INGRID KLEINIG · Stunt Actor · Precision Driver

Total Page:16

File Type:pdf, Size:1020Kb

INGRID KLEINIG · Stunt Actor · Precision Driver INGRID KLEINIG · stunt actor · precision driver CREDITS FEATURE FILM 2010 THE BURNING MAN [Precision Driver] Burning Man Prod Jonathan Teplitzky 2010 MEI MEI [Stunt Actor] Portal Pictures Pauline Chan 2009 TOMORROW, WHEN THE WAR BEGAN [Stunt Double] Stuart Beattie 2008 MAO’S LAST DANCER [Stunt Double/Precision Driver] Bruce Beresford 2008 AUSTRALIA [Safety Diver] Twentieth Century Fox Baz Luhrman 2007 THE ETERNITY MAN [Movement Director] Goalpost Pictures Julien Temple 2006 BLACK WATER [Ass’t Safety] Aust. Film Commission D. Nerlich, A. Traucki 2005 SUPERMAN RETURNS [Stunt Actor] Red Sun Productions Bryan Singer 2004 SON OF THE MASK [Precision Driver] Dark Horse Ent. Lawrence Guterman TELEVISION 2010 RESCUE SPECIAL OPS SERIES 2&3 [Stunt Double/Stunt Driver] 2010 SEA PATROL SERIES 5 [Stunt Actor] AFFC, Geoff Bennett 2010 COPS L.A.C. [Stunt Double/Stunt Driver] Southern Star Bennett, Zwicky 2010 PANIC AT ROCK ISLAND [Stunt Actor/Double] Goalpost Pictures Tony Tilse 2010 RUSH [Stunt Actor/Stunt Double] Southern Star Prod Andrew Prowse 2010 THE MATTY JOHNS SHOW 2010 DEADLY WOMEN [Stunt Driver] Beyond Productions James Knox 2009 RESCUE SPECIAL OPS SERIES 1 [Stunt Actor/ Stunt Driver] 2009 A MODEL DAUGHTER [ Stunt Actor/Double] CB Productions Tony Tilse 2009 UNDERBELLY 2 [Stunt Double] Australian Film Finance Corporation 2009 ALL SAINTS [ Stunt Double] 7 Network 2008 EAST WEST 101 [Stunt Actor] ABC Peter Andrikidis 2008 FALSE WITNESS [Stunt Double / Precision Driver] Screentime P. Andrikidis 2008 SCORCHED [Stunt Double/Precision Driver] Essential Viewing Group T. Tilse 2008 PACKED TO THE RAFTERS [Precision Driver] 7 Network 2008 GLADIATORS [Stunt Actor] 7 Network 2008 HOME & AWAY [ Stunt Double] 7 Network 2007 MCLEODS DAUGHTERS [Stunt Driver] Endemol Southern Star 2007 CELEBRITY GOTCHA [Stunt Actor] 2006 SEA PATROL [Stunt Double] McElroy All Media 2005 SMALL CLAIMS 3 [Stunt Double / Stunt Driver] Network 10 Tony Tilse 2005 CHASING NATURE [ Stunt Actor/Stunt Driver] Beyond Productions J. Tessier 2005 LOVE MY WAY [Stunt Driver] FOX 8 Garth Davis 2004 FORENSIC INVESTIGATORS [Stunt Driver] Southern Star 2004 KICKSTART CAREERS [Stunt Actor] COMMERCIAL 2010 3 ‘GET YOUR SOCIAL FIX’ [Stunt Actor] Brilliant Abe Forsythe 2010 AAMI ‘SAFE DRIVER REWARDS’ [Stunt Actor] Radical Patrick Hughes 2010 RTA ‘HELPING HANDS’ [Precision Driver] Playbig Rey Carlson 2010 VODAFONE ‘INFINITE PLANS’ [Precision