October 1941) James Francis Cooke
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Petrichor Magazine 20Th August 2019 Third Edition
Petrichor Magazine 20th August 2019 Third Edition Featuring Cover Article at the forefront on the destiny of KASHMIR E N V I R O N M E N T C R I S I S & H O W T O W I N I T ? A S U F I J O U R N E Y P O E T I C E X P R E S S I O N S D E P R E S S I O N R E M E D I E S I N T E R E S T I N G S T O R I E S A R T T H E R A P H Y I N T E R E S T I N G T R A V E L O G U E www.PetrichorPages.com 1 Petrichor Magazine Cover Article Kashmir: A silenced spectator of its own destiny by Fatima Hassan Kashmir with its own voice suppressed is the talk of the On the other hand, as India tries to keep the world out of world. With most of the world giving statements that Kashmir issue it also says that India welcomes bilateral reek of indifference, Pakistan is still desperately trying to solution but with a condition for Pakistan to stop make the world come together and resolve the Kashmir terrorism. Pakistan has fought a long and hard war issue. On the other hand, India with its aggressive against terrorism and does not want any more conflicts unilateral moves is trying to convince the world that while the Indian Permanent Representative to UN, Syed Kashmir is Indian Territory and Kashmir issue a purely Akbaruddin, delivered the stance of New Delhi saying Indian business, their wishes till now seem to be that the Pakistan must “Stop Terror to Start Talks”. -
Glossary of Sewing Terms
Glossary of Sewing Terms Judith Christensen Professional Patternmaker ClothingPatterns101 Why Do You Need to Know Sewing Terms? There are quite a few sewing terms that you’ll need to know to be able to properly follow pattern instructions. If you’ve been sewing for a long time, you’ll probably know many of these terms – or at least, you know the technique, but might not know what it’s called. You’ll run across terms like “shirring”, “ease”, and “blousing”, and will need to be able to identify center front and the right side of the fabric. This brief glossary of sewing terms is designed to help you navigate your pattern, whether it’s one you purchased at a fabric store or downloaded from an online designer. You’ll find links within the glossary to “how-to” videos or more information at ClothingPatterns101.com Don’t worry – there’s no homework and no test! Just keep this glossary handy for reference when you need it! 2 A – Appliqué – A method of surface decoration made by cutting a decorative shape from fabric and stitching it to the surface of the piece being decorated. The stitching can be by hand (blanket stitch) or machine (zigzag or a decorative stitch). Armhole – The portion of the garment through which the arm extends, or a sleeve is sewn. Armholes come in many shapes and configurations, and can be an interesting part of a design. B - Backtack or backstitch – Stitches used at the beginning and end of a seam to secure the threads. To backstitch, stitch 2 or 3 stitches forward, then 2 or 3 stitches in reverse; then proceed to stitch the seam and repeat the backstitch at the end of the seam. -
The Globalization of K-Pop: the Interplay of External and Internal Forces
THE GLOBALIZATION OF K-POP: THE INTERPLAY OF EXTERNAL AND INTERNAL FORCES Master Thesis presented by Hiu Yan Kong Furtwangen University MBA WS14/16 Matriculation Number 249536 May, 2016 Sworn Statement I hereby solemnly declare on my oath that the work presented has been carried out by me alone without any form of illicit assistance. All sources used have been fully quoted. (Signature, Date) Abstract This thesis aims to provide a comprehensive and systematic analysis about the growing popularity of Korean pop music (K-pop) worldwide in recent years. On one hand, the international expansion of K-pop can be understood as a result of the strategic planning and business execution that are created and carried out by the entertainment agencies. On the other hand, external circumstances such as the rise of social media also create a wide array of opportunities for K-pop to broaden its global appeal. The research explores the ways how the interplay between external circumstances and organizational strategies has jointly contributed to the global circulation of K-pop. The research starts with providing a general descriptive overview of K-pop. Following that, quantitative methods are applied to measure and assess the international recognition and global spread of K-pop. Next, a systematic approach is used to identify and analyze factors and forces that have important influences and implications on K-pop’s globalization. The analysis is carried out based on three levels of business environment which are macro, operating, and internal level. PEST analysis is applied to identify critical macro-environmental factors including political, economic, socio-cultural, and technological. -
