Podcasts in Context
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Citizen Journalism Guidelines on ELECTORAL REPORTING in ZIMBABWE
Citizen Journalism Guidelines ON ELECTORAL REPORTING IN ZIMBABWE March 2018 Published in Denmark by IMS in March 2018 International Media Support (IMS) is a non-profit organisation that works to support local media in countries affected by armed conflict, human insecurity and political transition. Across four continents IMS helps to strengthen professional journalism and ensure that media can operate in challenging circumstances Mediasupport.org Facebook.com/InternationalMediaSupport Twitter.com/forfreemedia Authors and Editors Dr. Admire Mare, Henrik Keith, Simbiso Marimbe & Rashweat Mukundu Cover Photo: A citizen journalist covering the voting process at a by-election in rural Gutu, Zimbabwe TABLE OF CONTENTS PREFACE 2 CHAPTER 1: Introduction and Background 3 CHAPTER 2: What is Citizen Journalism? 4 CHAPTER 3: Citizen Journalism in Practice 21 CHAPTER 4: Ethics 35 CHAPTER 5: Special Concerns 38 CHAPTER 6: Moderation of Social Media Groups 44 CHAPTER 7: Safety Concerns 49 REFERENCES 53 CITIZEN JOURNALISM GUIDELINES ON ELECTORAL REPORTING IN ZIMBABWE 1 ................ PREFACE The International Media Support (IMS) commissioned the development of this guide to support the training of citizen journalists on covering electoral matters in Zimbabwe. IMS and the Media Alliance of Zimbabwe (MAZ) are implementing the programme, “Support to Media on Governance and Electoral Matters in Zimbabwe” between October 2017 and March 2019 with support from the European Union (EU) and the Norwegian Ministry of Foreign Affairs. The program aims at enhancing the capacities of media [broadly defined] to report on electoral cycle and governance matters in a more articulate, comprehensive and inclusive manner; as well as to increase citizen access to media and information platforms throughout the electoral cycle and after. -
The Internet Doesn't Forget
The Internet Doesn’t Forget: Redefining Privacy through an American Right to be Forgotten Demi Marks* What the “Right to be Forgotten” does is it raises the cost for strangers to find out information about you. It doesn’t make it impossible. So, if you turn out to be a fa- mous important person, become a politician, journalists, biographers can dig it out. It just makes it difficult. But that’s the way things work. That’s the way we secure our homes, for example. We don’t make it impossible to break into our house. That would be far too expensive. We put in a lock that will deter most people. It won’t deter people who are extremely interested in getting into our house. That’s—so you raise the cost without making something impossible. That’s a way of putting a thumb on the scale for privacy.1 I. INTRODUCTION On January 13, 1999, Hae Min Lee was last seen leaving her high school.2 On February 9, 1999, her corpse was found in Leakin Park, having been disposed of after strangulation.3 A year later, on February 25, 2000, her ex-boyfriend, Adnan Syed was found guilty of Lee’s murder and sentenced to life in prison.4 While these events might seem like old news, the digital age has pushed them back into the limelight. On October 3, 2014, over fifteen years after the murder of Hae Min Lee, Serial, a podcast exploring Lee’s murder and Syed’s guilt, was released to the general public.5 To date, Serial has become the most downloaded podcast ever produced, with over five million subscribers.6 * B.A. -
Sunday Morning Grid 6/22/14 Latimes.Com/Tv Times
SUNDAY MORNING GRID 6/22/14 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Morning (N) Å Face the Nation (N) Paid Program High School Basketball PGA Tour Golf 4 NBC News Å Meet the Press (N) Å Conference Justin Time Tree Fu LazyTown Auto Racing Golf 5 CW News (N) Å In Touch Paid Program 7 ABC News (N) Wildlife Exped. Wild 2014 FIFA World Cup Group H Belgium vs. Russia. (N) SportCtr 2014 FIFA World Cup: Group H 9 KCAL News (N) Joel Osteen Mike Webb Paid Woodlands Paid Program 11 FOX Paid Joel Osteen Fox News Sunday Midday Paid Program 13 MyNet Paid Program Crazy Enough (2012) 18 KSCI Paid Program Church Faith Paid Program 22 KWHY Como Paid Program RescueBot RescueBot 