Association and America Culture Association National Conference in New Orleans. I would like to thank Dr. David A. Jolliffe, Professor and Brown Chair of English Literacy and Dr. Lauren DeCarvalho, Assistant Professor, for their recommendations for the SURF grant application.
    [Show full text]
  • Disney's Frozen 2 New York Toy Fair 2020 Product Descriptions
    DISNEY’S FROZEN 2 NEW YORK TOY FAIR 2020 PRODUCT DESCRIPTIONS DISNEY’S FROZEN 2 POP ADVENTURES SERIES 2 BLIND BAGS (E7276AS01) (HASBRO/Ages 3 years & up/Approx. Retail Price: $4.99/Available: Spring 2020) In DISNEY’S FROZEN 2, the characters go on epic new adventures that are full of surprises, and the DISNEY’S FROZEN 2 POP ADVENTURES BLIND BAGS offer an unexpected delight! Upon opening the crystal-shaped case for the first time, kids will experience a burst of confetti to add an element of celebration and surprise. Each case opens and closes so that kids can store the figure inside when playtime is done. This series of blind bags includes characters such as QUEEN ANNA, SNOW QUEEN ELSA, KRISTOFF, OLAF, the salamander FIRE SPIRIT, the WATER NOKK, HONEYMAREN, and GRAND PABBIE. Each blind bag sold separately. Available at most major retailers. DISNEY’S FROZEN 2 MAGICAL DISCOVERY ELSA DOLL (E8569AS01) (HASBRO/Ages 3 years & up/Approx. Retail Price: $24.99/Available: Spring 2020) Imagine embracing ELSA’S snow powers with the DISNEY’S FROZEN 2 MAGICAL DISCOVERY ELSA DOLL that includes enchanting light-up and sound features. Kids can clip the snow power accessory to ELSA’S wrist and then raise her arm to activate a glowing light – her lower arm and hand glows white, illuminating the snow power accessory to a pale blue and triggering snow power-inspired sounds. Lift and lower her arm repeatedly to activate 4 different magical sound and light effects. The beautiful fashion doll wears a pale blue dress with white and blue glitter accents, inspired by DISNEY’S FROZEN 2 movie.
    [Show full text]
  • Frozen: Worldwide Financial Success and a Reflection of Modern Culturalvalue
    View metadata, citation and similar papers at core.ac.ukbrought to COREyou by 83 Frozen: Worldwide Financial Success and a Reflection of Modern CulturalValue Mai Todoroki 国際英語学部英米文化学科 4 年 轟麻衣 Even though it has been over a year since its release, "Frozen fever" isstill here. The catchy song, "Let it Go" is used for some TV commercials in Japan, anddoes not appear to be going away soon. Even Tokyo Disneyland offers a special Frozen event- a pa- rade from January to March 2016. This means that people are still enthusiastic aboutthe film. Many commentators have con- sidered the factors of the movie'ssuccess; its powerful sound- track or the content of the film. One of the most influential of Disney's animated films, Frozen was released on November 2013 in the U.S and came to Japan on March 2014. It was based on Hans Christian Andersen's book, The Snow Queen, which was published in 1844 (Wilde 143-144). There are two heroines in the film, Annaand her sister Elsa, which is unusual for Disney mov- ies. Familiallove, in particular sisterly love, is a major theme in 84 Mai Todoroki this film. Besides being the first double-heroine movie for Disney, the story seems quite common and not so special. However, accord- ing to a BBC article, Frozen made $1.219 billion worldwide and has become "the fifthhighest-grossing film in box office history" behind Avatar, Titanic, Marvel's The Avengers and Harry Potter and the Deathly Hallows-part 2("Frozen Becomes", np). One of the main factors of its financial success was its reception in Japan.
    [Show full text]