DOCSLIB.ORG

Totality and Global Culture Dissertation Presented in Partial Fulfillment of the Requirements

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Totality and Global Culture Dissertation Presented in Partial Fulfillment of the Requirements Nutshells and Infinite Space: Totality and Global Culture Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Oded Nir, MA Graduate Program in Comparative Studies The Ohio State University 2014 Dissertation Committee: Philip Armstrong, Advisor Leo Coleman Ethan Knapp Fredric Jameson Copyright by Oded Nir 2014 Abstract In my dissertation, “Nutshells and Infinite Space: Totality and Global Culture,” I reformulate the Marxist concept of totality in response to the economic and cultural transformations brought about by globalization. The dissertation is divided into three parts. In the first part, I trace the lineage of Marxist thinking about totality through the writing of Marx, Lukács, Adorno, and Jameson. Through addressing critiques of totality, I develop a conception of immanent totality that reconciles Hegelian Marxist thinking on totality with the critiques of the concept elaborated by Spinozist Marxism, Lyotard, and others. In the second part of the dissertation, I argue that attempts to theorize globalization from the late 1980s until the early 2000s (in the work of Ronald Robertson, Arjun Appadurai, Leslie Sklair, Kenichi Ohmae, Ulrich Beck and others) constitute an unconscious search for a subject of history, or for a universal agent that can exert control over globalization. This unconscious search is conducted in globalization theory’s attempt to relate systematic changes brought about by globalization to the subjective experience conditioned by such changes. I argue that in a first moment, globalization theories attempt to construct new discursive contradictions in order to describe their new phenomena. In a second moment, these contradictions tend to collapse, marking the failure of the search for a subject of history. I conclude by arguing that the nation- ii state remains a suppressed object of desire for globalization theory, one that marks the possibility of future collective projects. In the final part of my dissertation, I present a typology of World Literature theories. I argue that early World Literature theories include an unintended rejection of totalizing aesthetics. In contrast, I argue, more contemporary discussions of World Literature look for ways in which totalizing aesthetics are reinvented to take into account cultural transformations that result from processes of globalization. I then introduce a case study of Israeli literature. I present a short history of totalization in Israeli literature, showing how contemporary attempts to reinvent totalizing aesthetic strategies modify older totalizing imaginaries in order to address the specific effects of globalization in the Israeli context. I argue that these attempts to reinvent totalizing representational strategies point to possible directions for reconstituting radically transformative collective political imaginaries in the Israeli-Palestinian context. iii Vita 1997……………………………………………………………Ort Ma’alot High School 2005……………………………………………………………B.S. Physics and Philosophy, Hebrew University of Jerusalem 2008……………………………………………………………M.A. Comparative Literature, Hebrew University of Jerusalem 2009, 2012…………………………………………………..Distinguished University Fellowship, The Ohio State University 2009-Present……………………………………………….Graduate Teaching Associate, Department of Comparative Studies, The Ohio State University Fields of Study Major Field: Comparative Studies iv Table of Contents Abstract ...................................................................................................................................................... ii Vita............................................................................................................................................................... iv List of Figures ......................................................................................................................................... vii Introduction .............................................................................................................................................. 1 Chapter 1: Totality Today .................................................................................................................... 8 Lukács and Immanence ................................................................................................................. 13 Sartre and Transcendence ........................................................................................................... 47 Adorno and the System ................................................................................................................. 69 Jameson, or the Persistence of Totality .................................................................................. 83 Chapter 2: The Ideologies of Globalization .............................................................................. 106 Theorizing the Global Generally .............................................................................................. 115 Social Polarization, or, the Hermeneutic of Flexibility ................................................... 132 The Nation-State and its Global Inadequacies ................................................................... 146 Chapter 3: Literature and the World .......................................................................................... 