November 29, 2020

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November 2020 Sunday November 1 The Feast of All Saints’ Sunday November 22 The Last Sunday after Pentecost: Christ the King 9:00 AM Morning Prayer 9:00 AM Morning Prayer Prelude Sine Nomine John Weaver Prelude Prelude and Trumpetings Myron Roberts Psalm 34:1-10, 22 Charles South Canticle Jubilate (Collegium Regale) Herbert Howells Canticle Jubilate in E-flat major Ernest Moeran Anthem Praise George Dyson Anthem Gaudent in coelis Richard Dering Hymns 460 Alleluia! sing to Jesus! (Hyfrydol) Hymns 287 For all the saints, who from their labors rest (Sine Nomine) 494 Crown him with many crowns (Diademata) 625 Ye holy angels bright (Darwall’s 148th) Voluntary Imperial March Edward Elgar Voluntary Placare Christe servulis Marcel Dupré 5:30 PM Choral Evensong Prelude Elegy William Grant Still Sunday November 8 The Twenty-Third Sunday after Pentecost Responses Peter Nardone Psalm 145:1-8 Thomas Hanforth 9:00 AM Morning Prayer Canticles Collegium Regale Herbert Howells Prelude Soliloquy David Conte Anthem Praise George Dyson Psalm 78:1-8 Charles Villiers Stanford Hymns Christ triumphant, ever reigning (Guiting Power) Canticle Jubilate in B-flat major Charles Villiers Stanford 382 King of glory, King of peace (General Seminary) Anthem O Lord, increase our faith Henry Loosemore Voluntary Imperial March Edward Elgar Hymns 68 Rejoice! Rejoice, believers (Llangloffan) 436 Lift up your heads, ye mighty gates (Truro) Voluntary Allegro risoluto (Plymouth Suite) Percy Whitlock Sunday November 29 The First Sunday of Advent 9:00 AM Morning Prayer Sunday November 15 The Twenty-Fourth Sunday after Pentecost Prelude Wachet auf, ruft uns die Stimme (BWV 645) Johann Sebastian Bach Psalm 80:1-7, 17-19 Tone VIII.1 9:00 AM Morning Prayer Canticle Benedictus in D minor Ralph Vaughan Williams Prelude Allegro (Sonata I, BWV 525i) Johann Sebastian Bach Anthem Creator of the stars of night John Scott Psalm 123 Morgan Overton Hymns 57 Lo! he comes, with clouds descending (Helmsley) Canticle Jubilate in F major John Ireland 59 Hark! a thrilling voice is sounding (Merton) Anthem God me in my head Henry Walford Davies Voluntary Toccata on Veni Emmanuel Andrew Carter Hymns 594 God of grace and God of glory (Cwm Rhondda) 680 O God, our help in ages past (St. Anne) Voluntary Menuet gothique (Suite gothique) Léon Boëllmann All services closed to the public. Live-streams available at facebook.com/stalbanswaco. The Rev. Aaron M. G. Zimmerman, Rector Eugene Lavery, Organist & Director of Music The Rev. Neal McGowan, Assistant Rector Holden Miller, Assistant Organist.

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Service Scheme April / May 2019
Service Scheme April / May 2019 Regular Authorised services 28 Sunday 08:00 Holy Communion The Second 10:00 The Cathedral Eucharist Hymns on service sheet Sunday after Easter Mass Joachim de Natividad Preacher: Canon Jeremy Dussek Visiting choir at 10:00 and God so loved the world John Stainer 11:30: The St Cecilia Singers 11:30 Choral Mattins Responses: William Smith Te Deum and Jubilate in C William Boyce Hymns: 107, 118, 124 Visiting choir at 15:30: The King’s School, Chester Now the green blade riseth Simon Lindley Psalm: 136 (vv 1 - 16) 15:30 Choral Evensong Hymns: 117, 120 29 Monday 08:30 Morning Prayer George, Martyr, 12:30 Holy Communion Patron of England, c. 304 17:30 Choral Evensong Responses: Grayston Ives C V Stanford in B flat Hymn: 162 Give me the wings of faith Ernest Bullock Psalms: 142, 143 30 Tuesday 08:30 Morning Prayer Mark the Evangelist 12:30 Holy Communion 17:30 Choral Evensong Responses: William Smith The Short Service Orlando Gibbons Hymn: 163 Almighty God, who hast instructed Thomas Tomkins Psalms: 147, 148, 149, 150 1 Wednesday 08:30 Morning Prayer Philip and James, 12:30 Holy Communion Apostles 17:30 Said Evening Prayer 2 Thursday 08:30 Morning Prayer 12:30 Holy Communion Athanasius, Bishop of Alexandria, Teacher, 373 13:10 Organ Recital Andrew Wyatt (Chester Cathedral) 17:30 Choral Evensong Responses: John Sanders Thomas Tertius Noble in B minor Hymn: 456 They that go down to the sea in ships Psalms: 12, 13, 14 Herbert Sumsion 3 Friday 08:30 Morning Prayer 12:30 Holy Communion 17:30 Choral Evensong The Second
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Septuagesima, Third Sunday Before Lent – 9Th February 2020