2000 Proceedings Cincinnati, OH
Cincinnati, OH USA 2000 Proceedings DOGWOOD IN GREEN AND GOLD Tammy Abbey Central Washington University, Ellensburg, WA 98926 The purpose in creating this piece is to design an elegant garment through the combination of two very different techniques, metalsmithing and sewing. This design was inspired by extensive study in both metalworking and sewing and by blooming dogwood. The garment can be described as a dark green, fully lined dress in a polyester crepe satin. It is designed with princess lines and a gold charmeuse godet in the back. The dress is strapless and supported by the metal "lace." The "lace" is formed with brass blossoms and leaves that wrap the shoulders and overlap the front and the back of the dress. Brass blossoms also accent the godet. Construction began with an original pattern which was hand drafted. A muslin test garment was sewn, fitted and used to adjust the pattern. The main body of the dress was sewn and an invisible zipper was installed. A godet was sewn into the back. A polyester lining was sewn and then added to the dress. After the body of the dress was completed, the metal work began. Blossoms and leaves were cut from sheet brass. Then each was individually chased (hand shaped with the use of hammers and tools.) The pieces were given a copper patina (coloring) and brass brushed to a matte golden color. A dress form was used to assemble a base web of brass chain onto which the blossoms were sewn into place with thread and wire. Two blossoms and chain were added in the back to accent the godet and to contain it. -
Jazz Record Buyer's Guide
Chicago youngsters who dug Oliver, Noone, a Middle Eastern flavor; Flamenco and All Schroeder, piano; Milt Hinton bass; Cliff I . cmu Panama Francis, drums. and Armstrong on the south side. Blues reflect ■ strong Ravel influence. Rating: + Ar + lhe two instrumentalists who seem to Flamenco and Freeloader are both blues, This is a new label stemming from stand out on these sides and whose plating but each is of a different mood and con Grand Award and commandeered bv for is good listening, regardless of the year, ception Sketches is in (i/8. which achieves mer commercial bandleader Enoch I ight. arc Russell and Freeman Otherwise, as a rolling, highly charged effect, while Free There is definite concentration on an effort Thomas Wolfe said, "you can't go home loader is more in the conventional blues to improve sound reproduction, sound again. ’ Even musically. l he jazz excite vein, l he presence of kellv on / rceloader fidelity is achieved with multiple tvpes of ment is gone unless vou coniine your in- mav account partly for the difference be- microphones, custom typing the mikes to terest statistically to a period, certain tween the two. the particular instruments. jazz soloists exclusively. And that is not Miles’ 'playing throughout thc album is Doolev is a well known Dixieland horn too rewarding. poignant, sensitive, and, at times, almost man around New \otk who has bis own the The thing that amazes is that in morose:. his linear concept never falters. band, lhe striking back feature apparent two pictures on the back of the album Coltrane has some interesting solos; his ly is a crack at such bands as the Dukes cover, Condon looks younger in 1959 than angrv solo on Freeloader is in marked con of Dixieland that have made n on sound he did in 1939. -
GLAMOUR Create a Custom Dress with Extra Flare