164 Theoretical Beginnings ............................................................................................................... 167 The Distribution of Utopia in Modern Hebrew Literature ............................................ 197 From Utopian Project to National Ideology .................................................................... 218 From National Hegemony to Globalization ..................................................................... 231 v Conclusion.................................................................................................................................... 276 Works Cited .......................................................................................................................................... 279 Appendix: “On the Night before the Morning, All Power to the Communes” ............. 292 vi List of Figures Figure 1: “Declaration Flowchart” ............................................................................................... 103 Figure 2: Mapping World Literature Theories ....................................................................... 175 vii INTRODUCTION The aim of this dissertation is to argue for the necessity of retaining a totalizing horizon in any critique of the present. Two questions therefore deserve some preliminary attention, the first having to do with the insistence on what the Marxist tradition has called totality or totalization, and the second having to do with its pertinence in the present conjuncture or situation. To be sure, the urgency of political critique today, obvious as it may be, does not seem to demand a return to what is still surely viewed as part of an outdated Marxist vocabulary, one that we often associate with revolutionary failure, totalitarianism, or - in a more historical vein - with Stalinism. Associating totality with totalitarianism is of course not some natural tendency but rather a historical result – one having to do less with the “facts” of Stalinism than with the coming into dominance of what we call “French theory” in the American academy in the 1980s and 90s, and the latter’s emergence out of intellectual disappointment with the French Communist party in the 60s. We will therefore return to four moments of Marxist staging of totality: Georg Lukács and the totalizing standpoint of the subject of history; Jean Paul Sartre’s distinction between totalities as the product of past praxis and the opposing living process of totalization; Adorno’s system of exchange value and its antagonist in the form of the non-identical of use value; and Fredric Jameson’s unconscious totality, or 1 totalization’s persistence under postmodernism. If the writing of the first three authors has been many times “adapted” to postmodern concerns, Jameson’s writing has “French theory’s” attacks on totality as its immediate context. Thus, in the case of the first three authors, we will have to contend with their historical distance from us and their contemporary readings. The opposite will prove to be the case for Jameson’s writing: we will try to generate some historical distance from his work, where it seems not to exist. Even if the age of high theory in the American humanities has to a certain extent ended, it has left behind an anti-Marxist residue, one whose origin can be traced to the French political context of the 1960s and 70s. In the first chapter, therefore, we will address not only Marxist writing on totality but also some of totality’s most well known antagonists: from Lyotard’s “let us wage war on totality” and Foucault’s critique of continuous history, to Spinozist post- marxism’s suspicion of transcendence and Latour’s rejection of any totalizing social perspective. In each case, we will show that the critique leveled at totality is actually a moment in the process of totalization itself. Thus, it is through showing how totalizing critique includes Lyotardian, Foucauldian or Spinozist moments that we will be able to begin answering the double question of totality’s pertinence today. As we will argue in the beginning of the first chapter, totality does not designate
Load more

Recommended publications
  • Valences of the Dialectic Fredric Jameson
    VALENCES OF THE DIALECTIC FREDRIC JAMESON VALENCES OF THE DIALECTIC VALENCES OF THE DIALECTIC N FREDRIC JAMESON First published by Verso 2009 Copyright © Fredric Jameson 2009 All rights reserved The moral right of the author have been asserted 1 3 5 7 9 10 8 6 4 2 Verso UK: 6 Meard Street, London W1F 0EG USA: 20 Jay Street, Suite 1010, Brooklyn, NY 11201 www.versobooks.com Verso is the imprint of New Left Books ISBN-13: 978-1-84467-877-7 British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloging-in-Publication Data A catalog record for this book is available from the Library of Congress Typeset in Garamond by WestKey Ltd, Falmouth, Cornwall Printed in the United States by Maple Vail for Roberto Schwarz and Grecia de la Sobera and for Perry Anderson O Wechsel der Zeiten! Du Hoffnung des Volkes! Contents I. THE THREE NAMES OF THE DIALECTIC 1 The Three Names of The Dialectic 3 II. HEGEL WITHOUT AUFHEBUNG 2 Hegel and Reification 75 3 Hegel’s Contemporary Critics 102 III. COMMENTARIES 4 Marx’s Purloined Letter 127 5 Deleuze and Dualism 181 6 “History and Class Consciousness” as an Unfinished Project 201 7 Sartre’s Critique, Volume One: An Introduction 223 8 Sartre’s Critique, Volume Two: An Introduction 241 IV. ENTRIES 9 Commodification 257 10 Cultural Revolution 267 11 Persistencies of the Dialectic: Three Sites 279 12 Lenin as Political Thinker 291 13 Rousseau and Contradiction 303 14 Ideological Analysis: A Handbook 315 V.