Driver] Goodoil Matt Murphy 2010 KIA CERRATO ‘ROWING’ [Precision Driver] Ozcam Sung Chul Park 2010 BONDS ‘MADE TO BE SEEN’ [Precision Driver] Goodoil Fiona McGee 2010 MAZDA CX9 ‘ME TIME’ [Precision Driver] Revolver Films Bruce Hunt 2010 MAZDA 3 ‘LOVES DRIVING’ [Precision Driver] Revolver Films Bruce Hunt 2010 MAZDA 6 ‘ALIVE’ [Precision Driver] SOMA Films Sean Meehan 2010 SAMBOY ‘KITCHEN HIT’ & ‘BBQ HIT’ [Stunt Actor] Simon Macrae 2010 AURORA ENERGY [Stunt Actor] Red Jelly 2009 TOYOTA ‘EVERYDAY AMAZING’ [Stunt Actor] Revolver, Steve Rogers 2009 VASELINE ‘SHEER INFUSION’ [Stunt Actor] Revolver Films Noam Murro INGRID KLEINIG · stunt actor · precision driver COMMERCIAL CONT... 2009 ANZ ‘JOGGER’ [Precision Driver] Radical Media, Christopher Riggert 2009 FOXTEL WINTER OLYMPICS [Aerial Skier/Boarder] Sheepish Lion Lambert 2009 QUAKER OATS [Stunt Actor] Revolver Noam Murro 2009 THUMS UP [Precision Driver] Luscious International John Gwyver 2008 CASH CAB [Stunt Actor] XYZ Networks Age Rappel 2008 HOLDEN BARINA ‘SMILE’ [Precision Driver] Filmgraphics Graeme Burfoot 2008 AUSTRALIA’S NEXT TOP MODEL [Bond Girl / Aerialist] FOX 8 T.Conneeley 2008 OPEL [Precision Driver] 2008 KIA [Precision Driver] 2007 FOSTERS [Precision Driver] 2007 MCDONALDS [Stunt Actor] 2007 NISSAN DUALIS [Precision Driver] 2007 TOYOTA RAV4 V6 ‘KILLER WASPS’ [Stunt Cyclist] Plaza Films N.Reynolds 2006 TELSTRA WORLD CUP [Lead / Stunt Actor] Plush Films Roger Tompkins 2006 ABC GENRE IDENTS [ Movement Director] Z Space 2006 HYUNDAI [Precision Driver] 2006 ZIC OIL [Precision Driver] 2005 INGHAMS [Precision Driver] 2004 OIL OF OLAY [Kickboxer] SHORT FILM 2010 ROMAN’S ARK [Stunt Actor] Chaotic Pictures Seth Larney 2010 GONE MISSING [Kate] Edward Lyons 2009 FALLEN [Director/Performer] Kootenay Productions 2006 SHADOWPLAY [Movement Consultant] Porchlight Films M. Hetherton 2001 MONOLOGUES [Schoolgirl] Closer Productions Sophie Hyde / Brian Mason PHOTOGRAPH/STILLS 2009 VASELINE SHEER INFUSION [Aerialist] 2006 TELSTRA BIGPOND [Lead / Aerialist] IS Productions Montalbetti + Campbell QUALIFICATIONS OH&S Advanced Rigging EWP Type SL BL TDI Advanced Nitrox Diver TDI Decompression Procedures HC Truck License Power Boat & PWC License PADI Open Water Diver Motorbike License Peter Finlay’s Int’l Racing Driver’s School Bachelor Degree in Dance Perf. SKILLS Gymnastics High Falls Balance Acrobatics Air Ram Flying Rigs Air Ratchet Precision Driving High Diving Stunt Driving Tae Kwon Do Rock Climbing Snow Skiing Abseiling Water Skiing Motocross MEAA member since 1996 .
