DOCSLIB.ORG

National Theatre Wales / Before I Leave / Programme

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
National Theatre Wales / Before I Leave / Programme NATIONAL THEATRE WALES WITH WALES MILLENNIUM CENTRE GYDA CHANOLFAN MILENIWM CYMRU BOX OFFICE SWYDDFA DOCYNNAU NATIONALTHEATREWALES.ORG BEFORE T: 029 2037 1689 I LEAVE NATIONAL THEATRE WALES 30 CASTLE ARCADE / ARCÊD Y CASTELL, CARDIFF / CAERDYDD CF10 1BW T: 029 2035 3070 E: [email protected] W: NATIONALTHEATREWALES.ORG LIKE US ON FACEBOOK HOFFWCH NI AR FACEBOOK NATIONAL THEATRE WALES FOLLOW US ON TWITTER DILYNWCH NI AR TWITTER @NTWTWEETS WATCH US ON YOUTUBE GWYLIWCH NI AR YOUTUBE YOUTUBE.COM/NATIONALTHEATREWALES WRITTEN BY YSGRIFENNWYD GAN DESIGN / DYLUNIO: BWTIC.CO.UK PATRICK JONES DIRECTED BY CYFARWYDDWYD GAN MATTHEW DUNSTER NATIONAL THEATRE WALES WITH WALES MILLENNIUM CENTRE GYDA CHANOLFAN MILENIWM CYMRU BOX OFFICE SWYDDFA DOCYNNAU NATIONALTHEATREWALES.ORG BEFORE T: 029 2037 1689 I LEAVE NATIONAL THEATRE WALES 30 CASTLE ARCADE / ARCÊD Y CASTELL, CARDIFF / CAERDYDD CF10 1BW T: 029 2035 3070 E: [email protected] W: NATIONALTHEATREWALES.ORG LIKE US ON FACEBOOK HOFFWCH NI AR FACEBOOK NATIONAL THEATRE WALES FOLLOW US ON TWITTER DILYNWCH NI AR TWITTER @NTWTWEETS WATCH US ON YOUTUBE GWYLIWCH NI AR YOUTUBE YOUTUBE.COM/NATIONALTHEATREWALES WRITTEN BY YSGRIFENNWYD GAN DESIGN / DYLUNIO: BWTIC.CO.UK PATRICK JONES DIRECTED BY CYFARWYDDWYD GAN MATTHEW DUNSTER NATIONAL THEATRE WALES WITH WALES MILLENNIUM CENTRE GYDA CHANOLFAN MILENIWM CYMRU BOX OFFICE SWYDDFA DOCYNNAU NATIONALTHEATREWALES.ORG BEFORE T: 029 2037 1689 I LEAVE NATIONAL THEATRE WALES 30 CASTLE ARCADE / ARCÊD Y CASTELL, CARDIFF / CAERDYDD CF10 1BW T: 029 2035 3070 E: [email protected] W: NATIONALTHEATREWALES.ORG LIKE US ON FACEBOOK HOFFWCH NI AR FACEBOOK NATIONAL THEATRE WALES FOLLOW US ON TWITTER DILYNWCH NI AR TWITTER @NTWTWEETS WATCH US ON YOUTUBE GWYLIWCH NI AR YOUTUBE YOUTUBE.COM/NATIONALTHEATREWALES WRITTEN BY YSGRIFENNWYD GAN DESIGN / DYLUNIO: BWTIC.CO.UK PATRICK JONES DIRECTED BY CYFARWYDDWYD GAN MATTHEW DUNSTER “ THIS PLAY IS A TESTAMENT TO THE HEALING POWER OF SONG” PATRICK JONES ALL OF US CAN REMEMBER A SONG THAT MEANT SO MUCH TO US AT A CERTAIN BEFORE I LEAVE I’LL GIVE YOU SOME HAPPINESS POINT IN LIFE. FIRST LOVE, LOST LOVE, THE BEST SUMMER OR THE LONELIEST WINTER. WE MARK OUT OUR LIVES WITH MUSIC. IN THE FOG AND CONFUSION OF THE LAUGHTER OR PAIN, THE GOOD THAT REMAINS DEMENTIA, HEARING A PARTICULAR SONG CAN IGNITE A FORGOTTEN FLAME THAT, FOR A MOMENT, LIGHTS THE WAY TOWARDS A PEACEFUL SAFE PLACE WHERE HOLD ME TIGHTER STILL, KEEP ME SAFE UNTIL SMILES ARE REBORN. HOLD ME CLOSE, BEFORE I… This play would not exist without the magnificent people I have met on this journey. I would like to thank Cwm Taf choir in Merthyr for inspiring this play, and for their time and patience as I sat in and listened to their song, their stories. Further, the Alzheimer’s Society staff, volunteers and people of Tyˆ Hapus, Barry, Ruth and Angela and all at Wrexham Alzheimer’s Society choir, and Sarah and Rhiannon at the Sing for Life group in Brecon. I