24 KVCR Painting Wild Places Joy of Paint Wyland’s Paint This Oil Painting Kitchen Mexican Cooking Cooking Kitchen Lidia 28 KCET Hi-5 Space Travel-Kids Biz Kid$ News LinkAsia Healthy Hormones Ed Slott’s Retirement Rescue for 2014! (TVG) Å 30 ION Jeremiah Youssef In Touch Hour of Power Paid Program Into the Blue ›› (2005) Paul Walker. (PG-13) 34 KMEX Conexión En contacto Backyard 2014 Copa Mundial de FIFA Grupo H Bélgica contra Rusia. (N) República 2014 Copa Mundial de FIFA: Grupo H 40 KTBN Walk in the Win Walk Prince Redemption Harvest In Touch PowerPoint It Is Written B. Conley Super Christ Jesse 46 KFTR Paid Fórmula 1 Fórmula 1 Gran Premio Austria. -
GO VIRAL by FELICIA HARRIS
HASHTAG INTERVENTION: HOW #BLACKGIRLSRUN IS MAKING “HEALTHY” GO VIRAL by FELICIA HARRIS (Under the Direction of Elli Roushanzamir) ABSTRACT In 2009, Toni Carey and Ashley Hicks created Black Girls RUN! (BGR), a blog turned national running organization created to help tackle the growing obesity epidemic in the Black community. In recent years, BGR has proven to be an important cultural, social, and health phenomenon inspiring more than 100,000 women to hit the pavement. This dissertation explores the influence and appeal of BGR with various approaches, including a critical textual analysis of 1,062 Instagram posts tagged #blackgirlsrun. That analysis is combined with a broad cultural contextualization supported by ten qualitative interviews, participant observation, and auto-ethnography. Findings show that the daily use of #blackgirlsrun on social media has spurred a national dialogue on Black women’s health issues and also generated a virtual health community where women can seek out information and support that spans across traditional barriers of distance and time. The various cultural and social practices occurring within the stream of #blackgirlsrun reinforce the role of evolving communication technology in community formation. The viral nature of the group’s message demonstrates the importance of cultural relevance in promoting health and empowering target audience members to adopt new behaviors. These findings suggest that Black Girls RUN! and the social media hashtag, #blackgirlsrun, have significant implications for the fields -
Specifications for Implementing Web Feeds in DLXS Kevin S
Hawkins 1/5/2011 5:01:52 PM Page 1 of 5 * SCHOLARLY PUBLISHING OFFICE WHITEPAPER Specifications for implementing web feeds in DLXS Kevin S. Hawkins Executive Summary SPO uses DLXS to deliver nearly all of its publications online, but this software does not offer any functionality for web feeds (commonly called RSS feeds). The components of web feeds are reviewed, and recommendations are made for implementing Atom 1.0 web feeds in SPO publications using a script run during releasing which determines which content to push to the feed. Motivations Members of the editorial board of the Journal of Electronic Publishing (collid jep) and SPO staff have requested that web feed functionality be provided for SPO publications. This would allow end users to subscribe to feeds of not only serial content (the obvious use) but in theory any other collection to which content is added, especially on a regular basis. A feed could provide a single notice that a collection has been updated, perhaps with a table of contents (henceforth a small feed), or instead contain separate notices for each item added to the collection (a large feed). Components of a web feed A web feed operates with three necessary components: • a website that syndicates (or publishes) a feed • a feed standard being used by the website • the end user’s news aggregator (feed reader or news reader), which retrieves the feed periodically. A feed is an XML document containing individual entries (also items, stories, or articles). Syndicating a feed The content provider’s website often has buttons (icons called chicklets) to be used by the end user to add a feed to his or her news aggregator. -
Identity, Genre, and Form in the Eighteenth Century by Andromeda