    [Show full text]
  • Postmodern Temptations
    Book Reviews Postmodern Temptations Fredric Jameson, Postmodernism,or, The CulturalLogic of Late Capital- ism. Durham: Duke University Press, 1991. Pp. xxii, 438. $34.95 (cloth), $19.95 (paper). Robert Post Pereat mundus, fiat philosophia,fiat philosophus, fiam! Fredric Jameson has long been among our most sophisticated and influential cultural critics. Combining Marxism2 and structuralism, 3 Jameson's persistent effort has been to locate and fix the social dimen- sions of structural cultural patterns. In his most recent book, Postmodernism, or, The Cultural Logic of Late Capitalism, Jameson applies this perspective to the important phenomenon of postmodern- 1. FRIEDRICH NIETZSCHE, ON THE GENEALOGY OF MORALS (Francis Golflng trans., 1956) 243. 2. FREDRIC JAMESON, MARXISM AND FORM: TWENTIETH-CENTURY DIALECTICAL THEORIES OF LITERATURE (1971); FREDRIC JAMESON, LATE MARXISM: ADORNO, OR, THE PERSISTENCE OF THE DIALECTIC (1990). 3. FREDRIC JAMESON, THE PRISON-HOUSE OF LANGUAGE: A CRITICAL ACCOUNT OF STRUCTURALISM AND RUSSIAN FORMALISM (1972). 4. FREDRIC JAMESON, THE POLITICAL UNCONSCIOUS: NARRATIVE AS A SOCIALLY SYMBOLIC ACT (1981). Yale Journal of Law & the Humanities, Vol. 4, Iss. 2 [1992], Art. 9 Yale Journal of Law & the Humanities [Vol. 4: 391 ism.5 The book ought to be required reading for the many legal academ- ics who have greeted the advent of postmodernism with unrestrained enthusiasm. Jameson, through close attention to the actual cultural manifestations of postmodernism, tells a far darker tale. Postmodernism, Jameson tells us, expresses "an inverted millenarian- ism in which premonitions of the future, catastrophic or redemptive, have been replaced by senses of the end of this or that."6 The postmodern condition defines itself through its interrogation of the great movements of the past, especially of modernism.
    [Show full text]
  • Jameson on Jameson: Conversations on Cultural Marxism / Fredric Jameson; Edited by Ian Buchanan
    Jameson on Jameson post-contemporary interventions Series Editors: Stanley Fish and Fredric Jameson Jameson on Jameson conversations on cultural marxism Edited by ian buchanan Duke University Press Durham & London 2007 © 2007 Duke University Press All rights reserved Printed in the United States of America on acid-free paper ∞ Designed by Amy Ruth Buchanan Typeset in Minion by G&S Typesetters. Library of Congress Cataloging-in-Publica- tion Data appear on the last printed page of this book. Every eff ort has been made to trace copyright holders and to obtain their permission for the use of copyright material. Th e editors would be pleased to be notifi ed of corrections that should be incorporated in future editions of this book. Finally, the editors would like to give thanks to Tanya Buchanan who did an enormous amount of behind-the-scenes work to help realize this project. for my students contents Foreword • ix Introduction: On Not Giving Interviews • 1 Interview with Leonard Green, Jonathan Culler, and Richard Klein • 11 Interview with Anders Stephanson • 44 Interview with Paik Nak-chung • 74 Interview with Sabry Hafez, Abbas Al-Tonsi, and Mona Abousenna • 99 Interview with Stuart Hall • 113 Interview with Michael Speaks • 123 Interview with Horacio Machín • 135 Interview with Sara Danius and Stefan Jonsson • 151 Interview with Xudong Zhang • 171 Interview with Srinivas Aravamudan and Ranjana Khanna • 203 Bibliography • 241 Interviewers • 269 Index • 273 Foreword You have to take the work as a whole, to try and follow rather than judge it, see where it branches out in diff erent directions, where it gets bogged down, moves forward, makes a breakthrough; you have to accept it, welcome it, as a whole.
