808 State 808:90 Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

808 State 808:90 Mp3, Flac, Wma 808 State 808:90 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: 808:90 Country: US Released: 2014 Style: Acid House, Techno MP3 version RAR size: 1225 mb FLAC version RAR size: 1110 mb WMA version RAR size: 1856 mb Rating: 4.3 Votes: 884 Other Formats: DXD WAV WMA VOC MPC TTA AHX Tracklist The Original Album, Remastered 1-1 Magical Dream 3:52 1-2 Ancodia 5:47 1-3 Cobra Bora 6:36 1-4 Pacific 202 5:41 1-5 Donkey Doctor 5:24 1-6 808080808 4:20 1-7 Sunrise 6:33 1-8 The Fat Shadow (Pointy Head Mix) 0:58 808 Archives Part I 2-1 Pacific (Britmix) 4:23 2-2 Cobra Bora (Call The Cops Mix) 4:53 2-3 Donkey Doctor (Gmex Mix) 4:45 2-4 Boneyween 6:12 2-5 Kinky National 4:01 2-6 State To State 5:56 2-7 Revenge Of The Girlie Men 4:13 2-8 Magical Dream (Instrumental) 5:09 Companies, etc. Record Company – ZTT Japan Record Company – Third Ear Credits Composed By, Producer – 808 State Engineer – Graham Massey Notes Unlike the original release which showed 808 State:Ninety on the spine, this release shows 808 State 808:90 on the spine. Deluxe gatefold cardboard sleeve. All songs published by Perfect Songs Limited. Recorded at Spirit, Manchester - October 1988 to October 1989. Mixed at Square One, Bury, Lancashire - October 1989. ℗ 1989 ZTT Records Ltd. © 2008 ZTT Records Ltd. Released by Third-Ear. All rights reserved. Barcode and Other Identifiers Other (Disc 1 Category): XECZ-1001 Other (Disc 2 Category): XECZ-1002 Barcode: 4580132732285 Other versions Category Artist Title (Format) Label Category Country Year ZTT2, 246 ZTT2, 246 808 State Ninety (LP, Album) ZTT, ZTT Europe 1989 461-1 461-1 808:90 (Cass, Album, Artoffact AOF174 808 State AOF174 US 2014 Comp, RE, RM, Red) Records Ninety (CD, Album, ZTT, Wagram 3052882 808 State 3052882 France 1999 RM) Music WEA Music, WMC5-50 808 State Ninety (CD, Album) WMC5-50 Japan 1990 ZTT 246 461-2 808 State Ninety (CD, Album) ZTT 246 461-2 Europe 1989 Related Music albums to 808:90 by 808 State A State of Mind (ASM) - Pre-Emptive Nostalgia Propagandhi - Failed State Various - Empire State (Original Soundtrack Recording) Michigan State University Spartan Marching Band, Leonard Falcone - Michigan State The Orchestra Of The State Opera House, Berlin - Eine Kleine Nachtmusik - Serenade Empire State - Empire State Second State Butchers - Fear b/w No Order Bumel - State Of Arp Another State Of Mind - Another State Of Mind House Of Virus, Peter Brown & Jonathan Ulysses - Pacific State.
Recommended publications
  • 808State Don Solaris Mp3, Flac, Wma
    808state Don Solaris mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Don Solaris Released: 1996 Style: Techno, Future Jazz, Experimental MP3 version RAR size: 1247 mb FLAC version RAR size: 1961 mb WMA version RAR size: 1815 mb Rating: 4.6 Votes: 795 Other Formats: VQF MP1 APE MIDI AU AUD VOX Tracklist Hide Credits Intro A1 1:16 Mixed By – 808state* Bond A2 5:09 Engineer – Danny KadarVocals – Doughty* Bird A3 3:53 Engineer – Aidan Love Azura A4 5:30 Vocals – Louise Rhodes Black Dartangnon A5 5:30 Mixed By – Al Fish* A6 Joyrider 4:40 Lopez B1 4:17 Vocals – James Dean Bradfield Balboa B2 5:14 Engineer – Al Stone B3 Kohoutek 4:46 Mooz B4 4:35 Engineer – Al StoneVocals – Ragga B5 Jerusahat 5:12 B6 Banacheq 5:39 Companies, etc. Copyright (c) – ZTT Phonographic Copyright (p) – ZTT Licensed To – Warner Music UK Ltd. Credits Design – M@ Maitland*, Zang Tuum Tumb* Engineer – Al Fish* (tracks: 2, 9, 11), Phil Jones (tracks: 4, 6, 7, 12) Illustration – M@ Maitland* Mixed By – Al Stone (tracks: 2 to 4, 6 to 12) Performer [808state] – Andy Barker, Darren Partington, Graham Massey Photography By – Don Solaris Written-By, Producer [Formulated And Controlled By] – 808state* Notes 2 Bond: Mixed @ Olympic Studios, London. Recorded @ Baby Monster, NYC and Eon Studios, Sheffield. Drums: TR909, Akai, Hi Hat and Anvil. Bass: Matrix 1000, Jupiter 8. Keyboards: ARP Odysey, Korg Wavestation AD, EMU Vintages Keys, Korg Propecy, JD800, EM+M Spectral Synth. Instruments: Alto Melodica, Blues Harp. Guitars: Guild Starfire, Takamine Electro, Acoustic Gibson Les Paul.
