On the Money Is a Set of Four Short Stories Supported by Teachers’ Notes, a DVD and a Website
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British Fiction Today
Birkbeck ePrints: an open access repository of the research output of Birkbeck College http://eprints.bbk.ac.uk Brooker, Joseph (2006). The middle years of Martin Amis. In Rod Mengham and Philip Tew eds. British Fiction Today. London/New York: Continuum International Publishing Group Ltd., pp.3-14. This is an author-produced version of a paper published in British Fiction Today (ISBN 0826487319). This version has been peer-reviewed but does not include the final publisher proof corrections, published layout or pagination. All articles available through Birkbeck ePrints are protected by intellectual property law, including copyright law. Any use made of the contents should comply with the relevant law. Citation for this version: Brooker, Joseph (2006). The middle years of Martin Amis. London: Birkbeck ePrints. Available at: http://eprints.bbk.ac.uk/archive/00000437 Citation for the publisher’s version: Brooker, Joseph (2006). The middle years of Martin Amis. In Rod Mengham and Philip Tew eds. British Fiction Today. London/New York: Continuum International Publishing Group Ltd., pp.3-14. http://eprints.bbk.ac.uk Contact Birkbeck ePrints at [email protected] The Middle Years of Martin Amis Joseph Brooker Martin Amis (b.1949) was a fancied newcomer in the 1970s and a defining voice in the 1980s. He entered the 1990s as a leading player in British fiction; by his early forties, the young talent had grown into a dominant force. Following his debut The Rachel Papers (1973), he subsidised his fictional output through the 1970s with journalistic work, notably as literary editor at the New Statesman. -
Radiotimes-July1967.Pdf
msmm THE POST Up-to-the-Minute Comment IT is good to know that Twenty. Four Hours is to have regular viewing time. We shall know when to brew the coffee and to settle down, as with Panorama, to up-to- the-minute comment on current affairs. Both programmes do a magnifi- cent job of work, whisking us to all parts of the world and bringing to the studio, at what often seems like a moment's notice, speakers of all shades of opinion to be inter- viewed without fear or favour. A Memorable Occasion One admires the grasp which MANYthanks for the excellent and members of the team have of their timely relay of Die Frau ohne subjects, sombre or gay, and the Schatten from Covent Garden, and impartial, objective, and determined how strange it seems that this examination of controversial, and opera, which surely contains often delicate, matters: with always Strauss's s most glorious music. a glint of humour in the right should be performed there for the place, as with Cliff Michelmore's first time. urbane and pithy postscripts. Also, the clear synopsis by Alan A word of appreciation, too, for Jefferson helped to illuminate the the reporters who do uncomfort- beauty of the story and therefore able things in uncomfortable places the great beauty of the music. in the best tradition of news ser- An occasion to remember for a Whitstabl*. � vice.-J. Wesley Clark, long time. Clive Anderson, Aughton Park. Another Pet Hate Indian Music REFERRING to correspondence on THE Third Programme recital by the irritating bits of business in TV Subbulakshmi prompts me to write, plays, my pet hate is those typists with thanks, and congratulate the in offices and at home who never BBC on its superb broadcasts of use a backing sheet or take a car- Indian music, which I have been bon copy. -
The Power of Money in Contemporary Life As Seen Through John Self in Martin Amis' Money a Suicide Note
IMPACT: International Journal of Research in Humanities, Arts and Literature (IMPACT: IJRHAL) ISSN (P): 2347–4564; ISSN (E): 2321–8878 Vol. 7, Issue 10, Oct 2019, 23–26 © Impact Journals THE POWER OF MONEY IN CONTEMPORARY LIFE AS SEEN THROUGH JOHN SELF IN MARTIN AMIS’ MONEY: A SUICIDE NOTE Bossoun Koumabe, Adissa Mikael & Gnonlonfoun Jean-Marc Research Scholar, Benin Public University, Benin, Edo State, Nigeria Received : 26 Aug 201 9 Accepted: 22 Oct 201 9 Published: 31 Oct 201 9 ABSTRACT This article explored the effects of money in our lives in today’s world through the lenses of John Self, the protagonist in Martin Amis’ Money A Suicide Note. Based on extracts from the novel, it has been shown that money has led to the rise and fall of the protagonist. Indeed, with money gained from immoral sources, he was used to smoking, drinking, eating junk food, and enjoying nude magazines. Disillusioned later on, he has learnt how to use money to give meaning to his own life. This clearly depicts how, through the power of money, contemporary man has indulged in addiction, overdrinking, and pornography. It is hoped that the warning of Amis will be understood worldwide so that money will no more be considered a predominant factor of power's homogenization of the individual. KEYWORDS: Martin Amis, Money, Immorality, Modern World, Money a Suicide Note INTRODUCTION Today, the role of money in people’s life is of paramount importance. Indeed, with money, a much more effective and harmonious life can be lived. As such, property and/or wealth are so valued that people are ready to get money at any cost. -
