Indian Listener Listener September 22, 1936
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Lister); an American Folk Rhapsody Deutschmeister Kapelle/JULIUS HERRMANN; Band of the Welsh Guards/Cap
Guild GmbH Guild -Light Catalogue Bärenholzstrasse 8, 8537 Nussbaumen, Switzerland Tel: +41 52 742 85 00 - e-mail: [email protected] CD-No. Title Track/Composer Artists GLCD 5101 An Introduction Gateway To The West (Farnon); Going For A Ride (Torch); With A Song In My Heart QUEEN'S HALL LIGHT ORCHESTRA/ROBERT FARNON; SIDNEY TORCH AND (Rodgers, Hart); Heykens' Serenade (Heykens, arr. Goodwin); Martinique (Warren); HIS ORCHESTRA; ANDRE KOSTELANETZ & HIS ORCHESTRA; RON GOODWIN Skyscraper Fantasy (Phillips); Dance Of The Spanish Onion (Rose); Out Of This & HIS ORCHESTRA; RAY MARTIN & HIS ORCHESTRA; CHARLES WILLIAMS & World - theme from the film (Arlen, Mercer); Paris To Piccadilly (Busby, Hurran); HIS CONCERT ORCHESTRA; DAVID ROSE & HIS ORCHESTRA; MANTOVANI & Festive Days (Ancliffe); Ha'penny Breeze - theme from the film (Green); Tropical HIS ORCHESTRA; L'ORCHESTRE DEVEREAUX/GEORGES DEVEREAUX; (Gould); Puffin' Billy (White); First Rhapsody (Melachrino); Fantasie Impromptu in C LONDON PROMENADE ORCHESTRA/ WALTER COLLINS; PHILIP GREEN & HIS Sharp Minor (Chopin, arr. Farnon); London Bridge March (Coates); Mock Turtles ORCHESTRA; MORTON GOULD & HIS ORCHESTRA; DANISH STATE RADIO (Morley); To A Wild Rose (MacDowell, arr. Peter Yorke); Plink, Plank, Plunk! ORCHESTRA/HUBERT CLIFFORD; MELACHRINO ORCHESTRA/GEORGE (Anderson); Jamaican Rhumba (Benjamin, arr. Percy Faith); Vision in Velvet MELACHRINO; KINGSWAY SO/CAMARATA; NEW LIGHT SYMPHONY (Duncan); Grand Canyon (van der Linden); Dancing Princess (Hart, Layman, arr. ORCHESTRA/JOSEPH LEWIS; QUEEN'S HALL LIGHT ORCHESTRA/ROBERT Young); Dainty Lady (Peter); Bandstand ('Frescoes' Suite) (Haydn Wood) FARNON; PETER YORKE & HIS CONCERT ORCHESTRA; LEROY ANDERSON & HIS 'POPS' CONCERT ORCHESTRA; PERCY FAITH & HIS ORCHESTRA; NEW CONCERT ORCHESTRA/JACK LEON; DOLF VAN DER LINDEN & HIS METROPOLE ORCHESTRA; FRANK CHACKSFIELD & HIS ORCHESTRA; REGINALD KING & HIS LIGHT ORCHESTRA; NEW CONCERT ORCHESTRA/SERGE KRISH GLCD 5102 1940's Music In The Air (Lloyd, arr. -
ID™E Eclronic 1Ynihe1izer P,UJ ~ -~O~Reo1pinel Organ Equo1
Orbil ID™e eclronic 1ynihe1izer P,UJ ~ -~o~reO1pinel organ equo1... ~e newe1Iway lo mo <emu1ic ~romWur irzec Now with the Orbit III electronic synthesizer from slowly, just as the theatre organist did by opening and Wurlitzer you can create new synthesized sounds in closing the chamber louvers. stantly. ·.. in performance. And with the built-in Orbit III synthesizer, this This new Wurlitzer instrument is also a theatre organ, instrument can play exciting combinations of synthe with a sectionalized vibrato/tremolo, toy counter, in sized, new sounds, along with traditional organ music. A dependent tibias on each keyboard and the penetrating built-in cassette player/recorder lets you play along with kinura voice that all combine to recreate the sounds of pre-recorded tapes for even more dimensions in sound. the twenty-ton Mighty Wurlitzers of silent screen days. But you've got to play the Orbit III to believe it. And it's a cathedral/classical organ, too, with its own in Stop in at your Wurlitzer dealer and see the Wurlitzer dividually voiced diapason, reed, string and flute voices. 4037 and 4373. Play the eerie, switched-on sounds New linear accent controls permit you to increase or of synthesized music. Ask for your free Orbit III decrease the volume of selected sections suddenly, or demonstration record. Or write: Dept. T0-27 2 WURLilzER® The Wurlitzer Company, DeKalb, Illinois 60115. ha.4'the ,Tag cover- Photo •.. One of the organs to be featured at this years National Convention, July 10-14, 1972, is the 3/15 Wurlitzer in the Loew's Theatre, Richmond, Virginia. -
Copyright by Mohammad Raisur Rahman 2008