    [Show full text]
  • I Urban Opera: Navigating Modernity Through the Oeuvre of Strauss And
    Urban Opera: Navigating Modernity through the Oeuvre of Strauss and Hofmannsthal by Solveig M. Heinz A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Germanic Languages and Literatures) in the University of Michigan 2013 Doctoral Committee: Associate Professor Vanessa H. Agnew, Chair Associate Professor Naomi A. André Associate Professor Andreas Gailus Professor Julia C. Hell i For John ii Acknowledgements Writing this dissertation was an intensive journey. Many people have helped along the way. Vanessa Agnew was the most wonderful Doktormutter a graduate student could have. Her kindness, wit, and support were matched only by her knowledge, resourcefulness, and incisive critique. She took my work seriously, carefully reading and weighing everything I wrote. It was because of this that I knew my work and ideas were in good hands. Thank you Vannessa, for taking me on as a doctoral rookie, for our countless conversations, your smile during Skype sessions, coffee in Berlin, dinners in Ann Arbor, and the encouragement to make choices that felt right. Many thanks to my committee members, Naomi André, Andreas Gailus, and Julia Hell, who supported the decision to work with the challenging field of opera and gave me the necessary tools to succeed. Their open doors, email accounts, good mood, and guiding feedback made this process a joy. Mostly, I thank them for their faith that I would continue to work and explore as I wrote remotely. Not on my committee, but just as important was Hartmut. So many students have written countless praises of this man. I can only concur, he is simply the best.
    [Show full text]
  • Scanned Image
    Compulsion are on our to promote their new Iohri and Sandra welcome you to album The Future ls Medium, out June 17th. Catch them in Leicester (The Charlotte, 20th) or W firstofall: Stoke (The Stage July 3rd). Done Lying Down return from a six week tour of . Nottingham Music. Industry. Week is a four day Europe with Killdozer and Chumbawamba with a event for budding musicians, promoters, sound re-recorded and remixed version on 7" and cd of THE mixers and DJs. Organised by Carlos Thrale of Can’t Be Too Certain from their Kontrapunkt _ u r I S Arnold & Carlton College, one of the few album on Immaterial Records. The cd format OLDEN FLEECE To colleges in the UK to award a BTEC in popular also features three exclusive John Peel session music, in conjunction with Confetti School Of tracks. A UK tour brings them to Leicester (The 105 Mansfield Road Nottingham ’ Recording Technology, Carlsboro Soundaalso Charlotte, July 3rd) and Derby (The Garrick, Traditional Cask Ales involved are the Warehouse Studios and East 4th). ’** Guest Beers "“* msterdam Midlands Arts. The four day event begins on Ambient Prog Rockers The Enid return with a Monday 22nd July comprising seminars and "‘.‘:-5-@5953‘:-5: ' string of summer dates prior to the release of Frankfurt £69 tin workshops led by professionals from all areas of their singles compilation Anarchy On 45. I I n I I - a u u ¢ u I I a n | n - o - | q | I q n I - Q - - - - I I I | ¢ | | n - - - , . , . the music industry, and evening gigs.