Satire Bust: the Wagers of Money
Satire Bust: The Wagers of Money Joseph Brooker Birkbeck College, University of London * Abstract. According to critical tradition, satire relies on a normative background to do its work of correction and moral retribution. What happens when those norms are fraying, or absent altogether? Martin Amis’s Money (1984), a key text of the Reagan- Thatcher years, stages this aesthetic and political aporia with coruscating wit and an apocalyptic atmosphere. The relations between satire and value, text and norm, enter a crisis that is morally alarming but artistically productive. * Unfortunately, it has a dehumanized look. But that is not the satirist’s fault. Walter Benjamin All of us are excited by what we most deplore. Martin Amis SUPERACTIVE, JOHN Satire, like many cultural categories, blurs and wavers when you try to look straight at it. To reflect on the concept and review the critical literature lately dedicated to it is to find uncertainty about its boundaries and definition; its function and effect; its major instances; and, as we shall see, its historical conditions of possibility. But if satire is a diffuse concept it also remains a widely diffused practice. Modern satire has occupied diverse genres and locations: theatre, cinema, television, cartoons and text in the press. But it is to a prose fiction that this essay will dedicate its attention.1 In any attempt to theorize the fate of satire in contemporary fiction, Martin Amis’s 1984 novel 1 Money is essential evidence. One of the most influential English novels of the last few decades, it appears to show a modern satirist at the height of his powers. -
What Is Money?
What is Money? This volume provocatively rethinks the economics, politics and sociology of money and examines the classic question of what money is. Starting from the two main alternative views of money, as either a neutral instrument or a social relation, What is Money? presents a thematic, interdisciplinary approach which points towards a definitive statement on money. Bringing together a variety of different perspectives, this work collects the latest thinking of some of the best-known scholars on the question of money. The contributors are Victoria Chick, Kevin Dowd, Gilles Dostaler, Steve Fleetwood, Gunnar Heinsohn, Geoff Ingham, Peter Kennedy, Peter G.Klein, Bernard Maris, Scott Meikle, Alain Parguez, Colin Rogers, T.K Rymes, Mario Seccareccia, George Seigin, Otto Steiger, John Smithin and L.Randall Wray. The book will be of interest to students and researchers in political economy, monetary policy, the history of economic thought and Post Keynesian economics. John Smithin is Professor of Economics in the Deparment of Economics and Schulich School of Business, York University, Canada. He is the author and editor of many works on economic issues including Controversies in Monetary Economics (1994), Macroeconomic Policy and the Future of Capatalism (1996), and Money, Financial Institutions and Macroeconomics (1997). Routledge International Studies in Money and Banking 1 Private Banking in Europe Lyn Bicker 2, Bank Deregulation and Monetary Order George Selgin 3 Money in Islam A study in Islamic political economy Masudul Alam Choudhury -
The 9/11 Commission Report
THE 9/11 COMMISSION REPORT THE 9/11 COMMISSION REPORT Final Report of the National Commission on Terrorist Attacks Upon the United States official government edition For sale by the Superintendent of Documents, U.S. Government Printing Office Internet: bookstore.gpo.gov Phone: toll free (866) 512-1800; DC area (202) 512-1800 Fax: (202) 512-2250 Mail: Stop SSOP, Washington, DC 20402-0001 ISBN 0-16-072304-3 CONTENTS List of Illustrations and Tables ix Member List xi Staff List xiii–xiv Preface xv 1. “WE HAVE SOME PLANES” 1 1.1 Inside the Four Flights 1 1.2 Improvising a Homeland Defense 14 1.3 National Crisis Management 35 2. THE FOUNDATION OF THE NEW TERRORISM 47 2.1 A Declaration of War 47 2.2 Bin Ladin’s Appeal in the Islamic World 48 2.3 The Rise of Bin Ladin and al Qaeda (1988–1992) 55 2.4 Building an Organization, Declaring War on the United States (1992–1996) 59 2.5 Al Qaeda’s Renewal in Afghanistan (1996–1998) 63 3. COUNTERTERRORISM EVOLVES 71 3.1 From the Old Terrorism to the New: The First World Trade Center Bombing 71 3.2 Adaptation—and Nonadaptation— in the Law Enforcement Community 73 3.3 . and in the Federal Aviation Administration 82 3.4 . and in the Intelligence Community 86 v 3.5 . and in the State Department and the Defense Department 93 3.6 . and in the White House 98 3.7 . and in the Congress 102 4. RESPONSES TO AL QAEDA’S INITIAL ASSAULTS 108 4.1 Before the Bombings in Kenya and Tanzania 108 4.2 Crisis:August 1998 115 4.3 Diplomacy 121 4.4 Covert Action 126 4.5 Searching for Fresh Options 134 5. -
Fairy Lgbtales