1 Music Notes: Septuagesima, Third Sunday before Lent – 9th February 2020 It is difficult to believe that it is already just over seven years since the death of Richard Rodney Bennett (1936–2012) – he contrived to expire on Christmas Eve 2012. He was a remarkable composer and performer. As a student at the Royal Academy, he studied with Howard Ferguson and Lennox Berkeley, although perhaps with little evidence of this in his later works. While at the Academy (where he would later teach himself), he struck up a good relationship with the British avant garde composer Cornelius Cardew, before going to study with Boulez in Paris, who impressed him deeply, although not permanently. At that time, he was much taken with Boulez’s music, and with it, the entire serialist school. “Serial” here refers to a style of composition in which (in its classic version) a sequence of notes is defined – usually not something that most people would call a “tune” in the conventional sense – and the composer then uses this as the “input” for a work, manipulating the so-called “tone row” in a variety of ways to form the structure of the music. To be rather blunt, this doesn’t work well for many people, and it is often what people mean when they speak of “squeaky gate music”. Still, it became a very important compositional device for many years in the hands of a large number of composers. For a time, it almost succeeded in knocking most other approaches to composition out of the way. In recent years, this has changed again.
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Profesionalizacija in Specializacija Glasbenega Dela ▪︎ The
doi: https://doi.org/10.26493/978-961-7055-86-3.87-104 In the Shadow of Parry, Stanford and Mackenzie: Musical Composition studies in the principal London Conservatories from 1918 to 1945 Niall O’Loughlin Univerza v Loughboroughu Loughborough University In the early 20th century, the main British music institutions, which at- tracted the attention of prospective composers, were the Royal Academy of Music and the Royal College of Music, both located in London. What is particularly notable is that the early principals of the Royal Academy were almost always prominent composers and the directors of the Royal College were very often composers, too. The history of the founding and the back- ground of these two conservatories gives some understanding of their po- sition and standing by the end of World War I. In the early 1820s patriotic amateurs promoted ideas for the founda- tion of a Royal Academy of Music, but this was initially opposed by the mu- sic profession, which felt that there were too many musicians anyway. The professionals then tried unsuccessfully to associate the proposed academy with the long-standing Philharmonic Society, which later commissioned Beethoven’s Ninth Symphony during the same period. In the end the am- ateurs, principally John Fane, eleventh Earl of Westmorland (also known as Lord Berghersh) with assistance of royalty, notably King George IV, suc- ceeded in establishing the Academy of Music in 1822 in London, the first of the British conservatories, receiving its royal charter in 1830 to become the Royal Academy of Music. To create a strong credibility for the institution the founders needed to appoint a distinguished principal, although the choice was perhaps not that difficult.
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Boston Symphony Orchestra Concert Programs, Summer, 1998
BOSTON SYMPHONY ORCHESTRA SEUI OZAWA, MUSIC DIRECTOR Tangtewqpd 19 9 8 HOLSTEN GALLERIE DALE CHIHULY New Works Elm Street, Stockbridge, MA 01262 (Next to Post Office) (413) 298-3044 fax: (413) 298-3275 www. holstengalleries . com Celebrating twenty years in our newly renovated and expanded gallery space Seiji Ozawa, Music Director Bernard Haitink, Principal Guest Conductor One Hundred and Seventeenth Season, 1997-98 Trustees of the Boston Symphony Orchestra, Inc. R. Willis Leith, Jr., Chairman Nicholas T. Zervas, President Treasurer Peter A. Brooke, Vice-Chairman William J. Poorvu, Vice-Chairman and Mrs. Edith L. Dabney, Vice-Chairman Ray Stata, Vice-Chairman Harvey Chet Krentzman, Vice-Chairman Harlan E. Anderson Nader F. Darehshori Julian T. Houston Robert P. O' Block Gabriella Beranek Deborah B. Davis Edna S. Kalman ex-officio James F. Cleary Nina L. Doggett George Krupp Vincent O'Reilly Peter C. Read John F. Cogan, Jr. Charles K. Gifford, Mrs. August R. Meyer Julian Cohen ex-officio Richard P. Morse Hannah H. Schneider William F. Connell AvramJ. Goldberg Mrs. Robert B. Margaret Williams- DeCelles, William M. Crozier, Jr. Thelma E. Goldberg Newman ex-officio Life Trustees Vernon R. Alden Archie C. Epps Mrs. George I. Richard Smith David B. Arnold, Jr. Mrs. John H. Kaplan Sidney Stoneman J. P. Barger Fitzpatrick George H. Kidder John Hoyt Stookey Leo L. Beranek Dean W. Freed Irving W. Rabb John L. Thorndike Abram T. Collier Mrs. John L. Mrs. George Lee Grandin Sargent Nelson J. Darling, Jr. Other Officers of the Corporation Thomas D. May and John Ex Rodgers, Assistant Treasurers Daniel R.