    [Show full text]
  • Recordings by Artist
    Recordings by Artist Recording Artist Recording Title Format Released 10,000 Maniacs MTV Unplugged CD 1993 3Ds The Venus Trail CD 1993 Hellzapoppin CD 1992 808 State 808 Utd. State 90 CD 1989 Adamson, Barry Soul Murder CD 1997 Oedipus Schmoedipus CD 1996 Moss Side Story CD 1988 Afghan Whigs 1965 CD 1998 Honky's Ladder CD 1996 Black Love CD 1996 What Jail Is Like CD 1994 Gentlemen CD 1993 Congregation CD 1992 Air Talkie Walkie CD 2004 Amos, Tori From The Choirgirl Hotel CD 1998 Little Earthquakes CD 1991 Apoptygma Berzerk Harmonizer CD 2002 Welcome To Earth CD 2000 7 CD 1998 Armstrong, Louis Greatest Hits CD 1996 Ash Tuesday, January 23, 2007 Page 1 of 40 Recording Artist Recording Title Format Released 1977 CD 1996 Assemblage 23 Failure CD 2001 Atari Teenage Riot 60 Second Wipe Out CD 1999 Burn, Berlin, Burn! CD 1997 Delete Yourself CD 1995 Ataris, The So Long, Astoria CD 2003 Atomsplit Atonsplit CD 2004 Autolux Future Perfect CD 2004 Avalanches, The Since I left You CD 2001 Babylon Zoo Spaceman CD 1996 Badu, Erykah Mama's Gun CD 2000 Baduizm CD 1997 Bailterspace Solar 3 CD 1998 Capsul CD 1997 Splat CD 1995 Vortura CD 1994 Robot World CD 1993 Bangles, The Greatest Hits CD 1990 Barenaked Ladies Disc One 1991-2001 CD 2001 Maroon CD 2000 Bauhaus The Sky's Gone Out CD 1988 Tuesday, January 23, 2007 Page 2 of 40 Recording Artist Recording Title Format Released 1979-1983: Volume One CD 1986 In The Flat Field CD 1980 Beastie Boys Ill Communication CD 1994 Check Your Head CD 1992 Paul's Boutique CD 1989 Licensed To Ill CD 1986 Beatles, The Sgt
    [Show full text]
  • Frankie Goes to Hollywood Welcome to the Pleasure Dome Mp3, Flac, Wma
    Frankie Goes To Hollywood Welcome To The Pleasure Dome mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Welcome To The Pleasure Dome Country: US Released: 1985 Style: Synth-pop MP3 version RAR size: 1723 mb FLAC version RAR size: 1882 mb WMA version RAR size: 1222 mb Rating: 4.3 Votes: 433 Other Formats: ASF DTS AIFF AC3 AA MIDI XM Tracklist A1 Welcome To The Pleasure Dome (Vocal / KZAP Edit) 6:22 A2 Relax (Vocal / Live Version) 4:30 B Welcome To The Pleasure Dome (Trevor Horn Re-Mix Vocal / Edit) 4:50 Companies, etc. Record Company – Island Records Inc. Phonographic Copyright (p) – ZTT Records Distributed By – Atlantic Recording Corporation Notes Two pressing variations exist of this release. This release shows track A1 as being: Welcome To The Pleasuredome (Vocal / Edit / 6:22) and track B as being: Welcome To The Pleasure Dome (Vocal / Edit / 4:50) The correct tracks are shown in the track listing. This release is printed with the correct titles/subtitles. Other versions Category Artist Title (Format) Label Category Country Year Welcome To The Frankie Goes ZTAS 7 Pleasuredome (7", ZTT ZTAS 7 UK 1985 To Hollywood Single) Welcome To The Frankie Goes Pleasuredome (CD, Repertoire REP 8028 REP 8028 Germany 2001 To Hollywood Maxi, Enh, Ltd, Records Num, Dig) Welcome To The FGTH2CD, Frankie Goes FGTH2CD, Pleasuredome (CD, ZTT, ZTT Europe 1993 4509-94474-2 To Hollywood 4509-94474-2 Single) Welcome To The Pleasuredome (All Frankie Goes SAM 1275 Aboard The Remix ZTT SAM 1275 UK 1993 To Hollywood Pleasure Ride) (2x12", Promo) Welcome To The Pleasuredome none, Frankie Goes none, (Fruitness) (7xFile, ZTT, Salvo 2014 DDSALVOS089 To Hollywood DDSALVOS089 AAC, Single, RE, 256) Related Music albums to Welcome To The Pleasure Dome by Frankie Goes To Hollywood Frankie Goes To Hollywood - Welcome To The Pleasuredome Frankie Goes To Hollywood - Bang!..