Recommended publications
  • Civil Charges Still May Be Laid “It’S Important to Keep the Reintroduced the Father of a Man Bob Eibl Said
    Lavrick Engineering BOC Gas and Equipment Mechanical Repairs Specialist Labour Air-conditioning Hire Providers New Car Servicing & Warranty Phone: Olympic Way OLYMPIC DAM SA 5725 08 8671 2450 Ph: 86710404 Fax: 86710418 le08060609 Fax: 08 8671 0850 Thursday, June 8, 2006 Your Community Newspaper Ph: (08) 8671 2683 www.themonitor.com.au Fax: (08) 8671 2843 Mission Accomplished Mission ac- complished was the Mark and Rachel Young's resounding message Wedge-Tailed Eagle following an Arid sculpture has landed at the Recovery working bee Arid Recovery site on Sunday, May 28. More than 30 volunteers came along to do maintenance work at the site and complete a number of projects, including mounting a magnificent Wedge Tailed Eagle sculpture at the front entrance. Other works included replacing sand which had shifted at the hide – a shelter used at dusk to observe nocturnal mammals like bettongs and hopping mice eating at dusk. Sand was also replaced over the tunnel entrances to the viewing boxes alongside the hide. A conveyor belt used to stop bilbies digging into control sites was shifted onto a dune bordering the second expansion control site where the previous belt had deteriorated. Arid Recovery media offi cer Chris Schultz said moving the belts was a diffi cult task. Civil charges still may be laid “It’s important to keep the reintroduced The father of a man Bob Eibl said. lives, not just my son's,” A SafeWork SA was killed on July 19, mining safety at the mine. animals out of the second killed in an underground Bob Eibl said the he said.
    [Show full text]
  • Investigating and Prosecuting Cyber Crime: Forensic Dependencies and Barriers to Justice
    International Journal of Cyber Criminology Vol 9 Issue 1 January – June 2015 Copyright © 2015 International Journal of Cyber Criminology (IJCC) – Publisher & Editor-in-Chief – K. Jaishankar ISSN: 0973-5089 - January – June 2015. Vol. 9 (1): 55–119. DOI: 10.5281/zenodo.22387 This is an Open Access article distributed under the terms of the Creative Commons Attribution-NonCommercial-ShareAlikeHTU 4.0 International (CC-BY-NC-SA 4.0) License,UTH whichT permits unrestricted non-commercial use,T distribution, and reproduction in any medium, provided the original work is properly cited. ThisT license does not permit commercial exploitation or the creation of derivative works without specific permission. Investigating and Prosecuting Cyber Crime: Forensic Dependencies and Barriers to Justice Cameron S. D. Brown1 Australian National University, Australia Abstract The primary goal of this paper is to raise awareness regarding legal loopholes and enabling technologies, which facilitate acts of cyber crime. In perusing these avenues of inquiry, the author seeks to identify systemic impediments which obstruct police investigations, prosecutions, and digital forensics interrogations. Existing academic research on this topic has tended to highlight theoretical perspectives when attempting to explain technology aided crime, rather than presenting practical insights from those actually tasked with working cyber crime cases. The author offers a grounded, pragmatic approach based on the in-depth experience gained serving with police task-forces, government agencies, private sector, and international organizations. The secondary objective of this research encourages policy makers to reevaluate strategies for combating the ubiquitous and evolving threat posed by cyber- criminality. Research in this paper has been guided by the firsthand global accounts (via the author’s core involvement in the preparation of the Comprehensive Study on Cybercrime (United Nations Office on Drugs and Crime, 2013) and is keenly focused on core issues of concern, as voiced by the international community.
