Alpha Blondy & the Solar System

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ALPHA BLONDY & THE SOLAR SYSTEM Primogenito di nove figli, Seydou Konè nacque a Dimbokro nel 1953. Seydou Kone fondò già da ragazzo il suo primo gruppo musicale: l’Atomic Vibration. Dopo il suo trasferimento in Liberia cantò prevalentemente in inglese. Nel 1976 si trasferì negli Stati Uniti d’America dove studiò economia e commercio ed inglese alla New Yorker Columbia University. Egli fece la sua prima esibizione a New York con il gruppo reggae Monyaka. Successivamente, alla fine degli anni settanta egli produsse con un giamaicano sei titoli, ma quest’ultimo scomparve con i suoi nastri e Seydou ebbe un esaurimento nervoso. Dopo il suo ritorno ad Abidjan nel 1981 venne internato dai suoi genitori in un istituto di igiene mentale per due anni. Nel 1983 incise insieme ad alcuni musicisti del Ghana il suo primo album, "Jah Glory”, grazie al quale vinse tre dischi d’oro. Nel 1985 si esibì per la prima volta in Europa. La sua musica può essere definita appartenente al genere Afro-Reggae, con evidenti influenze africane, europee e caraibiche. I suoi nuovi lavori si orientano verso un genere Roots-Reggae. L’album “Jerusalem” , del 1986, rappresenta una pietra miliare della sua carriera musicale, prodotto con il gruppo The Wailers da Tuff Gong (Bob Marleys Studios). Alpha Blondy canta i suoi testi in ebraico, inglese, francese, arabo e in alcuni dialetti dell’Africa Occidentale (come ad esempio il baolè ed il dioula). La sua produzione di musica resta sempre intensa e fa uscire molti album come “Apharteid Is nazism”nel 1987, “The Prophets” nel 1989, “Merci” nel 2002, “Vision” nel 2011, “Mystic Power” nel 2013 e “Positive Energy” nel 2015. Il suo ultimo album è uscito nel 2018 ed è “Human Race”, un album fortemente politico che propone testi in francese, inglese e in dioula (lingua che si parla in Costa d’Avorio). In questo album Alpha Blondy interpreta, in chiave reggae, successi musicali come ‘Whole Lotta Love’ dei Led Zeppelin e ‘Je suis venu te dire que je m’en vais’ di Serge Gainsbourg. L’artista si distingue per il suo impegno religioso ed umanitario e promuove l'unità dei tre monoteismi: ebraismo, cristianesimo ed islam. Durante i suoi tour porta con sé la stella di Davide, una Bibbia e il Corano. !f @Alpha Blondy Officiel !y @Alpha Blondy !c @alphablondy.official !> [email protected] .

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Assessing Fela Anikulapo-Kuti, Lucky Dube and Alpha Blondy
humanities Article Political Messages in African Music: Assessing Fela Anikulapo-Kuti, Lucky Dube and Alpha Blondy Uche Onyebadi Department of Journalism, Texas Christian University, Fort Worth, TX 76129, USA; [email protected] Received: 30 September 2018; Accepted: 30 November 2018; Published: 6 December 2018 Abstract: Political communication inquiry principally investigates institutions such as governments and congress, and processes such as elections and political advertising. This study takes a largely unexplored route: An assessment of political messages embedded in music, with a focus on the artistic works of three male African music icons—Fela Anikulapo-Kuti (Nigeria), Lucky Dube (South Africa), and Alpha Blondy (Côte d’Ivoire). Methodologically, a purposive sample of the lyrics of songs by the musicians was textually analyzed to identify the themes and nuances in their political messaging. Framing was the theoretical underpinning. This study determined that all three musicians were vocal against corruption, citizen marginalization, and a cessation of wars and bloodshed in the continent. Keywords: Political communication; African politics; African music; Fela Anikulapo-Kuti; Alpha Blondy; Lucky Dube; textual analysis 1. Introduction Music permeates significant aspects of African society, culture, and tradition. Adebayo(2017, p. 56) opined that “to the African, music is not just a pastime, it is a ritual” that describes the true essence and humaneness in being of African origin. Cudjoe(1953, p. 280) description of the place of music among the Ewe people in Ghana typifies this African musical heritage. He observed that “music has an important place in the social life of the Ewe people. There is no activity which does not have music appropriate to it: weaver, farmer and fisherman each sings in perfect time to the rhythmic movement of (one’s) craft ..
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JAH LIGHT « Almighty Zion Keepers » Facebook .Com/Lightjah Facebook .Com/Azkprods.ABIDJAN Instagram .Com/Azkproductionsabidjan Who Can Save Ft
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Bibliography
BIBLIOGRAPHY The complete list of all sources consulted in the making of this book offers a comprehensive over- view of the literature and other materials available about reggae, Rastafari, Bob Marley, and other topics covered herein. Due to the fleeting nature of the Internet, where websites might change or dis- appear at any given time, online sources used at the time of writing might not be available any longer. The bibliography can also be found on the website of the book at www.reggaenationbook.com. Books History and Heritage (pp. 326-335). Routledge. Bennett, A. (2001). Cultures of Popular Music. Open University Press. Adejumobi, S. A. (2007). The History of Ethiopia. Biddle, I., & Knights, V. (Eds.) (2007). Music, National Greenwood Press. Identity and the Politics of Location: Between the Global Akindes, S. (2002). Playing It “Loud and Straight”. and the Local. Ashgate. Reggae, Zouglou, Mapouka, and Youth Bonacci, G. (2015). From Pan-Africanism to Rastafari: Insubordination in Côte d’Ivoire. In M. Palmberg African American and Caribbean ‘Returns’ & A. Kirkegaard (Eds.), Playing with Identities in to Ethiopia. In G. Prunier & E. Ficquet (Eds.), Contemporary Music in Africa (pp. 86-103). Nordic Understanding Contemporary Ethiopia: Monarchy, Africa Institute. Revolution and the Legacy of Meles Zenawi (pp. 147- Alleyne, M. (2009). Globalisation and Commercialisation 158). Hurst & Company. of Caribbean Music. In T. Pietila (Ed.), World Music Boot, A., & Salewicz, C. (1995). Bob Marley. Songs of Roots and Routes. Studies across Disciplines in the Freedom. Bloomsbury. Humanities and Social Sciences 6 (pp. 76-101). Helsinki Bordowitz, H. (2004). Every Little Thing Gonna Be Alright: Collegium for Advanced Studies.
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Alpha Blondy Jah Victory
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