    [Show full text]
  • The Aesthetics of Acid
    The Aesthetics Of Acid by Rick Bull Since the technological paranoia of the cold-war era, and the ensuing political and social consequences of the military technological boom, the development of electronic musics and proliferation of technologies through the 1970’s to the 90’s has seen the amalgamation of a multitude of cultural music ‘systems’- the formation of a universal and hybridised(ing) ‘pop aesthetic’1. In the West at least, the employment of electronic music technology has largely been used to reinforce the ‘classificatory arrangements’2 of the anglo-saxon listening ear - those classical tonal / structural orders criticised by the likes of Webern, Schoenberg and Boulez3......Towards the end of the 1980’s however, the popular appropriation of available technologies was challenged greatly by groups of experimentalists from Detroit, Chicago and Frankfurt - leaders of the ‘acid house’ explosion of the late 80’s, whose musics’ roots greatly shaped the aesthetic of today’s diversified ‘techno’ music genre. Much could be discussed in regards to history and subsequent sterilisation / diversification of such music, yet this essay seeks to focus primarily upon the change in cultural ‘hearing’ that could be suggested has occurred in the late 20th century; reflected and catalysed by the appropriators of frequently ‘obsolete’ musical technologies. I suggest, that through the popularised use of sampling and analogue tone production, and overall shift in the electro- pop listening aesthetic can be observed; ie. that from high to frequently ‘low’ tone fidelity - from a transparent to ‘opaque’ technological ethic, from a melodic / harmonic to largely modal and heavily rhythm based ideal.
    [Show full text]
  • THE FAST FORWARD NEWSLETTER Some Kind of April Fool's Joke
    and “Colony,” and of course FAST FORWARD EDITORIAL played them all. With each, Larkin’s confidence THE FAST FORWARD grew, and these tracks became the blueprints for what would become the “Escape From Planet Well, we’re back on track for spring, get- Techno” EP. ting these issues out in quick succession. This Just as he began to devote more time to his summer looks like it’s shaping up to be a wild ISSUE 8 APRIL 1991 music, opportunity knocked once again. one, music-wise ... we’ll just have to wait and NEWSLETTER Original Shelter DJ Scott “Go-Go” Gordon had see. One to watch out for is Yolanda’s new one taken a gig with big-time, chi-chi, frou-frou club on UR called “I Live for the Night,” a high-flying Vis-a-Vis. Now, Richie Rich was the man there deep house scream-up that elevates my girl to on Saturday nights, and every headliner needs diva status. Paris who? I heard it in the studio (that's the dirt, Richie) an opening act. Kenny fit that bill. and it’s a smoker. Out in the dead of summer Now, Kenny’s making his mark in the form Underground Resistance. OOPS! DEPT.: Metroplex Record is NOT dead Detroit Techno underground. As well as adding Thanks to Gwenn Volkert and Steve Kuo, as we reported last time. They've signed a dis- So I’m at Richie Hawtin’s “Confusion” night credibility to the Plus 8 label amongst the hard- our charter subscribers, and so far, our only tribution deal with Polydor from what we hear.
    [Show full text]
  • Queens Park Music Club
    Alan Currall BBobob CareyCarey Grieve Grieve Brian Beadie Brian Beadie Clemens Wilhelm CDavidleme Hoylens Wilhelm DDavidavid MichaelHoyle Clarke DGavinavid MaitlandMichael Clarke GDouglasavin M aMorlanditland DEilidhoug lShortas Morland Queens Park Music Club EGayleilidh MiekleShort GHrafnhildurHalldayle Miekle órsdóttir Volume 1 : Kling Klang Jack Wrigley ó ó April 2014 HrafnhildurHalld rsd ttir JJanieack WNicollrigley Jon Burgerman Janie Nicoll Martin Herbert JMauriceon Burg Dohertyerman MMelissaartin H Canbazerbert MMichelleaurice Hannah Doherty MNeileli Clementsssa Canbaz MPennyichel Arcadele Hannah NRobeil ChurmClements PRoben nKennedyy Arcade RobRose Chu Ruanerm RoseStewart Ruane Home RobTom MasonKennedy Vernon and Burns Tom Mason Victoria Morton Stuart Home Vernon and Burns Victoria Morton Martin Herbert The Mic and Me I started publishing criticism in 1996, but I only When you are, as Walter Becker once learned how to write in a way that felt and still sang, on the balls of your ass, you need something feels like my writing in about 2002. There were to lift you and hip hop, for me, was it, even very a lot of contributing factors to this—having been mainstream rap: the vaulting self-confidence, unexpectedly bounced out of a dotcom job that had seesawing beat and herculean handclaps of previously meant I didn’t have to rely on freelancing Eminem’s armour-plated Til I Collapse, for example. for income, leaving London for a slower pace of A song like that says I am going to destroy life on the coast, and reading nonfiction writers everybody else. That’s the braggadocio that hip who taught me about voice and how to arrange hop has always thrived on, but it is laughable for a facts—but one of the main triggers, weirdly enough, critic to want to feel like that: that’s not, officially, was hip hop.
