DOCSLIB.ORG

808State Don Solaris Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
808State Don Solaris Mp3, Flac, Wma 808state Don Solaris mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Don Solaris Released: 1996 Style: Techno, Future Jazz, Experimental MP3 version RAR size: 1247 mb FLAC version RAR size: 1961 mb WMA version RAR size: 1815 mb Rating: 4.6 Votes: 795 Other Formats: VQF MP1 APE MIDI AU AUD VOX Tracklist Hide Credits Intro A1 1:16 Mixed By – 808state* Bond A2 5:09 Engineer – Danny KadarVocals – Doughty* Bird A3 3:53 Engineer – Aidan Love Azura A4 5:30 Vocals – Louise Rhodes Black Dartangnon A5 5:30 Mixed By – Al Fish* A6 Joyrider 4:40 Lopez B1 4:17 Vocals – James Dean Bradfield Balboa B2 5:14 Engineer – Al Stone B3 Kohoutek 4:46 Mooz B4 4:35 Engineer – Al StoneVocals – Ragga B5 Jerusahat 5:12 B6 Banacheq 5:39 Companies, etc. Copyright (c) – ZTT Phonographic Copyright (p) – ZTT Licensed To – Warner Music UK Ltd. Credits Design – M@ Maitland*, Zang Tuum Tumb* Engineer – Al Fish* (tracks: 2, 9, 11), Phil Jones (tracks: 4, 6, 7, 12) Illustration – M@ Maitland* Mixed By – Al Stone (tracks: 2 to 4, 6 to 12) Performer [808state] – Andy Barker, Darren Partington, Graham Massey Photography By – Don Solaris Written-By, Producer [Formulated And Controlled By] – 808state* Notes 2 Bond: Mixed @ Olympic Studios, London. Recorded @ Baby Monster, NYC and Eon Studios, Sheffield. Drums: TR909, Akai, Hi Hat and Anvil. Bass: Matrix 1000, Jupiter 8. Keyboards: ARP Odysey, Korg Wavestation AD, EMU Vintages Keys, Korg Propecy, JD800, EM+M Spectral Synth. Instruments: Alto Melodica, Blues Harp. Guitars: Guild Starfire, Takamine Electro, Acoustic Gibson Les Paul. 3 Bird: Mixed @ Wool Hall, Bath. Recorded @ Planet 4 Studios. Drums: Akai S1100, TR909. Bass: JD800 Subbass, Moog Liberation. Keyboards: Akai S1100, Crown Palaris, Kurtzweil, Moog Liberation. Instruments: Vibraphone, Glockenspiel, Pocket trumpet. Guitars: Ibanez ST50. 4 Azura: Mixed @ Olympic Studios, London. Recorded @ Eon Studios, Sheffield. Drums: Roland TR909, Akai S1100. Bass: JD800 Subbass, Oberheim Matrix 1000, Mini Moog. Keyboards: ARP 2600, JV80 Steeldrums, Korg Wavestation AD, Vintage keys. 5 Black Dartangnon: Recorded and mixed @ Eon Studios, Sheffield. Drums: TR909, JD800, Pearl Syncussion, Demon Rhythm Box. Bass: JD800 Subbass. Keyboards: Vintages Keys, Meletron Flutes, JX8P Wavestation Vibes, Fender Rhodes 73. JD800 Electric Piano. Intruments: Soprano Saxophone, Bass Clarinet. Guitars: Casio Midi Guitar. 6 Joyrider Mixed @ Wool Hall, Bath. Recorded @ Eon Studios, Sheffield. Drums: Roland TR909, TR727, Pearl Syncussion. Bass: ARP 2600, Mini Moog, Jupiter 8, Akai S1100, Doctor Q. Keyboards: Juno 106, SH101, Jupiter 8, Memory Moog. Instruments: Soprano Saxophoen, Kalimba. B1 Lopez Mixed @ Wool Hall, Bath. Recorded @ Eon Studios, Sheffield and Sarm Studios, London. Drums: Akai S1100, TR909. Bass: Mini Moog. Keyboards: Wavestation AD, Jupiter 8 Drop. Guitars: Ibanez ST50, Gibson Les Paul Fuzz, 8 String Hawian Slide. 