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William R. Moran Collection PA Mss 57

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http://oac.cdlib.org/findaid/ark:/13030/c8sj1m6p No online items Guide to the William R. Moran collection PA Mss 57 Finding aid prepared by Pearl Ko, 2011; encoded by Zachary Liebhaber, 2011. UC Santa Barbara Library, Department of Special Research Collections University of California, Santa Barbara Santa Barbara 93106-9010 [email protected] URL: http://www.library.ucsb.edu/special-collections 2011 Guide to the William R. Moran PA Mss 57 1 collection PA Mss 57 Title: William R. Moran collection Identifier/Call Number: PA Mss 57 Contributing Institution: UC Santa Barbara Library, Department of Special Research Collections Language of Material: English Physical Description: 84 linear feet(169 document boxes, 15 flat boxes) Creator: Moran, William R. Date (inclusive): circa 1860-2004 Date (bulk): 1900-1950 Abstract: Personal papers and collection of discographer, author, and philanthropist William R. Moran. Collection includes sound recordings, photographs, and ephemera as well as manuscripts and research files, including files on singers and correspondence with singers, discographers and others. Physical Location: Special Research Collections, UC Santa Barbara Library Access Restrictions The collection is open for research. Use Restrictions Copyright has not been assigned to the Department of Special Collections, UCSB. All requests for permission to publish or quote from manuscripts must be submitted in writing to the Head of Special Collections. Permission for publication is given on behalf of the Department of Special Collections as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which also must be obtained. Preferred Citation [Identification of Item], William R. Moran collection, PA Mss 57. Department of Special Collections, UC Santa Barbara Library, University of California, Santa Barbara. Acquisition Information Bequeathed with the estate of William R. Moran. Biographical Note William Rodes Moran (1919-2006) studied and wrote about opera recordings for his whole life and was an acknowledged expert on the opera recordings of the recording of many early singers, especially those that recorded for Victor Records. With Ted Fagan, Moran founded the Victor Project, a comprehensive discography of the Victor Talking Machine Company from 1900 to 1955. In addition to his discographical work William Moran worked for Union Oil as an exploration geologist, retiring as Vice President for Exploration of Molycorp in 1985. From 1956 to 1989 William was Associate Editor of the American Association of Petroleum Geologists Bulletin. Scope and Content This collection contains posters, photographs, clippings and artifacts relating to the opera singers of the mid to late 19th century and early to mid 20th century, especially those singers who recorded for the Victor Talking Machine Company in the very beginning of the recording age in the early 20th century. In addition, the collection contains correspondence with singers and other discographers, manuscripts, and research files includings files kept on early Victor recording artists and early cylinder and 78 rpm disc recordings. Research files also include those files and correspondence relating to Moran's involvement in the Stanford Archive of Recorded Sound (StARS), as well as Victor Talking Machine (VTM) ledger files for recordings from 1900 to 1955, which formed the basis for the Victor Project and the Encyclopedic Discography of Victor Recordings (EDVR), an online database of more than 75,000 recordings made by Victor beginning in 1900 maintained by the UCSB Library. Arrangement The collection has been divided into the following series: I. Correspondence, II. Artist Files, IIA. Subject Files, III. Geraldine Farrar Files, IV. Nellie Melba Files, V. Artist Photographs, VI. Artist Clippings, VII. Albums and Scrapbooks, VIII. Autographs and Artifacts, IX. Stanford