Frederick Stuart Church Art Collection
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Charles Lang Freer and His Gallery of Art : Turn-Of-The-Century Politics and Aesthetics on the National Mall
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 8-2007 Charles Lang Freer and his gallery of art : turn-of-the-century politics and aesthetics on the National Mall. Patricia L. Guardiola University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Recommended Citation Guardiola, Patricia L., "Charles Lang Freer and his gallery of art : turn-of-the-century politics and aesthetics on the National Mall." (2007). Electronic Theses and Dissertations. Paper 543. https://doi.org/10.18297/etd/543 This Master's Thesis is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. CHARLES LANG FREER AND HIS GALLERY OF ART: TURN-OF-THE-CENTURY POLITICS AND AESTHETICS ON THE NATIONAL MALL By Patricia L. Guardiola B.A., Bellarmine University, 2004 A Thesis Submitted to the Faculty of the Graduate School of the University of Louisville In Partial Fulfillment of the Requirements F or the Degree of Master of Arts Department of Fine Arts University of Louisville Louisville, Kentucky August 2007 CHARLES LANG FREER AND HIS GALLERY OF ART: TURN-OF-THE-CENTURY POLITICS AND AESTHETICS ON THE NATIONAL MALL By Patricia L. Guardiola B.A., Bellarmine University, 2004 A Thesis Approved on June 8, 2007 By the following Thesis Committee: Thesis Director ii DEDICATION In memory of my grandfathers, Mr. -
Yeats at Petitpas' 1910/C
National Gallery of Art NATIONAL GALLERY OF ART ONLINE EDITIONS American Paintings, 1900–1945 John Sloan American, 1871 - 1951 Yeats at Petitpas' 1910/c. 1914 oil on canvas overall: 66.2 × 81.28 cm (26 1/16 × 32 in.) framed: 80.96 × 96.36 × 6.51 cm (31 7/8 × 37 15/16 × 2 9/16 in.) Inscription: lower right: John Sloan Corcoran Collection (Museum Purchase, Gallery Fund) 2014.136.54 ENTRY In August 1910 the realist painter John Sloan began this group portrait of regulars at Petitpas’, a French restaurant and boardinghouse in the Chelsea district of Manhattan. The work joined other Ashcan school artists’ depictions of casual dining experiences in urban eateries that focused on portraiture and narrative, such as At Mouquin’s by William Glackens (American, 1870 - 1938) [fig. 1]. [1] The Ashcan school, informally led by Robert Henri (American, 1865 - 1929), generally focused on the everyday life of the working classes rather than idealized views of the city. George Luks (American, 1866 - 1933) and George Bellows (American, 1882 - 1925) completed a watercolor and a print, respectively, featuring Petitpas’ as well [fig. 2], but Sloan’s large image in oil is the most ambitious of the three. [2] The scene takes place in the enclosed backyard of the restaurant, where the dining room was located in the hot summer months. The party gathers around a table placed under an awning decorated with a French flag. [3] At the head sits John Butler Yeats, smoking and sketching. Yeats, the Irish portrait painter and father of the poet William Butler Yeats, lived at Petitpas’ from 1909 until his death in 1922. -
Eighth Annual Exhibition of Miniatures Catalogue
EIGHTH ANNUAL EXHIBITION OF MINIATURES CATALOGUE THE PENNSYLVANIA ACADEMY OF THE FINE ARTS MDCCCCIX THE PENNSYL VANIA ACADEMY OF THE FINE ARTS FOUNDED 1805 THE PENNSYLVANIA SOCIETY OF MINIATURE PAINTERS CATALOGUE OF THE EIGHTH ANNUAL EXHIBITION OF MINIATURES, NOVEMBER 8 TO DECEMBER 19, 1909 PHILADELPHIA MCMIX MANAGEMENT OF THE PENNSYL VANIA ACADEMY OF THE FINE ARTS PRESIDENT, JOHN FREDERICK LEWIS. VICE· PRESIDENT I CLEMENT B. NEWBOLD. HONORARY VICE-PRESIDENTS, JOH N H. CONVERSE, E. BURGESS WARREN. DIRECTORS, THEOPHILUS P. CHANDLER, ALFRED C . HARRISON, HERBERT M. HOWE, M.D., CLARENCE C. ZANTZINGER, GEORGE H. McFADDEN, GEORGE D. WIDENER, CLEMENT B. NEWBOLD, T. DE 'WITT CUYLER, EDWARD T. STOTESBURY, ARTHUR H. LEA, THEODORE N. ELY, CHARLEMAGNE TOWER, FRANK H. CAVEN. TREASURER, ~ GEORGE H. McFADDEN. SECRETARY AND MANAGER, JOHN E. D. TRASK. ASSISTANT TO SECRETARY AND TREASURER, HARRY P. RHOADS. CURATOR OF SCHOOLS, CHARLES F. RAMSEY. SOLICITOR, JOHN G, JOHNSON. COMMITTEE ON EXHIBITIONS, CLEMENT B. NEWBOLD, CHAIRMAN, GEORGE H. McFADDEN, ALFRED C. HARRISON, EDWARD T. STOTESBURY, THEODORE N. ELY, CHARLEMAGNE TOWER. 