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SAINT PAUL's PARISH Washington, D.C. Liturgical Music For
SAINT PAUL’S PARISH Washington, D.C. Liturgical Music for Epiphanytide 2020 The Reverend Richard Wall, Rector Jeffrey Smith, Director of Music Music at the 9:00 am Sung Mass is selected from among the repertoire of the day ------------------------------------------------------------------------------------------------------------------------------- January 19 The Solemnity of the Conversion of Saint Paul ------------------------------------------------------------------------------------------------------------------------------- Procession and Solemn High Mass at 10:30 am Setting Communion Service in E Harold Darke (1888--1976) Psalm 84 Chant: C. Hubert H. Parry Anthem Give us the wings of faith Ernest Bullock (1890-1979) Voluntary Petite Suite Marc-Antoine Charpentier (1634-1704) Solemn Evensong and Benediction of the Blessed Sacrament at 4:00 pm Psalm 150 Charles Villiers Stanford (1852-1924) Setting Evening Service in C Charles Villiers Stanford Anthem Blessed City, Heavenly Salem Edward C. Bairstow (1874-1946) Voluntary Imperial March Edward Elgar (1857-1934) ------------------------------------------------------------------------------------------------------------------------------- January 26 The Third Sunday after the Epiphany ------------------------------------------------------------------------------------------------------------------------------- Choral Matins at 10:30 am (followed by Holy Eucharist) Setting Morning Service: Collegium Regale Herbert Howells (1982-2003) Psalm 27: 1, 5-13 Chant: Thomas Atwood
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Psalms of David
Elliot Jones, Music Director Psalms of David 3:00 p.m. Sunday, April 28, 2019 Temple Emanu-El Elliot Jones, Conductor Will Thomas, Organist Sing joyfully (Psalm 81) William Byrd (1543-1623) A new song (Psalm 96) James MacMillan (b. 1959) Beati quorum via (Psalm 119) Charles Villiers Stanford (1852-1924) Like as the hart (Psalm 42) Herbert Howells (1892-1983) Clap your hands (Psalm 47) Edwin Fissinger (1920-1990) Psalm 23 C. Hylton Stewart (1884-1932) Three Psalms from King David Arthur Honegger (1892-1955) All praise to him, the Lord of glory Thee will I love, O Lord Now my voice in song upsoaring Psalm 121 Henry Walford Davies (1869-1941) Soloists: Emily Lyons and Bradley Hann Salmo 150 Ernani Aguiar (b. 1950) 1 INTERMISSION The Song of Solomon I was asleep but my heart stayed awake. Listen! My beloved is knocking. - Song of Solomon 5:2 Quam pulcra es John Dunstable (1385-1453) How beautiful you are, and how graceful, dearest one, my delight. Your stature is like a palm tree and your breasts like clusters of grapes. Your head is like Mount Carmel, your neck like an ivory tower. Come my beloved, let us go to the fields and let us see If the grape blossoms have borne fruit and the pomegranates are in bloom. There I will give my breasts to you. Alleluia. I sat down under his shadow Edward C. Bairstow (1874-1946) My beloved spake Patrick Hadley (1899-1973) Purer than purest pure (e.e. cummings) Daniel Asia (b. 1953) Make Peace David Lang (b.
