Cotton Comes to Harlem Free
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Hair for Rent: How the Idioms of Rock 'N' Roll Are Spoken Through the Melodic Language of Two Rock Musicals
HAIR FOR RENT: HOW THE IDIOMS OF ROCK 'N' ROLL ARE SPOKEN THROUGH THE MELODIC LANGUAGE OF TWO ROCK MUSICALS A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment of the Requirements for the Degree Master of Music Eryn Stark August, 2015 HAIR FOR RENT: HOW THE IDIOMS OF ROCK 'N' ROLL ARE SPOKEN THROUGH THE MELODIC LANGUAGE OF TWO ROCK MUSICALS Eryn Stark Thesis Approved: Accepted: _____________________________ _________________________________ Advisor Dean of the College Dr. Nikola Resanovic Dr. Chand Midha _______________________________ _______________________________ Faculty Reader Interim Dean of the Graduate School Dr. Brooks Toliver Dr. Rex Ramsier _______________________________ _______________________________ Department Chair or School Director Date Dr. Ann Usher ii TABLE OF CONTENTS Page LIST OF TABLES ............................................................................................................. iv CHAPTER I. INTRODUCTION ............................................................................................................1 II. BACKGROUND OF THE STUDY ...............................................................................3 A History of the Rock Musical: Defining A Generation .........................................3 Hair-brained ...............................................................................................12 IndiffeRent .................................................................................................16 III. EDITORIAL METHOD ..............................................................................................20 -
046-49 Stonesthrow.Qxd
046 49 StonesThrow.qxd 10/30/06 7:00 AM Page 64 STONES THROW TURNS 10 BY CHRIS MARTINS — PHOTOS BY B+ “I’VE GOT A WHOLE FRIDGE FULL OF WINE,” better known as Egon: general manager, vintage director Jeff Jank, an erstwhile graffiti artist and illus- says Eothen Alapatt with the air of a veteran busi- regional funk archivist, DJ and all-around hustler trator from Oakland who made the move south with nessman. “Going up to places like Lompoc and (though it must be mentioned that he’s much more Wolf. Photographer B+, an Irish transplant whose Buellton right outside Santa Barbara, to these wineries endearing than he is business) for Stones Throw credits include album covers for N.W.A., the Watts that are site specific…it’s just like the music I like.” Records. Of course, this isn’t to say that the label’s Prophets, DJ Shadow, and the majority of the Stones He is, after all, an accomplished record label manager. basic function isn’t happening (that previously men- Throw catalog. Rapper Medaphoar, who grew up with “I feel the same way traveling to Omaha to track a funk tioned “supposed to” about reinventing hip-hop), the label’s flagship artist Madlib in Oxnard, California, band as when I’m going to a winery seeing where they because it most certainly is. But times have changed. 60 miles northwest of L.A. Producer J-Rocc, founding grow the grapes, tasting the wine and meeting the Ten years is a lot of time for an independent hip-hop member of the seminal West Coast turntablist crew people that do it.” But Eothen isn’t an industry old- (etc.) imprint that never had dreams of pressing its the World Famous Beat Junkies (who’ve worked with, timer. -
Spectacle, Masculinity, and Music in Blaxploitation Cinema