2 @ff(cers ant> members of tl)e lDennsog{\?anta Soctet\? of miniature lDainters PRESIDENT EMILY DRAYTON TAYLOR VICE· PRESIDENT LUDWIG E. FABER SECRETARY A. MARGARETTA ARCHA~IBAULT TREASURER SARAH YOCUM McFADDEN EXECUTIVE COMMITTEE ELLEN WETHERALD AHRENS AMY OTIS REBECCA PEALE PATTERSON MEMBERS ELLEN WETHERALD AHRENS REBECCA BURD PEALE PATTERSON A. MARGARETTA ARCHAMBAULT EVELYN PURDIE ALICE BECKINGTON EDNA F. HUESTIS SIMPSON ELLA SHEPARD BUSH Lucy MAY STANTON SALLY CROSS MARIA JUDSON STREAN HERMAN DEIGENDESCH MARY H. TANNAHILL EULABEE DIX EMILY DRAYTON TAYLOR LUDWIG E. FABER HELEN M. TURNER JEAN WILLIAMS LUCAS MABEL R. -
Tiffany Memorial Windows
Tiffany Memorial Windows: How They Unified a Region and a Nation through Women’s Associations from the North and the South at the Turn of the Twentieth Century Michelle Rene Powell Submitted in partial fulfillment of the requirements for the degree Master’s of Arts in the History of Decorative Arts The Smithsonian Associates and Corcoran College of Art and Design 2012 ii ©2012 Michelle Rene Powell All Rights Reserved i Table of Contents List of Illustrations i Introduction 1 Chapter 1: Old Blandford Church, American Red Cross Building, and Windows 8 The Buildings 9 The Windows in Old Blandford Church 18 The Windows in the National American Red Cross Building 18 Comparing the Window Imagery 22 Chapter 2: History of Women’s Memorial Associations 30 Ladies’ Memorial Associations 30 United Daughters of the Confederacy 34 Woman’s Relief Corps 39 Fundraising 41 Chapter 3: Civil War Monuments and Memorials 45 Monuments and Memorials 45 Chapter 4: From the Late Twentieth Century to the Present 51 What the Windows Mean Today 51 Personal Reflections 53 Endnotes 55 Bibliography 62 Illustrations 67 ii List of Illustrations I.1: Tiffany Glass & Decorating Company, Reconstruction of 1893 Tiffany Chapel 67 Displayed at the Columbian Exposition I.2: Tiffany Glass & Decorating Company advertisement, 1898 68 I.3: Tiffany Glass & Decorating Company advertisement, 1895 69 I.4: Tiffany Glass & Decorating Company advertisement, 1899 70 I.5: Tiffany Studios, Materials in Glass and Stone, 1913 71 I.6: Tiffany Studios, Tributes to Honor, 1918 71 1.1: Old Blandford Church exterior 72 1.2: Old Blandford Church interior 72 1.3: Depictions of the marble buildings along 17th St. -
"GWIKS Lecture Series: Charles Lang Freer and the Collecting of Korean Art in the Early 20Th Century”
GWIKS Lecture Series Thursday Mar. 8, 2018 "GWIKS Lecture Series: Charles Lang Freer and the Collecting of Korean Art in the Early 20th Century” Charlotte Horlyck Smithsonian Institution Senior Fellow of Art History at the Freer|Sackler 2:00 – 3:30 PM Elliott School of International Affairs Room 503 The George Washington University 1957 E St. NW, Washington, DC 20052 ABOUT THE TALK This talk centers on the Korean collection of Charles Lang Freer (1854-1919), founder of the Smithsonian Institution's Freer Gallery of Art. Freer was a pioneering individual whose collection of Western and Asian art was among the most extensive of its time. This includes his collection of Korean artifact, which he began to acquire in 1896, culminating in around 450 objects, which are now housed in the Freer Gallery. The collection is significant not only for its quality and size, but because it exemplifies the rising interest in Korean art around the turn of the twentieth century. In the exploration of Freer's Korean pieces, some of the core issues that impacted and shaped the collecting of Korean art during this time will be addressed, including the availability of antiques, the development of scholarship on Korean cultural heritage, individual and institutional motivations for collecting Korean art, among other questions. SPEAKER Charlotte Horlyck was appointed Lecturer in Korean Art History at SOAS in 2007 and served as Chair of its Centre of Korean Studies from 2013 to 2017. Prior to taking up her position at SOAS, she curated the Korean collection at the Victoria and Albert Museum in London. -