2 Balboa Mixed and engineered @ Wool Hall, Bath. Drums: TR909, Akai S1100, JD800, Demon, GR50 Diskik, Pearl Syncussion. Bass: Korg Prophecy, ARP 2600, JD800. Keyboards: Korg Prophecy Flute, JD800 Flute, Akai S1100. 3 Kohoutek Mixed @ Wool Hall, Bath. Recorded @ Eon Studios, Sheffield. Drums: TR909, JD800, Akai S1100. Bass: Mini Moog, JD800 Subbass. Keyboards: Hahner Electra Piano, Fender Rhodes, MK1, Wurlitzer Electric Piano, ARP Quartet, Wavestation, Jupiter 8, ARP 2600. Instruments: Vibraphone. 4 Mooz Mixed and engineered @ Wool Hall, Bath. Drums: Akai S1100. Bass: Korg Prophecy, Gibson Firebird GR50 Bass. Keyboards: Memory Moog, Vintage Keys, Korg Prophecy. 5 Jerusahat Mixed @ Wool Hall, Bath. Recorded @ Eon Studios, Sheffield. Drums: TR707, TR909, R8, Akai S1100. Bass: ARP 2600, Oberheim 4 Noise. Keyboards: Fender Rhodes Electric Piano, ARP 2600, Jupiter 8, JD800, Korg Wavestation AD, Harmonium, Akai S1100. Instruments: Bass Clarinet, Vince 8 String Zither Beviabau, Armadillo Guitar. 6 Banacheq Mixed @ Wool Hall, Bath. Recorded @ Eon Studios, Sheffield. Drums: Akai S1100, 707, 808, 909, JD800. Bass: Fender Short Slide Fuzz Bass, Oberheim 5 Noise. Keyboards: ARP Odyssey, Moog Liberation, Vox Jaguar Organ, Akai S1100. Instruments: Pocket Trumpet. Guitar: Fender Stratocaster. M. Doughty appears courtesy of Slash Records. Louise Rhodes appears courtesy Mercury Records. James Dean Bradfield appears courtesy of Epic Records. Al Stone appears courtesy of SSO Productions. ℗ 1996 ZTT Records, under exclusive license to Warner Music UK Ltd. © 1996 ZTT Records, under exclusive license to Warner Music UK Ltd. The copyright in this sound recording and artwork is owned by ZTT Records Ltd, under exclusive license to Warner Music UK Ltd. A Warner Music Group Company. Made in Germany by Warner Music Manufacturing Europe. All credits taken from draft, same on cassette. Cassette housed in printed slipcase, with 14-page booklet with information. Barcode and Other Identifiers Barcode: 7 0630-14356-4 9 Other (Distribution Code): WE491 Label Code: LC4281 Rights Society: GEMA/BIEM Other versions Category Artist Title (Format) Label Category Country Year Don Solaris (CD, 0630-14356-2 808state* ZTT 0630-14356-2 UK 1996 Album, Sli) Don Solaris (CD, ZTT 105CDX, Album, RE, RM + ZTT, ZTT 105CDX, 808state* UK 2008 ZTT105CDX CD, Comp + Dlx, ZTT ZTT105CDX Car) Don Solaris (LP, 0630-14356-1 808state* ZTT 0630-14356-1 UK 1996 Album) Don Solaris (CD, WPCR-770 808state* ZTT WPCR-770 Japan 1996 Album) Don Solaris (CD, SALVOMDCD09, Salvo, SALVOMDCD09, 808state* Album, RM + CD, UK 2010 Element 04 ZTT Element 04 Comp + RE, Car) Related Music albums to Don Solaris by 808state 808state - Bombadin 808state - Invader Fish Go Deep - So Far So Deep Volume One: Selected Tracks 1997-2013 The Art Of Noise - The Best Of The Art Of Noise Various - Zang Tumb Tuum Sampled James Dean Bradfield - The Great Western Frankie Goes To Hollywood - Rage Hard REO Speedwagon - You Can Tune A Piano, But You Can't Tuna Fish.