never failed to shed a tear, see my own life reflected, burst into laughter or share a common humanity with the members. Brain cells need each other to function properly, to pass on the signals to each other. In dementia, proteins block these bridges, fracture the flow of life. When these connections are broken the messages cannot cross, so the cells die and parts of the brain stop working effectively. You lose the ability to remember, you lose your appetite, you forget how to bake a cake – the cells fade and die when they can’t interact with other cells. A bit like a choir, a bit like us, a bit like society. In these times of public sector cuts, of unchallenged inequality, of food banks and an economic policy parading as moral imperative, we need to acknowledge each other, listen to each other’s song and if a voice is damaged we need to sing louder. But somehow music, melody and song surge over these snapped synapses, connect and heal if only fleetingly… but for that moment life is beautiful, life is connected. PART OF FESTIVAL OF VOICE, A NEW INTERNATIONAL FESTIVAL IN CARDIFF, 3 - 12 JUNE 16 RHAN O Wˆ YL Y LLAIS, GWˆ YL NEWYDD RYNGWLADOL YNG NGHAERDYDD, 3 – 12 MEHEFIN 16 All over Britain these groups exist. They meet, they sing, they live. I wanted to bear witness to their inspiring work. The choirs are evidence people live, and live well with dementia, and Before I Leave is my small part in breaking down the negative assumptions around the disease. As Johnny Cash says in ‘Hurt’, WITH SPECIAL THANKS FOR THE USE OF A SONG FROM THE FOLLOWING SOURCE: ‘But I remember everything’. GYDA DIOLCH ARBENNIG AM GAEL DEFNYDDIO CÂN O’R FFYNHONNELL GENLYNOL: SO, GO FORTH AND SING… SING. “YOU’LL NEVER WALK ALONE” MUSIC BY RICHARD RODGERS, LYRICS BY OSCAR HAMMERSTEIN II USED BY PERMISSION OF R&H THEATRICALS EUROPE, WWW.RNH.COM. BEFORE I LEAVE I’LL LEAVE YOU SOME MEMORIES THE GOOD AND THE BAD, THE HAPPY AND SAD HOLD ME TIGHTER STILL, KEEP ME SAFE UNTIL HOLD ME CLOSE, BEFORE I LEAVE BEFORE I LEAVE I’LL GIVE YOU SOME HAPPINESS THE LAUGHTER OR PAIN, THE GOOD THAT REMAINS HOLD ME TIGHTER STILL, KEEP ME SAFE UNTIL HOLD ME CLOSE, BEFORE I… I’LL SING THIS SONG UNTIL I DIE SING IT SLOWLY WITH SOME PRIDE SING IT BACK TO ME IF YOU WANT SING IT BACK TO ME WITH SOME LOVE I’LL SING THIS SONG UNTIL I DIE SING IT SLOWLY WITH SOME PRIDE SING IT BACK TO ME IF YOU WANT SING IT BACK TO ME WITH SOME… BEFORE I LEAVE I’LL MAKE YOU FEEL YOUNG AGAIN I’LL TAKE YOUR HAND, MAKE YOU UNDERSTAND HOLD ME TIGHTER STILL, KEEP ME SAFE UNTIL HOLD ME CLOSE, BEFORE I LEAVE BEFORE I LEAVE I’LL WALK IN THE WILDERNESS I’LL TAKE YOU THERE, LEAD YOU THROUGH DESPAIR HOLD ME TIGHTER STILL, KEEP ME SAFE UNTIL HOLD ME CLOSE, BEFORE I… I’LL SING THIS SONG UNTIL I DIE SING IT SLOWLY WITH SOME PRIDE IN MY POCKET THESE DREAMS WILL STAY IN MY POCKET THESE DREAMS WILL REMAIN I’LL SING THIS SONG UNTIL I DIE SING IT SLOWLY WITH SOME PRIDE IN MY POCKET THESE DREAMS WILL STAY IN MY POCKET THESE DREAMS WILL… WRITTEN BY YSGRIFENNWYD GAN IMAGES / LLUNIAU NICKY WIRE & JAMES DEAN BRADFIELD DAN WILTON I’LL SING THIS SONG THANKS “ HAD A QUICK