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Indianapolis Opera Company Inc. Presents Ayres Applauds the Indianapolis Opera Company Words and Music by RUGGIERO LEONCAVALLO

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Indianapolis Opera Company Inc. Presents Ayres Applauds the Indianapolis Opera Company Words and Music by RUGGIERO LEONCAVALLO Indianapolis Opera Company Inc. presents Ayres Applauds The Indianapolis Opera Company Words and Music by RUGGIERO LEONCAVALLO Opera in Two Acts June 2 and 3, 1978 8:00 P. M, in the FREDERIC M. AYRES JR. AUDITORIUM On the Park-Tudor Campus, 7200 N. College ^^f ^ Premiered at the Teatro dal Verme, Milan, Italy, May 21, 1892 Cast of Characters CANIO, head of a troupe of strolling players, (Pagliaccio in the play) Richard Versalle NEDDA, his wife, (Columbine in the play) Theresa Rivera TONIO, a member of the troupe, (Taddeo in the play) Richard Baer PEPPE, a member of the troupe, (Harlequin in the play) Perry Darden Smith SILVIO, A villager Ray Poland Understudies CANIO David Sundby NEDDA Maria McDaniels TONIO Denis R. Kelly PEPPE Jim Logan Chorus SOPRANO I SOPRANO II Judy Bruner Anna Lee Hamilton Alexis Dardon Theodotia Hartman Maryliese Happel Elizabeth Michael Veronica Lewis Valerie D. Phelps Maria McDaniels Jane West TENOR BARITONE John Curry Robert Coons Jim Logan Denis R. Kelly Tim Moore Joseph Leamon David Sundby Joe Ledell BASS Kenneth Cox Doug Ellrich Phillip M. Walker CHILDREN Amanda Bruner Rick Fredland Larry Jones Michael Lang Heather Reese Bob Sauer Joel Sauer Benji Wright DANCER Therese Chatelaine YOUNG MAN Larry Sullender PIPERS C. B. Konkowski Donald Winslow Please refrain from using flash cameras or any kind of recording equipment. LORETTA YODER, director of "I Pagliacci," has been associate director of the Repertory Theatre at CTS for ten years. Miss Yoder, who has a master's degree in drama and theatre from IU, has also directed at the Singers Theatre, Theatre-in-the-Woods, and Footlite Musicals. At Singers, she directed and also performed in light operas. Miss Yoder has arranged numerous national church conferences and music festivals, and has performed in summer stock at Lancaster, Pa. She was responsible for the direction and design of the Western Ontario Bicentennial Pageant at the Avon Theatre at Stratford, Ont., and directed the IOC's production of "Amahl and the Night Visitors." RICHARD VERSALLE (Canio) has performed opera and light opera roles for the Lyric Opera, Chicago; Civic Opera of Michigan, Grand Rapids Symphony, and Opera Assn. of Western Michigan. Some of his roles have been Lt. Pinkerton in Puccini's "Ma- dama Butterfly"; Rodolfo in Puccini's "La Boheme" and Alfred in Strauss' "Die Fledermaus." Mr. Ver- salle appeared as Moser and von Stolzing in Wag­ ner's "Die Meistersinger," Idomeneo in Mozart's "Idomeneo." He has sung concerts for the Music of the Baroque, Chicago, with symphony orchestras in Albuquerque, N.M.; Fort Wayne; Oak Park, Illinois; Flint, Detroit, Grand Rapids and Kalamazoo, Mich. THERESA RIVERA (Nedda) holds a B.A. degree in applied voice from the U. of Miami. She performed in many operatic roles at the Greater Miami Opera, the U. of Miami Opera and the Florida Family Opera. Some of her major roles have been Gretel in "Han­ sel and Gretel" by Humperdinck; Rita in "Rita" by Donizetti; Yum Yum in Gilbert and Sullivan's "The Mikado"; Miranda in Seigmeister's "Miranda and the Dark Young Man" and Laeticia in Menotti's "The Old Maid and the Thief." She performed as Lucy in Menotti's "The Telephone" and Frou Frou in Le- har's "The Merry Widow." She previously played the role of Nedda in "I Pagliacci" for the U. of Miami. RICHARD L. BAER (Tonio) studied music at Butler U. and holds a B.F.A. degree in voice from the U. of Wisconsin. He has performed in many oratorio roles and was minister of music at the Plymouth Congre­ gational Church and the First Congregational Church in Indianapolis. Some of his roles in opera have been: Blitch in Floyde's "Susannah"; Luigi in Puccini's "II Tabarro"; John in Menotti's "The Consul"; Sid in Britten's "Albert Herring" and Megone in Haydn's "Lo Speziale." He has appeared in three Gilbert and Sullivan operettas, as Nankipoo in "The Mikado"; Alexis in "Sorcerer," Ralph in "H.M.S. Pinafore." RAY POLAND (Silvio) made his debut with the New Orleans Opera Co. in the role of Ein Peruckenma- cher in Strauss' "Ariadne auf Naxos." Mr. Poland has also appeared in the world premiere opera at IU, "Heracles" by Eaton in the role of the High Priest. His many roles include Schaunard in "La Boheme" by Puccini; Aeneas in Purcell's "Dido and Aeneas"; Porgy in Gershwin's "Porgy and Bess" and the Dark Young Man in Seigmeister's "Miranda and the Dark Young Man." He has also appeared with Indianapo­ lis Symphony in IU Opera's production of Puccini's "La Boheme," and had solo symphony experience