A Choral Evensong Feast of St
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Service Scheme April / May 2019
Service Scheme April / May 2019 Regular Authorised services 28 Sunday 08:00 Holy Communion The Second 10:00 The Cathedral Eucharist Hymns on service sheet Sunday after Easter Mass Joachim de Natividad Preacher: Canon Jeremy Dussek Visiting choir at 10:00 and God so loved the world John Stainer 11:30: The St Cecilia Singers 11:30 Choral Mattins Responses: William Smith Te Deum and Jubilate in C William Boyce Hymns: 107, 118, 124 Visiting choir at 15:30: The King’s School, Chester Now the green blade riseth Simon Lindley Psalm: 136 (vv 1 - 16) 15:30 Choral Evensong Hymns: 117, 120 29 Monday 08:30 Morning Prayer George, Martyr, 12:30 Holy Communion Patron of England, c. 304 17:30 Choral Evensong Responses: Grayston Ives C V Stanford in B flat Hymn: 162 Give me the wings of faith Ernest Bullock Psalms: 142, 143 30 Tuesday 08:30 Morning Prayer Mark the Evangelist 12:30 Holy Communion 17:30 Choral Evensong Responses: William Smith The Short Service Orlando Gibbons Hymn: 163 Almighty God, who hast instructed Thomas Tomkins Psalms: 147, 148, 149, 150 1 Wednesday 08:30 Morning Prayer Philip and James, 12:30 Holy Communion Apostles 17:30 Said Evening Prayer 2 Thursday 08:30 Morning Prayer 12:30 Holy Communion Athanasius, Bishop of Alexandria, Teacher, 373 13:10 Organ Recital Andrew Wyatt (Chester Cathedral) 17:30 Choral Evensong Responses: John Sanders Thomas Tertius Noble in B minor Hymn: 456 They that go down to the sea in ships Psalms: 12, 13, 14 Herbert Sumsion 3 Friday 08:30 Morning Prayer 12:30 Holy Communion 17:30 Choral Evensong The Second -
The Musical Life and Aims of the Ordinariate of Our Lady Of
The Musical Life and Aims of the Ordinariate of Our Lady of Walsingham a paper given by the Reverend Monsignor Andrew Burnham, Assistant to the Ordinary, at the Blessed John Henry Newman Institute of Liturgical Music, Birmingham. When the Holy Father visited Westminster Abbey just two years ago, his pleasure was evident as he encountered not only the splendour of the building but also its orderly musical tradition. It was an occasion in preparation for which considerable ingenuity had been expended – in that rather over-attentive way that Anglicans go about things – and, whereas you and I know that what the Pope would undoubtedly have preferred would have been the opportunity to sit in choir – on however splendid a cushion – and absorb the glory of a weekday choral evensong, what he got was something rather more bespoke. Pontiffs and prelates are never allowed to experience things as they actually are. Nonetheless, I am sure it was not lost on him that, greeted by a Latin motet written by an Irish Protestant composer, Charles Villiers Stanford, and an English anthem written by an English recusant composer, William Byrd, he was encountering a very sophisticated musical tradition. It is a tradition that has inspired not only Irish Protestants to set Latin texts, but also sceptics, devout and not so devout, to set canticles and anthems, and, in the case of Vaughan Williams, to put his innate atheism to one side and compile what remains the best of the English hymnbooks. There is a certain amount of evidence that, when the Holy See began to talk about inviting groups of Anglicans into the full communion of the Catholic Church, some in Rome expected to receive diocesan bishops, with their cathedrals, their cathedral choirs, their parish clergy, their parish churches, and the laity of the parishes. -
St. P Aul's Chapel
Ascension Day May 30, 2019, 5:30pm Broadway and Fulton Street, New York City Street, and Fulton Broadway St. Paul’s Chapel St. Paul’s Precious Love, your ascended Son promised the gift of holy power. Send your Spirit of revelation and wisdom, that in the blessed freedom of hope, Trinity Church WALL STREET we may witness to the grace of forgiveness and sing songs of joy with the peoples of earth to the One who makes us one body. Amen. RCLP p. 124 Mission In the spirit of the Gospels, the mission of Trinity Church Wall Street is to build generations of faithful leadership, to build up neighborhoods, and to build financial capacity for holy service in New York City and around the world. Our mission is grounded in our core values. Vision We seek to serve and heal the world by building neighborhoods that live gospel truths, generations of faithful leaders, and sustainable communities. Core Values Faith Compassion “For truly I tell you, if you have faith the size of a “When he went ashore he saw a great crowd, and he mustard seed, you will say to this mountain, ‘Move had compassion on them and healed their sick.” from here to there,’ and it will move; and nothing will —Matthew 14:14 be impossible for you.” —Matthew 17:20 Social Justice Integrity “He has showed you what is good; and what the Lord “Finally, beloved, whatever is true, whatever is honorable, requires of you: to do justice, and to love kindness and whatever is just, whatever is pure, whatever is lovely, to walk humbly with your God.” —Micah 6:8 whatever is gracious, if there is any excellence, if there is anything worthy of praise, think about these things.” Stewardship —Philippians 4:8 “There will come seven years of great plenty throughout all the land of Egypt. -
Trying Christ Church for First Time?
