Decorative Art & Design

Total Page:16

File Type:pdf, Size:1020Kb

Decorative Art & Design & Design Decorative Art Decorative Montpelier Street, London | 1 April 2020 Montpelier Street, Decorative Art & Design Ӏ Montpelier Street, London Ӏ 1 April 2020 25941 DECORATIVE ART AND DESIGN KNIGHTSBRIDGE, LONDON SALE WEDNESDAY 1 APRIL 2020 AT 10AM VIEWINGS SUNDAY 29 MARCH, 11AM-3PM MONDAY 30 MARCH, 9AM-4.30PM TUESDAY 31 MARCH, 9AM-4.30PM VENUE COVER ILLUSTRATIONS BONHAMS FRONT COVER: LOT 218 MONTPELIER STREET INSIDE FRONT COVER: LOT 69,71,72 KNIGHTSBRIDGE INSIDE BACK COVER: LOT 18 LONDON, SW7 1HH BACK COVER: LOT 108 CATALOGUE £10 REGISTRATION IMPORTANT NOTICE Please note that all customers, irrespective of any previous activity with Bonhams, are required to complete the Bidder Registration Form in advance of the sale. The form can be found at the back of every catalogue and on our website at www.bonhams.com and should be returned by email or post to the specialist department or to the bids department at [email protected] To bid live online and / or leave internet bids please go to www.bonhams.com/auctions/25941 and click on the Register to bid link at the top left of the page. bids department at [email protected] MEET THE TEAM Astrid Goettsch Emily Mayson Senior Sale Coordinator 20th Century Decorative Arts [email protected] [email protected] 020 7393 3975 020 7393 3997 Catherine White Richard Barclay Pictures Vintage Poster Consultant [email protected] [email protected] 020 7393 3884 020 7393 3860 Ellis Finch Miles Harrison Silver Silver [email protected] [email protected] 020 7393 3973 020 7393 3974 Gemma Sanders Duane Kahlhamer 20th Century Decorative Arts 20th Century Decorative Arts [email protected] [email protected] 020 7393 3860 020 7393 3860 STORAGE INFORMATION SALE NUMBER: 25941 HANDLING Payment in Advance After the first 14 calendar days following the sale, (Telephone to ascertain amount due) by cash, BUYERS COLLECTION & STORAGE the following handling charges apply per Lot: credit or debit card. AFTER SALE INFORMATION Furniture, large pictures and large objects: All sold lots marked TP will be transferred to £45.00 + VAT Payment at time of collection by: cash credit or Cadogan Tate from 9am Thursday 2 April (Please note: Charges apply every day including debit card. 2020 & will be available for collection from weekends and public holidays. Cadogan Tate from 12pm Friday 3 April 2020. CADOGAN TATE’S CONDITIONS LOSS AND DAMAGE OF BUSINESS Collections are by appointment only & a booking Extended Liability cover for the value of the All services provided by Cadogan Tate Ltd email or phone call are required in advance Hammer Price will be charged at 0.6% but will (‘Cadogan Tate’) are subject to their standard to ensure lots are ready at time of collection, not exceed the total value of all other transfer Conditions of Business which are available from photographic ID will be required at time of and storage charges. Bonhams or Cadogan Tate’s website collection & if a third party is collecting written www.cadogantate.com authorisation from the successful buyer is VAT required in advance. Photographic ID of the third Will be applied at the current rate on all above Please note that in particular Cadogan Tate: party will be requested at the time of collection. Charges The following symbol is used to denote that 1. Automatically accepts liability, from time of To arrange a collection time please send a VAT is due on the hammer price and buyer’s collection from the saleroom until release of the booking email to: [email protected] premium † VAT 20% on hammer price and lot to the owner or the owner’s agent, subject to or telephone call to +44 (0)800 9886 100 to buyer’s Premium payment of all its charges by the owner, for the ensure lots are ready at time of collection. Hammer price of the lot plus Buyer’s Premium * VAT on imported items at a preferential rate of or, at its sole option, the cost of repairing or All other sold lots will remain in the Collections 5% on hammer price and the prevailing rate on replacing the damaged or missing lot. The room at Bonhams Knightsbridge until 5.30pm buyer’s premium charge for liability may be waived only on receipt Monday 20 April 2020. Lots not collected by Cadogan Tate of advance written notice and by this time will be returned to the department Y These lots are subject to CITES regulations, proof from the owner that the lot is insured, storage charges may apply. please read the information in the back of the together with formal