    [Show full text]
  • The Effects of DNA Evidence on the Criminal Justice Process
    The Effects of DNA Evidence on the Criminal Justice Process Author Briody, Michael Published 2005 Thesis Type Thesis (PhD Doctorate) School School of Criminology and Criminal Justice DOI https://doi.org/10.25904/1912/2417 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/366784 Griffith Research Online https://research-repository.griffith.edu.au THE EFFECTS OF DNA EVIDENCE ON THE CRIMINAL JUSTICE PROCESS Michael Briody Adv Cert Pol, BA(Hons 1) School of Criminology and Criminal Justice Faculty of Arts Griffith University Submitted in fulfillment of the requirements of the degree of Doctor of Philosophy November 2004 Confidential Appendix With the approval of the Dean, Graduate Studies, five brief confidential interviews have been removed from the thesis. The author conducted these interviews with investigating police officers in relation to cases where DNA evidence was produced in court, but an acquittal nevertheless resulted. The interviews were removed from the following pages: 104, 127 and 151-2. ii ABSTRACT This research examines the effects of forensic deoxyribonucleic acid (DNA) evidence on decisions in the courts and on the conduct of criminal investigations. To assess effects on court decisions, quantitative analyses were conducted using primary data from the State of Queensland. A control-comparison method was used to assess the effects in court, and this was made within a context of other evidentiary and extra- legal factors that had a bearing on case outcomes. These other factors included defendant confessions, independent witness testimony and fingerprint and photographic evidence. A sample of 750 cases referred by police for prosecution and finalised past the appeal stage in court, was selected for examination.
    [Show full text]
  • Accepted Manuscript1.0
    6850 IEEE INTERNET OF THINGS JOURNAL, VOL. 6, NO. 4, AUGUST 2019 How Do I Share My IoT Forensic Experience With the Broader Community? An Automated Knowledge Sharing IoT Forensic Platform Xiaolu Zhang, Kim-Kwang Raymond Choo ,Senior Member, IEEE , and Nicole Lang Beebe, Senior Member, IEEE Abstract —It is challenging for digital forensic practitioners to typical investigation process, two or more investigators located maintain skillset currency, for example knowing where and how in different cities and/or countries may be forensically examin- to extract digital artifacts relevant to investigations from newer, ing the same (type of) device at the same time [see Fig. 1(a)]. emerging devices (e.g., due to the increased variety of data storage schemas across manufacturers and constantly changing models). As the experience and background of both investigators are This paper presents a knowledge sharing platform, developed likely to vary, the outcomes of the forensic investigations may and validated using an Internet of Things dataset released in the also differ (e.g., in terms of the types and extent of artifacts DFRWS 2017–2018 forensic challenge. Specifically, we present being recovered). an automated knowledge-sharing forensic platform that auto- As the diversity of devices increases (e.g., IoT, wearable, matically suggests forensic artifact schemas, derived from case data, but does not include any sensitive data in the final (shared) embedded, and other digital devices), so does the challenge schema. Such artifact schemas are then stored in a schema pool in the forensic examination of such devices [4]. For example, and the platform presents candidate schemas for use in new cases an investigator who is unfamiliar with a particular device that based on the data presented.
    [Show full text]
  • TAL Direct: Sub-Index S912c Index for ASIC
    TAL.500.002.0503 TAL Direct: Sub-Index s912C Index for ASIC Appendix B: Reference to xv: A list of television programs during which TAL’s InsuranceLine Funeral Plan advertisements were aired. 1 90802531/v1 TAL.500.002.0504 TAL Direct: Sub-Index s912C Index for ASIC Section 1_xv List of TV programs FIFA Futbol Mundial 21 Jump Street 7Mate Movie: Charge Of The #NOWPLAYINGV 24 Hour Party Paramedics Light Brigade (M-v) $#*! My Dad Says 24 HOURS AFTER: ASTEROID 7Mate Movie: Duel At Diablo (PG-v a) 10 BIGGEST TRACKS RIGHT NOW IMPACT 7Mate Movie: Red Dawn (M-v l) 10 CELEBRITY REHABS EXPOSED 24 hours of le mans 7Mate Movie: The Mechanic (M- 10 HOTTEST TRACKS RIGHT NOW 24 Hours To Kill v a l) 10 Things You Need to Know 25 Most Memorable Swimsuit Mom 7Mate Movie: Touching The Void 10 Ways To Improve The Value O 25 Most Sensational Holly Melt -CC- (M-l) 10 Years Younger 28 Days in Rehab 7Mate Movie: Two For The 10 Years Younger In 10 Days Money -CC- (M-l s) 30 Minute Menu 10 Years Younger UK 7Mate Movie: Von Richthofen 30 Most Outrageous Feuds 10.5 Apocalypse And Brown (PG-v l) 3000 Miles To Graceland 100 Greatest Discoveries 7th Heaven 30M Series/Special 1000 WAYS TO DIE 7Two Afternoon Movie: 3rd Rock from the Sun 1066 WHEN THREE TRIBES WENT 7Two Afternoon Movie: Living F 3S at 3 TO 7Two Afternoon Movie: 4 FOR TEXAS 1066: The Year that Changed th Submarin 112 Emergency 4 INGREDIENTS 7TWO Classic Movie 12 Disney Tv Movies 40 Smokin On Set Hookups 7Two Late Arvo Movie: Columbo: 1421 THE YEAR CHINA 48 Hour Film Project Swan Song (PG) DISCOVERED 48