Load more

Recommended publications
  • I Urban Opera: Navigating Modernity Through the Oeuvre of Strauss And
    Urban Opera: Navigating Modernity through the Oeuvre of Strauss and Hofmannsthal by Solveig M. Heinz A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Germanic Languages and Literatures) in the University of Michigan 2013 Doctoral Committee: Associate Professor Vanessa H. Agnew, Chair Associate Professor Naomi A. André Associate Professor Andreas Gailus Professor Julia C. Hell i For John ii Acknowledgements Writing this dissertation was an intensive journey. Many people have helped along the way. Vanessa Agnew was the most wonderful Doktormutter a graduate student could have. Her kindness, wit, and support were matched only by her knowledge, resourcefulness, and incisive critique. She took my work seriously, carefully reading and weighing everything I wrote. It was because of this that I knew my work and ideas were in good hands. Thank you Vannessa, for taking me on as a doctoral rookie, for our countless conversations, your smile during Skype sessions, coffee in Berlin, dinners in Ann Arbor, and the encouragement to make choices that felt right. Many thanks to my committee members, Naomi André, Andreas Gailus, and Julia Hell, who supported the decision to work with the challenging field of opera and gave me the necessary tools to succeed. Their open doors, email accounts, good mood, and guiding feedback made this process a joy. Mostly, I thank them for their faith that I would continue to work and explore as I wrote remotely. Not on my committee, but just as important was Hartmut. So many students have written countless praises of this man. I can only concur, he is simply the best.
    [Show full text]
  • Manic Street Preachers Tornano Con Un Nuovo Disco, Intitolato Futurology, in Uscita L'8 Manic Street Preachers Luglio 2014
    LUNEDì 28 APRILE 2014 A soli nove mesi di distanza dall'acclamato Rewind The Film (top 5 nel Regno Unito), undicesimo album da studio della band, i Manic Street Preachers tornano con un nuovo disco, intitolato Futurology, in uscita l'8 Manic Street Preachers luglio 2014. Futurology, il nuovo album, in uscita l'8 luglio. Registrati ai leggendari Hansa Studios di Berlino e al Faster, lo studio dei In concerto in Italia il 2 giugno 2014 al RocK In Manics a Cardiff, i tredici brani che compongono l'album vedono la band Idro di Bologna gallese in forma smagliante, addirittura esplosiva. Uno stacco netto rispetto al disco precedente, ma sempre all'insegna di uno stile inconfondibile. LA REDAZIONE Il primo singolo estratto è "Walk Me To The Bridge", dalle chiare influenze europee. In una recente conversazione con John Doran di Quietus, Nicky Wire ha parlato del testo del brano, che ha cominciato a prendere forma qualche anno fa. "Qualcuno penserà che la canzone contenga tanti riferimenti a Richey Edwards, ma in realtà parla del ponte di Øresund che collega la Svezia alla Danimarca. Tanto tempo fa, quando [email protected] attraversavamo quel ponte, stavo perdendo entusiasmo per le cose e SPETTACOLINEWS.IT pensavo di lasciare la band (il "fatal friend"). 'Walk Me To The Bridge' parla dei ponti che ti consentono di vivere un'esperienza extracorporea quando lasci un luogo per raggiungerne un altro". Secondo James Dean Bradfield, il brano è "una canzone ideale per i viaggi in auto, dal sapore squisitamente europeo e carica di tensione emotiva, con sintetizzatori in stile primi Simple Minds e un assolo di chitarra Ebow alla 'Heroes'".
    [Show full text]
  • Manic Street Preachers Pubblicano "Futurology"
    LUNEDì 7 LUGLIO 2014 A quasi un anno di distanza dall'acclamato "Rewind The Film" (top 5 nel Regno Unito), undicesimo album da studio della band, i Manic Street Preachers tornano con un nuovo disco, intitolato "Futurology", in uscita Manic Street Preachers l'8 luglio 2014, prodotto dal gruppo insieme a Loz Williams e Alex Silva pubblicano "Futurology" (The Holy Bible) e registrato ai leggendari Hansa Studios di Berlino e al Faster di Cardiff, lo studio dei Manics. Il nuovo album, in uscita domani 8 luglio I brani che compongono l'album, già recensito positivamente dalle riviste inglesi, vedono la band gallese in forma smagliante, addirittura esplosiva ma sempre all'insegna di uno stile inconfondibile. Il cd viene LA REDAZIONE pubblicato in digitale e versione fisica, quest'ultima si potrà trovare in vendita in formato standard (13 brani ed un libretto di 12 pagine) e deluxe (il cd standard + 1 cd con le versioni demo di tutte le 13 canzoni, oltre a 3 bonus tracks: "Blistered Mirrors" - "Empty Motorcade" - "The Last Time I Saw Paris" ed un libretto composto da 24 pagine). Il primo singolo estratto è "Walk Me To The Bridge". "Un brano carico di [email protected] tensione emotiva, con sintetizzatori in stile primi Simple Minds" dice SPETTACOLINEWS.IT Nicky Wire e parlando del testo racconta: "Qualcuno penserà che la canzone contenga tanti riferimenti a Richey Edwards, ma in realtà parla del ponte di Øresund che collega la Svezia alla Danimarca. Tanto tempo fa, quando attraversavamo quel ponte, stavo perdendo entusiasmo per le cose e pensavo di lasciare la band (il "fatal friend").