waiver of subrogation from catalogue. the owner’s insurers. STORAGE AND HANDLING CHARGES ON SOLD LOTS RETURNED TO PAYMENT 2.Reserves a lien and right of sale over all lots CADOGAN TATE All charges due to Cadogan Tate may be paid for payment of all charges due. to them in advance or at the time of collection Contact details for Cadogan Tate Limited: STORAGE from their warehouse. Payment may be made 241 Acton Lane, Park Royal Storage will be free of charge for the first 19 by cash, cheque with banker’s card, credit, or London NW10 7NP calendar days from and including the sale date debit card (Please note: Amex is not accepted). +44 (0) 800 988 6100 Wednesday 1 April 2020. Information on charges due is available by email at [email protected] or telephone on IMPORTANT INFORMATION Charges will apply from 9am Monday 20 +44 (0)800 988 6100. The United States government has banned the April 2020. import of ivory into the USA. Lots containing ivory are indicated by the symbol ф printed beside After the storage-free period the following the lot number in this catalogue. charges apply: Furniture, large pictures and large objects £6.05 per day + VAT (Please note: Charges apply every day including weekends and public holidays) Central Middlesex Acton Ln Hospital Park Royal Acton Ln Cadogan Tate Coronation Road W e d s P a te a o r r n R k A v e R e s A o 40 a y h a Park l C Royal iWestern Ave A40 R o Station a 0 d Acton 0 Contact details for Cadogan Tate Limited: 0 North 4 Cemetery A Acton 241 Acton Lane, Park Royal d Station a o R London NW10 7NP a i r o +44 (0) 800 988 6100 t c i www.collectmylot.com for map V and further information West Acton Horn Lane Station SALE INFORMATION CUSTOMER SERVICES PAYMENTS SYMBOLS Monday to Friday 8.30 to 18.00 Buyers The following symbol is used to denote that +44 (0) 20 7447 7447 +44 (0) 20 7447 7447 vat is due on the hammer price and buyer’s +44 (0) 20 7447 7401 fax premium BIDS +44 (0) 20 7447 7447 SELLERS † VAT 20% on hammer price +44 (0) 20 7447 7401 fax Payment of sale proceeds and buyer’s premium [email protected] +44 (0) 20 7447 7447 To bid via the internet please +44 (0) 20 7447 7401 fax * VAT on imported items at a preferential rate of visit bonhams.com 5% on hammer price and the prevailing rate on VALUATIONS, TAXATION AND buyer’s premium Please note that bids should be submitted HERITAGE no later than 4:00pm on the day prior to the +44 (0) 20 7468 8340 VAT refunds on exports from the EU sale. New bidders must also provide proof of +44 (0) 20 7468 5860 fax To submit a claim for refund of VAT HMRC identity when submitting bids. Failure to do this [email protected] require lots to be exported from the EU within may result in your bid not being processed. strict deadlines. Telephone bidding will only be accepted on CATALOGUE SUBSCRIPTIONS lots with a low estimate at or above £500. To obtain any Bonhams catalogue or For lots on which import VAT has been charged; to take out an annual subscription: marked in the catalogue with a * or †, lots must LIVE ONLINE BIDDING IS AVAILABLE Subscriptions department be exported within 30 days of Bonhams’ receipt Please email [email protected] with ‘live +44 (0) 1666 502200 of payment and within 3 months of the sale bidding’ in the subject line 48 hours before the +44 (0) 1666 505107 fax date. For all other lots export must take place auction to register for this service. [email protected] within 3 months of the sale date. PHYSICAL CONDITION OF LOTS SHIPPING For further VAT information Please note that any reference in this catalogue For information and estimates on domestic and Please contact: to the physical condition of any lot is for general international shipping as well as export licenses [email protected] guidance only. Intending bidders must satisfy please contact Alban Shipping on: themselves as to the condition of any lot as +44 (0) 1582 493 099 ELECTRICAL EQUIPMENT specified in clause 14 of the notice to bidders [email protected] All electrical equipment in this sale has either contained at the end of this catalogue. been tested by a suitably qualified electrician or CITES REGULATIONS has been operationally disabled. If the intention As a courtesy to intending bidders, Bonhams Please be aware that all lots marked with the is to reconnect this equipment we recommend will provide a written indication of the physical symbol Y are subject to cites regulations when that this is carried out by a suitably qualified condition of lots in this sale if a request is exporting these items outside the EU.