    [Show full text]
  • CHRIS MAXWELL Chris Is an Angry, Indulged Young Man, Who Takes His Parents and Privileged Lifestyle for Granted
    6-PART DRAMA SERIES PREMIERES SATURDAY 23 APRIL 7.30PM INTRODUCTION Based on the best-selling novels of John Marsden, the thrilling six-part drama series TOMORROW WHEN THE WAR TOMORROW WHEN BEGAN tells the story of a group of young friends whose THE WAR BEGAN lives are changed forever, when their hometown becomes a warzone. PRODUCTION CREDITS: An Ambience Entertainment Separated from their families they battle to overcome production in association with ABC3, Screen Australia and seemingly insurmountable odds and discover that in order to save the things they hold most precious, they must be Film Victoria. Based on the novels by John Marsden. prepared to sacrifice everything. PRODUCERS Michael Boughen and Tony Winley. A terrific line-up of fresh new stars including Molly Daniels, Jon Prasida, Narek Arman, Madeleine Clunies-Ross, Andrew EXECUTIVE PRODUCERS Matthew Street and Kim Vecera. Creer, Madeleine Madden and Fantine Banulski are joined ABC Head of Children’s Television Deirdre Brennan. by some of Australia’s most accomplished actors including, Sibylla Budd, James Stewart, Deborah Mailman, Spencer FOR FURTHER INFORMATION CONTACT: McClaren and Alison Bell. Together they bring to life this Tracey Taylor epic story that has captured the imagination of millions of (03) 9524 2313 young readers around the world. 0419 528 213 [email protected] Saturday 23 April 7.30pm Country girl Ellie Linton (Molly Daniels) is at a turning point in her life as she finishes high school and looks to an exciting, unknown future. Instead of celebrating at the annual Wirrawee Show, Ellie takes her friends on a trip they will never forget, to a remote wilderness destination called ‘Hell’.
    [Show full text]
  • Avoiding Burnout at the Digital Forensics Coalface: Targeted Strategies for Forensic Agencies in the Management of Job-Related Stress
    DFRWS APAC 2021 Author Preprint Running head: Managing job-related stress in digital forensic teams 1 Avoiding Burnout at the Digital Forensics Coalface: Targeted Strategies for Forensic Agencies in the Management of Job-related Stress. Dr. Sally F. Kelty *1, Ms Emma McQueen 2, Dr. Carly Pymont 3, Mr. Nathan Green 4. *1 Corresponding Author. Senior Lecturer in Applied Psychology, Centre for Applied Psychology, University of Canberra, Bruce, Australian Capital Territory, Australia, 2617. Tel: (+061) 406 983397, Email: [email protected]. 2 Research Associate, Centre for Applied Psychology, University of Canberra, Australia. 3 Lecturer in Psychology, Centre for Applied Psychology, University of Canberra, Australia. 4 Officer in Charge, Digital Forensics, Specialist Operations, Australian Federal Police, Sydney, Australia. CRediT author statement Sally Kelty.: Conceptualization, Methodology, Formal Analysis, Supervision, Writing - Original Draft Preparation, Project Administration. Emma McQueen.: Investigation, Formal Analysis, Writing - Review & Editing. Carly Pymont.: Conceptualization, Investigation, Writing - Review & Editing. Nathan Green.: Conceptualization, Funding Acquisition, Writing- Review and Editing, DFRWS APAC 2021 Author Preprint Running head: Managing job-related stress in digital forensic teams 2 Highlights • The landscape of digital forensics is shifting with increasing volumes and repetitive exposure to explicit digital materials of child exploitation, violence, suicide, death scenes. • Increased exposure is related to increased risk for digital forensic practitioners developing job strain, burnout or secondary traumatic stress. • The World Health Organisation argues that job-stress is a globally endemic workplace hazard that organisations must act upon. • We present targeted and achievable evidence-based stress management strategies that forensic agencies can implement to manage stress risk. 1. Introduction: Increases in distressing material viewing and occupational stress The landscape of digital forensics is shifting.