    [Show full text]
  • Frankie Goes to Hollywood Welcome to the Pleasure Dome Mp3, Flac, Wma
    Frankie Goes To Hollywood Welcome To The Pleasure Dome mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Welcome To The Pleasure Dome Country: US Released: 1985 Style: Synth-pop MP3 version RAR size: 1723 mb FLAC version RAR size: 1882 mb WMA version RAR size: 1222 mb Rating: 4.3 Votes: 433 Other Formats: ASF DTS AIFF AC3 AA MIDI XM Tracklist A1 Welcome To The Pleasure Dome (Vocal / KZAP Edit) 6:22 A2 Relax (Vocal / Live Version) 4:30 B Welcome To The Pleasure Dome (Trevor Horn Re-Mix Vocal / Edit) 4:50 Companies, etc. Record Company – Island Records Inc. Phonographic Copyright (p) – ZTT Records Distributed By – Atlantic Recording Corporation Notes Two pressing variations exist of this release. This release shows track A1 as being: Welcome To The Pleasuredome (Vocal / Edit / 6:22) and track B as being: Welcome To The Pleasure Dome (Vocal / Edit / 4:50) The correct tracks are shown in the track listing. This release is printed with the correct titles/subtitles. Other versions Category Artist Title (Format) Label Category Country Year Welcome To The Frankie Goes ZTAS 7 Pleasuredome (7", ZTT ZTAS 7 UK 1985 To Hollywood Single) Welcome To The Frankie Goes Pleasuredome (CD, Repertoire REP 8028 REP 8028 Germany 2001 To Hollywood Maxi, Enh, Ltd, Records Num, Dig) Welcome To The FGTH2CD, Frankie Goes FGTH2CD, Pleasuredome (CD, ZTT, ZTT Europe 1993 4509-94474-2 To Hollywood 4509-94474-2 Single) Welcome To The Pleasuredome (All Frankie Goes SAM 1275 Aboard The Remix ZTT SAM 1275 UK 1993 To Hollywood Pleasure Ride) (2x12", Promo) Welcome To The Pleasuredome none, Frankie Goes none, (Fruitness) (7xFile, ZTT, Salvo 2014 DDSALVOS089 To Hollywood DDSALVOS089 AAC, Single, RE, 256) Related Music albums to Welcome To The Pleasure Dome by Frankie Goes To Hollywood Frankie Goes To Hollywood - Welcome To The Pleasuredome Frankie Goes To Hollywood - Bang!..
    [Show full text]
  • SUNDAY 28Th Euros Childs @National Elf
    SUNDAY 28th Euros Childs @National_Elf Euros Childs is a solo artist hailing from Pembrokeshire. Having fronted the band Gorky's Zygotic Mynci from 1991 until their demise in 2004, Euros went solo and released his debut album ‘Chops’ on the Wichita label in 2006, followed by a further 3 albums for the label: ‘Bore Da’, ‘The Miracle Inn’ (both 2007) and ‘Cheer Gone’ (2008). Euros set up his own record label National Elf in 2009 and to date has released 10 solo albums – including last year’s ‘Olion’, ‘Sweetheart’ (2015) ‘Refresh!’ (2016) ‘House Arrest’ (2017). He has toured extensively around the UK in the past 13 years. Sometimes with a band and occasionally alone with a piano. When asked by taxi drivers, hairdressers or distant relatives what kind of music he plays, Euros replies, 'It's pop music with a bit of folk music and thrown in. Sometimes synthesizers are used, sometimes pianos or guitars. But it's always rock n roll.” Wigwam @wigwamband Mae Wigwam yn fand roc a rol ifanc o Gaerdydd. Ffurfiwyd y grwp yn 2017 gan Gareth Scourfield, Elis Penri, Rhys Morris, Griff Daniels a Dan Jones. Gosododd Wigwam eu marc ar gystadleuaeth ‘Brwydr y Bandiau’ Yr Eisteddfod Genedlaethol yn 2018 ar ôl flwyddyn o chwarae gigs yn gyson dros Dde Cymru. Treuliodd y band hanner cyntaf 2018 yn gweithio yn galed ar eu halbwm cyntaf, Coelcerth, o dan arweiniad y cynhyrchwr chwedlonol Mei Gwynedd. Daeth y sengl, Mynd a Dod, cyn rhyddhau’r albwm, a chafodd ymateb gwych gan gynulleidfaoedd a DJs radio. Dilynodd yr albwm mis yn ddiweddarach, a chafodd ei henwi ar restr 10 albwm gorau 2019 Y Selar.