Recommended publications
  • Margaret Macdonald Mackintosh's Masterpieces
    For Immediate Release 5 March 2008 Contact: Rhiannon Broomfield +44 (0) 207 389 2117 [email protected] Hannah Schmidt + 44 (0) 207 389 2964 [email protected] MARGARET MACDONALD MACKINTOSH’S MASTERPIECES HIGHLIGHT CHRISTIE’S LONDON 20TH CENTURY DECORATIVE ART & DESIGN SALE IN APRIL Margaret MacDonald Mackintosh (1864-1933) The Heart of the Rose (left); The White Rose and the Red Rose (right) (estimate: £200,000-300,000 for each panel) 20th Century Decorative Art & Design 30 April 2008 at 2.00pm King Street, London – An exquisite pair of panels which represent the pinnacle of Margaret Macdonald Mackintosh’s skill and imagination leads Christie’s London sale of 20th Century Decorative Art & Design on 30 April 2007. The sale features 100 lots spanning a wide variety of styles and materials from the beginning of 20th century until the present day; estimates range from £1,000 to £300,000. The Heart of the Rose and The White Rose and the Red Rose (estimate: £200,000-300,000 for each panel), a pair of painted and jewelled gesso panels by Scottish artist Margaret Macdonald Mackintosh (1864-1933), were first displayed in the Rose Boudoir at the International Exhibition of Modern Decorative Art in Turin, 1902. The Rose Boudoir, the result of a collaboration between Margaret and her husband Charles Rennie Mackintosh, defined a moment of consummate refinement in the evolution of the couple’s oeuvre and these panels played a pivotal role. Remaining strongly representative of the Glasgow avant-garde, they illustrate the rose theme in a lyrical, symbolist manner in a subtle evocation of maternal and sensual love.
    [Show full text]
  • Decorative Arts & Contemporary Ceramics
    Decorative Arts & Contemporary Ceramics Contemporary Arts & Decorative I Montpelier Street, London I 13 November 2019 I Montpelier Street, 25323 Decorative Arts & Contemporary Ceramics Montpelier Street, London I 13 November 2019 Decorative Arts and Contemporary Ceramics Montpelier Street, London | Wednesday 13 November 2019, at 1pm BONHAMS BIDS ENQUIRIES FURNITURE & FURNISHINGS Montpelier Street +44 (0) 20 7447 7447 Mark Oliver Whilst we take every care in Knightsbridge +44 (0) 20 7447 7401 fax Tel:+44 (0) 20 7393 3856 cataloguing furniture which has London SW7 1HH [email protected] [email protected] been upholstered we offer no bonhams.com guarantee as to the originality of Please note that bids should Duane Kahlhamer the wood covered by fabric or VIEWING be submitted no later than 24 Tel: +44 (0) 20 7393 3860 upholstery. hours before the sale. New [email protected] Sunday 10 November bidders must also provide proof All furniture and furnishings 11am – 3pm of identity when submitting bids. Emily Mayson produced after 1 January 1950, Monday 11 November Failure to do this may result in Tel: +44 (0) 20 7393 3997 comprising an element of soft 9am – 4.30pm your bids not being processed. [email protected] furnishing, is strictly regulated Tuesday 12 November by statute law in the interests of 9am – 4.30pm Live online bidding is [email protected] safety. Such items in the sale Wednesday 13 November available for this sale were not originally supplied for 9am – 11am Please email [email protected] PRESS ENQUIRIES use in a private home or now with “Live bidding” in the subject offered solely as works of art.