    [Show full text]
  • Victorian Institute of Forensic Medicine Annual Report 2010/2011
    Victorian Institute of Forensic Medicine ANNUAL REPORT 2010/2011 SERVING THE COURTS CONNECTING WITH THE COMMUNITY II Victorian Institute of Forensic Medicine ANNUAL REPORT 2010/11 Report of Operations – Accountable Officer’s Declaration In accordance with Financial Management Act 1994, I am pleased to present the Report of Operations for the Victorian Institute of Forensic Medicine for the year ending 30 June 2011. Stephen Cordner Director VIFM ANNUAL REPORT 2010/11 CONNECTING WITH THE COMMUNITY 1 Contents OVERVIEW Report of Operations – Accountable Officer’s Declaration inside front cover Who We Are 2 Chairman’s Report 4 Director’s Report 6 Obituaries and Tributes 9 OUR SERVICES 12 Medico-Legal Death Investigation Services 16 Clinical Forensic Medicine Service 24 Forensic Scientific Services 28 Donor Tissue Bank of Victoria 34 Department of Forensic Medicine (Monash University) 38 National Coronial Information System (NCIS) 43 International Program 44 Administration Support Services 46 CORPORATE GOVERNANCE 54 Our Governance 55 The Institute Council 55 FINANCIAL PERFORMANCE 63 Legislative and Statutory Reporting 66 Risk Attestation 70 APPENDICES 71 Appendix A: Publications 71 Appendix B: Presentations and Abstracts 74 Appendix C: Committees 83 Appendix D: VIFM Staff by Department 85 Appendix E: VIFM Contract Staff 88 FINANCIAL STATEMENTS 89 2 Who We Are We are committed to making our community a safer Our Legislation place to live. The Victorian Institute of Forensic Medicine is a statutory As Australia’s most comprehensive forensic medical authority established by the Victorian Institute of Forensic centre, the Victorian Institute of Forensic Medicine serves Medicine Act 1985 (VIFM Act 1985). It operates under the community and the courts.