Godet GLAMOUR Create a custom dress with extra flare BY THE THREADS EDITORS godet is a triangular wedge of fabric sewn into a gar- ment, either in an existing seam or within a cut A opening. Its purpose is to add circumference, or are, at a hemline. With godets, you can achieve a body-skimming t through the bodice and hips and fullness around the hem. Godets cre- ate a pretty silhouette and enhance movement in a skirt or dress. ey require precise stitching, but there is a foolproof method that relies on fusible tape to install the in-seam variety. To learn the technique, try making the dress shown with six in-seam godets. A template for the design, in six sizes for bust mea- surements from 30 inches to 52 inches, is available at readsMagazine.com. Once you know the godet insertion technique, you can easily apply the method to tunic, skirt, or dress projects. Fusible tape simplifies sewing godets in shifty fabrics like burn-out velvet. 36 THREADS T211_CU_Godets.indd 36 7/23/20 1:24 PM FABRIC OPTIONS Godets are shown to advantage in light- weight, drapey fabrics. In a owing textile, a godet hangs beautifully when still, and Add godets in the seams for greater swings out gracefully when the body circumference at the hem. This simple is in motion. Sti or crisp textiles design is adaptable to any figure type. create pronounced angular exten- Fabric: burn-out velvet, MoodFabrics.com. sions. Chi on, georgette, burn-out velvet, challis, charmeuse, or crepe are good fabric choices. -
Chronology 1916-1937 (Vienna Years)
Chronology 1916-1937 (Vienna Years) 8 Aug 1916 Der Freischütz; LL, Agathe; first regular (not guest) performance with Vienna Opera Wiedemann, Ottokar; Stehmann, Kuno; Kiurina, Aennchen; Moest, Caspar; Miller, Max; Gallos, Kilian; Reichmann (or Hugo Reichenberger??), cond., Vienna Opera 18 Aug 1916 Der Freischütz; LL, Agathe Wiedemann, Ottokar; Stehmann, Kuno; Kiurina, Aennchen; Moest, Caspar; Gallos, Kilian; Betetto, Hermit; Marian, Samiel; Reichwein, cond., Vienna Opera 25 Aug 1916 Die Meistersinger; LL, Eva Weidemann, Sachs; Moest, Pogner; Handtner, Beckmesser; Duhan, Kothner; Miller, Walther; Maikl, David; Kittel, Magdalena; Schalk, cond., Vienna Opera 28 Aug 1916 Der Evangelimann; LL, Martha Stehmann, Friedrich; Paalen, Magdalena; Hofbauer, Johannes; Erik Schmedes, Mathias; Reichenberger, cond., Vienna Opera 30 Aug 1916?? Tannhäuser: LL Elisabeth Schmedes, Tannhäuser; Hans Duhan, Wolfram; ??? cond. Vienna Opera 11 Sep 1916 Tales of Hoffmann; LL, Antonia/Giulietta Hessl, Olympia; Kittel, Niklaus; Hochheim, Hoffmann; Breuer, Cochenille et al; Fischer, Coppelius et al; Reichenberger, cond., Vienna Opera 16 Sep 1916 Carmen; LL, Micaëla Gutheil-Schoder, Carmen; Miller, Don José; Duhan, Escamillo; Tittel, cond., Vienna Opera 23 Sep 1916 Die Jüdin; LL, Recha Lindner, Sigismund; Maikl, Leopold; Elizza, Eudora; Zec, Cardinal Brogni; Miller, Eleazar; Reichenberger, cond., Vienna Opera 26 Sep 1916 Carmen; LL, Micaëla ???, Carmen; Piccaver, Don José; Fischer, Escamillo; Tittel, cond., Vienna Opera 4 Oct 1916 Strauss: Ariadne auf Naxos; Premiere -
Bruno Walter (Ca
[To view this image, refer to the print version of this title.] Erik Ryding and Rebecca Pechefsky Yale University Press New Haven and London Frontispiece: Bruno Walter (ca. ). Courtesy of Österreichisches Theatermuseum. Copyright © by Yale University. All rights reserved. This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections and of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publishers. Designed by Sonia L. Shannon Set in Bulmer type by The Composing Room of Michigan, Grand Rapids, Mich. Printed in the United States of America by R. R. Donnelley,Harrisonburg, Va. Library of Congress Cataloging-in-Publication Data Ryding, Erik S., – Bruno Walter : a world elsewhere / by Erik Ryding and Rebecca Pechefsky. p. cm. Includes bibliographical references, filmography,and indexes. ISBN --- (cloth : alk. paper) . Walter, Bruno, ‒. Conductors (Music)— Biography. I. Pechefsky,Rebecca. II. Title. ML.W R .Ј—dc [B] - A catalogue record for this book is available from the British Library. The paper in this book meets the guidelines for permanence and durability of the Committee on Production Guidelines for Book Longevity of the Council on Library Resources. For Emily, Mary, and William In memoriam Rachel Kemper and Howard Pechefsky Contents Illustrations follow pages and Preface xi Acknowledgments xv Bruno Schlesinger Berlin, Cologne, Hamburg,– Kapellmeister Walter Breslau, Pressburg, Riga, Berlin,‒ -
BRUNO WALTER Conducts BEETHOVEN London Symphony Orchestra Recorded on 12Th September, 1938 in EMI Abbey Road Studio No