Spectacle, Masculinity, and Music in Blaxploitation Cinema Author Howell, Amanda Published 2005 Journal Title Screening the Past Copyright Statement © The Author(s) 2005. The attached file is posted here with permission of the copyright owner for your personal use only. No further distribution permitted. Please refer to the journal's website for access to the definitive, published version. Downloaded from http://hdl.handle.net/10072/4130 Link to published version http://www.latrobe.edu.au/screeningthepast/ Griffith Research Online https://research-repository.griffith.edu.au Spectacle, masculinity, and music in blaxploitation cinema Spectacle, masculinity, and music in blaxploitation cinema Amanda Howell "Blaxploitation" was a brief cycle of action films made specifically for black audiences in both the mainstream and independent sectors of the U.S. film industry during the early 1970s. Offering overblown fantasies of black power and heroism filmed on the sites of race rebellions of the late 1960s, blaxploitation films were objects of fierce debate among social leaders and commentators for the image of blackness they projected, in both its aesthetic character and its social and political utility. After some time spent as the "bad object" of African-American cinema history,[1] critical and theoretical interest in blaxploitation resurfaced in the 1990s, in part due to the way that its images-- and sounds--recirculated in contemporary film and music cultures. Since the early 1990s, a new generation of African-American filmmakers has focused -
SWR2 Musikstunde
SWR2 MANUSKRIPT SWR2 Musikstunde Blumen und Pflastersteine 1968 und die musikalische Verjüngung der Welt (3) Mit Michael Struck-Schloen Sendung: 11. April 2018 Redaktion: Dr. Ulla Zierau Produktion: SWR 2018 Bitte beachten Sie: Das Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt. Jede weitere Vervielfältigung und Verbreitung bedarf der ausdrücklichen Genehmigung des Urhebers bzw. des SWR. Service: SWR2 Musikstunde können Sie auch als Live-Stream hören im SWR2 Webradio unter www.swr2.de Kennen Sie schon das Serviceangebot des Kulturradios SWR2? Mit der kostenlosen SWR2 Kulturkarte können Sie zu ermäßigten Eintrittspreisen Veranstaltungen des SWR2 und seiner vielen Kulturpartner im Sendegebiet besuchen. Mit dem Infoheft SWR2 Kulturservice sind Sie stets über SWR2 und die zahlreichen Veranstaltungen im SWR2- Kulturpartner-Netz informiert. Jetzt anmelden unter 07221/300 200 oder swr2.de SWR2 Musikstunde mit Michael Struck-Schloen 09. April – 13. April 2018 Blumen und Pflastersteine 1968 und die musikalische Verjüngung der Welt 3. Ideologische Zuspitzung und Gewaltausbruch Und heute wieder: „Blumen und Pflastersteine ‒ 1968 und die musikalische Verjüngung der Welt“. Herzlich willkommen sagt Michael Struck-Schloen. Und ich will heute da weitermachen, wo die gestrige Sendung endete ‒ bei den Blumenkindern und Hippies, die ihr Zentrum in San Francisco hatten, aber bald auch in Paris oder auf dem Berliner Ku’damm zu sehen waren. Eine Zwischenstation war New York, wo im April 1968 das Musical Hair am Broadway herauskam und zu einem der erfolgreichsten Musicals aller Zeiten wurde ‒ obwohl Aussteiger und Kriegsdienstverweigerer mit langen Haaren, Hass aufs Establishment und Lust auf Drogen und Sex die Hauptrollen spielten. Aber letztlich war gerade diese Mischung auch das Erfolgsrezept. -
Wagner College to Stage Galt Macdermot-Matty Selman Musical 'Goddess Wheel'
March 29, 2012 Wagner College to Stage Galt MacDermot-Matty Selman Musical ‘Goddess Wheel’ By ADAM HETRICK The Lysistrata-inspired musical “Goddess Wheel,” by Tony Award winner Galt MacDermot and Matty Selman, will receive an April staging at Wagner College. “Goddess Wheel,” according to Wagner, “tells the story of the Peloponnesian War between Sparta and Athens. The women, fed up with the war, decide to withhold sex until the men sign a peace treaty bringing the war to an end.” It has music by MacDermot (“Hair,” “Two Gentleman of Verona”) and book and lyrics by Selman, both of whom are Staten Island natives. The musical was first staged at the American Repertory Theater and the Prince Music Theatre under the title “Lysistrata” in 2002. Cherry Jones starred in the central role. NYU’s CAP 21 program also offered a developmental production of “Goddess Wheel” in 2005. Rusty