Copyright by Mohammad Raisur Rahman 2008 The Dissertation Committee for Mohammad Raisur Rahman certifies that this is the approved version of the following dissertation: Islam, Modernity, and Educated Muslims: A History of Qasbahs in Colonial India Committee: _____________________________________ Gail Minault, Supervisor _____________________________________ Cynthia M. Talbot _____________________________________ Denise A. Spellberg _____________________________________ Michael H. Fisher _____________________________________ Syed Akbar Hyder Islam, Modernity, and Educated Muslims: A History of Qasbahs in Colonial India by Mohammad Raisur Rahman, B.A. Honors; M.A.; M.Phil. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2008 Dedication This dissertation is dedicated to the fond memories of my parents, Najma Bano and Azizur Rahman, and to Kulsum Acknowledgements Many people have assisted me in the completion of this project. This work could not have taken its current shape in the absence of their contributions. I thank them all. First and foremost, I owe my greatest debt of gratitude to my advisor Gail Minault for her guidance and assistance. I am grateful for her useful comments, sharp criticisms, and invaluable suggestions on the earlier drafts, and for her constant encouragement, support, and generous time throughout my doctoral work. I must add that it was her path breaking scholarship in South Asian Islam that inspired me to come to Austin, Texas all the way from New Delhi, India. While it brought me an opportunity to work under her supervision, I benefited myself further at the prospect of working with some of the finest scholars and excellent human beings I have ever known. -
PENELOPE KEITH and TAMMY GRIMES Are the Society's Newest
FREE TO MEMBERS OF THE SOCIETY APRIL 2008 - THE NEWSLETTERCHAT OF THE NOËL COWARD SOCIETY Price £2 ($4) President: HRH Duke of Kent Vice Presidents: Barry Day OBE • Stephen Fry • Penelope Keith CBE • Tammy Grimes PENELOPE KEITH and TAMMY GRIMES are the Society’s Newest Vice Presidents arbara Longford, the Society’s Chairman, was delighted to announce this month that the star of the West End Coward revivals Star Quality and Blithe Spirit, Penelope Keith, has agreed to become our next Vice President. In America the actress Tammy Grimes the star of Look After Lulu, High Spirits and Private LivesBhas also graciously accepted our invitation. Both are known Coward devotees and will provide a strong theatrical presence amongst the Society’s Honorary Officers. Penelope Keith is best known in the UK for her television appearances in two of the most successful situation comedies in entertainment history. She made her first mark as the aspiring upper-class neighbour, Margot Ledbetter, in The Good Life and later as the upper-class lady fallen on hard times, Audrey Fforbes-Hamilton, in To The Manor Born. Apart from Star Quality and Blithe Spirit she has appeared on stage at the Chichester Festival in the premiere of Richard Everett’s comedy Entertaining Angels, which she later took on tour. In 2007 she played the part of Lady Bracknell in The Importance of Being Earnest on tour and is currently appearing in the same role at the Vaudeville Theatre in the West End (booking until 26 April). Her best known theatre appearance was in 1974, playing Sarah in The Norman Conquests opposite her The Good Life co-star Richard Briers. -
New Concert Console Organ by Wurlitzer Here Is the Or~An That Offers a Full O Utl~T for Your Talent, Hances One-Finger Melodies with Automatic Chords
SHOWCASEYOURTALENT New Concert Console Organ by Wurlitzer Here is the_or~an that offers a full o_utl~t for your talent, hances one-finger melodies with automatic chords. ~or~ ~.us1c or your money. This console of the Dancing Fingers"' plays in many modes of automatic eighties has pl~y today fea!ur~s that enh_ar:i<?