    [Show full text]
  • Decorative Arts from 1860 from Arts Decorative
    Wednesday 15 June 2016 Wednesday Knightsbridge, London DECORATIVE ARTS FROM 1860 ARTS DECORATIVE DECORATIVE ARTS FROM 1860 | Knightsbridge, London | Wedesday 15 June 2016 23543 DECORATIVE ARTS FROM 1860 Wednesday 15 June 2016 at 1pm Knightsbridge, London BONHAMS ENQUIRIES DAMAGE AND RESTORATION IMPORTANT INFORMATION Montpelier Street Mark Oliver For your guidance, in this The United States Government Knightsbridge Tel:+44 (0) 20 7393 3856 catalogue our senior specialists has banned the import of ivory London SW7 1HH [email protected] have, as far as possible, recorded into the USA. Lots containing bonhams.com all significant defects, cracks and ivory are indicated by the symbol Gemma Mitchell restoration. Such descriptions of Ф printed beside the lot number VIEWING Tel: +44 (0) 20 7393 3860 damage cannot be definitive, and in this catalogue. Sunday 12 June [email protected] in providing condition reports, 11am - 3pm we cannot guarantee that there Monday 13 June SALE NUMBER are no other defects present 9am - 4.30pm 23543 which have not been mentioned. Tuesday 14 June Prospective buyers should satisfy 9am - 4.30pm CATALOGUE themselves by inspection, as to Wednesday 15 June £18 the condition of each lot. Please 9am-11am see the conditions of sale printed PRESS ENQUIRIES in this catalogue. BIDS [email protected] +44 (0) 20 7447 7447 +44 (0) 20 7447 7401 fax CUSTOMER SERVICES To bid via the internet please visit Monday to Friday www.bonhams.com 8.30am – 6pm +44 (0) 20 7447 7447 Please note that bids should be submitted no later than 24 hours Please see back of catalogue before the sale.
    [Show full text]
  • September 2019 ______
    English Ceramic Circle Newsletter No 7 September 2019 _________________________________________________ President’s Preamble Welcome to ECC Newsletter No. 7. The dates for our meetings in 2019 and 2020 are listed below. Some of the information is necessarily provisional or has had to be changed since the last Newsletter so please do check this list before setting out to attend a meeting. The ECC visit to Sherborne Castle and Gardens on 22 May 2019 was a great success. Members enjoyed seeing the castle (built by Sir Walter Raleigh in 1594) and reflects a variety of decorative styles in its rich interiors and important collections of porcelain, art, and furniture. Sherborne’s porcelain collection is celebrated for its Kakiemon with Chinese, Meissen, Chantilly and English ceramics plus rare Chelsea vases, Chelsea/Derby pieces, an armorial Chamberlains’ Worcester service, a Minton desert service and Bow and Isleworth items. Following a talk by an Archivist, we were given a tour through the castle when the ropes preventing close-up viewing of the ceramic cabinets were removed. We also had a special viewing of the pieces in store. You should by now have received the latest Transactions plus two additional volumes containing the papers given at two ECC seminars: Influences and inspiration – 400 years of Japanese porcelain and Neoclassical ceramics. If you have not received these three volumes, please email Patricia Macleod, ECC membership secretary or contact her via the ECC postal address on page 9. The publication of these extra volumes is possible due to some generous donations for which we are always very grateful.
