Fi>E1l !Ro:Gr'

Total Page:16

File Type:pdf, Size:1020Kb

Fi>E1l !Ro:Gr' THIS ISSUE: ~AM CARJIENCE SEEn ()yUEST ZEN FRISREE F :BAND WIIEELS- WJm:E!i OF JUSTICE ~UR.NIN' UP WIIEELS ./ :BIZARRO BQOICMAW 1TANS _ ~fi>E1l !rO:gR'. '99 ~TIIELE O~,, ~YOU W w ·~ ~-~~~~~ bfandlwl pl-misbken lcf stats stamlWt """ otir _, ..i.m "11-oo.d Jl).j.,;,/ cdei>.S9 c3leodai'{M~ cd.Sll 16 ""'9~ f cd$5 • fl ... .,,..,~-romoe fl 1'""'lS ! $3Q·li><l : ~>Mdcas!, 1"9..--CH>S<"'1'- bnnlson , "'°" po~ uu · "~~«""'*"" "MM. superl:ist •miot • "~/• . ame<i<a ~ $7 • iuil/ ""11W a<!d S3 • """"3/ mox a<!d SI post box 1965 new york, ny 10156 usa • (21 2) 532·3337 [email protected] • sounds. daily news t. more on site www.deepelm.com T-Shirts and Stickers Now Aviable for the Masses. *salted slug drawing on back T-Shirts Stickers Long Sleeves $2 or free with $15 Shirt or T-Shirt Subscription $12 $12 a Year fond check. ca1h. or monev order to: SRLT roR SLUGS mnGRIIRE. merchandi1e. CO I LP SP 4 7 6 I PSV CHOOS PO ROX so:ssa. nu1tin. TH 7876:S www. e u bpop.co m Plea1e be an intell9ent pet1on and tell u1 what you want ••• nu priCC!'I include 1hippin9 and handlin9 (Dome1tic US) Slugwebster and Jester: Ran Scot contributing writers and artists: Teddy Vuong, Stabler Hsu, Sean Michael Jackson, Boaz Dror, Brian Walsby, Keefer Estevez, Gene Slacks, Kirk-0-matic, Steve Garcia, Brian DiFrank, Rod Henry, Teril Smits, George Wohlfarth, Sockboy Gonzales, Burpee, Jon Bownds WO~bS 3r0 LIV~ .. B1! ·ea1mot hold. Mere anarc «, rlimme<l ticle i!'I looAe . mocence i!'! clrowne<l." nrlrerl wan~ i'I not ithont fighting iA "I can't imagine what empty hea<lf'! can achieve." - OZZY "I really don't know much about art; I jnAt like cloing thi I run with the moment. If I think that my boob imprint l)ee<ls to he <lone between the spotA where I just Ahot of my aAA, then I'll do that. .. - Mila, the af'lf'l artist + . "Take care of yonrselveA ancl each other." - .Jerry Springer Salt for Slugs is published four times a year.All articles and columns represent the opinions of the writers and not necessarily those of the magazine or the publisher. Advertisers and agencies assume all responsibility for content of advertising and any claims arising therefrom made against the publisher.© 1999 by Salt for Slugs, Inc., Austin, Texas. All rights reserved. No part of this publication may be reproduced without permission. SFS is available by mail. Single copy (current issue), $3 ppd, I year subscription (four issues), $12 ppd. Back issues cur­ rently available by mail, or may be viewed via our web page. Deadline for submissions for the fall issue is Sept. 15th, 1999. The ad space reservation deadline is October I st. Rate card and/or media kit is available by mail. Burt Cocaine loves to get mail at our mailing address. Write SFS at: P.O. BOX 50338,Austin,TX 78763 e-mail:[email protected] Our website is up and running at www.saltforslugs.com 4 8~t /c-i- 8tu't~ of rock and roll out the G boy. O n the contrary, he's Wheels", which actually was the name of the tour, but turned a room in his house into a punk rock and roll he didn 't get it in on time. Hey Rome wasn't built in a party room, drum set, amps, and all. day. Rod is currently doing a solo project and plans to Meanwhile in Austin, the main site of SFS produc­ tour soon.And in the end the publisher incorporated. tion, distribution, circulation, c onfusion, and overall Many thanks to all that have contributed, and a slugliness, Salt for Slugs downtown offices are nestled whole lot of thanks goes out to our local advertisers. above the Paradise Restaurant & Bar right on lovely It really is extremely hot here in the summer, and I 6th St., where the scent of beer, booze, and pizza partially attribute this issue being released a few crust permeates the early morning air, and the locals weeks late to that fact. The heat is cooking my brain. wipe their brow and prepare for yet another night of It's been a while since the SXSW, but I still would like debauchery (no matter what day it is) . Webmaster to thank Fivehead and Guy Forsyth for the awesome Ran Scot may be found there often, chipping away at performances they put on at our release party back the SFS site, while not floundering attempts at pro­ in the spring. Kirk-0-Matic would like to ask any musi­ moting shows here in town. Witness his Generic cians out there who would like to contribute materi­ Monkey self on Thursday night, in the office