But “Everyone Knows...” Oh Yeah? Trying Christ Church for First Time? Trying an Anglican Church for the first Time? So, you found the map and directions on the website, but then what? Here is a Short Primer to Help you Find Your Way! Parking... • There is a modest parking lot in the alley behind the church... often it’s full by 10am, so most people park on 8th Street and 34th Ave or on the nearby residential streets. Parking is free. • If you’re coming north on Elbow Drive, keep in mind you can turn left on Sifton, but not on 34th. Getting Inside... We have three west-facing entrances on 8th Street. • Door #1 - Don’t bother with the southernmost one by the labyrinth... this is for the office on week days and we lock it to avoid confusion on Sundays. • Door #2 - Better... the next door north (called the “Loggia” or the hallway that runs along the outside of the worship space) This leads to the stairs and elevator which access the nursery and Sunday school rooms, and further along on the main level the washrooms. This entrance also accesses the worship space. • Door #3 - Best... the main entrance into the narthex (funny church word for foyer). There, you will find a greeter to help you find your way... and a place to hang your coat if you wish! Worship Materials • The greeter will offer you a “bulletin”, a little booklet which contains almost everything you need to follow along in the service. • The songs and hymns are in the blue book that you will find in the pew). -
The Book of Common Prayer
The Book of Common Prayer and Administration of the Sacraments and Other Rites and Ceremonies of the Church Together with The Psalter or Psalms of David According to the use of The Episcopal Church Church Publishing Incorporated, New York Certificate I certify that this edition of The Book of Common Prayer has been compared with a certified copy of the Standard Book, as the Canon directs, and that it conforms thereto. Gregory Michael Howe Custodian of the Standard Book of Common Prayer January, 2007 Table of Contents The Ratification of the Book of Common Prayer 8 The Preface 9 Concerning the Service of the Church 13 The Calendar of the Church Year 15 The Daily Office Daily Morning Prayer: Rite One 37 Daily Evening Prayer: Rite One 61 Daily Morning Prayer: Rite Two 75 Noonday Prayer 103 Order of Worship for the Evening 108 Daily Evening Prayer: Rite Two 115 Compline 127 Daily Devotions for Individuals and Families 137 Table of Suggested Canticles 144 The Great Litany 148 The Collects: Traditional Seasons of the Year 159 Holy Days 185 Common of Saints 195 Various Occasions 199 The Collects: Contemporary Seasons of the Year 211 Holy Days 237 Common of Saints 246 Various Occasions 251 Proper Liturgies for Special Days Ash Wednesday 264 Palm Sunday 270 Maundy Thursday 274 Good Friday 276 Holy Saturday 283 The Great Vigil of Easter 285 Holy Baptism 299 The Holy Eucharist An Exhortation 316 A Penitential Order: Rite One 319 The Holy Eucharist: Rite One 323 A Penitential Order: Rite Two 351 The Holy Eucharist: Rite Two 355 Prayers of the People -
A Concise Glossary of the Genres of Eastern Orthodox Hymnography
Journal of the International Society for Orthodox Church Music Vol. 4 (1), Section III: Miscellanea, pp. 198–207 ISSN 2342-1258 https://journal.fi/jisocm A Concise Glossary of the Genres of Eastern Orthodox Hymnography Elena Kolyada [email protected] The Glossary contains concise entries on most genres of Eastern Orthodox hymnography that are mentioned in the article by E. Kolyada “The Genre System of Early Russian Hymnography: the Main Stages and Principles of Its Formation”.1 On the one hand the Glossary is an integral part of the article, therefore revealing and corroborating its principal conceptual propositions. However, on the other hand it can be used as an independent reference resource for hymnographical terminology, useful for the majority of Orthodox Churches worldwide that follow the Eastern Rite: Byzantine, Russian, Bulgarian, Serbian et al., as well as those Western Orthodox dioceses and parishes, where worship is conducted in English. The Glossary includes the main corpus of chants that represents the five great branches of the genealogical tree of the genre system of early Christian hymnography, together with their many offshoots. These branches are 1) psalms and derivative genres; 2) sticheron-troparion genres; 3) akathistos; 4) canon; 5) prayer genres (see the relevant tables, p. 298-299).2 Each entry includes information about the etymology of the term, a short definition, typological features and a basic statement about the place of a particular chant in the daily and yearly cycles of services in the Byzantine rite.3 All this may help anyone who is involved in the worship or is simply interested in Orthodox liturgiology to understand more fully specific chanting material, as well as the general hymnographic repertoire of each service. -