    [Show full text]
  • Alastair Duncan
    Alastair Duncan was for many years an offi cer ART DECO and consultant of Christie’s, New York, and is now an COMPLETE independent consultant on the decorative arts of the 19th contents ART DECO and 20th centuries. He is the author of many books on the Art – Deco period, including Art Nouveau and Art Deco Lighting, introduction 6 ceramics 206 Art Deco Furniture, American Art Deco and Art Nouveau and ALASTAIR rené buthaud 214 COMPLETE Art Deco Bookbinding (all published by Thames & Hudson). media and masters 12 clarice cliff 216 DUNCAN émile decoeur 220 THE DEFINITIVE GUIDE TO THE DECORATIVE Other titles of interest furniture and interior viktor schreckengost 224 ARTS OF THE 1920s AND 1930s decoration 14 pierre chareau 23 lighting 228 ALASTAIR DUNCAN American Art Deco donald deskey 28 albert cheuret 234 Alastair Duncan 34 ART DECO maurice dufrène jean perzel 238 With 502 illustrations, paul dupré-lafon 38 simonet frères 242 233 in colour Straddling two World Wars and the Great Depression, jean-michel frank 42 ushering in the Jazz Age and the era of the automobile paul-théodore frankl 48 textiles 246 and skyscraper, fomenting in the great cities of Europe and Art Deco Furniture eileen gray 52 ivan da silva bruhns 255 America and shaping everything from the Golden Gate Bridge to the humble desk lamp, the story of Art Deco is the The French Designers robert mallet-stevens 56 gunta stölzl 260 story of our modern world. Alastair Duncan martine (paul poiret) 60 With 312 illustrations, charlotte perriand 62 silver, metal, lacquer 68 in colour Art Deco was the most deliberately elaborate of 20th-century eugène printz 66 and enamel 264 decorative styles.
    [Show full text]
  • Cataloguex16
    Tel • 312-832-9800 | Fax • 312-832-9311 | [email protected] | www.susanins.com Holiday Premiere Auction 157 Lot 6046 The Arrival of Moses SIR CHARLES LOCK EASTLAKE (ENGLISH, 1793-1865) Saturday • December 5th, 2015 ~ 10:00 AM • Chicago Sale 157•December 5, 2015 Saturday•10:00 AM BUSINESS HOURS Monday - Friday • 10:00 am - 4:00 pm Auction Day • 9:00 am - End of Auction Saturdays & Sundays • Closed AUCTION VIEWING HOURS Friday, November 27th • 10 am - 5 pm Saturday, November 28th • 10 am - 4 pm Monday, November 30th • 10 am - 5 pm Tuesday, December 1st • 10 am - 5 pm Wednesday, December 2nd • 10 am - 5 pm Thursday, December 3rd • 10 am - 7 pm Friday, December 4th •10 am - 5 pm Saturday, December 5th • 9 am - 12 pm PROPERTY PICK UP Monday, December 7th through Friday, December 11th • 10:00 am - 4:00 pm Strict pick up policy in force — All property not paid for within 3 business days following the auction will be charged to the card on file. Any property not picked up within 7 business days will be stored at the expense of the buyer. Thank you for your understanding and cooperation. Directory Illinois Auction License #440-000833 PHONE•312-832-9800 | FAX•312-832-9311 | EMAIL•[email protected] BUSINESS DEVELOPMENT TRUSTS AND ESTATES Sean E. Susanin, ISA — 312-832-9800— [email protected] CONSIGNOR SERVICES Patrick Kearney, ISA — 312-832-9037 — [email protected] Carrie Young, ISA — 312-832-9036 — [email protected] Daniella Rosa — 312-832-9038 — [email protected] DIGITAL MEDIA PRODUCTION Multi-Media & Technical Maintenance J’evon Covington
    [Show full text]
  • Introduction to Bronzes