~your arpeggiation on upper or lower keyboard enlarged by performance, with almost limitless poss1b1l1t1es. theatre, orchestral, classic, jazz, rock and disco. You'll variable and independent sustain for all voices. feel proud and in command seated at this console with Vari Voice"' lets you create solo voicings with variable its multitude of beautifully styled controls. sustain and repeating possibilities while a special "wow" The heart of the new 0-170, the Wurlitzer Digital Music attack provides even more versatility. System, brinJJSnew meaning to playability. The Orbit All of these features and more are combined in elegant Synthesizer ' has a multi-note capability. It can be cabinetry of Traditional and Mediterranean designs. coupled with the upper keyboard or through the two- Each one features controls color coordinated with speed Leslie speaker system. today's natural decorating hues. String Ensemble pre-sets produce the orchestral opu- Send for full information on the new Wurlitzer D-170 lence of Violins, Violas and Cellos. An independent Concert Console Organ. Celeste enhances other orchestral voices. There is a full range of Tibia pitches as well as a coupler system for both upper and lower keyboards. Polyphonic pedals for classical works. An extraordinary Solo Piano can be played throughout the upper keyboard. -
PRINT CULTURE and LEFT-WING RADICALISM in LAHORE, PAKISTAN, C.1947-1971
PRINT CULTURE AND LEFT-WING RADICALISM IN LAHORE, PAKISTAN, c.1947-1971 Irfan Waheed Usmani (M.Phil, History, University of Punjab, Lahore) A THESIS SUBMITTED FOR THE DEGREE OF DOCTOR OF PHILOSOPHY SOUTH ASIAN STUDIES PROGRAMME NATIONAL UNIVERSITY OF SINGAPORE 2016 DECLARATION I hereby declare that this thesis is my original work and it has been written by me in its entirety. I have duly acknowledged all the sources of information which have been used in the thesis. This thesis has also not been submitted for any degree in any university previously. _________________________________ Irfan Waheed Usmani 21 August 2015 ii ACKNOWLEDGEMENT First I would like to thank God Almighty for enabling me to pursue my higher education and enabling me to finish this project. At the very outset I would like to express deepest gratitude and thanks to my supervisor, Dr. Gyanesh Kudaisya, who provided constant support and guidance to this doctoral project. His depth of knowledge on history and related concepts guided me in appropriate direction. His interventions were both timely and meaningful, contributing towards my own understanding of interrelated issues and the subject on one hand, and on the other hand, injecting my doctoral journey with immense vigour and spirit. Without his valuable guidance, support, understanding approach, wisdom and encouragement this thesis would not have been possible. His role as a guide has brought real improvements in my approach as researcher and I cannot measure his contributions in words. I must acknowledge that I owe all the responsibility of gaps and mistakes in my work. I am thankful to his wife Prof. -
Radiotimes-July1967.Pdf
msmm THE POST Up-to-the-Minute Comment IT is good to know that Twenty. Four Hours is to have regular viewing time. We shall know when to brew the coffee and to settle down, as with Panorama, to up-to- the-minute comment on current affairs. Both programmes do a magnifi- cent job of work, whisking us to all parts of the world and bringing to the studio, at what often seems like a moment's notice, speakers of all shades of opinion to be inter- viewed without fear or favour. A Memorable Occasion One admires the grasp which MANYthanks for the excellent and members of the team have of their timely relay of Die Frau ohne subjects, sombre or gay, and the Schatten from Covent Garden, and impartial, objective, and determined how strange it seems that this examination of controversial, and opera, which surely contains often delicate, matters: with always Strauss's s most glorious music. a glint of humour in the right should be performed there for the place, as with Cliff Michelmore's first time. urbane and pithy postscripts. Also, the clear synopsis by Alan A word of appreciation, too, for Jefferson helped to illuminate the the reporters who do uncomfort- beauty of the story and therefore able things in uncomfortable places the great beauty of the music. in the best tradition of news ser- An occasion to remember for a Whitstabl*. � vice.-J. Wesley Clark, long time. Clive Anderson, Aughton Park. Another Pet Hate Indian Music REFERRING to correspondence on THE Third Programme recital by the irritating bits of business in TV Subbulakshmi prompts me to write, plays, my pet hate is those typists with thanks, and congratulate the in offices and at home who never BBC on its superb broadcasts of use a backing sheet or take a car- Indian music, which I have been bon copy. -