    [Show full text]
  • The Figure of Adorno in the Utopian Politics of Fredric Jameson and Slavoj Žižek1
    ISSN 1751-8229 Volume Thirteen, Number One The Figure of Adorno in the Utopian Politics of Fredric Jameson and Slavoj Žižek1 Ed Graham, Simon Fraser University Ed Graham is a PhD candidate at Simon Fraser University, Vancouver. He holds an MA in Philosophy from the University of Amsterdam and a BA in English Literature from the University of Warwick. His research interests include Marxism and critical theory, contemporary literature and culture, and utopian studies. 1 A version of this paper was presented for a panel on “Remobilizing Utopia” (Seattle, 20 May 2018), part of the annual Red May Seattle series. Many thanks to Morgan Young and Philip Wohlstetter for the invitation to speak. Special thanks also to Clint Burnham and Carolyn Lesjak for the advice and encouragement, and to Burnham for allowing me to write this paper as part of a directed study. Incorporating a diverse and eclectic range of theory and cultural forms, both Fredric Jameson and Slavoj Žižek have persistently foregrounded Marxist questions of ideology, totality and utopia at points where they seem unfashionable and outmoded. As a phrase attributable to both thinkers, Jameson and Žižek share a commitment to writing in and against a time where it has become “easier to imagine the end of the world than the end of capitalism.” Broadly speaking, in terms of a shared politics, both advocate seeing the system whole and keeping open the possibility of an “outside” to capitalism. As shown in his call for an aesthetic of cognitive mapping, the enabling of “a situational representation on the part of the individual subject to that vaster and properly unrepresentable totality which is the ensemble of society’s structures as a whole,” Jameson’s insistence on retaining the category of totality under a nominalist postmodern social order is related to keeping alive “the very idea of utopia” (Jameson 1991: 51; Jameson 1988: 6).
    [Show full text]
  • The Work of Fredric Jameson
    CRITICAL =CHANCE #t 4 : Fall 1983 The Work of Fredric Jameson General Editor's Preface . JAMES J. SOSNOSKI .....................................11 Introduction STEVE NIMIS ........................................... iii Bibliography of Fredric Jameson ............................................. v ItThe Ideological Analysis of Spacet1 FREDRIC JAMESON ........................................ 1 "Does Jameson Have Any Use For Allegory?" CAROL P. JAMES ........................................I 6 "The Jam son Ef feett1 JAMES H. KAVANAUCH ....................................29 'IThe Political Unconscious of Jameson ' s The Political Unconscious" JAMES IFFLAND ..........................................40 "The Marxism Ceconstruction Debate" MICHAEL RYAN ...........................................59 Critical Exchange is published by The Society for Critical Exchange, a not-for-profit corporation organized to encourage "Jameson and the Dialectical Use of CRnre Criticism" cooperative research in criticism and theory. JUNEHOWAARD ............................................ 70 Material published in Critical Exchange is copyrighted by the I1Imagining the Real: Jameson's Use of Lacan" MICHAEL CLARK.. .81 Society with rights re-assigned to authors upon publication. ....................................... For information write: James J. Sosnoski The Society for Critical Exchange "The Dialectic of Utopia and Ideology in Spanish P. 0. Box 475 Golden Age Poetry" Oxford, Ohio 45056 JOHN BEE% EY .........................................102 Funding support
    [Show full text]
  • Traveling Theory: Fredric Jameson's Interpretations of the Cultural Revolution and Maoism