111032 bk Walter EU 4/11/05 10:10 Page 5 GREAT CONDUCTORS 8.111032 8 Coriolan, Op. 62 – Overture 7:26 Great Conductors • Walter ADD BRUNO WALTER conducts BEETHOVEN London Symphony Orchestra Recorded on 12th September, 1938 in EMI Abbey Road Studio No. 1, London Matrices: 2EA 6766-1 and 6767-2A Historical Recordings 1930-38 First issued as HMV DB 3638 Symphony No. 6 in F major, Op. 68, “Pastoral” 38:59 9 The Creatures of Prometheus, Op. 43 – Overture 4:46 BEETHOVEN 1 Allegro ma non troppo (Cheerful impressions awakened by arriving in the country) 9:21 2 Andante molto moto (Scene by the brook) 12:06 British Symphony Orchestra 3 Allegro (Peasants’ merrymaking) 5:27 Recorded on 16th May, 1930 in Central Hall, Westminster 4 Allegro (Thunderstorm) 3:25 Matrix: WAX 5590-1 Symphony No. 6 5 Allegretto (Shepherds’ Song: Joyous thanksgiving after the storm) 8:40 First issued on Columbia 68091D Vienna Philharmonic Orchestra ‘Pastoral’ Recorded on 5th December, 1936 in the Musikvereinsaal, Vienna Producer and Audio Restoration Engineer: Mark Obert-Thorn Matrices: 2VH 224-1A, 225-3A, 226-2A, 227-1, 228-1, 229-2A, 230-2A, 231-1A, 232-2A and 233-1 First issued as HMV DB 3051 through 3055 Special thanks to Richard Kaplan and Don Tait for providing source material for this release Overtures 6 Leonore Overture No. 3, Op. 72a 13:07 Vienna Philharmonic Orchestra Recorded on 21st May, 1936 in the Musikvereinsaal, Vienna Vienna Philharmonic Orchestra Matrices: CHAX 109-2, 110-2 and 111-1 First issued as HMV DB 2885 and 2886 BBC Symphony Orchestra London Symphony Orchestra 7 Fidelio, Op. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
Chris Dempsey
August 2007 Issue No. 150 13 Years Serving the Jazz Community 15TH ANNUAL ERIE ART MUSEUM JAZZERIE BLUES & JAZZ FESTIVAL MEMBERSHIP Saturday, August 4 and Sunday, August 5 -Its Time to Renew!!! Frontier Park - Noon til 10 p.m each day August is the month to renew your SCHEDULE Headliner for JazzErie membership, which will expire this day of jazz (8:00 on Sept. 1, 2007. You can return the Saturday, August 4 – Blues day – 10:00 PM) is the membership form on the back of this Rashied Ali Quintet. Newsletter, along with your check, to 12:00 noon – Family performance, the address shown. Or you can get a featuring the Erie African Dance Ali’s bio membership at the JazzErie booth at the Troupe Sylla Kundla describes him as Erie Art Museum Blues & Jazz Festival “A progenitor and this month. (If you renewed or joined 2:00 PM – Familiar Spirit Band leading exponent last month, ignore this notice.) of multidirectional 4:00 PM – Geoff Achison rhythms.polytonal You subscription to News Notes will percussion.” With a resume that includes continue through October, and possibly 6:00 PM – Lil’ Ed and the Blues creative excursions with such musical November, but will end then. You will Imperials free spirits as Don Cherry, Pharoah not be eligible for concert admission discounts after Sept. 1. 8:00 PM – Junior Brown Sanders, Paul Bley, Archie Shepp and Albert Ayler, who’s going to argue? Oh This is you annual opportunity Sunday, August 5 – Jazz day yes, and most especially there was an to refresh your support of Erie’s jazz extended stint with John Coltrane, joining community. -
GSC Films: S-Z
GSC Films: S-Z Saboteur 1942 Alfred Hitchcock 3.0 Robert Cummings, Patricia Lane as not so charismatic love interest, Otto Kruger as rather dull villain (although something of prefigure of James Mason’s very suave villain in ‘NNW’), Norman Lloyd who makes impression as rather melancholy saboteur, especially when he is hanging by his sleeve in Statue of Liberty sequence. One of lesser Hitchcock products, done on loan out from Selznick for Universal. Suffers from lackluster cast (Cummings does not have acting weight to make us care for his character or to make us believe that he is going to all that trouble to find the real saboteur), and an often inconsistent story line that provides opportunity for interesting set pieces – the circus freaks, the high society fund-raising dance; and of course the final famous Statue of Liberty sequence (vertigo impression with the two characters perched high on the finger of the statue, the suspense generated by the slow tearing of the sleeve seam, and the scary fall when the sleeve tears off – Lloyd rotating slowly and screaming as he recedes from Cummings’ view). Many scenes are obviously done on the cheap – anything with the trucks, the home of Kruger, riding a taxi through New York. Some of the scenes are very flat – the kindly blind hermit (riff on the hermit in ‘Frankenstein?’), Kruger’s affection for his grandchild around the swimming pool in his Highway 395 ranch home, the meeting with the bad guys in the Soda City scene next to Hoover Dam. The encounter with the circus freaks (Siamese twins who don’t get along, the bearded lady whose beard is in curlers, the militaristic midget who wants to turn the couple in, etc.) is amusing and piquant (perhaps the scene was written by Dorothy Parker?), but it doesn’t seem to relate to anything.