Serial Selves: Identity, Genre, and Form in the Eighteenth Century by Andromeda L. Hartwick A dissertation submitted in partial fulfillment of the requirements of the degree of Doctor of Philosophy (English Language and Literature) in the University of Michigan 2015 Doctoral Committee: Professor David L. Porter, Chair Professor Lincoln B. Faller Professor Sidonie A. Smith Associate Professor Elizabeth R. Wingrove Acknowledgments I owe so much gratitude and appreciation to my committee: Sidonie Smith, Lincoln Faller, Elizabeth Wingrove, and most especially, David Porter, for their unfailing patience and support for the duration of this project. Their feedback and guidance both before and across the writing process has helped me to think critically about my own work in ways I doubt I could have achieved on my own. The camaraderie of my graduate cohort, and especially the generous intellectual encouragement and personal support of Karen McConnell, Geremy Carnes, Molly Hatcher, and Alison Carr, made my success with the dissertation, and indeed in the program, possible. I would never have made it to the PhD stage without the early direction and lasting assistance of my academic family at the University of Wyoming, especially Caroline McCracken-Flesher, Cedric Reverand, Susan Frye, Eric Nye, Quincy Newell, and Val Pexton. I am also so fortunate to have the support of my wonderful family: my fellow writers Victoria and Michelle, who helped me recover from road blocks by sharing their own writing projects, and Kathleen, Camilo, Glen and Elizabeth, who listened to countless updates and summaries of what I was doing without complaint. Finally, I could never have come this far without Chad, who knows me so well he can help me when I have trouble helping myself. -
Baptist Church in Nursing - Education (BSN to MSN); and Valecia Baldwin, Girls Do Not Always Have the Get the Shovel and Conduct My Sumter
Woods in the hunt at 2 under B1 SERVING SOUTH CAROLINA SINCE OCTOBER 15, 1894 FRIDAY, APRIL 12, 2019 75 CENTS Sumter Police arrest 6 in drug-related sting A2 School district waiting on state for next move Financial recovery plan had $6.6M in budget cuts, but state board turned it down BY BRUCE MILLS enue levels. Because the state board de- its intention is to achieve necessary per- mean the state can take over the entire [email protected] nied the district’s appeal of state Super- sonnel cuts through attrition and re- district or take board members off their intendent of Education Molly Spear- structuring. seats, but it does allow them to lead the Though it will change because Sum- man’s fiscal emergency declaration in “I don’t know where the plan stands district financially. ter School District’s appeal of its state- Sumter, the state will recommend now, since we lost the appeal,” Miller In an email to all district employees declared fiscal emergency was denied changes to the plan and budget. said. “I’m waiting to hear from the state late Wednesday afternoon, Interim Su- Tuesday, the financial recovery plan District Chief Financial Officer Jenni- Department. I am not allowed to move perintendent Debbie Hamm also said presented at the hearing showed about fer Miller said Thursday that she and forward with anything, and we’re on administration is waiting on guidance $6.6 million in budget cuts.The cuts pre- administration are on hold now, waiting hold until the state Department con- from the state Department and doesn’t sented before the state Board of Educa- on those recommendations from the tacts us because they are technically in want to cut personnel. -
Using Podcasts and Podcasting for Language Teaching and Learning
Using podcasts and podcasting for language teaching and learning You can use podcasts as a source of listening material for your classes, create a class podcast with your students, or podcast yourself! What can I do in this DOTS Where can I find the activity? information? (click on the link to go to the section) Part 1 Find out what podcasts are. A. What is a podcast? Think about some pedagogical reasons B. Why would I want to use why I would want to use podcasts for my podcasts in my teaching? teaching. Part 2 C. How to find/download Learn about how to find and download podcasts? podcasts. Consider what I need to keep in mind when using podcasts in my teaching, D. Pedagogical considerations explore podcasting yourself, and the different types of