    CLCWeb: Comparative Literature and Culture ISSN 1481-4374 Purdue University Press ©Purdue University Volume 20 (2018) Issue 3 Article 5 Traveling Theory: Fredric Jameson’s Interpretations of the Cultural Revolution and Maoism Xian Wang University of Notre Dame Follow this and additional works at: https://docs.lib.purdue.edu/clcweb Part of the American Studies Commons, Chinese Studies Commons, Comparative Literature Commons, and the European Languages and Societies Commons Dedicated to the dissemination of scholarly and professional information, Purdue University Press selects, develops, and distributes quality resources in several key subject areas for which its parent university is famous, including business, technology, health, veterinary medicine, and other selected disciplines in the humanities and sciences. CLCWeb: Comparative Literature and Culture, the peer-reviewed, full-text, and open-access learned journal in the humanities and social sciences, publishes new scholarship following tenets of the discipline of comparative literature and the field of cultural studies designated as "comparative cultural studies." Publications in the journal are indexed in the Annual Bibliography of English Language and Literature (Chadwyck-Healey), the Arts and Humanities Citation Index (Thomson Reuters ISI), the Humanities Index (Wilson), Humanities International Complete (EBSCO), the International Bibliography of the Modern Language Association of America, and Scopus (Elsevier). The journal is affiliated with the Purdue University Press monograph series of Books in Comparative Cultural Studies. Contact: <[email protected]> Recommended Citation Wang, Xian. "Traveling Theory: Fredric Jameson’s Interpretations of the Cultural Revolution and Maoism." CLCWeb: Comparative Literature and Culture 20.3 (2018): <https://doi.org/10.7771/1481-4374.3271> This text has been double-blind peer reviewed by 2+1 experts in the field.
    [Show full text]
  • Review of Fredric Jameson, the Modernist Papers
    Bryn Mawr Review of Comparative Literature Volume 8 Article 5 Number 1 Fall 2009/Spring 2010 Fall 2009 Review of Fredric Jameson, The oM dernist Papers. G. S. Sahota University of California, Santa Cruz Follow this and additional works at: https://repository.brynmawr.edu/bmrcl Let us know how access to this document benefits ouy . Recommended Citation Sahota, G. S. (2009). Review of "Review of Fredric Jameson, The odeM rnist Papers.," Bryn Mawr Review of Comparative Literature: Vol. 8 : No. 1 Available at: https://repository.brynmawr.edu/bmrcl/vol8/iss1/5 This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. https://repository.brynmawr.edu/bmrcl/vol8/iss1/5 For more information, please contact [email protected]. Sahota: Sahota on Jameson Fredric Jameson, The Modernist Papers. New York: Verso, 2007. 160 pp. ISBN 9781844670963. Reviewed by G.S. Sahota, University of California, Santa Cruz Zero Figurality, or Imperialism and Form The controversies around the work of Fredric Jameson will, at least for the time being, rest on the fault lines of a politics of Time itself. Only the future will decide if the incorporation of postmodern currents into the legacy of the Hegelian dialectic will have potentiated the final Negation, actualizing a post-capitalist Utopia; or if, on the contrary, the postmodern merely bogs down the legacy of Revolution in the unending sameness of a rhetoric of difference and deferral, unwittingly clearing the way toward the end times of humanity as such. In the meantime, Jameson's wager that Marxism needs to absorb the postmodern has illuminated, with characteristic flash, tenebrous spheres of the cultures of capitalism—like a brisk lightning storm across the dusky Great Plains.