JOURNAL of the AMERICAN THEATRE ORGAN SOCIETY Orbil ID™E Eclronic 1Ynrhe1izer P,UJ ~ -~Oh Xe01pinel Orgon Equoj
JOURNAL OF THE AMERICAN THEATRE ORGAN SOCIETY Orbil ID™e eclronic 1ynrhe1izer P,UJ ~ -~oh_xe01pinel orgon equoJ... rhenewe;I woy lo mo <.emu1ic fromWur irzec Now with the Orbit III electronic synthesizer from slowly, just as the theatre organist did by opening and Wurlitzer you can create new synthesized sounds in closing the chamber louvers. stantly ... in performance. And with the built-in Orbit III synthesizer, this This new Wurlitzer instrument is also a theatre organ, instrument can play exciting combinations of synthe with a sectionalized vibrato/tremolo, toy counter, in sized, new sounds, along with traditional organ music. A dependent tibias on each keyboard and the penetrating built-in cassette player/recorder lets you play along with kinura voice that all combine to recreate the sounds of pre-recorded tapes for even more dimensions in sound. the twenty-ton Mighty Wurlitzers of silent screen days. But you've got to play the Orbit III to believe it. And it's a cathedral/classical organ, too, with its own in Stop in at your Wurlitzer dealer and see the Wurlitzer dividually voiced diapason, reed, string and flute voices. 4037 and 4373. Play the eerie, switched-on sounds New linear accent controls permit you to increase or of synthesized music. Ask for your free Orbit III decrease the volume of selected sections suddenly, or demonstration record. Or write: Dep t: 1072 WURLilzER ® The Wurlitzer Company, DeKalb, Illinois 60115. ha.4'1he ,vay cover- photo ... Genii's console, the 3/13 235 Special Wurlitzer with Brass Trumpet, was installed in the Canal Street Theatre in New York in 1927, and was moved to the Triboro The atre in Queens, New York in 1931. -
Catalogue-Light-A5.Pdf
An introduction (GLCD 5101) Gateway To The West (Farnon) - QUEEN’S HALL LIGHT ORCH./ROBERT FARNON; Going For A Ride (Torch) - SIDNEY TORCH AND HIS ORCH.; With A Song In My Heart (Rodgers, Hart) - ANDRE KOSTELANETZ & HIS ORCH.; Heykens’ Serenade (Heykens, arr. Goodwin) - RON GOODWIN & HIS ORCH.; Martinique (Warren) - RAY MARTIN & HIS ORCH.; Skyscraper Fantasy (Phillips) - CHARLES WILLIAMS & HIS CONCERT ORCH.; Dance Of The Spanish Onion (Rose) - DAVID ROSE & HIS ORCH.; Out Of This World - theme from the film (Arlen, Mercer) - MANTOVANI & HIS ORCH.; Paris To Piccadilly (Busby, Hurran) - L’ORCHESTRE DEVEREAUX/GEORGES DEVEREAUX; Festive Days (Ancliffe) - LONDON PROMENADE ORCH./ WALTER COLLINS; Ha’penny Breeze - theme from the film (Green) PHILIP GREEN & HIS ORCH.; Tropical (Gould) - MORTON GOULD & HIS ORCH.; Puffin’ Billy (White) - DANISH STATE RADIO ORCH./HUBERT CLIFFORD; First Rhapsody (Melachrino) - MELACHRINO ORCH./GEORGE MELACHRINO; Fantasie Impromptu in C Sharp Minor (Chopin, arr. Farnon) KINGSWAY SO/CAMARATA; London Bridge March (Coates) - NEW LIGHT SYMPHONY ORCH./JOSEPH LEWIS; Mock Turtles (Morley) - QUEEN’S HALL LIGHT ORCH./ROBERT FARNON; To A Wild Rose (MacDowell, arr. Peter Yorke) - PETER YORKE & HIS CONCERT ORCH.; Plink, Plank, Plunk! (Anderson) - LEROY ANDERSON & HIS ‘POPS’ CONCERT ORCH.; Jamaican Rhumba (Benjamin, arr. Percy Faith) - PERCY FAITH & HIS ORCH.; Vision in Velvet (Duncan) - NEW CONCERT ORCH./JACK LEON; Grand Canyon (van der Linden) - DOLF VAN DER LINDEN & HIS METROPOLE ORCH.; Dancing Princess (Hart, Layman, arr. Young) - FRANK CHACKSFIELD & HIS ORCH.; Dainty Lady (Peter) - REGINALD KING & HIS LIGHT ORCH.; Bandstand (‘Frescoes’ Suite) (Haydn Wood) - NEW CONCERT ORCH./SERGE KRISH The 1940s (GLCD 5102) Music In The Air (Lloyd, arr. -