    [Show full text]
  • Disc A: Miniaturised Concertos (Total Duration 58:48)
    disc A: Miniaturised Concertos (total duration 58:48) 1 Swimming with the Stone Book (Andrew Poppy) 15:43 Kate Halsall, Fumiko Miyachii: pianos F Andrew Poppy: keyboard Joel Bell: electric guitar F Ruth Goller: electric bass F Lucy Shaw: upright bass Robert Millett & Jeremy Barnett: percussion 2 Always again (Naomi Pinnock) 13:48 Kate Halsall, Fumiko Miyachi: pianos F Delia Stevens: percussion 3 Furor (Philip Cashian) 9:14 Kate Halsall, Fumiko Miyachi: pianos Ensemble Dark Inventions, conductor Chris Leedham 4 Hanging in the Balance (Colin Riley) 19:54 I Ritual Groove II Break, Tackle and Bowl III Scent of an Ending Kate Halsall, Fumiko Miyachi: pianos James Waterworth: electronics, sound design video track not on album: Katharine Norman: Making Place 16:15 Kate Halsall (pianos) Buy the download (£2.00 or $3.50) at http://www.divineartrecords.com/CD/makingplace.htm Stream video on YouTube at https://youtu.be/RZLwjCh6j5E in case of difficulty accessing video contact [email protected] disc B: Maché (total duration 39:39) 1 Maché 1 16:20 Duncan MacLeod: Cut, Strike, Grip, Throw * Kate Halsall, Fumiko Miyachi: keyboards F Duncan MacLeod: electronics Simon Vincent: Study No. 3 * Kate Halsall, Martin Butler:pianos F Simon Vincent: electronic soundtrack Joel Bell: bell-like * Kate Halsall, Martin Butler: pianos F Joel Bell: e.guitar Ryoko Akama: an.dt.wo * Kate Halsall, Fumiko Miyachi: pianos 2 Maché 2 5:38 Dominic Murcott: Time and Place* Kate Halsall: pianos F Sounds of Chatham Historic Dockyard recorded by Chris Lewis 3 Maché 3 12:45
    [Show full text]
  • Media Pack Final December E
    Music Coverage At a Glance The Skinny has a wide ranging music policy, Our Readers always on the look out for the newest emerg- listen to music every day The Lovely Bones 98% cHVRcHES are a bona fide Scottish synth-pop phenomenon – as they ing stars alongside supporting the acts that prepare to release debut album The Bones Of What You Believe, we Interview: Bram E. Gieben talk gear-packing Tetris, growing up in public, and expelling half-truths Photography: Eoin Carey o call CHVRCHES’ rise to fame meteoric is to presence – it is a process that is still ongoing. have a special place in our hearts. Tunderestimate – in an age of instant one-hit “This is the first band where the vocals have been rate Music as the most-read wonders, it might have seemed tempting to dis- my sole thing,” she explains. “It was a learning 91% miss them on the basis of the hype that followed curve, figuring out what the possibilities were the internet-only release of Lies back in May last with the live set, and becoming comfortable with year. Now, as the band prepare to release their not really giving a shit what other people think first album The Bones of What You Believe, coming about your performance. Because a lot of people section off the back of an extensive bout of touring which have a lot of opinions. I’m just trying to figure it saw them hone their sound and performance out, and I guess there was that aspect of ‘growing with gigs across Europe, the US and Asia, the up in public’ to an extent.” world is finally going to be in a position to judge “That’s something that we’ve all gone them on their merits.