    [Show full text]
  • ADAM STRIPP [email protected] Equity: 2978352 Tax File 484 099 114 Contact: 0410 778 783
    ADAM STRIPP [email protected] Equity: 2978352 Tax File 484 099 114 Contact: 0410 778 783 Hair: Shaved Bald Eyes: Hazel Height: 181cm Weight: 72kg Waist: 92cm Chest: 105cm Hips: 99cm Neck: 48cm Head: 58cm Inner leg: 73cm Outer leg: 97cm PRODUCTION ACTION PERFORMED FORENSIC INVESTIGATORS Passenger Cop in car chase sequences HOLDEN TVC Precision Driver SUPERMAN Hazardous Action throughout Earthquake sequence SANCTUARY 100% Actor / Storm Trooper HOME & AWAY Jesse Dbl Avoid Head on with Car, Fight Scenes COCA COLA TVC Stunt Assistant (J Walton) MARY BRYANT Rape Scene, Fight with Lead Actor SMALL CLAIMS Precision Driver TOM YUNG GOONG Mark Dbl, Passenger in Car chase TOYOTA CAMRY TVC Assistant Safety (J Walton) ROOM FOR IMPROVEMENT Assistant Safety (L Cifuentes) ALL SAINTS Assistant Safety (L Cifuentes) FARSCAPE Scorpious Double (J Halliday) MANTHING Assistant Safety (G Robinson) ENVIROCLEAN Assistant Safety (L Quinton) ALL SAINTS Assistant Safety (L Cifuentes) WHITE COLLAR BLUE Goon 2 Back break fall MOTOROLA TVC Assistant Safety (G Wadell)) SHISEIDO HAIR TVC Assistant Safety (G Wadell) THE GREAT RAID Assistant Safety (G Wadell) ALWAYS GREENER Assistant Safety (L Cifuentes) THE ROAD FROM COORAIN Assistant Safety (L Cifuentes) VIRGIN MOBILE TVC Fall from ladder & avoid Steamroller THE BILL Assistant Safety (G Blandy) AFTER THE RAIN Stunt Driver Double (G Wadell) THE MAN THAT SUED GOD Assistant Safety (J Walton DIL CHAHTA HAI Tracking Vehicle Driver (G Wadell) RUBICON Stair fall, Car chase sequence (Sartori) SIEMENS PHONE TVC Stunt Driver
    [Show full text]
  • Kinds of Blue: the Representation of Australian Police And
    KINDS OF BLUE: THE REPRESENTATION OF AUSTRALIAN POLICE AND POLICING IN TELEVISION DRAMA AND REALITY TELEVISION Antony James Stephenson A thesis submitted in fulfillment of the requirements for the degree of Doctor of Philosophy Charles Sturt University 2019 Abstract Despite the popularity among Australian audiences of television drama and reality programs featuring police, there has been a paucity of research into what they communicate about real world policing. It can be argued that these “cop shows” are productive forms of public relations for police agencies, particularly the co-produced reality TV variety, and as such valuable commodities for producers and broadcasters. As cultural objects these programs both draw upon and generate expressions of national identity. This dissertation examines a selection of Australian police television series—Recruits, The Force: Behind the Line, RBT, Blue Heelers, Wildside, and East West 101—applying a multi-perspective approach that analyses their relationship to the symbolic and real-world institution of policing. In so doing, I explore three key elements fundamental to these programs; their production, textual content and reception. As complex audio-visual texts, cop shows can generate myriad meanings and messages regardless of factors underpinning their production. However, in the case of reality TV, what became evident is that institutional reputation is foremost: this, ironically, undermines the reality of police work as it is presented on television. The drama series, free from the strictures of the television producer and police partner bond, can go beyond the observational documentary script; however, the programs surveyed here did not use this freedom to challenge the legitimacy of the institution.