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The Choir of Men and Boys ∙ the Parish of All Saints, Ashmont
The Choir of Men and Boys ∙ The Parish of All Saints, Ashmont 209 Ashmont Street, Dorchester Boston, Massachusetts 02124 Telephone 617–436–3520 [email protected] FAX 617–436–7320 FREDERICK BACKHAUS, Organist & Master of Choristers CHORAL MUSIC – St. Matthew to Last Pentecost, 2008 (Year A) St. Matthew The Choir of Men & Boys September 21, 2008 Communion Service in D – Everett Titcomb Psalm 119:33-40 (Smart) Sing, my soul – Ned Rorem Thee we adore – T. Frederick H. Candlyn 20 Pentecost (Proper 21) The Choir of Men & Boys September 28, 2008 Communion Service in E – Harold Darke Psalm 25:3-9 (S.S. Wesley) O Lord God (AATB) – William Deane Ave verum Corpus – Edward Elgar 21 Pentecost (Proper 22) The Choir of Men & Boys October 5, 2008 Missa Marialis – Plainsong Psalm 80:7-14 (P Hayes) Vinea mea electa – Francis Poulenc 22 Pentecost (Proper 23) The Choir of Men & Boys October 12, 2008 Communion Service in F – Herbert Sumsion Psalm 23 (Goss) Prevent us, O Lord – William Byrd Rejoice in the Lord alway (AATB) – Thomas Causton 23 Pentecost (Proper 24) The Choir of Men & Boys October 19, 2008 Communion Service in F – William H. Harris Psalm 96:1-9 (Stanford) O sing joyfully – Adrian Batten Thou, O God, art praised in Sion (ATTB) – Charles Macpherson 24 Pentecost (Proper 25) The Gentlemen of the Choir October 26, 2008 Mass for three voices – William Byrd Psalm 1 (Hindle) I give you a new commandment (ATBB) – John Sheppard A new commandment (AATB) – Thomas Tallis Feast of All Saints (Sunday) The Choir of Men & Boys November 2, 2008 Solemn Mass
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Boston Symphony Orchestra Concert Programs, Summer, 2005
fanglewood 2005 •*£ « » H I JAMES LEVINE MUSIC DIRECTOR fifiii& -ty7s V y./// s>sf ' "^>*^i /. '"/.i $ .«•»•*•« - •""m 1 mr-*' "(flpw*^- ORIGINS GflUCftY formerly TRIBAL ARTS GALLERY, NYC Ceremonial and modern sculpture for new and advanced collectors Open 7 Days 36 Main St. POB 905 413-298-0002 Stockbridge, MA 01262 BOSTON SYMPHONY ORCHESTRA One Hundred and Twenty-Fourth Season, 2004-05 TANGLEWOOD 2005 Trustees of the Boston Symphony Orchestra, Inc. Peter A. Brooke, Chairman John E Cogan, Jr., Vice- Chairman Robert P. O'Block, Vice-Chairman Nina L. Doggett, Vice-Chairman Roger T. Servison, Vice-Chairman Edward Linde, Vice-Chairman Vincent M. O'Reilly, Treasurer Harlan E. Anderson Eric D. Collins Edmund Kelly Edward I. Rudman George D. Behrakis Diddy Cullinane, George Krupp Hannah H. Schneider Gabriella Beranek ex-officio R Willis Leith, Jr. Thomas G. Sternberg Mark G. Borden William R. Elfers Nathan R. Miller Stephen R. Weber Jan Brett Nancy J. Fitzpatrick Richard P. Morse Stephen R. Weiner Samuel B. Bruskin Charles K. Gifford Ann M. Philbin, Robert C. Winters Paul Buttenwieser Thelma E. Goldberg ex-omcio James F. Cleary Life Trustees Vernon R. Alden Julian Cohen Edna S. Kalman Peter C. Read David B.Arnold, Jr. Abram T. Collier George H. Kidder Richard A. Smith J. P. Barger Mrs. Edith L. Dabney Harvey Chet Krentzman Ray Stata Leo L. Beranek Nelson J. Darling, Jr. Mrs. August R. Meyer John Hoyt Stookey Deborah Davis Berman Mrs. John H. Fitzpatrick Mrs. Robert B. Newman John L. Thorndike Jane C. Bradley Dean W. Freed William J. Poorvu Dr. Nicholas T.