LITTLE IDEA, DIOLCH THOUGHT IT COULD BE QUITE EPIC!!!” RHIANNON DAVIES, SARAH HARMAN, ELLIN JONES, ANGELA STONER, This was the opening line to an email I received from Patrick AND RUTH MOORE WILLIAMS late one night, and this is honestly where the project started. In the email, Patrick gave us a framework for a project, BEFORE I LEAVE’S WRITER PATRICK JONES HAS JOINED MAE AWDUR BEFORE I LEAVE, PATRICK JONES which would eventually turn into ‘I’ll Sing this Song’. FORCES WITH NTW TEAM, FILMMAKER KYM EPTON, WEDI YMUNO Â TEAM NATIONAL THEATRE WALES, PHOTOGRAPHER AND DESIGNER PAUL THOMAS AND Y GWNEUTHURWR FFILMIAU KYM EPTON, A week or so before that, Patrick, my colleague Mawgaine MUSICIAN BEN TINNISWOOD TO TEACH THREE CHOIRS Y FFOTOGRAFFYDD A’R DYLUNYDD PAUL THOMAS A’R and I had spent a day together talking about possibilities, OF PEOPLE LIVING WITH DEMENTIA TO SING BEFORE I CERDDOR BEN TINNISWOOD I DDYSGU TRI CHÔR O and he had taken us to the Six Bells mining memorial LEAVE, THE BRAND NEW SONG NICKY WIRE AND JAMES BOBL SY’N BYW GYDA DEMENTIA I GANU BEFORE I for inspiration. We all realised that Before I Leave gave DEAN BRADFIELD OF THE MANIC STREET PREACHERS LEAVE, Y GÂN NEWYDD SBON Y MAE NICKY WIRE A us a unique opportunity to create something that could HAVE WRITTEN FOR THE PRODUCTION. JAMES DEAN BRADFIELD O’R MANIC STREET PREACHERS be much bigger than the show itself. Patrick’s idea was WEDI EI HYSGRIFENNU AR GYFER Y CYNHYRCHIAD. perfect, Mawgaine wrote an application that summed it up brilliantly, and The Baring Foundation backed us. The project, called I’ll Sing this Song, will result in a short Bydd y prosiect, o’r enw I’ll Sing This Song, yn arwain DEVINDA DE SILVA film about the experiences of the choirs from Wrexham, at ffilm fer am brofiadau’r corau o Wrecsam, y Barri ac HEAD OF COLLABORATION / PENNAETH CYDWEITHREDU Barry and Brecon, and a very special digital resource for Aberhonddu, ac adnodd digidol arbennig iawn i gorau choirs across the country to download and use. ledled y wlad i’w lawrlwytho a’i ddefnyddio. The interactive online life of the project will open Bydd bywyd rhyngweithiol, ar-lein y prosiect yn ei “ THOSE DAYS LIVE FOREVER, “ THE BEFORE I LEAVE SONG it up to many more people, and draw on the profiles agor i lawer mwy o bobl, ac yn defnyddio proffiliau FOUND TREASURE THAT WE’LL NEVER SURRENDER” WILL REVERBERATE ON AND ON…” of Patrick & NTW to raise awareness and understanding Patrick a National Theatre Wales i godi ymwybyddiaeth of dementia. a dealltwriaeth o ddementia. Those words, written by our friends at Tyˆ Hapus for the We set out to be an echo of the Before I Leave chorus to our song, sum it up perfectly. performance; with the aim of helping ‘the words live’. Patrick will continue to work with all three choirs after Bydd Patrick yn parhau i weithio gyda’r tri chôr ar ôl Spreading the song and the sentiment of the play with the production has closed, and help them to explore i’r cynhyrchiad gau, a’u helpu i archwilio cerddoriaeth From the very first session people were so welcoming, the support of those at the heart of its story.