    [Show full text]
  • LEIGH SCULLY BIOGRAPHY TRAINING 2006 Griffin Theatre Acting Course 2000-2001 ATYP Acting Levels 1&2, ATYP Camera Acting Level 1
    LEIGH SCULLY BIOGRAPHY TRAINING 2006 Griffin Theatre Acting Course 2000-2001 ATYP Acting Levels 1&2, ATYP Camera Acting Level 1 FEATURE FILM PRODUCTION DIRECTOR ROLE 2017 LIVING SPACE (Tru Dot Films) Steven Spiel Brad SHORT FILM 2017 HARM (Sysipheaen Productions) Dan Eadie Leon Best Actor Award MUFF 2018 2013 JITTERS – Teaser (WIST MEDIA) Nic Holland Jim 2013 YOUNG STUPID GORGEOUSNESS (Fascinoma) Girard Dorney George 2012 COMPULSION (AFTRS) David Edwards Blake 2011 TOUCH LIGHT (Alex Moir & Stuart Lockley) Alex Moir Patrick 2010 TWO STAGE SOLUTION (Girard Dorney Productions) Girard Dorney Charles 2009 THE LAST MAN (Moment 58) Alex Moir Convict 2006 THE HEIST (Matt Carter) Georgia Clark Lance 2006 SMILE FOR ME Anna Fraser Darty TELEVISION 2020 WENTWORTH Series 8 (Fremantle) Guy Strachan NSO Agent 2020 MS FISHER’S MODERN MURDER MYSTERIES Series 2 (Everycloud) Lynn Hegarty Gus 2018 PLAYING FOR KEEPS (Screentime/Channel 10) Sian Davies Stephen 2017 FRIDAY ON MY MIND (Playmaker/ABC) Shawn Seet American DJ 2016 A PLACE TO CALL HOME (Seven Network) Various Gordon Walsh 2016 DEEP WATER (SBS/Blackfella Films) Shawn Seet Martin Andrews 2014 CATCHING MILAT (Shine Australia) Peter Andrikidis Sgt Trichter 2013 OLD SCHOOL (Matchbox/ABC) Gregor Jordan Megabyte Attendant 2011 BROTHERS IN ARMS (Concord TV Productions) Peter Andrikidis Policeman 2011 PAPER GIANTS: THE BIRTH OF CLEO (Southern Star) Daina Reid Gavin 2010 HOME AND AWAY (Seven Network) Various Pete 2010 RESCUE SPECIAL OPS (Southern Star) Shawn Seet Terry 2009 ALL SAINTS (Seven Network) Pino
    [Show full text]
  • Ingrid Kleinig
    Ingrid Kleinig Gender: Female Height: 5 ft. 7 in. Weight: 120 pounds Eyes: Blue Hair Length: Long Waist: 27 Inseam: 32 Shoe Size: 7.5 Physique: Slim Coat/Dress Size: 2-4 Ethnicity: Caucasian / White Photos Film Credits SPIDER-MAN: FAR FROM STUNT PERFORMER DAN BROWN HOME CAPTAIN MARVEL ADD'T STUNT DOUBLE: BRIE JIM CHURCHMAN LARSON ANT MAN & THE WASP STUNT DOUBLE: EVANGELINE GEORGE COTTLE LILLY KONG: SKULL ISLAND STUNT DOUBLE: BRIE LARSON GEORGE COTTLE SUICIDE SQUAD STUNT DOUBLE: MARGOT GUY NORRIS ROBBIE 20th CENTURY WOMEN STUNT DOUBLE: ANNETTE NASH EDGERTON BENING THE GREAT WALL STUNT PERFORMER BUSTER REEVES THE LEGEND OF TARZAN STUNT DOUBLE: MARGOT BUSTER REEVES Generated on 10/03/2021 03:41:06 am Page 1 of 8 ROBBIE THE DARKNESS STUNT DOUBLE: RADHA NASH EDGERTON MITCHELL THE LAST WITCH HUNTER STUNT DOUBLE: JULIE TROY ROBINSON / JONATHAN ENGELBRECHT EUSEBIO MAD MAX: FURY ROAD STUNT DOUBLE / STUNT GUY NORRIS DRIVER THE HOBBIT: THE BATTLE OF STUNT DOUBLE: EVANGELINE GLENN BOSWELL THE FIVE ARMIES LILLY THE HOBBIT: THE STUNT DOUBLE: EVANGELINE GLENN BOSWELL DESOLATION OF SMAUG LILLY THE HOBBIT: AN STUNT DOUBLE: EVANGELINE GLENN BOSWELL UNEXPECTED JOURNEY LILLY THE GREAT GATSBY STUNT DOUBLE: ELIZABETH GLENN RUEHLAND DEBICKI PACIFIC RIM STUNT PERFORMER (AUST. GLENN SUTER UNIT) A FEW BEST MEN STUNT DOUBLE: LAURA BRENT HARRY DAKANALIS IRON SKY STUNT PERFORMER DARKO TUSKAN WISH YOU WERE HERE STUNT DRIVER NASH EDGERTON BURNING MAN STUNT DRIVER HARRY DAKANALIS 33 POSTCARDS STUNT PERFORMER GRANT PAGE TOMORROW, WHEN THE WAR STUNT DOUBLE: RACHEL CHRIS
    [Show full text]