Curcio will direct the production that has musical direction by James Higgins. The band for “Goddess Wheel” will be MacDermot’s New Pulse Jazz Band. Performances run April 18-29. The cast will include Danielle Dallacco as Lysistrata; Leighann Colin as Penelope/Persephone; Ilana Bolotsky as Young Widow; Tara Kirk and Ashley Burger as Women of Sparta; Caroline LaTorre, Heather Kirschenbauer and Erica Weiderlight as Goddesses; Matt Sydney as the Chancellor; Ryan Cole as the Spartan Envoy/Soldier Ghost; and Andrew Khouri and Matt Favetta as Men of Athens. John Jamiel, head of acting at Wagner, plays Oracle/Hates. Wagner College's athletes are also featured in the production as Spartans. For tickets phone (718) 390-3259. -
100% Print Rights Administered by ALFRED 633 SQUADRON MARCH
100% Print Rights administered by ALFRED 633 SQUADRON MARCH (Excluding Europe) Words and Music by RON GOODWIN *A BRIDGE TO THE PAST (from “ Harry Potter and the Prisoner of Azkaban ”) Words and Music by JOHN WILLIAMS A CHANGE IS GONNA COME (from “ Malcolm X”) Words and Music by SAM COOKE A CHI (HURT) (Excluding Europe) Words and Music by JIMMIE CRANE and AL JACOBS A CHICKEN AIN’T NOTHING BUT A BIRD Words and Music by EMMETT ‘BABE’ WALLACE A DARK KNIGHT (from “ The Dark Knight ”) Words and Music by HANS ZIMMER and JAMES HOWARD A HARD TEACHER (from “ The Last Samurai ”) Words and Music by HANS ZIMMER A JOURNEY IN THE DARK (from “ The Lord of the Rings: The Fellowship of the Ring”) Music by HOWARD SHORE Lyrics by PHILIPPA BOYENS A MOTHER’S PRAYER (from “ Quest for Camelot ”) Words and Music by CAROLE BAYER SAGER and DAVID FOSTER *A WINDOW TO THE PAST (from “ Harry Potter and the Prisoner of Azkaban ”) Words and Music by JOHN WILLIAMS ACCORDION JOE Music by CORNELL SMELSER Lyrics by PETER DALE WIMBROW ACES HIGH MARCH (Excluding Europe) Words and Music by RON GOODWIN AIN'T GOT NO (Excluding Europe) Music by GALT MACDERMOT Lyrics by JAMES RADO and GEROME RAGNI AIN’T MISBEHAVIN’ (from “ Ain’t Misbehavin’ ) (100% in Scandinavia, including Finland) Music by THOMAS “FATS” WALLER and HARRY BROOKS Lyrics by ANDY RAZAF ALL I DO IS DREAM OF YOU (from “ Singin’ in the Rain ”) (Excluding Europe) Music by NACIO HERB BROWN Lyrics by ARTHUR FREED ALL TIME HIGH (from “ Octopussy ”) (Excluding Europe) Music by JOHN BARRY Lyrics by TIM RICE ALMIGHTY GOD (from “ Sacred Concert No. -
SHOWBUZZ E-Newsletter
SHOWBUZZ e-Newsletter September 2008 NUN BETTER! As the clock ticks down towards opening night on Wednesday October 1st, there are still dance steps to learn and lines to memorize for the cast of The Sound of Music. So, while the von Trapp girls learn how to be whirling dervishes, the Nuns are praying for rain. Announcing Ha ir Auditions OK, so the hills are currently alive… but beyond those hills, what is on Risk-taking is essential for this show, so take this into consideration when ETC’s horizon? It’s a trip back to the 60’s to revisit the original rock choosing your audition material. All performers must be able to move well musical – HAIR! and MUST be over 18 years of age. Hair is a rock musical with a book and lyrics by James Rado and Gerome AUDITIONS 11 & 12 October @ Earls Arts Centre Ragni and music by Galt MacDermot. A product of the hippie counter-culture REHEARSALS Commence Thurs 16 October and sexual revolution of the 1960s, several of its songs became anthems of the For more audition bookings, more info & a breakdown anti-Vietnam War peace movement. At the time, the musical's depiction of the of casting requirements call Jamie on 0433 999 248 use of illegal drugs, sexuality, profanity, its irreverence for the American flag, or email [email protected] and its nude scene caused much comment and controversy. The musical broke new ground in musical theatre by defining the genre of the "rock musical" by utilising a racially-integrated cast and inviting the audience onstage for a "Be-in" finale. -
George P. Johnson Negro Film Collection LSC.1042