Load more

Recommended publications
  • Ymatebion I'r Ymgynghoriad: Newyddiaduraeth Yng Nghymru
    ------------------------Pecyn dogfennau cyhoeddus ------------------------ Dogfennau Ategol - Pwyllgor Diwylliant, y Gymraeg a Chyfathrebu Lleoliad: I gael rhagor o wybodaeth cysylltwch a: Ystafell Bwyllgora 2 - y Senedd Steve George Dyddiad: Dydd Mercher, 24 Mai 2017 Committee Clerk Amser: 09.30 0300 200 6565 [email protected] Noder bod y dogfennau a ganlyn yn ychwanegol i’r dogfennau a gyhoeddwyd yn y prif becyn Agenda ac Adroddiadau ar gyfer y cyfarfod hwn - Ymatebion i'r Ymgynghoriad: Newyddiaduraeth yng Nghymru Ymatebion i'r Ymgynghoriad: Newyddiaduraeth yng Nghymru (Tudalennau 1 - 88) Dogfennau atodol: Clawr Cynnwys NJW01 Prifysgol Bangor NJW02 BBC Cymru NJW03 Media Cymru (Saesneg yn Unig) NJW04 Neil Taylor (Saesneg yn Unig) NJW05 NUJ Cymru NJW06 S4C NJW06 S4C (Mewnol yn Unig) NJW07 Cyngor Bwrdeistref Sirol Caerffili (Saesneg yn Unig) NJW08 Paul Rowland, Trinity Mirror (Saesneg yn Unig) NJW09 Dr. Andy Williams, Prifysgol Caerdydd - Newyddion Cymunedol Hyperleol (Saesneg yn Unig) NJW10 Dr. Andy Williams, Prifysgol Caerdydd – Newyddion Lleol (Saesneg yn Unig) NJW11 ITV Cymru NJW12 Sefydliad Materion Cymreig (Saesneg yn Unig) NJW13 Emma Meese, Prifysgol Caerdydd (Saesneg yn Unig) Tudalen Cefn Eitem 2.1 Y Pwyllgor Diwylliant, y Gymraeg a Chyfathrebu Newyddiaduraeth Newyddion yng Nghymru Ymatebion i’r Ymgynghoriad Mai 2017 Cynulliad Cenedlaethol Cymru Y Pwyllgor Diwylliant, y Gymraeg a Chyfathrebu Tudalen y pecyn 1 Cynulliad Cenedlaethol Cymru yw’r corff sy’n cael ei ethol yn ddemocrataidd i gynrychioli buddiannau Cymru a’i
    [Show full text]
  • Newyddion News Mrs Hart Said: “Currently Healthcare Staff Have to Use Many Different Computer Systems Throughout the Day to Be Able to See the Information They Need
    8 January 2010 W-100013Hlth Health Minister gives go ahead to revolutionise NHS’ computer systems Plans to revolutionise the NHS’ computer systems enabling health professionals to access important patient information quickly and securely have been approved by Health Minister Edwina Hart today [8 January 2010]. Backed by £2.5m of Welsh Assembly Government funding, the new system - known as The Welsh Clinical Portal - will give one view of the information held about the patient, making it easier for healthcare staff to provide better care. It will bring together information held in the many hospital computer systems that doctors, nurses, clinicians and pharmacists use on a day-to-day basis. The first phase of the portal, which has been successfully piloted at some hospitals, gives faster secure access to existing information. Healthcare professionals at these sites are now able to request tests and view results electronically. This latest investment comes as part of the Assembly Government’s Informing Healthcare programme which will improve patient care and the working environment for staff. Other systems recently approved as part of this programme include the patient’s website My Health Online announced earlier this week. Newyddion News Mrs Hart said: “Currently healthcare staff have to use many different computer systems throughout the day to be able to see the information they need. This can take a lot of time and may not provide the information that is needed to best treat patients. “The portal will provide healthcare professionals with more information when they are treating their patients, helping to support their decisions and reduce the chance of inappropriate treatment or error.