Ann C. Gunter
Ann C. Gunter Bertha and Max Dressler Professor in the Humanities Professor of Art History, Classics, and in the Humanities Northwestern University Mailing address: Department of Art History 1800 Sherman Ave., Suite 4400 Evanston, IL 60201 Voice mail 847 467-0873 e-mail: [email protected] Education 1980 Columbia University Ph.D. 1976 Columbia University M.Phil. 1975 Columbia University M.A. 1973 Bryn Mawr College A.B. magna cum laude with departmental honors Professional Employment Bertha and Max Dressler Professor in the Humanities, Northwestern University, 2013– Professor of Art History, Classics, and in the Humanities, Northwestern University, 2008– Head of Scholarly Publications and Programs, Arthur M. Sackler Gallery and Freer Gallery of Art, Smithsonian Institution, 2004–08 Assistant Curator of Ancient Near Eastern Art, Arthur M. Sackler Gallery and Freer Gallery of Art, Smithsonian Institution (1987–92); Associate Curator (1992–2004); Curator (2004–08) Visiting Assistant Professor, Art History Department, Emory University, Atlanta (1986–87) Visiting Assistant Professor, Departments of Art History and Classics, University of Minnesota, Minneapolis (1981–85) Lecturer, Department of Near Eastern Studies, University of California, Berkeley (Winter– Spring 1981) Director, American Research Institute in Turkey at Ankara (1978–79) Fellowships, Grants, and Awards Visiting Professor (Directrice d’études), École Pratique des Hautes Études, University of Paris (lecture series to be presented in May 2016) Fritz Thyssen Stiftung 2000–01 -
Annual Report 2000
2000 ANNUAL REPORT NATIONAL GALLERY OF ART 2000 ylMMwa/ Copyright © 2001 Board of Trustees, Cover: Rotunda of the West Building. Photograph Details illustrated at section openings: by Robert Shelley National Gallery of Art, Washington. p. 5: Attributed to Jacques Androet Ducerceau I, All rights reserved. The 'Palais Tutelle' near Bordeaux, unknown date, pen Title Page: Charles Sheeler, Classic Landscape, 1931, and brown ink with brown wash, Ailsa Mellon oil on canvas, 63.5 x 81.9 cm, Collection of Mr. and Bruce Fund, 1971.46.1 This publication was produced by the Mrs. Barney A. Ebsworth, 2000.39.2 p. 7: Thomas Cole, Temple of Juno, Argrigentum, 1842, Editors Office, National Gallery of Art Photographic credits: Works in the collection of the graphite and white chalk on gray paper, John Davis Editor-in-Chief, Judy Metro National Gallery of Art have been photographed by Hatch Collection, Avalon Fund, 1981.4.3 Production Manager, Chris Vogel the department of photography and digital imaging. p. 9: Giovanni Paolo Panini, Interior of Saint Peter's Managing Editor, Tarn Curry Bryfogle Other photographs are by Robert Shelley (pages 12, Rome, c. 1754, oil on canvas, Ailsa Mellon Bruce 18, 22-23, 26, 70, 86, and 96). Fund, 1968.13.2 Editorial Assistant, Mariah Shay p. 13: Thomas Malton, Milsom Street in Bath, 1784, pen and gray and black ink with gray wash and Designed by Susan Lehmann, watercolor over graphite, Ailsa Mellon Bruce Fund, Washington, DC 1992.96.1 Printed by Schneidereith and Sons, p. 17: Christoffel Jegher after Sir Peter Paul Rubens, Baltimore, Maryland The Garden of Love, c. -
American Institute for Conservation of Historic and Artistic Works 43Rd