    Metalware 1 6 Introduction to Bronzes with Price Guide By Chris Murray Antoine Louis Barye (1795- 1875), French bronze Eléphant ronzes generally appeal to a comparatively small and knowledgeable du Sénégal (Running Elephant), Bgroup of buyers, and on the whole avoid the sometimes dramatic fluctua- oval base, signed Barye with Art Deco bronze, ivory and tions seen in other areas of the art market. They have weathered the recent uncer- gold FB plaque, Barbedienne enamel figure, by Gerda Iro tainties comparatively well and remain a solid investment. foundary inscription and Gerdago, ‘Exotic Dancer’. Bronzes are usually catalogued independently of ‘art’ painting and graphic incised no.9 to underside, 5.5 x Cotswold Auction Company, works, even sculpture. This is largely because bronzes range from high art 7.75in. Gorringes, Lewes. Dec Cheltenham. Mar 08. HP: (Henry Moore bronzes in an edition of only 4) to works that have little artistic 06. HP: £6,000. ABP: £7,057. £6,000. ABP: £7,057. merit and are produced in thousands. In other words they are multiples. But then so are prints. The key to buying bronzes is to acquire the skill of identifying where a specific bronze stands on this continuum - the ‘same’ bronze may occur at several points, according to its edition, so novices need to be careful. 2 Several things determine value. First, of course, the artist. With anonymous works or those by lesser artists, period and school are important; because of the unparalleled achievement of French bronzes during the nineteenth century, the Bronze figure of a bull cast 7 after a model by Rosa designation ‘French’ nearly always adds value - as does ‘Art Deco.’ Bonheur, standing with raised Rarity is also important: early casting in a long series are far more sought after tail, brown/green patination, than later ones, and some bronzes are limited editions.
    [Show full text]
  • Charles and Nell Vyse Datasheet
    Image not found or type unknown TITLE INFORMATION Tel: +1 212 645 1111 Email: [email protected] Web: https://www.accartbooks.com/us Published 21st Jun 2019 Image not found or type unknown Charles and Nell Vyse A Partnership Terence Cartlidge ISBN 9780903685948 Publisher Richard Dennis Publications Di Binding Hardback Territory USA & Canada Size 7.02 in x 8.52 in Pages 56 Pages Price $19.00 A ceramic figure conceived and potted by Charles and Nell Vyse was never a commonplace object. It was, and is still, an objet of desire, an objet d'art, treasured and handed down through generations. Charles Vyse served an apprenticeship as a modeller and designer at Doulton's, 1896 and later studied at Hanley Art School and sculpture at the Royal College of Art, 1905-10. He worked first as a portrait and figurative sculptor before setting up a pottery studio in 1919 in Cheyne Walk, Chelsea, with his wife Nell who was especially knowledgeable about glaze chemistry. They produced colorfully decorated figures many of London characters, such as the 'Balloon Girl' and 'Barnet Fair'. After 1923 they experimented with high-fired wares and revived Chinese glaze techniques particularly chun and tenmoku glazes. During the 1930s they also produced contemporary designs with geometric patterns and calligraphy. Throughout that decade they sold mainly through Walker's Gallery in Bond Street where they had an annual exhibition every November. Around 1940 the couple separated and Nell Vyse gave up ceramics. After the studio was damaged in the blitz in 1940 Charles Vyse taught at Farnham School of Art.