window, al fo r the soundtrack to Forced Exit 2000, and/or critiquing the loudspeaker caller across the street at other projects, please contact him at the address list­ Bob Popular. It seems that they have decided to have ed in the Carhenge article in this issue, or kirkomat­ more of an aggressive approach this summer: It's [email protected] Throw Down Th ursday, so get your ass into Bob Salt for Slugs would like to bid a tearful farewell to Popular now! Fringeware Books in here in Austin.The closing of the As always, I want to apologize ahead of time for store marks an end of an era for any editorial errors contained in this issue, not for certain bookstore freaks here in matters of taste, s uch as deciding to print Steve town. We sure will miss the Garcia's piece, but spelling and grammatical errors. awesome variety and consisten­ The reason is that it's not easy being the SFS editor, cy of Fringeware's in-store art director, ad guy, etc, etc, while maintaining a life, appearances and parties. 1Q As has been document- and the articles contained within this magazine don't However, next door at Mojo's, _____..__M-t ed in Kirk-0-Matic's drive- necessarily reflect the publisher's opinions, or even Wade plans to carry the torch BLACK 2532858 away hit, Forced Exit 2000, the editor's for that matter. To add insult to injury, IUtiMtJf;jtl and utilize his venue for such the Schells have proven Teddy and Skipper consume a massive amount of shenanigans. And, all is not lost. themselves more than adequate as the Slug footwear alcoholic beverages when proof reading the magazine, for Scott assures us that they will continue to publish of choice for this season. The utter simp licity of the mainly because they like beer, but also because they Fringeware Review and distribute books and maga­ design of the Dr. Mitchell, in particular, lends not only are persuaded to do so by ev il influences in the neigh­ zines. I highly recommend checking out back issues of to the functionality of the shoe, but also to its impec­ borhood. Fringeware Review in whatever cool magazine shops cable style. With the fastening of one velc ro strap, Be it a somewhat unorganized approach to maga­ around that carry it. Are there any left? Check out: you're on your ~ to sheer comfort, and all for a zine: publishing, the hearts of the salinated wormlike www.fringeware .com mere $27 at Walmart. That's why they call them the mollusks who survived are pounding harder than Mitchells, and in white, they're nurse shoes. ever, and the contri butors continue to rear their Another issue of SFS has been completed. With heads and spew out upon society something that is Greg so dug in over in Chapel Hill, the li nes of com­ just a little short of pure genius. Rod Henry's name munication have been maxed out lately, taXation for erroneously appears in the contributors credits cyberspace and long distance charges have put a dent because he was going to s ubmit a piece on, his band, in the slug lifestyle, but not enough to take the fever The Glenmont Popes' U.S. tour entitled "Hell On 8.dt I~,, 8~ is distributed worldwide by Tower Magazines, and is also available in t he U.S. through the following fine distributors and retail outlets: STUFF Distribution Congress Avenue Reptilian Records 5879 Darlington Booksellers 403 S. Broadway Pittsburgh, PA 7 16 Congress Baltimore, MD 15217 Austin, TX 7870 I 2 1231 House of G: Local Flavor Sound Garden 53 I I Yardley Terr 30SB E. 5th St 1616 Thames St. Durham, N.C. Austin, TX 7870 I Baltimore, MD 21 202 27707 Oat Willie's. IN SEATTLE: Primordial Soup 617 W. 29th St Milky World Gallery Kitchen Zines Austin, TX 78705 I 11 Battery PO Box 13 12 Sound Exchange Seattle, WA Claremont, CA 21 st & Guadalupe 98121 91711-1312 Austin, TX 78705 IN N. CAROUNA: The Slug 33 Degrees The Record Exchange Distribution 4017 Guadalupe 2302-106 Hillsborough Networlc: Austin.TX 78705 Raleigh, NC 27607 IN AUSTIN: Waterloo Records 600 N. Lamar Internationalist ABCD's Music Austin, TX 78703 405 W. Franklin 4731 Airport Blvd. Chapel Hill, N.C. Austin, TX 7875 I IN SAN MARCOS: 275 16 Antone's Records Sundance Records Crooked Beat 2928 Guadalupe 202 B N. University 322 Glenwood Austin.TX 78705 San Marcos, TX 78666 Raliegh, N.C. 27603 Austin Books IN BALTIMORE: Schoolkids Records 5002 N. Lamar 2516 Hill sborough Austin TX 78751 Atomic Books I 018 N. Charles Raliegh, NC 27607 Cheapo Discs Baltimore, MD I 0th & Lamar Blvd.