Fairy LGBTales Mapping Queer Fairy-Tale Retellings from the 1990s to the 2010s Alba Morollón Díaz-Faes PhD Thesis Department of Literature, Area Studies and European Languages Faculty of Humanities UNIVERSITY OF OSLO 2019 Fairy LGBTales Mapping Queer Fairy-Tale Retellings from the 1990s to the 2010s II © Alba Morollón Díaz-Faes 2019 Fairy LGBTales Mapping Queer Fairy-Tale Retellings from the 1990s to the 2010s Alba Morollón Díaz-Faes Trykk: Reprosentralen, Universitetet i Oslo III Acknowledgements This thesis would not have been possible without the help of many fairy godmothers and godfathers. First of all, I must sincerely thank my main supervisor, Rebecca Scherr, for her flexible supervision style, which allowed me to find my own way, but also for her insightful directions in the most critical moments of the writing process, which have had an enormous impact on the final form of the thesis. Infinite thanks go to Anne Duggan, my co- supervisor, whose lucid guidance has been essential, whose enthusiasm has kept me going when I was feeling discouraged, and who has enormously impacted not only my impressions of my own project, but also of the fairy-tale genre as a whole. I am also greatly indebted to my midway evaluator, Vanessa Joosen, whose intelligent feedback at a crucial juncture challenged me to turn this project into something worth reading (and writing). I am forever grateful to Tina Skouen and Bruce Barnhart, project leaders of Literature, Rights, and Imagined Communities, for allowing me to carry out this study, for believing in me and my vision, and for their unwavering support in the last three years. -
Modernity and Post Modernistic Issues in Martin Amis's and Sherzad Hassan's Novels
QALAAI ZANIST SCIENTIFIC JOURNAL A Scientific Quarterly Refereed Journal Issued by Lebanese French University – Erbil, Kurdistan, Iraq Vol. ( 3 ), Issue ( 4 ), Fall 2018 ISSN 2518-6566 (Online) - ISSN 2518-6558 (Print) Modernity and Post modernistic issues in Martin Amis’s and Sherzad Hassan’s Novels Asst. Prof .Dr. Juan Abdullah Ibrahim Al-Banna English Department / College of Languages / Salahaddin University /Hawler [email protected] Asst.Prof. Dr. Pakhshan Sabir Hamad Kurdish Department / Faculty of Arts / Soran University/Soran [email protected] ARTICLE INFO ABSTRACT Martin Louis Amis (1949) , is an Article History: English novelist who has written Money Received:29/4/2018 (1984) and London Fields(1989). These novels Accepted: 17/7/2018 show the tormented selves that are divided Published: Fall 2018 into imaginary and real selves. This research Doi: paper presents the human miseries in the late 10.25212/lfu.qzj.3.4.28 Twentieth Century with the sense of pessimism due to uncertainty and doubt . The writer in a realistic way clarifies the modern Keywords: characters challenge the obstacles that hinder Modernity, Martin Amis, their success and search for an outlet. Sherzad 873 QALAAI ZANIST SCIENTIFIC JOURNAL A Scientific Quarterly Refereed Journal Issued by Lebanese French University – Erbil, Kurdistan, Iraq Vol. ( 3 ), Issue ( 4 ), Fall 2018 ISSN 2518-6566 (Online) - ISSN 2518-6558 (Print) Sherzad Hassan ,Postmodernism, Hassan (1951) is a prominent and self awareness, imaginary & real distinguished Kurdish literary figure. He is best selves. known as storyteller, but he has also written novels and poems. He has published four collections of short stories. -
Notes from the Urban Underground Money: a Suicide Note (Chapter 3 Of
Notes from the Urban Underground Money: A Suicide Note (chapter 3 of Understanding Martin Amis, by James Diedrick) (page numbers in brackets correspond to original printed edition) "Money represents a high-water mark in Amis's career, building on the strengths of his earlier novels but far exceeding them in scope, depth of characterization, and organic unity. It also stands as one of the indispensable novels of and about its decade." --James Diedrick, Understanding Martin Amis. Money stands ruinously at the center of every vital interest. --Walter Benjamin1 [70] In Money: A Suicide Note (1984) the materialist excesses of the late twentieth century are viewed through, and magnified by, the salacious leer of its narrator. "I'm addicted to the twentieth century," says the eponymous John Self, and during his narrative the reader vicariously experiences the damage this addiction inflicts on Self's physical body--and the larger social body he also inhabits. Money represents a high water mark in Amis's career, building on the strengths of his earlier novels but far exceeding them in scope, depth of characterization, and organic unity. It also stands as one of the indispensable novels of and about its decade. In terms of narrative technique, Money is a vernacular dramatic monologue in the Russian skaz tradition. Dostoevski's novella Notes From Underground is the master-text of this tradition, containing a narrator whose bitter alienation from his society and its most cherished beliefs makes him a perversely perceptive critic of that society. Self is a literary descendant of Dostoevski's protagonist, sharing the Underground Man's brutal, seamy honesty. -
A Biography of Christopher Hitchens As a Public Intellectual