    [Show full text]
  • Liu Dahong—Stranded Objects and Shame in Chinese Contemporary Post-Socialist Art
    STEPHANIE HEMELRYK DONALD Liu Dahong—Stranded Objects and Shame in Chinese Contemporary Post-socialist Art The Shanghai-based artist, Liu Dahong, was born in 1962, in the former German colony of Qingdao, in China’s eastern seaboard province of Shandong. Liu is a versatile and ideologically ambitious painter who has been active during the period of economic and social upheaval that began in 1978: Deng Xiaoping’s “Reform China.” In this article, I focus primarily on a pair of oil paintings Liu made a decade into the Reform era that make knowing reference to the grotesque cruelties and perversions of Hieronymus Bosch: Fairytales of the Twelfth Month (Childhood) (1987) (Figure 1) and The Awakening of Insects (Chaos) (1988) (Figure 2). Both exemplify the characteristic feature of his work that I want to highlight: his ability to stage, in his paintings and installations, a provocative and often satirical conversation between one phase of China’s revolutionary past and its post-socialist present—to whit the Cultural Revolution and Reform China, respectively. In doing so, Liu exposes a contradiction at the very heart of contemporary Chinese society and culture: the way that the past is consistently treated as a fixed determinant narrative, at the same time as the present is officially depicted as being unscarred by the traumatic nature of that past. In Fairytales of the Twelfth Month and The Awakening of Insects Liu incorporates the convulsions of the Communist Party State’s scopic regime in the late Maoist period, by throwing together, in carnivalesque mayhem, bizarre revolutionary episodes and the equally strange manifestations of China’s turn to capitalist tendencies through economic “opening up.” In more recent years, since 2007, Liu has produced lithographs of these two paintings and reflected publicly on the significance of the times and events they depict in a series of published Notebooks and Textbooks.
    [Show full text]
  • Habermas and the Project of Immanent Critique Titus Stahl
    This is the pre-review version of an article manuscript eventually published in Constellations (at the moment only in online-first)]. The intellectual property arrangement of the publisher Wiley makes it impossible for me to put the article as published online for public access. The article has changed considerably as compared to this version and contains many improvements suggested by the reviewers. If you quote, please refer to the published article. Subscribers of Constellations can access the article under: http://dx.doi.org/10.1111/1467-8675.12057 If you have any questions, please e-mail me at [email protected] or [email protected] Habermas and the Project of Immanent Critique Titus Stahl According to his own understanding, Jürgen Habermas’ Theory of Communicative Action offers a new account of the normative foundations of critical theory.1 Habermas’ motivating insight is that neither a transcendental or metaphysical solution to the problem of normativity, nor a merely hermeneutic reconstruction of historically given norms, is sufficient to clarify the normative foundations of critical theory. In response to this insight, Habermas develops a novel account of normativity which locates the normative demands upon which critical theory draws within the socially instituted practice of communicative understanding. Although Habermas has claimed otherwise, this new foundation for critical theory constitutes a novel and innovative form of “immanent critique”. To argue for and to clarify this claim, I offer, in section 1, a formal account of immanent critique and distinguish between two different ways of carrying out such a critique. In section 2, I examine Habermas’ rejection of the first, hermeneutic option.
    [Show full text]
  • Cornel West, “Frederic Jameson's Marxist
    Cornel West, “Frederic Jameson’s Marxist Hermeneutics,” boundary 2 11 (1) (1982), 177-200.* Fredric Jameson is the most challenging American Marxist hermeneutical thinker on the present scene. His ingenious interpretations (prior to accessible translations) of major figures of the Frankfurt School, Russian formalism, French structuralism and poststructuralism as well as of Georg Lukàcs, Jean-Paul Sartre, Louis Althusser, Max Weber and Louis Marin are significant contributions to the intellectual history of twentieth century Marxist and European thought. Jameson's treatments of the development of the novel, the Surrealist movement, of Continental writers such as Honoré de Balzac, Marcel Proust, Alessandro Manzoni, and Robbe Grillet, and of American writers, including Ernest Hemingway, Kenneth Burke and Ursula LeGuin, constitute powerful political readings. Furthermore, his adamantly anti-philosophical form of Marxist hermeneutics puts forward an American Aufhebung of poststructuralism which merits close scrutiny. In this essay I shall highlight Jameson's impressive intellectual achievements, specific theoretical flaws, and particular political shortcomings by focusing on the philosophical concerns and ideological aims in his trilogy.1 Jameson is first and foremost a loyal, though critical, disciple of * Note: I would like to extend my gratitude to Jonathan Arac, Stanley Aronowitz, Paul Bové, Fredric Jameson, David Langston, Michael Sprinker and Anders Stephanson for their incisive comments and criticisms of an earlier version of this essay.