podcasts available. Find out about some practical suggestion E. Practical suggestions and for the classroom, and a sample activity. sample activity Part 3 Check my understanding using a quick F. Check your understanding and easy checklist. Think back over what worked and what didn‟t work (in the DOTS activity and/or G. Reflect! in my use of this tool). Check out what other teachers do with podcasts. Discuss and evaluate ideas and activities H. Explore and share! in a DOTS forum. Create additional tasks and share them with colleagues online. Explore privacy issues in podcasting. I. Protecting students‟ privacy. J. References 1 Part 1 A. What is a podcast? If you‟ve never listened to a podcast before, try it out! Here‟s a link to a podcast for beginners‟ Spanish from a well-known provider. -
Business Education EBA & Accreditation VOLUME 8 NUMBER 1 2016
Business Education EBA & Accreditation VOLUME 8 NUMBER 1 2016 CONTENTS Institutionalizing and Standardizing Assessment Methodology for Multiple Accreditation 1 Agencies Natalya Delcoure, Martha L. Sale & Genevieve Scalan Open Innovation Alliances and Communities in Higher Education 15 Juha Kettunen Implementing Enterprise Resource Planning Education in a Postgraduate Accounting Information Systems Course 27 Kishore Singh Cognition and the Teaching-Learning System 39 Mario Luis Perossa, Alejandra Elena Marinaro Faculty and Student Perceptions of Podcasting: Empirical Evidence from Four Higher Education Institutions 47 Nicole Ortloff What Universities Can Learn from Businesses: A Critical Research Study of Adapting Corporate Organizational Development Approach in University Environment 57 Ljubomir Medenica Best Practices in Marketing Education: Undergraduate Marketing Programs at National University 71 Ramon Corona, Mary Beth McCabe & Susan Silverstone Social Environment and Decisions, Factors in Organizational Behavior of a Business School in Mexico 89 Eduardo Alejandro Carmona Business Education & Accreditation Vol. 8, No. 1, 2016, pp. 1-14 ISSN: 1944-5903 (print) www.theIBFR.COM ISSN: 2157-0809 (online) INSTITUTIONALIZING AND STANDARDIZING ASSESSMENT METHODOLOGY FOR MULTIPLE ACCREDITATION AGENCIES Natalya Delcoure, Texas A & M University – Kingsville Martha L. Sale, Texas A & M University – Kingsville Genevieve Scalan, Texas A & M University – Kingsville ABSTRACT After successfully maintaining ACBSP accreditation and subsequently adding the attainment of AACSB accreditation as an important objective, the College of Business Administration at Texas A & M University– Kingsville is institutionalizing and standardizing student learning outcome assessment. The business education accrediting bodies place great emphasis on student learning outcomes assessment and on using the results of assessment activities to fuel continuous improvement; however, the administration of these assessment activities varies widely. -
Document.Docx
“Serial Fiction Podcasting and Participatory Culture” - Robert Yeates | 1 Serial Fiction Podcasting and Participatory Culture: Fan Influence and Representation in The Adventure Zone Technology journalist Frank Rose, in his book The Art of Immersion (2012/2011), argues that we are entering a third age of the Internet. The first of these began with the introduction of the World Wide Web in 1991, which ‘made the Net accessible to ordinary people’. The second was marked by a ‘cornucopia of participation (blogs, wikis, social media) known as Web 2.0’ (Rose, 2012/2011: 7). The third, into which we are now transitioning, is an artistic era: ‘The future beckons, but we’re only partway through inventing it. We can see the outlines of a new art form, but its grammar is as tenuous and elusive as the grammar of cinema a century ago’ (8). As the uses and affordances of new media become better understood and experimental online formats find their footing, this artistic era is beginning to be evidenced in forms of storytelling which take advantage of the contemporary technologies at hand. One example of this is podcast fiction, a format which draws heavily upon established media, radio fiction programming in particular, but which utilizes the unique capabilities associated with the digital file format and online distribution and consumption. Podcasts such as Welcome to Night Vale (2012-present), The Truth (2012- present), and The Message (2015) have acquired large audiences, and certain programs have achieved syndication with media giants American Public Media and National Public Radio. Despite the recent surge in the popularity of podcasts, little scholarly attention has been placed on the format, except to discuss it as merely a continuation of radio programming or a part of a transmedia landscape for texts which are centred in more established media such as television and film. -