Archive of Recorded Sound (StARS), X. Recording Research Files (not Victor), XI. Recording Research Files (for EDVR), XII. Oversize, XIII. Opera Houses, Theaters, and Companies. Subjects and Indexing Terms Posters Photographs Correspondence Manuscripts Guide to the William R. Moran PA Mss 57 2 collection PA Mss 57 Programs Clippings (information artifacts) Melba, Nellie, Dame Farrar, Geraldine Victor Talking Machine Company Moran, Robert B., 1879-1961 -- Archives Series I. Correspondence Box-folder 1: 1 A file 1953-1995 Box-folder 1: 2 Richard Abel 1991 Box-folder 1: 3 Julio Goyen Aguado 1997 Box-folder 1: 4 Antonio (Tony) Altamirano 1983 Box-folder 1: 5 Amadeus Press 1988 Box-folder 1: 6 Amadeus Press 1989 Box-folder 1: 7 Amadeus Press 1990 Box-folder 1: 8 Amadeus Press 1991 Box-folder 1: 9 Amadeus Press 1992 Box-folder 1: 10 Amadeus Press 1994 Box-folder 1: 11 Amadeus Press 1995 Box-folder 1: 12 Amadeus Press 1996 Box-folder 1: 13 Amadeus Press 1997 Box-folder 1: 14 Amadeus Press 1998 Box-folder 1: 15 Amadeus Press 1999 Box-folder 1: 16 Amadeus Press 2000 Box-folder 1: 17 Amadeus Press 2001 Box-folder 1: 18 Amadeus Press 2002-2003 Box-folder 2: 1 ABC Mastermind 1982 Box-folder 2: 2 Mario Ancona 1976-1991 Box-folder 2: 3 Giacomo Ancona 1958-1971 Box-folder 2: 4 Australia-- National Sound Archive 1992-1993 Box-folder 2: 5 Eduardo Arnosi 1981 Box-folder 2: 6 Eduardo Arnosi-- Buneos Aires 1980 Box-folder 2: 7 Association for Recorded Sound Collections (ARSC) Awards Committee 1990-1994 Box-folder 2: 8 Richard Arsenty 1997 Box-folder 2: 9 Aida Artsay 1960-1989 Box-folder 2: 10 Bill Ashbrook 1995-1996 Box-folder 2: 11 Barry Ashpole 1993-1996 Box-folder 2: 12 Barry Ashpole--Antique Phonograph News Box-folder 2: 13 Michael Aspinall 1987 Box-folder 2: 14 Lawrence Auspos 1999-2001 Box-folder 2: 15 Laurence Austin 1994 Box-folder 2: 16 McCarrell Ayers 1999 Box-folder 2: 17 B file 1954-1995 Box-folder 2: 18 Victor Babadagly 1980-1981 Box-folder 3: 1 Colin Bain 1998-2000 Box-folder 3: 2 Darrell Baker 1980 Box-folder 3: 3 Ondina Ballester 1991-2001 Box-folder 3: 4 Harold (Jan) Barnes 1929-1994 Box-folder 3: 5 Russell Barnes 1985 Box-folder 3: 6 Barrington Communications 1998 Box-folder 3: 7 B. E. Battrick 1984 Box-folder 3: 8 Robert Baumbach 1981-1982 Box-folder 3: 9 Richard Bebb 1962-1966 Box-folder 3: 10 Bell Telephone Laboratories 1979 Guide to the William R. Moran PA Mss 57 3 collection PA Mss 57 Series I.Correspondence Box-folder 3: 11 John R. Bennett 1956-1973 Box-folder 3: 12 Oliver Berliner 1988 Box-folder 3: 13 Marc Bernier 1979 Box-folder 3: 14 Michael Biel 1985-1986 Box-folder 3: 15 William Breslin 1961-1971 Box-folder 3: 16 British Institute of Recorded Sound 1958-1985 Box-folder 4: 1 David Breckbill 1984-1991 Box-folder 4: 2 Tim Brooks 1991-2000 Box-folder 4: 3 Jonathan Brown 1992 Box-folder 4: 4 Nathan Brown-El Cerrito Archive (Classical Recordings Archive of America) 1992 Box-folder 4: 5 George Brock-Nannestad 1985-1995 Box-folder 4: 6 Baskerville Publishers, Inc. 1995-1996 Box-folder 4: 7 Patricia Brown 1982 Box-folder 4: 8 Jeff Brownrigg 1992 Box-folder 4: 9 Harold Bruder 1993-2002 Box-folder 4: 10 Guiliana Bruno-RAI Corporation 1984 Box-folder 4: 11 Martin Bryan 1992 Box-folder 4: 12 Bill Bryant 1974-1995 Box-folder 4: 13 Peter Burgis 1973-2002 Box-folder 4: 14 Harry Butler 1988 Box-folder 4: 15 C file 1959-1993 Box-folder 5: 1 Judith Cabaud 1997-1998 Box-folder 5: 2 Camden County Historical Society undated Box-folder 28: 1 Camner, James undated Box-folder 5: 3 Canadian National Archives 1992-1994 Box-folder 5: 4 Jim Cartwright 1974-1987 Box-folder 5: 5 Kenneth Caswell 1999 Box-folder 5: 6 Enrico Caruso, Jr. 1983 Box-folder 5: 7 Paul Charosh 1968-1996 Box-folder 5: 8 Jim Christie 1951 Box-folder 5: 9 Club "99" 1969-1976 Box-folder 5: 10 Collector's Records Dublin 1956-1960 Box-folder 5: 11 William J. Collins 1975-1987 Box-folder 5: 12 John F. Cone 1983 Box-folder 5: 13 Michael Sherman (Columbia) 1994 Box-folder 5: 