The Book of Alternative Services of the Anglican Church of Canada with the Revised Common Lectionary
Alternative Services The Book of Alternative Services of the Anglican Church of Canada with the Revised Common Lectionary Anglican Book Centre Toronto, Canada Copyright © 1985 by the General Synod of the Anglican Church of Canada ABC Publishing, Anglican Book Centre General Synod of the Anglican Church of Canada 80 Hayden Street, Toronto, Ontario, Canada M4Y 3G2 [email protected] www.abcpublishing.com All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the written permission of the publisher. Acknowledgements and copyrights appear on pages 925-928, which constitute a continuation of the copyright page. In the Proper of the Church Year (p. 262ff) the citations from the Revised Common Lectionary (Consultation on Common Texts, 1992) replace those from the Common Lectionary (1983). Fifteenth Printing with Revisions. Manufactured in Canada. Canadian Cataloguing in Publication Data Anglican Church of Canada. The book of alternative services of the Anglican Church of Canada. Authorized by the Thirtieth Session of the General Synod of the Anglican Church of Canada, 1983. Prepared by the Doctrine and Worship Committee of the General Synod of the Anglican Church of Canada. ISBN 978-0-919891-27-2 1. Anglican Church of Canada - Liturgy - Texts. I. Anglican Church of Canada. General Synod. II. Anglican Church of Canada. Doctrine and Worship Committee. III. Title. BX5616. A5 1985 -
Sunday, July 8, 2018
Welcome to the season after Pentecost at Trinity Church We are so glad you are here to pray with us today. This booklet will be your guide for Sunday worship here through the summer. We are now in the longest liturgical season of the year: the time of the formation of the church. Having walked and prayed and sung—through the Advent of Jesus, the Epiphany manifestations of God in Christ, the penitential pilgrimage of preparation in Lent, the intensity of the Passion in Holy Week, and the joyous season of the mystery of the resurrection in Eastertide—we come now to the time where we, the Lord’s people, are learning to be the body of Christ. At Trinity, we mark the liturgical seasons with predictable variations. For the summer, the congregation and summer choirs will speak the psalms and sing the Sanctus, Lord’s Prayer, and Agnus Dei (which can be found on the back cover) together. And always, please sing the hymns with courage! You’ll find the psalms on the scripture insert, handed out each Sunday. The hymns are found in the blue Hymnal. Please stand and sing for all hymns. The prayer for the Eucharist is found in the Book of Common Prayer. The order of service and music selections for each Sunday may be found on the page for the day. This booklet is designed to be reused each week. Please leave it in the pew as you depart. A PDF is available for download at trinitychurchboston.org/publications T RINI T Y C HUR C H in the City of Boston 206 Clarendon Street, Boston, MA 02116 617-536-0944 J trinitychurchboston.org 2 J welcome season after pentecost at Trinity Church Boston May 27 trinity sunday Prelude Apparition de l’église éternelle (Vision of the Eternal Church) Olivier Messiaen (1902-1986) WORD OF GOD Book of Common Prayer (BCP) p. -
I. a Humanist John Merbecke
Durham E-Theses Renaissance humanism and John Merbecke's - The booke of Common praier noted (1550) Kim, Hyun-Ah How to cite: Kim, Hyun-Ah (2005) Renaissance humanism and John Merbecke's - The booke of Common praier noted (1550), Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/2767/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 Renaissance Humanism and John Merbecke's The booke of Common praier noted (1550) Hyun-Ah Kim A copyright of this thesis rests with the author. No quotation from it should be published without his prior written consent and information derived from it should be acknowledged. Thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in Durham University Department of Music Durham University .2005 m 2001 ABSTRACT Hyun-Ah Kim Renaissance Humanism and John Merbecke's The booke of Common praier noted (1550) Renaissance humanism was an intellectual technique which contributed most to the origin and development of the Reformation. -
Septuagesima, Third Sunday Before Lent – 9Th February 2020