    [Show full text]
  • Experience the Bayscape Lifetsyle
    bayscape CARDIFF MARINA SAIL INTO YOUR NEW HOME BAYSCAPE • CARDIFF MARINA BAYSCAPE • CARDIFF MARINA HISTORIC HARBOURSIDE “Cardiff owes much of its history to the During this time, Butetown and the After the Second World War, however, Industrial Revolution of the 1790’s, which surrounding dockland area grew into a demand for coal slumped and stimulated mining in the valleys of South cosmopolitan community with seafarers international markets were lost as other Wales. It also gave rise to the building from all around the world making Cardiff countries developed their own steel of the Glamorganshire Canal in 1794, their home. It is estimated that people industries. Trade was increasingly lost to which brought iron and coal down from from at least 50 nationalities settled in container ports and by the 1960’s coal the valleys. As this industry expanded this area, which became known as ‘Tiger exports had virtually ceased. In 1978 East it became obvious that a more efficient Bay’ This kaleidoscope of settlers helped Moors Steelworks closed with the loss of form of transport was required and in to build the docks, worked aboard 3,200 jobs and this dealt a further blow 1840 the Taff Vale Railway opened. the ships and helped to service this to South Cardiff. industrial and maritime city. This rapidly increasing iron and coal Today, the Cardiff docklands area is trade was also the catalyst for the By the 1880’s, Cardiff had transformed known as Cardiff Bay and it has been construction of a number of docks from one of the smallest towns in Wales transformed by the Cardiff Barrage that during the 1830’s.
    [Show full text]
  • A&B Cymru Arts Members Aelodau Celfyddydol C&B
    A&B CYMRU ARTS MEMBERS AELODAU CELFYDDYDOL C&B CYMRU Act Now Creative Training Creu Cymru Lighthouse Theatre Company The Aloud Charity Cwmni Theatr Arad Goch Literature Wales Llenyddiaeth Amgueddfa Genedlaethol Cwmni’r Fran Wen Cymru Cymru/National Museum Wales Dawns i Bawb Little Wander Anglesey Arts Forum Dawns TAN Dance Llangollen International Musical Artes Mundi Denbighshire County Council Eisteddfod Artis Community Dirty Protest Llantarnam Grange Arts Centre Arts Connection – Cyswllt Celf Disability Arts Cymru Lyn Webster Wilde Arts Active Trust /Celfyddydau Anabledd Cymru Maesteg Town Hall Arts Alive Wales Eisteddfod Genedlaethol Makers Guild in Wales Arts Awards Ltd Elysium Art Making Sense Arts Care Gofal Celf Engage Cymru Mari Thomas Jewellery Avant FFIN DANCE Memorial Hall Theatre Ballet Cymru Ffotogallery Wales Ltd Menter Caerdydd Ballet Nimba Film Cymru Wales Mid Wales Opera Bangor University Fishguard Festival MOSTYN Blaengarw Workmen’s Hall Flintshire County Council Music in Hospitals Bombastic Dance Focus Wales Music Theatre Wales Borough Theatre Abergavenny G39 National Dance Company Breaking Barriers Community Galeri Caernarfon Wales Arts The Gate Arts Centre The National Library of Wales Cai Tomos Gladstone’s Library National Theatre Wales CALL Glenn Edwards National Youth Arts Wales CânSing The Grand Pavilion Theatre Newport YMCA NEW Sinfonia CIC Canolfan Gerdd William Mathias Gwanwyn Festival NoFit State Circus Cardiff Metropolitan University, Gwasanaeth Ysgolion William North Wales International Music Cardiff School
    [Show full text]
  • Nine Night at the Trafalgar Studios
    7 September 2018 FULL CASTING ANNOUNCED FOR THE NATIONAL THEATRE’S PRODUCTION OF NINE NIGHT AT THE TRAFALGAR STUDIOS NINE NIGHT by Natasha Gordon Trafalgar Studios 1 December 2018 – 9 February 2019, Press night 6 December The National Theatre have today announced the full cast for Nine Night, Natasha Gordon’s critically acclaimed play which will transfer from the National Theatre to the Trafalgar Studios on 1 December 2018 (press night 6 December) in a co-production with Trafalgar Theatre Productions. Natasha Gordon will take the role of Lorraine in her debut play, for which she has recently been nominated for the Best Writer Award in The Stage newspaper’s ‘Debut Awards’. She is joined by Oliver Alvin-Wilson (Robert), Michelle Greenidge (Trudy), also nominated in the Stage Awards for Best West End Debut, Hattie Ladbury (Sophie), Rebekah Murrell (Anita) and Cecilia Noble (Aunt Maggie) who return to their celebrated NT roles, and Karl Collins (Uncle Vince) who completes the West End cast. Directed by Roy Alexander Weise (The Mountaintop), Nine Night is a touching and exuberantly funny exploration of the rituals of family. Gloria is gravely sick. When her time comes, the celebration begins; the traditional Jamaican Nine Night Wake. But for Gloria’s children and grandchildren, marking her death with a party that lasts over a week is a test. Nine rum-fuelled nights of music, food, storytelling and laughter – and an endless parade of mourners. The production is designed by Rajha Shakiry, with lighting design by Paule Constable, sound design by George Dennis, movement direction by Shelley Maxwell, company voice work and dialect coaching by Hazel Holder, and the Resident Director is Jade Lewis.