    [Show full text]
  • Disc A: Miniaturised Concertos (Total Duration 58:48)
    disc A: Miniaturised Concertos (total duration 58:48) 1 Swimming with the Stone Book (Andrew Poppy) 15:43 Kate Halsall, Fumiko Miyachii: pianos F Andrew Poppy: keyboard Joel Bell: electric guitar F Ruth Goller: electric bass F Lucy Shaw: upright bass Robert Millett & Jeremy Barnett: percussion 2 Always again (Naomi Pinnock) 13:48 Kate Halsall, Fumiko Miyachi: pianos F Delia Stevens: percussion 3 Furor (Philip Cashian) 9:14 Kate Halsall, Fumiko Miyachi: pianos Ensemble Dark Inventions, conductor Chris Leedham 4 Hanging in the Balance (Colin Riley) 19:54 I Ritual Groove II Break, Tackle and Bowl III Scent of an Ending Kate Halsall, Fumiko Miyachi: pianos James Waterworth: electronics, sound design video track not on album: Katharine Norman: Making Place 16:15 Kate Halsall (pianos) Buy the download (£2.00 or $3.50) at http://www.divineartrecords.com/CD/makingplace.htm Stream video on YouTube at https://youtu.be/RZLwjCh6j5E in case of difficulty accessing video contact [email protected] disc B: Maché (total duration 39:39) 1 Maché 1 16:20 Duncan MacLeod: Cut, Strike, Grip, Throw * Kate Halsall, Fumiko Miyachi: keyboards F Duncan MacLeod: electronics Simon Vincent: Study No. 3 * Kate Halsall, Martin Butler:pianos F Simon Vincent: electronic soundtrack Joel Bell: bell-like * Kate Halsall, Martin Butler: pianos F Joel Bell: e.guitar Ryoko Akama: an.dt.wo * Kate Halsall, Fumiko Miyachi: pianos 2 Maché 2 5:38 Dominic Murcott: Time and Place* Kate Halsall: pianos F Sounds of Chatham Historic Dockyard recorded by Chris Lewis 3 Maché 3 12:45
    [Show full text]
  • Techno's Journey from Detroit to Berlin Advisor
    The Day We Lost the Beat: Techno’s Journey From Detroit to Berlin Advisor: Professor Bryan McCann Honors Program Chair: Professor Amy Leonard James Constant Honors Thesis submitted to the Department of History Georgetown University 9 May 2016 2 Table of Contents Acknowledgements 3 Introduction 5 Glossary of terms and individuals 6 The techno sound 8 Listening suggestions for each chapter 11 Chapter One: Proto-Techno in Detroit: They Heard Europe on the Radio 12 The Electrifying Mojo 13 Cultural and economic environment of middle-class young black Detroit 15 Influences on early techno and differences between house and techno 22 The Belleville Three and proto-techno 26 Kraftwerk’s influence 28 Chapter Two: Frankfurt, Berlin, and Rave in the late 1980s 35 Frankfurt 37 Acid House and Rave in Chicago and Europe 43 Berlin, Ufo and the Love Parade 47 Chapter Three: Tresor, Underground Resistance, and the Berlin sound 55 Techno’s departure from the UK 57 A trip to Chicago 58 Underground Resistance 62 The New Geography of Berlin 67 Tresor Club 70 Hard Wax and Basic Channel 73 Chapter Four: Conclusion and techno today 77 Hip-hop and techno 79 Techno today 82 Bibliography 84 3 Acknowledgements Thank you, Mom, Dad, and Mary, for putting up with my incessant music (and me ruining last Christmas with this thesis), and to Professors Leonard and McCann, along with all of those in my thesis cohort. I would have never started this thesis if not for the transformative experiences I had at clubs and afterhours in New York and Washington, so to those at Good Room, Flash, U Street Music Hall, and Midnight Project, keep doing what you’re doing.