Egyptian Glass at the Freer Gallery of Art American Institute for Conservation of Historic and Artistic Works 43rd Annual Meeting, May 13-16, 2015 Ellen Nigro, Ellen Chase, Blythe McCarthy Department of Conservation and Scientific Research, Freer Gallery of Art and Arthur M. Sackler Gallery, Smithsonian Institution In 1909, Charles Lang Freer bought a collection of 1,388 ancient glass beads, vessels, and mosaic fragments in Cairo, Egypt from the antiquities dealer Giovanni Dattari. The objects are primarily XVIII Dynasty, Ptolemaic and Roman period Egyptian pieces, as well as many later Venetian and Islamic fragments. Although the collection varies in geographic origin and time period, all the pieces are colorful examples of fine craftsmanship, from intricate millifiori inlays to cast amulets and larger vessels. Until 2013, the collection was largely left unstudied and was inappropriately stored. As a result, the Department of Conservation and Scientific Research at the Freer Gallery of Art and Arthur M. Sackler Gallery is rehousing and researching the collection. This poster will focus on the storage project and the challenges associated with rehousing a large collection of small objects while touching on the historical and technical research. Technical Analysis The purpose of the technical study is to characterize the materials and techniques of the collection and to sort Research in the Freer Gallery Archives some of the objects by time and place according to the technical data. This study included the following techniques: Mr. Freer travelled to Egypt several times between • x-radiography of the vessels to assess the manufacture techniques 1907 and 1909, where he purchased this collection • qualitative x-ray fluorescence (XRF) spectroscopy to analyze lead content and colorants on a large number of of glass, as well as a number of faience pieces, objects within the collection manuscripts, and funerary objects. -
A Finding Aid to the Frederick Stuart Church Letters and Art Work, Circa 1892- Circa 1923, in the Archives of American Art
A Finding Aid to the Frederick Stuart Church Letters and Art Work, circa 1892- circa 1923, in the Archives of American Art Stephanie Ashley 2019/11/27 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Scope and Contents........................................................................................................ 2 Arrangement..................................................................................................................... 2 Biographical / Historical.................................................................................................... 2 Names and Subjects ...................................................................................................... 2 Container Listing ............................................................................................................. 3 Series 1: Letters, circa 1892-circa 1923.................................................................. 3 Series 2: Artwork and Reproductions, circa 1892-circa 1923.................................. 4 Frederick Stuart Church letters and art work AAA.churfred Collection Overview Repository: Archives of American Art Title: Frederick Stuart -
Charles Lang Freer and Indian Art
THE FREER HOUSE 71 East Ferry, Detroit, MI 48202 An International Landmark... A World Class Lecture Series 313-664-2500 From Traveler to Aesthete: Charles Lang Freer and Indian Art by Brinda Kumar, PhD Assistant Curator Department of Modern and Contemporary Art Metropolitan Museum of Art, New York, NY Sunday, June 4, 2017, 2:00 pm LECTURE Detroit Institute of Arts Marvin and Betty Danto Lecture Hall FREE with DIA admission 3:30-5 PM Reception & Tours Freer House 71 East Ferry Street, Detroit $10 General Admission Zayn al’-’Abidin $5 Students Artist Hanuman returns the $5 FAAC or Freer House Members mountain with the (pay at