    [Show full text]
  • House of Commons Welsh Affairs Committee
    House of Commons Welsh Affairs Committee S4C Written evidence - web List of written evidence 1 URDD 3 2 Hugh Evans 5 3 Ron Jones 6 4 Dr Simon Brooks 14 5 The Writers Guild of Great Britain 18 6 Mabon ap Gwynfor 23 7 Welsh Language Board 28 8 Ofcom 34 9 Professor Thomas P O’Malley, Aberystwth University 60 10 Tinopolis 64 11 Institute of Welsh Affairs 69 12 NUJ Parliamentary Group 76 13 Plaim Cymru 77 14 Welsh Language Society 85 15 NUJ and Bectu 94 16 DCMS 98 17 PACT 103 18 TAC 113 19 BBC 126 20 Mercator Institute for Media, Languages and Culture 132 21 Mr S.G. Jones 138 22 Alun Ffred Jones AM, Welsh Assembly Government 139 23 Celebrating Our Language 144 24 Peter Edwards and Huw Walters 146 2 Written evidence submitted by Urdd Gobaith Cymru In the opinion of Urdd Gobaith Cymru, Wales’ largest children and young people’s organisation with 50,000 members under the age of 25: • The provision of good-quality Welsh language programmes is fundamental to establishing a linguistic context for those who speak Welsh and who wish to learn it. • It is vital that this is funded to the necessary level. • A good partnership already exists between S4C and the Urdd, but the Urdd would be happy to co-operate and work with S4C to identify further opportunities for collaboration to offer opportunities for children and young people, thus developing new audiences. • We believe that decisions about the development of S4C should be made in Wales.
    [Show full text]
  • 808State Don Solaris Mp3, Flac, Wma
    808state Don Solaris mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Don Solaris Released: 1996 Style: Techno, Future Jazz, Experimental MP3 version RAR size: 1247 mb FLAC version RAR size: 1961 mb WMA version RAR size: 1815 mb Rating: 4.6 Votes: 795 Other Formats: VQF MP1 APE MIDI AU AUD VOX Tracklist Hide Credits Intro A1 1:16 Mixed By – 808state* Bond A2 5:09 Engineer – Danny KadarVocals – Doughty* Bird A3 3:53 Engineer – Aidan Love Azura A4 5:30 Vocals – Louise Rhodes Black Dartangnon A5 5:30 Mixed By – Al Fish* A6 Joyrider 4:40 Lopez B1 4:17 Vocals – James Dean Bradfield Balboa B2 5:14 Engineer – Al Stone B3 Kohoutek 4:46 Mooz B4 4:35 Engineer – Al StoneVocals – Ragga B5 Jerusahat 5:12 B6 Banacheq 5:39 Companies, etc. Copyright (c) – ZTT Phonographic Copyright (p) – ZTT Licensed To – Warner Music UK Ltd. Credits Design – M@ Maitland*, Zang Tuum Tumb* Engineer – Al Fish* (tracks: 2, 9, 11), Phil Jones (tracks: 4, 6, 7, 12) Illustration – M@ Maitland* Mixed By – Al Stone (tracks: 2 to 4, 6 to 12) Performer [808state] – Andy Barker, Darren Partington, Graham Massey Photography By – Don Solaris Written-By, Producer [Formulated And Controlled By] – 808state* Notes 2 Bond: Mixed @ Olympic Studios, London. Recorded @ Baby Monster, NYC and Eon Studios, Sheffield. Drums: TR909, Akai, Hi Hat and Anvil. Bass: Matrix 1000, Jupiter 8. Keyboards: ARP Odysey, Korg Wavestation AD, EMU Vintages Keys, Korg Propecy, JD800, EM+M Spectral Synth. Instruments: Alto Melodica, Blues Harp. Guitars: Guild Starfire, Takamine Electro, Acoustic Gibson Les Paul.