The Public Intellectual: Continuity as a Pre-Requisite for Credibility? A Biography of Christopher Hitchens as a Public Intellectual. MA Thesis in European Studies Graduate School for Humanities Universiteit van Amsterdam Author: Glenn Walters Student number: 11108304 Main Supervisor: Dr. Guido Snel Second Supervisor: Dr. Alex Drace-Francis June, 2016 1 Table of Contents x. Introduction .................................................................................................................. 3 xi Theoretical Framework ........................................................................................................... 3 xii Methodology ......................................................................................................................... 6 1. Chapter One: Christopher Hitchens’ Life and Writing Career .......................................... 9 1.1 Autobiography and Hitch-22 ................................................................................................. 9 1.2 Early life, Oxford University, and the International Socialists .............................................. 10 1.3 Bohemian Bloomsbury and The New Statesman ................................................................. 13 1.4 America and The Nation ..................................................................................................... 17 1.5 Vanity Fair and the 1990’s .................................................................................................. 20 1.6 Later Career and American Citizenship -
Lemons Problem”
How the Internet, the Sharing Economy, and Reputational Feedback Mechanisms Solve the “Lemons Problem” Adam Thierer, Christopher Koopman, Anne Hobson, and Chris Kuiper May 2015 MERCATUS WORKING PAPER Adam Thierer, Christopher Koopman, Anne Hobson, and Chris Kuiper. “How the Internet, the Sharing Economy, and Reputational Feedback Mechanisms Solve the ‘Lemons Problem.’” Mercatus Working Paper, Mercatus Center at George Mason University, Arlington, VA, May 2015. Abstract This paper argues that the sharing economy—through the use of the Internet and real time reputational feedback mechanisms—is providing a solution to the lemons problem that many regulators have spent decades attempting to overcome. Section I provides an overview of the sharing economy and traces its rapid growth. Section II revisits the lemons theory as well as the various regulatory solutions proposed to deal with the problem of asymmetric information. Section III discusses the relationship between reputation and trust and analyzes how reputational incentives affect commercial interactions. Section IV discusses how information asymmetries were addressed in the pre-Internet era. It also discusses how the evolution of both the Internet and information systems (especially the reputational feedback mechanisms of the sharing economy) addresses the lemons problem. Section V explains how these new realities affect public policy and concludes that asymmetric information is not a legitimate rationale for policy intervention in light of technological changes. We also argue that -
Monograph on Terrorist Financing
National Commission on Terrorist Attacks Upon the United States Monograph on Terrorist Financing ________________ Staff Report to the Commission John Roth Douglas Greenburg Serena Wille Preface The Commission staff organized its work around specialized studies, or monographs, prepared by each of the teams. We used some of the evolving draft material for these studies in preparing the seventeen staff statements delivered in conjunction with the Commission’s 2004 public hearings. We used more of this material in preparing draft sections of the Commission’s final report. Some of the specialized staff work, while not appropriate for inclusion in the report, nonetheless offered substantial information or analysis that was not well represented in the Commission’s report. In a few cases this supplemental work could be prepared to a publishable standard, either in an unclassified or classified form, before the Commission expired. This study is on terrorist financing. It was prepared principally by John Roth, Douglas Greenburg, and Serena Wille, with editing assistance from Alice Falk. As in all staff studies, they often relied on work done by their colleagues. This is a study by Commission staff. While the Commissioners have been briefed on the work and have had the opportunity to review earlier drafts of some of this work, they have not approved this text and it does not necessarily reflect their views. Philip Zelikow Terrorist Financing Staff Monograph Table of Contents INTRODUCTION AND EXECUTIVE SUMMARY................................................................................ 2 AL QAEDA’S MEANS AND METHODS TO RAISE, MOVE, AND USE MONEY.......................... 17 GOVERNMENT EFFORTS BEFORE AND AFTER THE SEPTEMBER 11 ATTACKS................ 30 COMBATING TERRORIST FINANCING IN THE UNITED STATES: THE ROLE OF FINANCIAL INSTITUTIONS.................................................................................................................