the door) four healing plants to the Himalayas. Co-Sponsor Folio from the Ramayana of Valmiki, Friends of Asian Arts & Cultures (FAAC), DIA vol. 2., South Asian, Mughal period, For information contact Rose Foster at: late 16th century, Freer Gallery of Art 313-664-2509 or [email protected] Detroit industrialist Charles Lang Freer’s passion for In- U.S. earlier that year, while his itinerary was in keeping with dia influenced the formation of one of the finest early col- similar travels by other American collectors such as Isabella lections of Asian art in America. Freer’s visionary aesthetic Stewart Gardner. ideas positioned Indian art as “fine art” in an era when it Although he visited India only once, Freer would con- was largely relegated in the West to being of only ethno- sider Indian art and culture to be “an important link in the graphic or decorative interest. chain” as he developed a collection of Asian and Near East- When Freer planned his first trip to Asia in 1894, his ern art. -
A Finding Aid to the Milch Gallery Records, 1911-1995, in the Archives of American Art
A Finding Aid to the Milch Gallery Records, 1911-1995, in the Archives of American Art Catherine Stover 1991 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Historical Note.................................................................................................................. 2 Scope and Content Note................................................................................................. 3 Arrangement..................................................................................................................... 4 Appendix: List of Milch Gallery Exhibitions and Checklists............................................. 4 Names and Subjects .................................................................................................... 24 Container Listing ........................................................................................................... 28 Series 1: Alphabetical Files, 1911-1962................................................................ 28 Series 2: Sales Records and Inventories, 1911-1969, undated............................. 41 Series 3:: Financial Records, 1914-1980, undated............................................... -
Encyklopédia Kresťanského Umenia
Marie Žúborová - Němcová: Encyklopédia kresťanského umenia americká architektúra - pozri chicagská škola, prériová škola, organická architektúra, Queen Anne style v Spojených štátoch, Usonia americká ilustrácia - pozri zlatý vek americkej ilustrácie americká retuš - retuš americká americká ruleta/americké zrnidlo - oceľové ozubené koliesko na zahnutej ose, užívané na zazrnenie plochy kovového štočku; plocha spracovaná do čiarok, pravidelných aj nepravidelných zŕn nedosahuje kvality plochy spracovanej kolískou americká scéna - american scene americké architektky - pozri americkí architekti http://en.wikipedia.org/wiki/Category:American_women_architects americké sklo - secesné výrobky z krištáľového skla od Luisa Comforta Tiffaniho, ktoré silno ovplyvnili európsku sklársku produkciu; vyznačujú sa jemnou farebnou škálou a novými tvarmi americké litografky - pozri americkí litografi http://en.wikipedia.org/wiki/Category:American_women_printmakers A Anne Appleby Dotty Atti Alicia Austin B Peggy Bacon Belle Baranceanu Santa Barraza Jennifer Bartlett Virginia Berresford Camille Billops Isabel Bishop Lee Bontec Kate Borcherding Hilary Brace C Allie máj "AM" Carpenter Mary Cassatt Vija Celminš Irene Chan Amelia R. Coats Susan Crile D Janet Doubí Erickson Dale DeArmond Margaret Dobson E Ronnie Elliott Maria Epes F Frances Foy Juliette mája Fraser Edith Frohock G Wanda Gag Esther Gentle Heslo AMERICKÁ - AMES Strana 1 z 152 Marie Žúborová - Němcová: Encyklopédia kresťanského umenia Charlotte Gilbertson Anne Goldthwaite Blanche Grambs H Ellen Day