http://oac.cdlib.org/findaid/ark:/13030/tf5s2006kz No online items George P. Johnson Negro Film Collection LSC.1042 Finding aid prepared by Hilda Bohem; machine-readable finding aid created by Caroline Cubé UCLA Library Special Collections Online finding aid last updated on 2020 November 2. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections George P. Johnson Negro Film LSC.1042 1 Collection LSC.1042 Contributing Institution: UCLA Library Special Collections Title: George P. Johnson Negro Film collection Identifier/Call Number: LSC.1042 Physical Description: 35.5 Linear Feet(71 boxes) Date (inclusive): 1916-1977 Abstract: George Perry Johnson (1885-1977) was a writer, producer, and distributor for the Lincoln Motion Picture Company (1916-23). After the company closed, he established and ran the Pacific Coast News Bureau for the dissemination of Negro news of national importance (1923-27). He started the Negro in film collection about the time he started working for Lincoln. The collection consists of newspaper clippings, photographs, publicity material, posters, correspondence, and business records related to early Black film companies, Black films, films with Black casts, and Black musicians, sports figures and entertainers. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: English . Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Portions of this collection are available on microfilm (12 reels) in UCLA Library Special Collections. -
Creating the Role of Crissy in Hair
Minnesota State University, Mankato Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato All Graduate Theses, Dissertations, and Other Graduate Theses, Dissertations, and Other Capstone Projects Capstone Projects 2021 Creating the Role of Crissy in Hair Yu Miao Minnesota State University, Mankato Follow this and additional works at: https://cornerstone.lib.mnsu.edu/etds Part of the Acting Commons, and the Music Performance Commons Recommended Citation Miao, Y (2021). Creating the role of Crissy in Hair [Master’s thesis, Minnesota State University, Mankato]. Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. https://cornerstone.lib.mnsu.edu/etds/1120/ This Thesis is brought to you for free and open access by the Graduate Theses, Dissertations, and Other Capstone Projects at Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. It has been accepted for inclusion in All Graduate Theses, Dissertations, and Other Capstone Projects by an authorized administrator of Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. CREATING THE ROLE OF CRISSY IN HAIR by YU MIAO A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE MASTER OF FINE ARTS IN THEATRE ARTS MINNESOTA STATE UNIVERSITY, MANKATO MANKATO, MINNESOTA MARCH 2021 Date 04/07/21 Creating the role of Crissy in Hair Yu Miao This thesis has been examined and approved by the following members of the student’s committee. ________________________________ Dr. Heather Hamilton ________________________________ Prof. Matthew Caron ________________________________ Prof. David McCarl ________________________________ Dr. Danielle Haque i ABSTRACT Miao, Yu, M.F.A. -
December 5Th 1966
California State University, San Bernardino CSUSB ScholarWorks Paw Print (1966-1983) Arthur E. Nelson University Archives 12-5-1966 December 5th 1966 CSUSB Follow this and additional works at: https://scholarworks.lib.csusb.edu/pawprint Recommended Citation CSUSB, "December 5th 1966" (1966). Paw Print (1966-1983). 