14 Helene F. Chmura (Columbia) 1961-1994 Box-folder 5: 15 Robert Conklin 1992-1998 Box-folder 5: 16 Connoisseur's Record Club 1953-1958 Box-folder 28: 2 Coonce, Michael S. undated Box-folder 5: 17 Barry Crawford (Leonard Warren Foundation) 1993-2001 Box-folder 5: 18 Creegan 1987-1990 Box-folder 5: 19 William Crittenden 1936-1937 Box-folder 5: 20 Mitzi Cress--Cambria Master Recordings and Publishing 1993 Box-folder 5: 21 David Cross 1964 Box-folder 5: 22 Robert Cowden 1992 Box-folder 6: 1 Ricardo Curró 1992 Box-folder 28: 3 Curro, Ricardo undated Box-folder 6: 2 Alan Culpin undated Box-folder 6: 3 D file 1946-1994 Box-folder 6: 4 Danish National (?) 1965-1971 Box-folder 6: 5 C. F. Dawe 1966-1968 Box-folder 6: 6 Duane Deakins 1955-1961 Box-folder 6: 7 Allen Debus 1981 Box-folder 6: 8 Charles Decker 1987 Box-folder 6: 9 Delos International 1991 Box-folder 6: 10 De Benidetti 1993 Box-folder 6: 11 Aldo Delicata 1958-1960 Box-folder 6: 12 Denoskowski--Sydney 1959-1960 Guide to the William R. Moran PA Mss 57 4 collection PA Mss 57 Series I.Correspondence Box-folder 6: 13 Jim Dennis 1946-1982 Box-folder 7: 1 Pam Dennis 1985 Box-folder 7: 2 Aldo Bernucci Diaz 1997 Box-folder 7: 3 Discor--Buenos Aires 1956-1979 Box-folder 7: 4 Dixie 1962-1967 Box-folder 7: 5 Robert Dixon 1992 Box-folder 7: 6 Richard Drost 1958-1965 Box-folder 7: 7 Arne Dørumsgaard 1973-1975 Box-folder 7: 8 James Drake 1990-1998 Box-folder 8: 1 Diapason Turntables 1991 Box-folder 8: 2 Joseph DuPlain 1973 Box-folder 8: 3 Salvador Diaz Dupond undated Box-folder 8: 4 Dutton 1963 Box-folder 8: 5 Juan Dzazopulos 1982-1994 Box-folder 8: 6 E file 1960-2003 Box-folder 8: 7 Ed Eagle 1979 Box-folder 8: 8 Michael Eert 1992 Box-folder 8: 9 Ely/Troutman re: gift to Stanford 1960-1968 Box-folder 32: 11 Envelopes (incoming) undated Box-folder 8: 10 Byron Erck 1991 Box-folder 8: 11 EMI-Hughes-Crimp 1955-1977 Box-folder 8: 12 Eklipse Records 1993-1995 Box-folder 8: 13 F file 1957-1994 Box-folder 9: 1 Nelson Faerber 1962-1970 Box-folder 31: 1 Fagan, Ted [1] undated Box-folder 31: 2 Fagan, Ted [2] undated Box-folder 31: 3 Fagan, Ted [3] undated Box-folder 31: 4 Fagan, Ted [4] undated Box-folder 31: 5 Fagan, Ted [5] undated Box-folder 28: 4 Farkas, Andrew undated Box-folder 9: 2 Andrew Farkas 1962-1990 Box-folder 9: 3 Farkas: Arno Press Project 1965-2002 Box-folder 9: 4 Farkas Cont.
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    The mezzo-soprano onstage and offstage: a cultural history of the voice-type, singers and roles in the French Third Republic (1870–1918) Emma Higgins Dissertation submitted to Maynooth University in fulfilment for the Degree of Doctor of Philosophy Maynooth University Music Department October 2015 Head of Department: Professor Christopher Morris Supervisor: Dr Laura Watson 1 TABLE OF CONTENTS Page number SUMMARY 3 ACKNOWLEDGEMENTS 4 LIST OF FIGURES 5 LIST OF TABLES 5 INTRODUCTION 6 CHAPTER ONE: THE MEZZO-SOPRANO AS A THIRD- 19 REPUBLIC PROFESSIONAL MUSICIAN 1.1: Techniques and training 19 1.2: Professional life in the Opéra and the Opéra-Comique 59 CHAPTER TWO: THE MEZZO-SOPRANO ROLE AND ITS 99 RELATIONSHIP WITH THIRD-REPUBLIC SOCIETY 2.1: Bizet’s Carmen and Third-Republic mores 102 2.2: Saint-Saëns’ Samson et Dalila, exoticism, Catholicism and patriotism 132 2.3: Massenet’s Werther, infidelity and maternity 160 CHAPTER THREE: THE MEZZO-SOPRANO AS MUSE 188 3.1: Introduction: the muse/musician concept 188 3.2: Célestine Galli-Marié and Georges Bizet 194 3.3: Marie Delna and Benjamin Godard 221 3.3.1: La Vivandière’s conception and premieres: 1893–95 221 3.3.2: La Vivandière in peace and war: 1895–2013 240 3.4: Lucy Arbell and Jules Massenet 252 3.4.1: Arbell the self-constructed Muse 252 3.4.2: Le procès de Mlle Lucy Arbell – the fight for Cléopâtre and Amadis 268 CONCLUSION 280 BIBLIOGRAPHY 287 APPENDICES 305 2 SUMMARY This dissertation discusses the mezzo-soprano singer and her repertoire in the Parisian Opéra and Opéra-Comique companies between 1870 and 1918.