with Memphis, New Orleans, Lauderdale orchestras. PERRY SMITH (Peppe) is a graduate with a bachelor of music degree from Oberlin College-Conservatory. He received a master's degree in music from IU and performed as tenor soloist with IU Opera Theatre, Oberlin Conservatory Opera Theatre, Interlochen Arts Academy Opera Theatre. His roles include Don Ottavio in Mozart's "Don Giovanni"; Andrew John­ son in "The Mother of Us All" by Thompson, and Miser Stevens, Simon Gerty in Moore's "The Devil and Daniel Webster." He played King Kaspar in the IOC's production, "Amahl and the Night Visitors." He received Interlochen Arts Academy Scholarship Award and Oberlin Vocal Faculty Personal Award. JACKSON WILEY, Conductor and Musical Director, is the director of the orchestra and opera workshop at the Jordan College of Fine Arts at Butler U. He has a music degree from Yale U. and Julliard School of Music in New York. He conducted his first opera as a student coach and conductor in Julliard's Opera Theatre. Later, he returned to Yale to establish an opera theatre and direct the orchestra at the Yale Graduate Summer School of Music and Art. For sev­ eral years, he was in the orchestra of the New York City Opera Co. and was musical director for the Tur- nan Opera Players in Woodstock, N.Y. a training ground for many leading American opera stars. P. E. MacALLISTER, Executive Producer, is chairman of the board of MacAllister Machinery Co., Inc., and is one of the founders of the Indianapolis Opera Co. A civic leader in the community, Mr. MacAllister is president of the Capital Improvement Board; presi­ dent of the board of trustees of Christian Theo­ logical Seminary; president of the board of trustees of Carroll College, Waukesha, Wise, and is a member of the board of trustees of McCormick Theological Seminary, Chicago. He served as executive director of "Conference on Cities" and was executive producer of the IOC's production of "Amahl and the Night Visitors," by Menotti. Kimball is the official piano of the Indianapolis Opera Co. "Business in the Arts" Award Cultural enrichment. One of our most significant endeavors for the benefit of our community. Each year, the National Business Committee for the Arts presents this prestigious award to members of the business community in recognition of their sponsorship of the performing arts. American Fletcher was honored to receive this award in 1976 and 1977. Our Symphony on the Circle, Downtown Gallery of the Indianapolis Museum of Art and the many performing arts programs we have sponsored are for everyone's benefit and enjoyment. We at American Fletcher would like to thank all of you who have participated in our programs as well as the National Business Committee for the Arts for their award. It has given us an even greater sense of responsibility to continue our efforts to bring the world of art closer to our community. AMERICAN FLETCHER NATIONAL BANK AFNB EB REALTOR' A. W. Schmadeke Co. Inc. (Hit? iFntm? ^linp Custom Framing—Prints and Wall Accessories 6426 North College Avenue 253-2565 See the Serta Perfect Sleeper SC Advanced design for better sleeping This is the mattress that's awake and working while you sleep! Under the rich, quilted cover, Synchroflex coils respond to your every move while Sertaliner bands distribute your weight evenly over the surface. TwinEdge® design lets you sleep to the edge of the bed, gives up to 20% more sleeping space. Look into it! The J. C. Hirschman Co., Inc. "I PAGLIACCI" was first performed in the United States at the Grand Opera House in New York on June 15, 1893, just over a year from its initial per­ formance in Milan. Six months later, on Dec. 11, 1893, it was presented at the Metropolitan Opera House with Nelli Melba as Nedda; Fernando de Lucia as Canio, and Mario Ancona as Tonio. Canio became Enrico Caruso's most famous role. Synopsis of Scenes ACT I A village in Calabria, Italy. It is an afternoon in August during the Feast of the Assumption in the 1860's. INTERMISSION - 15 MINUTES ACT II Later that evening. The Story In the prologue, Tonio opens the curtain to explain to the audience that the play they are about to see is a true fragment of life, not a fantasy, presenting the emotions and passions of real people. Act I The curtain rises on a typical Italian village. The villagers, dressed in holiday clothes, hail the arrival of a troupe of strolling players, especially Canio, the "prince of players." Canio announces that a performance will be given that evening and urges them to come. The villagers, full of gaiety and life, greet the troupe in song. Canio goes off with friends to the tavern, while Tonio, the clown of the company, remains behind. Finding Nedda alone, Tonio declares his love for her. She scorns him and upon his insistence, she grabs a whip and strikes him.
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