58. https://scholarworks.lib.csusb.edu/pawprint/58 This Article is brought to you for free and open access by the Arthur E. Nelson University Archives at CSUSB ScholarWorks. It has been accepted for inclusion in Paw Print (1966-1983) by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. THE PAWPRINT VotJI. No.n CAL-STATE. SAN BERNARDINO Decembe'" 5, 1966 CHRISTMAS DANCE SENIOR OF THE WEEK This Saturday, December 10, Monte Corona will be Foundation Fund sdiolarship winner Ted Krug was recent the setting for the annual ASB Christmas Dance Monte ly selected as Senior of the Wedc The first married student to obtain this position, Ted Corona, a resort near Blue Jay, will provide a wint- is a History major and is an enthusiastic advocate of the ecy atmosphere for the social event of the Season Music will be provided by the Hill Toppers in the German sport of knip knop. Following the exanples of previous saiiors of - the-wedc, Los Angeles Room from 9 DO pm to I'OO am Ted hi^ly priased Cal State San Bernardino, e^ecially the The Dining room will be available before the dance, Financial Aid Department He ^lied for aid in January and the cocktail lounge will be op«i thiou^out the evening. -
|||GET||| Cotton Comes to Harlem 1St Edition
COTTON COMES TO HARLEM 1ST EDITION DOWNLOAD FREE Chester B Himes | 9780394759999 | | | | | Cotton Comes to Harlem Wendy W. Add the first question. A reverend comforting a recently widowed woman is not out of the norm, but Deke visited her to use her house as a base, but also use her body, which is described as more than inviting. For s America, coming from a black man, it must have been shocking, but unlike Burroughs, say it's not played for shock value. This is one-of-a-kind cult noir par excellence, the type of writer who obsesses you, fully the equal of Hammett or Chandler or Jim Thompson or David Goodis. Himes was born in Jefferson City, Missouri on July 29, View all 11 comments. Investigation starts, in order to find the murderer, and so the main characters, "Grave Digger" Jones and "Coffin Ed" Johnson, are called in to investigate. Level of Violence police brutality is a notable theme; both Coffin Ed and Grave Digger use violence on a regular basis to get their jobs done. I enjoyed this a lot and will go back and see if I can pick up some of the other ones now. Title: Cotton Comes to Harlem Cambridge and St. But apart from the whole racial aspect of it, Himes just has a really interesting narrative style. As sponsor of the Back-to-Africa movement he's counting on the big Harlem rally to produce a big collection-for his own private charity. No real motivation. Women's sexuality is frequently described by the narrative voice, which tends to be identified with male characters. -
JAN 1 3 2015 of the City of Los Angeles
ACCELERATED REVIEW PROCESS - E Office of the City Engineer Los Angeles California To the Honorable Council JAN 1 3 2015 Of the City of Los Angeles Honorable Members: C. D. No. 13 SUBJECT: Hollywood Boulevard and Vine Street- Walk of Fame Additional Name in Terrazzo Sidewalk DICK GREGORY RECOMMENDATIONS: A. That the City Council designate the unnumbered location situated one sidewalk square easterly of and between numbered locations 11r and 11R as shown on Sheet #22 of Plan D-13788 for the Hollywood Walk of Fame for the installation of the name of Dick Gregory at 1650 Vine Street. B. Inform the Hollywood Chamber of Commerce ofthe Council's action on this matter. C. That this report be adopted prior to the date of the ceremony on February 2, 2015. FISCAL IMP ACT STATEMENT: No General Fund Impact. All cost paid by permittee. TRANSMITTALS: 1. Unnumbered communication dated January 7, 2015, from the Hollywood Historic Trust of the Hollywood Chamber of Commerce, biographical information and excerpts from the minutes of the Chamber's meeting with recommendations. City Council - 2 - C. D. No. 13 DISCUSSION: The Walk of Fame Committee of the Hollywood Chamber of Commerce has submitted a request for insertion into the Hollywood Walk of Fame the name of Dick Gregory. The ceremony is scheduled for Monday, February 2, 2015 at 11:30 a.m. The communicant's request is in accordance with City Council action of October 18, 1978, under Council File No. 78-3949. Following the Council's action of approval, and upon proper application and payment of the required fee, an installation permit can be secured at 201 N.