    [Show full text]
  • Afterlives of Chinese Communism: Political Concepts from Mao to Xi
    AFTERLIVES OF CHINESE COMMUNISM AFTERLIVES OF CHINESE COMMUNISM POLITICAL CONCEPTS FROM MAO TO XI Edited by Christian Sorace, Ivan Franceschini, and Nicholas Loubere First published 2019 by ANU Press and Verso Books The Australian National University Acton ACT 2601, Australia Email: [email protected] Available to download for free at press.anu.edu.au ISBN (hardback): 9781788734790 ISBN (paperback): 9781788734769 ISBN (online): 9781760462499 WorldCat (print): 1085370489 WorldCat (online): 1085370850 DOI: 10.22459/ACC.2019 This title is published under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0). The full licence terms are available at creativecommons.org/licenses/by-nc-nd/4.0/legalcode Note on Visual Material All images in this publication have been fully accredited. As this is a non-commercial publication, certain images have been used under a Creative Commons licence. These images have been sourced from Flickr, Wikipedia Commons and the copyright owner of each original picture is acknowledged and indicated in the source information. Design concept and typesetting by Tommaso Facchin; Illustrations by Marc Verdugo Lopez. Cover design by No Ideas. Cover artwork by Marc Verdugo Lopez. Proofreading by Sharon Strange and Evyn Chesneau Papworth. This edition © 2019 ANU Press and Verso Books Table of Contents Introduction - Christian SORACE, Ivan FRANCESCHINI, and Nicholas LOUBERE 1 1. Aesthetics - Christian SORACE 11 2. Blood Lineage - YI Xiaocuo 17 3. Class Feeling - Haiyan LEE 23 4. Class Struggle - Alessandro RUSSO 29 5. Collectivism - GAO Mobo 37 6. Contradiction - Carlos ROJAS 43 7. Culture - DAI Jinhua 49 8. Cultural Revolution - Patricia M.
    [Show full text]
  • "Post"-Ing Marxism : a Totalizing Critique of Fredric Jameson And
    "POSTw-INGMARXISM: A TOTALLZING CRITIQUE OF FREDRIC JAMESON e AND ERNEST0 LACLAU Beverley Best B. A., University of British Columbia, 1989 THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF / MASTER OF ARTS in the School of Communication O Beverley Best 1997 SIMON FRASER UNIVERSITY All rights reserved. Th~swork ma? not be reproduced m whole or in part, by photocqy or &er means, without perrmssion of the author National Library Biblioth&que nationale 1+1 .cad, du Canada Acquisitions and Acquisitions et Bibliographic Services services bibliographiques Your hle Votre reterenca Our bk Norre reference The author has granted a non- L'auteur a accorde une licence non exclusive licence allowing the exclusive permettant a la National Libraq of Canada to Bibliptheque nationale du Canada de reproduce, loan, distribute or sell reproduire, preter, dlstnbuer ou copies of hsthesis in microform, vendre des copies de cette these sous paper or electronic formats. la forme de microfiche/film, de reproduction sur papier ou sur format klectronique. The author retains o~nershpof the L'auteur conserve la propriete du copyright in ths thesis. Neither the droit d'auteur qui protege cette these. thesis nor substantial errtracts from it Ni la these ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent itre imprimes reproduced without the author's ou autrement reproduits sans son permission. autorisation. APPROVAL NAME: Beverley Best DEGREE: TITLE: "Post"-ing Marxism: A Totalizing Critique of Frederic Jruneson and Emesto, hclau EXAMINING COMMITTEE: CRAIR: Prof. Robert Anderson, Chair v - Prof. Richard Gruneau Senior Supexisor School of rnrnunication, SFU Supervisor: =Schoolof Communication, SFU .
    [Show full text]