    [Show full text]
  • Download De Pdf Van Mania 369
    www.platomania.nl 14 augustus 2020 - nr. 369 Het blad van/voor muziekliefhebbers NO RISK DISC Fontaines D.C. MANIA major muscle • independent spirit proudly presents Oscar Jerome 14.08 ‘Breathe Deep’ is het debuut- album van de UK jazz gitaar- virtuoso en vocalist Oscar Jerome. Op het album zijn onder andere samenwerkingen te horen met singer-songwriter Lianne La Havas en zijn me- de-bandleden van Kokoroko. Chef’Special Tom Misch & 06.03 Yussef Dayes Na het met een Edison en platina bekroonde album Amigo 24.04 NO komt Chef’Special met de troon- Er werd vol smacht op deze re- opvolger UNFOLD die in lease gewacht. De vaandeldra- Nederland op nr. 1 in de album- gers van de UK Jazz stoppen dit RISK charts stond in de eerste week. genre in nieuw jasje en dat is te horen op What Kinda Music. DISC FONTAINES DC Tame Impala A Hero’s Death 14.02 (Partisan/PIAS) LP coloured, 2LP Deluxe, CD Het genie Kevin Parker is terug Angst is een sterke drijfveer. We hebben er van weggeweest. Na het mega succes van zijn vorige album de titeltrack A Hero’s Death aan te danken, ‘Currents’ neemt hij opnieuw en daarmee het gelijknamige, tweede album iedereen mee op zijn psychede- van Fontaines D.C., nauwelijks een jaar na het lische muzikale trip genaamd met lof overladen debuutalbum Dogrel. Want, ‘The Slow Rush’. zo legt frontman Grian Chatten uit: ‘Ik werd verteerd door de noodzaak om iets anders te shows en namen hun toevlucht in schrijfsessies schrijven, om de angst te verlichten dat ik het thuis in Dublin.
    [Show full text]
  • PPCA Licensors Phonographic Performance Company of Australia Limited Control of Music on Hold and Public Performance Rights
    PPCA Licensors Phonographic Performance Company of Australia Limited Control of Music on Hold and Public Performance Rights 88dB Bowles Production *ABC Music Brian Lord Entertainment ACMEC Bridge, Billy Adams, Clelia Broad Music AGR Television Records Buckley, Russell Aitken, Gregory A. Budimir, Mary Michelle AITP Records Bullbar P/L aJaymusic Bulletproof Records t/a Fighterpilot AJO Services Bulmer, Grant Matthew Allan, Jane Bunza Entertainment International Pty Ltd Aloha Management Pty Ltd Butler Brown P/L t/a The John Butler Trio Alter Ego Promotions Byrne, Craig Alston, Chris Byrne, Janine Alston, Mark *CAAMA Music Amber Records Aust. Pty Ltd. Cameron Bracken Concepts Amphibian *Care Factor Zero Recordz Anamoe Productions Celtic Records Anderson, James Gordon SA 5006 Angelik Central Station Pty Ltd Angell, Matt Charlie Chan Music Pty Ltd Anthem Pty Ltd Chart Records and Publishing Anvil Records Chase Corporation P/L Anvil Lane Records Chatterbox Records P/L Appleseed Cheshire, Kim Armchair Circus Music Chester, John Armchair Productions t/a Artworks Recorded Circle Records Music CJJM Australian Music Promotions Artistocrat P/L Clarke, Denise Pamela Arvidson, Daniel Clifton, Jane Ascension World Music Productions House Coggan, Darren Attar, Lior Col Millington Prodcutions *Australian Music Centre Collins, Andrew James B.E. Cooper Pty Ltd *Colossal Records of Australia Pty Ltd B(if)tek Conlaw (No. 16) Pty Ltd t/a Sundown Records Backtrack Music Coo-ee Music Band Camp Cooper, Jacki Bellbird Music Pty Ltd Coulson, Greg Below Par Records
    [Show full text]
  • MKULTR4: Very Vague and Not Well-Funded Written and Edited by Emma Laslett, Ewan Macaulay, Joey Goldman, Ben Salter, and Oli Clarke Finals 1
    MKULTR4: Very Vague And Not Well-Funded Written and Edited by Emma Laslett, Ewan MacAulay, Joey Goldman, Ben Salter, and Oli Clarke Finals 1 Tossups 1. Secret identities adopted by characters in this series include Rhonda Mumps and Jake Jortles, and one character in this series spends most of an episode responding to all requests by giving people cacti. One character in this series suffers from “directional insanity”, and another responds to a plan to use him as a “willing sex robot” with the phrase “Maximum (*) Derek!” A 3,000 page manuscript is discarded as incomprehensible by a being who knows “literally everything” in this series; that work is What We Owe To Each Other, by Chidi Anagonye. For 10 points, name this 2016 comedy series created by Michael Schur and starring Ted Danson and Kristen Bell, in which Eleanor Shellstrop arrives in the eponymous ideal afterlife by mistake. ANSWER: The Good Place <EL> 2. In one scene, this character is described in a simile as “like a wolf, lying in wait by a full sheepfold” who is “tormented by its dry bloodless Jaws”. This character is opposed in one council by a man often considered a reflection of Cicero, Drances. It’s not the title character of the work in which they appear, but in Book Six the Sibyl heralds this character as a new (*) Achilles. During this character's final fight, after a borrowed sword shatters, their divine sister brings them another. This man asks their rival to “pity Daunus’ old age” when wounded in the thigh, but is killed when that rival sees this man wearing the sword-belt of Pallas.