1 Music Notes: Septuagesima, Third Sunday before Lent – 9th February 2020 It is difficult to believe that it is already just over seven years since the death of Richard Rodney Bennett (1936–2012) – he contrived to expire on Christmas Eve 2012. He was a remarkable composer and performer. As a student at the Royal Academy, he studied with Howard Ferguson and Lennox Berkeley, although perhaps with little evidence of this in his later works. While at the Academy (where he would later teach himself), he struck up a good relationship with the British avant garde composer Cornelius Cardew, before going to study with Boulez in Paris, who impressed him deeply, although not permanently. At that time, he was much taken with Boulez’s music, and with it, the entire serialist school. “Serial” here refers to a style of composition in which (in its classic version) a sequence of notes is defined – usually not something that most people would call a “tune” in the conventional sense – and the composer then uses this as the “input” for a work, manipulating the so-called “tone row” in a variety of ways to form the structure of the music. To be rather blunt, this doesn’t work well for many people, and it is often what people mean when they speak of “squeaky gate music”. Still, it became a very important compositional device for many years in the hands of a large number of composers. For a time, it almost succeeded in knocking most other approaches to composition out of the way. In recent years, this has changed again. -
PRI Chalice Lessons-All Units
EPISCOPAL CHILDREN’S CURRICULUM PRIMARY CHALICE Chalice Year Primary Copyright © 2009 Virginia Theological Seminary i Locke E. Bowman, Jr., Editor-in-Chief Amelia J. Gearey Dyer, Ph.D., Associate Editor The Rev. George G. Kroupa III, Associate Editor Judith W. Seaver, Ph.D., Managing Editor (1990-1996) Dorothy S. Linthicum, Managing Editor (current) Consultants for the Chalice Year, Primary Charlie Davey, Norfolk, VA Barbara M. Flint, Ruxton, MD Martha M. Jones, Chesapeake, VA Burleigh T. Seaver, Washington, DC Christine Nielsen, Washington, DC Chalice Year Primary Copyright © 2009 Virginia Theological Seminary ii Primary Chalice Contents BACKGROUND FOR TEACHERS The Teaching Ministry in Episcopal Churches..................................................................... 1 Understanding Primary-Age Learners .................................................................................. 8 Planning Strategies.............................................................................................................. 15 Session Categories: Activities and Resources ................................................................... 21 UNIT I. JUDGES/KINGS Letter to Parents................................................................................................................... I-1 Session 1: Joshua................................................................................................................. I-3 Session 2: Deborah............................................................................................................. -
The Plight of Anglican Church Music in the Western Cape: Three Case Studies
THE PLIGHT OF ANGLICAN CHURCH MUSIC IN THE WESTERN CAPE: THREE CASE STUDIES Levi Eudo Alexander Thesis presented in partial fulfilment of the requirements for the degree of Master of Music (Choral Conducting) in the Faculty of Arts and Social Sciences at Stellenbosch University. Supervisor: Martin Berger March 2021 Stellenbosch University https://scholar.sun.ac.za DECLARATION By submitting this thesis electronically, I declare that the entirety of the work contained therein is my own, original work, that I am the sole author thereof (save to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification. Levi Alexander March 2021 Copyright © 2021 Stellenbosch University All rights reserved 1 Stellenbosch University https://scholar.sun.ac.za ABSTRACT Music ministries still providing Anglican church congregations with traditional Anglican church music find themselves clutching onto a musical tradition in a church plagued by the increasing secularisation of society. This thesis, in three case studies, investigates the musical output and general daily function of three Anglican churches in the Western Cape by interviewing the rector and music director of each parish. Each parish was selected as it presented a varied historical, musical, liturgical and churchmanship culture. The aim of the thesis is to ascertain, primarily, whether traditional music is under threat of falling into disuse in the church and secondly, if traditional music is indeed under threat, the possible measures which could be implemented to preserve the heritage for future generations of Anglican worshippers.