    [Show full text]
  • Keyfinder V2 Dataset © Ibrahim Sha'ath 2014
    KeyFinder v2 dataset © Ibrahim Sha'ath 2014 ARTIST TITLE KEY 10CC Dreadlock Holiday Gm 187 Lockdown Gunman (Natural Born Chillers Remix) Ebm 4hero Star Chasers (Masters At Work Main Mix) Am 50 Cent In Da Club C#m 808 State Pacifc State Ebm A Guy Called Gerald Voodoo Ray A A Tribe Called Quest Can I Kick It? (Boilerhouse Mix) Em A Tribe Called Quest Find A Way Ebm A Tribe Called Quest Vivrant Thing (feat Violator) Bbm A-Skillz Drop The Funk Em Aaliyah Are You That Somebody? Dm AC-DC Back In Black Em AC-DC You Shook Me All Night Long G Acid District Keep On Searching G#m Adam F Aromatherapy (Edit) Am Adam F Circles (Album Edit) Dm Adam F Dirty Harry's Revenge (feat Beenie Man and Siamese) G#m Adam F Metropolis Fm Adam F Smash Sumthin (feat Redman) Cm Adam F Stand Clear (feat M.O.P.) (Origin Unknown Remix) F#m Adam F Where's My (feat Lil' Mo) Fm Adam K & Soha Question Gm Adamski Killer (feat Seal) Bbm Adana Twins Anymore (Manik Remix) Ebm Afrika Bambaataa Mind Control (The Danmass Instrumental) Ebm Agent Sumo Mayhem Fm Air Sexy Boy Dm Aktarv8r Afterwrath Am Aktarv8r Shinkirou A Alexis Raphael Kitchens & Bedrooms Fm Algol Callisto's Warm Oceans Am Alison Limerick Where Love Lives (Original 7" Radio Edit) Em Alix Perez Forsaken (feat Peven Everett and Spectrasoul) Cm Alphabet Pony Atoms Em Alphabet Pony Clones Am Alter Ego Rocker Am Althea & Donna Uptown Top Ranking (2001 digital remaster) Am Alton Ellis Black Man's Pride F Aluna George Your Drums, Your Love (Duke Dumont Remix) G# Amerie 1 Thing Ebm Amira My Desire (Dreem Teem Remix) Fm Amirali
    [Show full text]
  • PPCA Licensors Phonographic Performance Company of Australia Limited Control of Music on Hold and Public Performance Rights
    PPCA Licensors Phonographic Performance Company of Australia Limited Control of Music on Hold and Public Performance Rights 88dB Bowles Production *ABC Music Brian Lord Entertainment ACMEC Bridge, Billy Adams, Clelia Broad Music AGR Television Records Buckley, Russell Aitken, Gregory A. Budimir, Mary Michelle AITP Records Bullbar P/L aJaymusic Bulletproof Records t/a Fighterpilot AJO Services Bulmer, Grant Matthew Allan, Jane Bunza Entertainment International Pty Ltd Aloha Management Pty Ltd Butler Brown P/L t/a The John Butler Trio Alter Ego Promotions Byrne, Craig Alston, Chris Byrne, Janine Alston, Mark *CAAMA Music Amber Records Aust. Pty Ltd. Cameron Bracken Concepts Amphibian *Care Factor Zero Recordz Anamoe Productions Celtic Records Anderson, James Gordon SA 5006 Angelik Central Station Pty Ltd Angell, Matt Charlie Chan Music Pty Ltd Anthem Pty Ltd Chart Records and Publishing Anvil Records Chase Corporation P/L Anvil Lane Records Chatterbox Records P/L Appleseed Cheshire, Kim Armchair Circus Music Chester, John Armchair Productions t/a Artworks Recorded Circle Records Music CJJM Australian Music Promotions Artistocrat P/L Clarke, Denise Pamela Arvidson, Daniel Clifton, Jane Ascension World Music Productions House Coggan, Darren Attar, Lior Col Millington Prodcutions *Australian Music Centre Collins, Andrew James B.E. Cooper Pty Ltd *Colossal Records of Australia Pty Ltd B(if)tek Conlaw (No. 16) Pty Ltd t/a Sundown Records Backtrack Music Coo-ee Music Band Camp Cooper, Jacki Bellbird Music Pty Ltd Coulson, Greg Below Par Records
    [Show full text]