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University of California Riverside
UNIVERSITY OF CALIFORNIA RIVERSIDE Elizabeth Maconchy: The Early Years, 1923 - 1939 A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music by Erica Janice Siegel August 2016 Dissertation Committee: Dr. Byron Adams, Chairperson Dr. Rogerio Budasz Dr. Walter Clark Copyright by Erica Janice Siegel 2016 The Dissertation of Erica Janice Siegel is approved: Committee Chairperson University of California, Riverside Acknowledgements This dissertation would have been impossible to complete without the assistance of several individuals. First and foremost, I would like to thank Dr. Nicola LeFanu for her incredible kindness, generosity, and assistance. I am also indebted to Dr. Jenny Doctor, Dr. Sophie Fuller, and Dr. Rhiannon Mathias, who have all made important contributions to scholarship on Maconchy and women composers in Britain. I would especially like to thank my advisor, Dr. Byron Adams, for his unwavering support, as well as my committee members Dr. Rogerio Budasz, Dr. Walter Clark, and Dr. Leonora Saavedra. Much of this research would have been impossible to complete without the generous funding of an IHR Mellon Dissertation Research Fellowship, and I’d like to thank Dr. Lawrence Goldman and Vanessa Rockel for their support during my year as a Mellon Fellow at the Institute of Historical Research. Several individual also offered their time and assistance over the course of my research in the UK, and I am particularly grateful to Dr. Dan Grimely, Dr. Leanne Langley, and Hugh Cobbe for their advice and guidance. I would also particularly like to thank Clara Colvin for her generous hospitality.
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Services and Music May 2016
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Spelman College Archives Willis Lawrence James Collection
Spelman College Archives Willis Lawrence James Collection Box 1- Music 1. The Nightingale- Thomas Weelkes 2. Al l The Things You Are- Jerome Kern 3. De San’man’s Song- Howard D. McKinney 4. Echo Song- Paul Bliss 5. Cradle Song of the Virgin- Johannes Brahms 6. Lucia Di Lammermoor- Donizetti 7. The Singing Leaves- Frances McCollin 8. To My Jesus Do I Cling- J.S. Bach 9. He’s Gone Away- Appalachian Folk-Song 10. Search Me, O Lord- Edward Margetson 11. The Night is Calm- Sir Arthur S. Sullivan 12. The Shepherd To His Love- Joseph H. Soifer 13. The Lass with the Delicate Air- Michael Arne 14. The Indian Bride- P.E. Fletcher 15. The Trysting Place- J. Brahms 16. An Annapolis Lullaby- Gustav Klemm 17. Little David, Play on Your Harp –arr. Carl R. Diton 18. Daniel- Harvey Enders 19. Landate Dominum- Mozart 20. God of the Open Air- Noble Cain 21. Now Start We With a Godly Song- Hans Leo Hasler 22. The Earth, O Lord, Is Blessed by Three- A. Fuleihan 23. Bragging Dan- George Morgan 24. Dearest, Believe- arr. Daniel Protheroe 25. As The Hart Pants- Felix Mendelssohn-Batholdy 26. On the Road to Mandalay- Oley Speaks 27. Barter- W.C. MacFarlane 28. Adoramus Te, Christe- G. Corsi 29. Ave Maria- Bach Gounod Huntley 30. Hast Thou Forgot- Gordon Nevin 31. Now Sleeps the Crimson Petal- E. Margetson 32. The Silver Lanterns of the Night- J.Redding 1 33. Daughter of Jairus- John Stainer 34. The Master- Singers of Nuremberg- Richard Wagner 35.
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From Oldham to Oxford: the Formative Years of Sir William Walton
From Oldham to Oxford: The Formative Years of Sir William Walton Gary D. Cannon A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts University of Washington 2014 Reading Committee: Geoffrey P. Boers, Chair Abraham Kaplan Giselle E. Wyers Program Authorized to Offer Degree: School of Music © Copyright 2014 Gary D. Cannon University of Washington Abstract From Oldham to Oxford: The Formative Years of Sir William Walton Gary D. Cannon Chair of the Supervisory Committee: Professor Geoffrey Boers Choral Conducting, School of Music The formative years of William Walton (1902–1983) are rarely considered when studying the composer’s life and works. However, careful study of that period indicates many of the directions that the adult Walton would take. Industrial Lancashire was more musically active during the period of Walton’s youth (covering the years 1902 to 1912) than is generally considered. His time as a chorister and later undergraduate at Christ Church, Oxford (1912 to 1920), is replete with influential interactions with talented adults and fellow students. Detailed consideration of Walton’s juvenilia reveals a keen thinker who assimilated these various influences in a unique manner. Far more than merely a springboard for a future talent, these years resulted in inspired works and a firm purpose for the budding composer. From Oldham to Oxford The Formative Years of Sir William Walton Contents Introduction..................................................................................................................................................
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