  • “Can't Help Singing”: the “Modern” Opera Diva In

    “Can't Help Singing”: the “Modern” Opera Diva In

    “CAN’T HELP SINGING”: THE “MODERN” OPERA DIVA IN HOLLYWOOD FILM, 1930–1950 Gina Bombola A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music in the College of Arts and Sciences. Chapel Hill 2017 Approved by: Annegret Fauser Tim Carter Mark Katz Chérie Rivers Ndaliko Jocelyn Neal ©2017 Gina Bombola ALL RIGHTS RESERVED ii ABSTRACT Gina Bombola: “Can’t Help Singing”: The “Modern” Opera Diva in Hollywood Film, 1930–1950 (Under the direction of Annegret Fauser) Following the release of Columbia Pictures’ surprise smash hit, One Night of Love (1934), major Hollywood studios sought to cash in on the public’s burgeoning interest in films featuring opera singers. For a brief period thereafter, renowned Metropolitan Opera artists such as Grace Moore and Lily Pons fared well at the box office, bringing “elite” musical culture to general audiences for a relatively inexpensive price. By the 1940s, however, the studios began grooming their own operatic actresses instead of transplanting celebrities from the stage. Stars such as Deanna Durbin, Kathryn Grayson, and Jane Powell thereby became ambassadors of opera from the highly commercial studio lot. My dissertation traces the shifts in film production and marketing of operatic singers in association with the rise of such cultural phenomena as the music-appreciation movement, all contextualized within the changing social and political landscapes of the United States spanning the Great Depression to the Cold War. Drawing on a variety of methodologies—including, among others, archival research, film analysis, feminist criticisms, and social theory—I argue that Hollywood framed opera as less of a European theatrical art performed in elite venues and more of a democratic, albeit still white, musical tradition that could be sung by talented individuals in any location.
  • September-2016-Auction.Pdf

    September-2016-Auction.Pdf

    78 CLASSICAL GALLERY CLASSICAL RECORD AUCTION No. 2 CLOSING DATE: SEPTEMBER 30, 2016 NEW AUCTION AUCTION CLOSING DATE: SEPTEMBER 30, 2016 Here you will find a list of early 78 rpm recordings of interest to every level of collector. Most items are focused on Classical selections from the 1898- 1940 period, some a bit more common but of really nice condition. The condition of grading employed here is: CONDITION GRADING: 1: UNPLAYED 1-2: TOP CONDITION 2: VERY FINE COPY- A FEW RUBS OR MARKS, NO NEEDLE WEAR 2-3 SOME RUBS, NON-SOUNDING BLEMISHES, NO NEEDLE WEAR. 3: SOME HEAVIER RUBS, MARKS, NO-SOUNDING BLEMISHES. AN AVERAGE COPY 3-4: LIGHT-SOUNDING WEAR (GREYING), RUBS. 4: SOUNDING WEAR, RUBS, MARKS 4-5: WEAR, RUBS, MARKS 5: OBVIOUS SOUNDING WEAR, HEAVY RUBS, MARKS 5-6: HEAVY WEAR, RUBS, MARKS 6: A WRECK! ONLY LISTED FOR EXTREME RARITY. As you can see, I’ve used Larry Holdridge’s grading scale as it seems to be the most universally accepted and understood system. However, if there are any questions, please feel free to call or e-mail for more clarification. This list is also posted on my website: www.78classicalgallery.com. Please submit bids either electronically through the website, or via USPS mail. Either are welcome. In the meantime, enjoy your perusal of these items. Good luck! Best wishes, David Schmutz # Image Name Artist Selection Min. Bid CLYINDERS FRENCH PATHE #3496 AFFRE: HUGUENOTS- PLUS PATHE SALON BLANCHE (MEYERBEER).- 1902 BLACK WAX, WRITING ON CYLINDER: AFFRE- RIM A BIT FADED AND RUBBED. IN ORIGINAL CASE WITH 1 AFFRE $200.00 HUGUENOTS ARIA ORIGINAL LID.