    [Show full text]
  • Manic Street Preachers Tornano Con Un Nuovo Disco, Intitolato Futurology, in Uscita L'8 Manic Street Preachers Luglio 2014
    LUNEDì 28 APRILE 2014 A soli nove mesi di distanza dall'acclamato Rewind The Film (top 5 nel Regno Unito), undicesimo album da studio della band, i Manic Street Preachers tornano con un nuovo disco, intitolato Futurology, in uscita l'8 Manic Street Preachers luglio 2014. Futurology, il nuovo album, in uscita l'8 luglio. Registrati ai leggendari Hansa Studios di Berlino e al Faster, lo studio dei In concerto in Italia il 2 giugno 2014 al RocK In Manics a Cardiff, i tredici brani che compongono l'album vedono la band Idro di Bologna gallese in forma smagliante, addirittura esplosiva. Uno stacco netto rispetto al disco precedente, ma sempre all'insegna di uno stile inconfondibile. LA REDAZIONE Il primo singolo estratto è "Walk Me To The Bridge", dalle chiare influenze europee. In una recente conversazione con John Doran di Quietus, Nicky Wire ha parlato del testo del brano, che ha cominciato a prendere forma qualche anno fa. "Qualcuno penserà che la canzone contenga tanti riferimenti a Richey Edwards, ma in realtà parla del ponte di Øresund che collega la Svezia alla Danimarca. Tanto tempo fa, quando [email protected] attraversavamo quel ponte, stavo perdendo entusiasmo per le cose e SPETTACOLINEWS.IT pensavo di lasciare la band (il "fatal friend"). 'Walk Me To The Bridge' parla dei ponti che ti consentono di vivere un'esperienza extracorporea quando lasci un luogo per raggiungerne un altro". Secondo James Dean Bradfield, il brano è "una canzone ideale per i viaggi in auto, dal sapore squisitamente europeo e carica di tensione emotiva, con sintetizzatori in stile primi Simple Minds e un assolo di chitarra Ebow alla 'Heroes'".
    [Show full text]
  • Sherman Theatre Senghennydd Road Cardiff CF24 4YE Charity Registration Number: 1118364
    Sherman Theatre Senghennydd Road Cardiff CF24 4YE Charity Registration Number: 1118364 The Sherman Theatre was opened in 1973 with substantial financial support from what is now Cardiff University. In 1987, the University withdrew its financial support for the theatre and offered it for sale. The Arts Council of Great Britain purchased the building with a special grant from the Welsh Office and the new Sherman Theatre Company was granted a 125 year lease. Ownership has now passed to the Arts Council of Wales (ACW). From 1990 – 2006, the theatre had a strong focus on theatre for young audiences until 2007 when, at the instigation of the ACW, the Sherman Theatre Company and Sgript Cymru, the national development company for theatre writing, were merged to form Sherman Cymru – now Sherman Theatre. In 2014, following a restructure of the Executive Team, Rachel O’Riordan was appointed Artistic Director of the company and has delivered a successful vision over the past five years. During her tenure, the theatre has firmly placed the development of Welsh / Wales- based artists at the heart of its new writing strand of work with successes such as Iphigenia in Splott, Killology and The Cherry Orchard by Gary Owen, Bird by Katherine Chandler, Tremor by Brad Birch, among many others. Following a £6.5 million redevelopment, beginning in early 2010, the Sherman building re- opened its doors in February 2012. Public and backstage facilities were transformed. With its 452 seat main-house and a flexible 60-150 seat studio theatre, it is a fantastic facility for the arts in Cardiff.