Foregrounding Narrative Production in Serial Fiction Publishing
University of Rhode Island DigitalCommons@URI Open Access Dissertations 2017 To Start, Continue, and Conclude: Foregrounding Narrative Production in Serial Fiction Publishing Gabriel E. Romaguera University of Rhode Island, [email protected] Follow this and additional works at: https://digitalcommons.uri.edu/oa_diss Recommended Citation Romaguera, Gabriel E., "To Start, Continue, and Conclude: Foregrounding Narrative Production in Serial Fiction Publishing" (2017). Open Access Dissertations. Paper 619. https://digitalcommons.uri.edu/oa_diss/619 This Dissertation is brought to you for free and open access by DigitalCommons@URI. It has been accepted for inclusion in Open Access Dissertations by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. TO START, CONTINUE, AND CONCLUDE: FOREGROUNDING NARRATIVE PRODUCTION IN SERIAL FICTION PUBLISHING BY GABRIEL E. ROMAGUERA A DISSERTATION SUBMITTED IN PARTIAL FULLFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN ENGLISH UNIVERSITY OF RHODE ISLAND 2017 DOCTOR OF PHILOSOPHY DISSERTATION OF Gabriel E. Romaguera APPROVED: Dissertation Committee: Major Professor Valerie Karno Carolyn Betensky Ian Reyes Nasser H. Zawia DEAN OF THE GRADUATE SCHOOL UNIVERSITY OF RHODE ISLAND 2017 Abstract This dissertation explores the author-text-reader relationship throughout the publication of works of serial fiction in different media. Following Pierre Bourdieu’s notion of authorial autonomy within the fields of cultural production, I trace the outside influence that nonauthorial agents infuse into the narrative production of the serialized. To further delve into the economic factors and media standards that encompass serial publishing, I incorporate David Hesmondhalgh’s study of market forces, originally used to supplement Bourdieu’s analysis of fields. -
10 Years of the LLAS Elearning Symposium: Case Studies in Good Practice
10 years of the LLAS elearning symposium: case studies in good practice Edited by Kate Borthwick, Erika Corradini and Alison Dickens Published by Research-publishing.net, not-for-profit association Dublin, Ireland; Voillans, France, [email protected] © 2015 by Research-publishing.net (collective work) Each author retains their own copyright 10 years of the LLAS elearning symposium: case studies in good practice Edited by Kate Borthwick, Erika Corradini, & Alison Dickens Rights: All articles in this collection are published under the Attribution-NonCommercial -NoDerivatives 4.0 International (CC BY-NC-ND 4.0) licence. Under this licence, the contents are freely available online (as PDF files) for anybody to read, download, copy, and redistribute provided that the author(s), editorial team, and publisher are properly cited. Commercial use and derivative works are, however, not permitted. Disclaimer: Research-publishing.net does not take any responsibility for the content of the pages written by the authors of this book. The authors have recognised that the work described was not published before, or that it is not under consideration for publication elsewhere. While the information in this book are believed to be true and accurate on the date of its going to press, neither the editorial team, nor the publisher can accept any legal responsibility for any errors or omissions that may be made. The publisher makes no warranty, expressed or implied, with respect to the material contained herein. While Research-publishing.net is committed to publishing works of integrity, the words are the authors’ alone. Trademark notice: product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.