Guild Gmbh Switzerland GUILD MUSIC GLCD 5220 Grandstand
GUILD MUSIC GLCD 5220 Grandstand 2014 Guild GmbH GLCD 5220 © 2014 Guild GmbH Guild GmbH Switzerland GUILD MUSIC GLCD 5220 Grandstand GRANDSTAND: PRODUCTION MUSIC OF THE 1940s GLCD 5179 Portrait of My Love GLCD 5199 Three Great American Light Orchestras GLCD 5180 Bright and Breezy GLCD 5200 A Glorious Century of Light Music 1 Grandstand (Robert Farnon) 2:18 GLCD 5181 The Lost Transcriptions – Vol. 2 GLCD 5201 Fiddles and Bows GLCD 5182 A Second A-Z of Light Music GLCD 5202 Cinema Classics QUEEN’S HALL LIGHT ORCHESTRA Conducted by ROBERT FARNON – Chappell C 344 1948 GLCD 5183 A Return Trip to the Library GLCD 5203 Great British Composers – Vol. 2 GLCD 5184 The Lost Transcriptions – Vol. 3 GLCD 5204 Salon, Light & Novelty Orchestras 2 Radio Theatre (Jack Beaver) 2:59 GLCD 5185 Christmas Celebration GLCD 5205 Here’s To Holidays GLCD 5186 Light Music While You Work – Vol. 3 GLCD 5206 Non-Stop To Nowhere NEW CENTURY ORCHESTRA Conducted by SIDNEY TORCH GLCD 5187 Light and Easy GLCD 5207 Ça C’est Paris – Francis, Day & Hunter FDH 040 1947 GLCD 5188 The Art of the Arranger – Vol. 1 GLCD 5208 The Lost Transcriptions – Vol. 4 GLCD 5189 Holidays for Strings GLCD 5209 My Dream is Yours 3 Caprice For Strings (Edward White) 2:54 GLCD 5190 Continental Flavour – Vol. 2 GLCD 5210 Invitation to the Dance GLCD 5191 Strings Afire GLCD 5211 Light Music While You Work – Vol. 5 LONDON PROMENADE ORCHESTRA Conducted by WALTER COLLINS – Paxton PR 423 1947 GLCD 5192 Stereo into the Sixties GLCD 5212 Bright Lights GLCD 5193 The Art of the Arranger – Vol. -
F:\Bunyad-July 2017\By Shahid\5 Saima Iram Bunyad
* . Grahame Bailey A History of Urdu Literature I have highlighted important trends and movements, which characterise the various phases of its development. . . . . . Early History . 1- Modern Indian Languages, 2- Western Hindi Dialects, 3- The Many Names of Urdu, 4- Literary Traditions, 5-Forms of Urdu Poetry 1- An Outline History of English Literature. (W. H. Hudson) 2- A Short History of English Literature. (E. Deguis) 3- A Short History of English Literature. (B. Ifor Evans) 4- A Short History of English Literature. (Deguis and Cazamian) . Earliest Writings (11th-16th Century) 1- Amir Khusrau, 2- Rekhtah, 3- Transfer of Tradition . Dakhani Urdu (14th-18th Century) 1- Official Language, 2- Earliest Dakhani Work, 3- Three Main Phases, 4- Sab-Ras, 5-In Gujarat, 6-Vali, 7- Post-Vali period, 8- Prose . . The Northern Scene (16th-17th Century) : 1- Braj Bhasha, 2- Rapprochement, 3- In Shahjahanabad, 4- Lexicons, 5- Afzal Jhanjhanavi A Golden Phase -
Travel, Travel Writing and the "Means to Victory" in Modern South Asia
Travel, Travel Writing and the "Means to Victory" in Modern South Asia The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Majchrowicz, Daniel Joseph. 2015. Travel, Travel Writing and the "Means to Victory" in Modern South Asia. Doctoral dissertation, Harvard University, Graduate School of Arts & Sciences. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:17467221 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Travel, Travel Writing and the "Means to Victory" in Modern South Asia A dissertation presented by Daniel Joseph Majchrowicz to The Department of NELC in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of Near Eastern Language and Civilizations Harvard University Cambridge, Massachusetts May 2015 © 2015 Daniel Joseph Majchrowicz All rights reserved. Dissertation Advisor: Ali Asani Daniel Joseph Majchrowicz Travel, Travel Writing and the "Means to Victory" in Modern South Asia Abstract This dissertation is a history of the idea of travel in South Asia as it found expression in Urdu travel writing of the nineteenth and twentieth centuries. Though travel has always been integral to social life in South Asia, it was only during this period that it became an end in itself. The imagined virtues of travel hinged on two emergent beliefs: that travel was a requisite for inner growth, and that travel experience was transferable.