    [Show full text]
  • Annie Dibling Cv
    ANNIE DIBLING Assistant Director Tel: 07989 386445 [email protected] Profile: Hard working, friendly and enthusiastic. Over 15 years experience. A good working knowledge of the industry and the responsibilities involved in working as an Assistant Director. A capable, focused and supportive team player. Looking for a challenge, job satisfaction and the opportunity to build on existing experience. Career History: Television: Programme Company Director Position Egyptian Vice Wild Dream Films Rick Lopez 2ndA.D. Stella Series 4 – Episodes 7 - 10 Tidy Productions Ashley Way 3rdA.D. Simon Delaney Trollied Series 4 Roughcut Television Paul Harrison 3rdA.D. Cara Fi Touchpaper Television Ltd Andy Newbery 3rd A.D. Casualty Series 28 – Episode 41 & 42 BBC Wales Jon Sen 3rd A.D. Casualty Series 28 – Episode 35 BBC Wales Steve Hughes 3rd A.D. A Poet In New York Modern Television Ltd Aisling Walsh 3rd A.D. Made In Wales: Series 5 – Films 4 – 8 It’s My Shout Productions Mared Swain 1st A.D. Geraint Havard Jones Paul Mallison Lawrence Fowler Andrew Pring Indian Doctor Series 3 Rondo Media/ Avatar Films Lee Haven Jones 3rd A.D. Team Panache (Pilot) Firehouse Productions Ltd Steve Lawson 2nd A.D. Alys Series 2 Apollo Television Paul Jones 2nd A.D. Gwaith Cartref Series 2 Fiction Factory Andy Newbery 2nd A.D. Indian Doctor Series 2 Rondo Media/Avatar Films Lee Haven Jones 3rd A.D. Gwennan Sage Indian Doctor Series 1 Rondo Media/Avatar Films Tim Whitby 3rd A.D. Deep Sehgal Pen Talar Series 1 – Episode 9 Fiction Factory Ed Thomas 2nd A.D.
    [Show full text]
  • Design Review Report
    Design Review Report Theatre Clwyd, Mold, Flintshire DCFW Ref: N209 Meeting of 6th August 2019 Review Status Public Meeting date 6th August 2019 Issue date 14th August 2019 Scheme location Mold, Flintshire Scheme description Theatre Scheme reference number N209 Planning status Pre-application Declarations of Interest Panel members, observers and other relevant parties are required to declare in advance any interests they may have in relation to the Design Review Agenda items. Any such declarations are recorded here and in DCFW’s central records. None declared. Consultations to Date This is the first review by DCFW of the proposals for this site. Select and targeted stakeholder engagement has taken place. The project website, consultation materials and press news are now publicly available online. Full public consultation is due to begin on 1 September 2019. A planning application is planned for submission later in the Autumn 2019. The Proposals Theatr Clwyd occupies an elevated site, on the outskirts of Mold, Flintshire, on the edge of a civic campus shared with the Shire Hall Council offices and courts complex. The context is dominated by landscape and open countryside with significant views from the front of the building. The main entrance is to the south; there is public road access and a car park at front and delivery and staff road access at back of site. The proposals aim to fully refurbish and transform Theatre Clwyd, improving access for the whole of the community, partners and stakeholders. It is intended that performance spaces, public areas and visitor experiences are enhanced as a result, along with new and revitalised events, learning and meeting spaces and refurbished back of house, making and rehearsal facilities.
    [Show full text]
  • An Abstract of the Thesis Of
    AN ABSTRACT OF THE THESIS OF Nicolas Evans for the degree of Master of Arts in English presented on June 2, 2017. Title: (Mis)representation & Postcolonial Masculinity: The Origins of Violence in the Plays and Films of Martin McDonagh. Abstract approved: ______________________________________________________ Neil R. Davison This thesis examines the postmodern confrontation of representation throughout the oeuvre of Martin McDonagh. I particularly look to his later body of work, which directly and self-reflexively confronts issues of artistic representation & masculinity, in order to gain a more nuanced understanding of his earliest and most controversial plays. In part, this thesis addresses misperceptions regarding The Leenane Trilogy, which was initially criticized for the plays’ shows of irreverence and use of caricature and cultural stereotypes. Rather than perpetuating propagandistic or offensive representations, my analysis explores how McDonagh uses affect and genre manipulation in order to parody artistic representation itself. Such a confrontation is meant to highlight the inadequacy of any representation to truly capture “authenticity.” Across his oeuvre, this postmodern proclivity is focused on disrupting the solidification of discourses of hyper-masculinity in the vein of postcolonial, diasporic, and mainstream media’s constructions of masculinity based on aggression and violence. ©Copyright by Nicolas Evans June 2, 2017 All Rights Reserved (Mis)representation & Postcolonial Masculinity: The Origins of Violence in the Plays and Films of Martin McDonagh by Nicolas Evans A THESIS submitted to Oregon State University in partial fulfillment of the requirements for the degree of Master of Arts Presented June 2, 2017 Commencement June 2017 Master of Arts thesis of Nicolas Evans presented on June 2, 2017 APPROVED: Major Professor, representing English Director of the School of Writing, Literature, and Film Dean of the Graduate School I understand that my thesis will become part of the permanent collection of Oregon State University libraries.
    [Show full text]