    [Show full text]
  • Fine & Decorative Arts
    FINE & DECORATIVE ARTS Friday 6th December Saturday 7th December 2019 KO-011 Listing.qxp_Layout 1 18/11/2019 16:06 Page 1 FINE AND DECORATIVE ARTS To be held at: Davies House, Davies Road, Evesham, Worcestershire WR11 1YZ FRIDAY 6TH DECEMBER SATURDAY 7TH DECEMBER Viewing Wednesday 4th December - 10.00am to 5.00pm Thursday 5th December - 10.00am to 7.00pm Friday 6th December - 8.30am to 10.00am Day of the Sale The auction is scheduled to start at 10.00am. Bids will only be accepted from registered bidders. Please ensure you obtain a paddle number on arrival. You will need to be registered before the sale. Live internet bidding is available on www.the-saleroom.com, www.invaluable.com, and www.easyliveauction.com together with fully illustrated catalogue. Catalogue £10.00 (£12.00 by post) Kingham & Orme Auctioneers Ltd (Collection Address) Davies House, Davies Road, Evesham, Worcestershire, WR11 1YZ NB. Please telephone to arrange collection. Telephone: 01386 244224 Mobile: 07973 207096 / 07976 919836 Email: [email protected] Website: www.kinghamandorme.com KO-011 Listing.qxp_Layout 1 18/11/2019 16:06 Page 2 2 MAP AND DIRECTIONS Our auction site is based in the market town of Evesham just north of the Cotswolds. By Car We are centrally located in reach of motorways the M5, M4, M40, M42, a short way from the A44 By Rail Evesham’s train station is less than two miles from the auction site By Plane The nearest International Airports are Birmingham, 45 miles and Heathrow, 90 miles DELIVERY SERVICES FOR BUYERS For Furniture: Stephen Morris Shipping PLC, 9 Ockham Drive Greenford, London, UB6 0FD Tel: 02088 322222 For Paintings: Aardvark Art Services Ltd Telephone: 01253 794673 Email: [email protected] For Small Items: Mailboxes, Cheltenham Branch Tel: 01242 530130 Email: [email protected] We also offer an in-house packing service for small items.
    [Show full text]
  • Henry Rothschild and Primavera: the Retail, Exhibition and Collection of Craft in Post-War Britain, 1945-1980
    Citation: Barker, Janine (2015) Henry Rothschild and Primavera: The retail, exhibition and collection of craft in post-war Britain, 1945-1980. Doctoral thesis, Northumbria University. This version was downloaded from Northumbria Research Link: http://nrl.northumbria.ac.uk/30325/ Northumbria University has developed Northumbria Research Link (NRL) to enable users to access the University’s research output. Copyright © and moral rights for items on NRL are retained by the individual author(s) and/or other copyright owners. Single copies of full items can be reproduced, displayed or performed, and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided the authors, title and full bibliographic details are given, as well as a hyperlink and/or URL to the original metadata page. The content must not be changed in any way. Full items must not be sold commercially in any format or medium without formal permission of the copyright holder. The full policy is available online: http://nrl.northumbria.ac.uk/policies.html HENRY ROTHSCHILD AND PRIMAVERA: THE RETAIL, EXHIBITION AND COLLECTION OF CRAFT IN POST- WAR BRITAIN, 1945 - 1980 JANINE BARKER PhD 2015 1 2 HENRY ROTHSCHILD AND PRIMAVERA: THE RETAIL, EXHIBITION AND COLLECTION OF CRAFT IN POST- WAR BRITAIN, 1945 – 1980 JANINE BARKER A thesis submitted in partial fulfilment of the requirements of the University of Northumbria at Newcastle for the degree of Doctor of Philosophy Research undertaken in the Faculty of Arts, Design & Social Sciences and in collaboration with the Shipley Art Gallery, Gateshead December 2015 3 4 Abstract An AHRC Collaborative Doctoral Award has made collaboration possible between Northumbria University and the Shipley Art Gallery, Gateshead in providing the opportunity to highlight a significant narrative in craft history.