    [Show full text]
  • 808 State in Yer Face (Remix) Mp3, Flac, Wma
    808 State In Yer Face (Remix) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: In Yer Face (Remix) Country: UK Released: 1991 Style: Techno MP3 version RAR size: 1249 mb FLAC version RAR size: 1115 mb WMA version RAR size: 1237 mb Rating: 4.7 Votes: 407 Other Formats: VOC FLAC AAC ASF APE XM MMF Tracklist Hide Credits In Yer Face (Facially Yours Remix) A 4:17 Engineer – Graham Massey Leo Leo (Poonchanting Instrumental) B Engineer – Michael "Spectacular" Haas*Engineer [Assistant] – Darren Tidsey*, Jennifer 4:01 Durcan Companies, etc. Published By – Perfect Songs Ltd. Recorded At – Square One Studios Mixed At – Square One Studios Recorded At – Mirage Studios Mixed At – Mirage Studios Recorded At – Revolution Studios Mixed At – Revolution Studios Phonographic Copyright (p) – ZTT Records Ltd. Copyright (c) – ZTT Records Ltd. Copyright (c) – WEA Records Ltd. Distributed By – WEA Records Ltd. Record Company – Time Warner Record Company – Warner Communications Credits Design – Johnson/Panas Manchester* Written-By, Mixed By, Producer – 808 State Notes Side A - recorded and mixed at Square One and Mirage Studios. Side B - recorded and mixed at Revolution Studios. Distributed by WEA Records Ltd A Warner Communications Company. ℗1991 ZTT Records Ltd. ©1991 ZTT Records Ltd. The copyright in this sound recording and artwork is owned by WEA Records Ltd. A Time Warner Company. Barcode and Other Identifiers Barcode: 0 9031-73576-0 7 Matrix / Runout (Runout side A, etched): ZANG-14TX-A₁ Matrix / Runout (Runout side B, etched): ZANG-14TX-B₁
    [Show full text]
  • EXTENDING the TERM: Should the UK Recording Industry Have New Obligations As Well As New Rights If the Copyright Term for Sound Recordings Is Extended?
    1 EXTENDING THE TERM: Should the UK recording industry have new obligations as well as new rights if the copyright term for sound recordings is extended? Ben Challis, LLB MA MA(law) FRSA Barrister-at-law In this article Ben looks at the current moves by the UK’s recording industry to push for a Europe wide extension in the term of copyright for sound recordings - from fifty years to ninety five years. But Ben asks if this is the time for a complete overhaul in the way copyrights are owned and suggests that any change in term should only be made with additional provisions to protect both the customers and the creators of recorded music. Front page news in the UK trade magazine Music Week on the 4 th March 2006 was the headline ‘Timefor Action’ launching a major campaign under the „Extend The Term!‟ banner, calling on the UK Government to take action over extending the term of copyright for sound recordings. Currently the term of copyright protection for original literary, dramatic, musical and artistic works along with Films is seventy (70) years from the death of the author or last surviving author pursuant to the provisions of the Copyright Designs and Patents Act 1988s12 and s13B. However S13A of the same Act provides that the copyright in sound recordings in the UK lasts for only fifty (50) years from the end of the calendar year in which the recording is made or released. And this is what is agitating the British Phonographic Industry as its members being to see some very valuable copyrights (such as early sound recordings from Elvis Presley and Cliff Richard) enter the public domain.
    [Show full text]