    [Show full text]
  • „Chryselephantin“ – Göttlich Schön! Vitrinenfigürchen Um 1910: „Kind Mit Katze“ Und „Galantes Paar“
    III. Quartal 2011 Kulturgut 17 „Chryselephantin“ – göttlich schön! Vitrinenfigürchen um 1910: „Kind mit Katze“ und „Galantes Paar“ „Chryselephantin“, abgeleitet aus dem Griechischen von loge und Kunstwissenschaftler Antoine Chrysostôme Qua- chryrsos, „Gold“, und elephantinos, „aus Elfenbein“, lässt tremère de Quincy (Paris 1755–1849 Paris) behandelte sich mit „in Gold-Elfenbein-Technik gearbeitet“ übersetzen. 1815 in seiner Darstellung der Zeus-Statue von Olympia die Die Technik fand in der Antike aufgrund der Kostbarkeit Polychromie antiker Kunst, die ebenso deutsche Antikenfor- der Materialien für Kultbilder Anwendung. Ihr Kern war scher und nicht zuletzt auch Künstler beschäftigte. aus Holz, das bei den Gewändern, Sandalen, Frisuren sowie Frappierender Sinneneindruck den Attributen der Figuren mit Plättchen aus Goldblech, bei den Gesichtern, Armen und Beinen, also den Teilen, Der Bildhauer Pierre-Charles Simart (Troyes 1806–1857 welche die Haut der Götter zeigten, mit solchen aus Elfen- Paris) schuf um 1840 im Auftrag des bekannten Antiken- bein umkleidet war. Aus manchen der Gesichter leuchteten sammlers und Mäzens Honoré d’Albert, duc de Luynes mit kostbaren farbigen Materialien gestaltete Augen und (Paris 1802–1867 Rom) auf der Basis antiker Beschreibun- ebenso hoben weitere Ausschmückungen mit Edelsteinen, gen eine Nachbildung der Athena Parthenos. 1855 kreierte noblen Metallen, Glaspasten und Malerei den lebensvollen Simart in chryselephantiner Manier eine drei Meter hohe Glanz der göttlichen Erscheinungen hervor. Zu den „Sie- Statue der Göttin Minerva, die auf der Pariser Weltausstel- ben Weltwundern“ der Antike zählte das im 5. Jahrhundert lung präsentiert wurde. Sie zählte dort zu den viel bestaun- v. Chr. von dem Bildhauer Phidias geschaffene, über zwölf ten Attraktionen und zeigt, wie sehr die Weltausstellungen Meter hohe chryselephantine Standbild des Zeus im ihm Ideenbörsen für Künstler und Kunstgewerbler waren.
    [Show full text]
  • Catalogue of the Papers of Bernard Leach
    Catalogue of the Papers and Books of BERNARD LEACH - - - - - - COMPILED BY ALYN GILES JONES, M.A., D.A.A., F.S.A. VOLUME I 1 – 10,803 - - - - - - Crafts Study Centre Bath 1984 - 1985 F O R E W O R D This is the third and final catalogue of the papers of Bernard Leach. However, a number of his letters are in the Muriel Rose archives, also held at the Crafts Study Centre: many of these are in answer to her own letters to him listed in the three Leach catalogues. Other Bernard Leach material may yet emerge, and hopefully any such records will be deposited at the Centre. Mr David Leach made available the first “trance” of these papers, for which the Centre is deeply grateful – as, indeed, it is for the contents of Bernard Leach II, also deposited by him. The second section of this catalogue concerns the papers of the late Mrs Trudi Scott, Bernard Leach’s housekeeper, confidante and indispensable prop during his last years. I had only one telephone conversation with her ever, shortly before she died, during which she promised me an original drawing by Bernard – which I never got! Following her death, I enquired of those close to her about her papers, and can thus claim credit for having saved them. They would otherwise have been thrown away. The collection consists largely of fascinating oddments, single pages of letters, infuriating but captivating jumbles of “membra disiecta”, which have required the repeated re-cataloguing of already catalogued entries, and the constant need to review and revise and rewrite, as fragments came together during the interim and final sortings.
    [Show full text]