Recommended publications
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • The Quality of Recorded Music Since Napster: Evidence Based on The
    Digitization and the Music Industry Joel Waldfogel Conference on the Economics of Information and Communication Technologies Paris, October 5-6, 2012 Copyright Protection, Technological Change, and the Quality of New Products: Evidence from Recorded Music since Napster AND And the Bands Played On: Digital Disintermediation and the Quality of New Recorded Music Intro – assuring flow of creative works • Appropriability – may beget creative works – depends on both law and technology • IP rights are monopolies granted to provide incentives for creation – Harms and benefits • Recent technological changes may have altered the balance – First, file sharing makes it harder to appropriate revenue… …and revenue has plunged RIAA Total Value of US Shipments, 1994-2009 16000 14000 12000 10000 total 8000 digital $ millions physical 6000 4000 2000 0 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 Ensuing Research • Mostly a kerfuffle about whether file sharing cannibalizes sales • Oberholzer-Gee and Strumpf (2006),Rob and Waldfogel (2006), Blackburn (2004), Zentner (2006), and more • Most believe that file sharing reduces sales • …and this has led to calls for strengthening IP protection My Epiphany • Revenue reduction, interesting for producers, is not the most interesting question • Instead: will flow of new products continue? • We should worry about both consumers and producers Industry view: the sky is falling • IFPI: “Music is an investment-intensive business… Very few sectors have a comparable proportion of sales
    [Show full text]
  • OMC | Data Export
    Aimee Hinds, "Entry on: Awful Sound (Oh Eurydice) by Arcade Fire ", peer-reviewed by Susan Deacy and Elżbieta Olechowska. Our Mythical Childhood Survey (Warsaw: University of Warsaw, 2020). Link: http://omc.obta.al.uw.edu.pl/myth-survey/item/1128. Entry version as of October 06, 2021. Arcade Fire Awful Sound (Oh Eurydice) Canada (2013) TAGS: Underworld We are still trying to obtain permission for posting the original cover. General information Title of the work Awful Sound (Oh Eurydice) Title of the Album(s) Reflektor Sonovox; Merge Records / Arcade Fire; Markus Dravs; James Studio/Production Company Murphy Country of the First Edition Canada Country/countries of popularity worldwide Original Language English, French First Edition Date 2013 Arcade Fire, Reflektor: Awful Sound (Oh Eurydice), Sonovox; First Edition Details Merge Records / Arcade Fire; Markus Dravs; James Murphy, October 28, 2013, 6:13 min. Running time 6:13 min. Format CD, Vinyl, Digital Official Website arcadefire.com (accessed: September 22, 2020) iTunes (accessed: September 22, 2020) Available Onllne Spotify (accessed: September 22, 2020) Genre Indie rock*, Narrative song* Target Audience Young adults Aimee Hinds, University of Roehampton, Author of the Entry [email protected] 1 This Project has received funding from the European Research Council (ERC) under the European Union’s Horizon 2020 Research and Innovation Programme under grant agreement No 681202, Our Mythical Childhood... The Reception of Classical Antiquity in Children’s and Young Adults’ Culture in Response to Regional and Global Challenges, ERC Consolidator Grant (2016–2021), led by Prof. Katarzyna Marciniak, Faculty of “Artes Liberales” of the University of Warsaw.
    [Show full text]
  • The Songs of Bob Dylan
    The Songwriting of Bob Dylan Contents Dylan Albums of the Sixties (1960s)............................................................................................ 9 The Freewheelin’ Bob Dylan (1963) ...................................................................................................... 9 1. Blowin' In The Wind ...................................................................................................................... 9 2. Girl From The North Country ....................................................................................................... 10 3. Masters of War ............................................................................................................................ 10 4. Down The Highway ...................................................................................................................... 12 5. Bob Dylan's Blues ........................................................................................................................ 13 6. A Hard Rain's A-Gonna Fall .......................................................................................................... 13 7. Don't Think Twice, It's All Right ................................................................................................... 15 8. Bob Dylan's Dream ...................................................................................................................... 15 9. Oxford Town ...............................................................................................................................
    [Show full text]
  • Student Dies at IU Natatorium Douglas Had Been at the Pool with His Girl­ Tate Douglas Through Two-Nun CPR
    Take me out to ... Shaken, not stirred Nomadic Metros find a IndianajxJi> is cauhinjj p**e bomeaway from home 1 In Voice 1 In Perspectives on to the nationwide ^ in the friendly confines o( cultural craze of the Indianapolis’ Victory Field. Society shuns gays n . Seeing stars Page martini and citfar bar. JL*.J Wriler believes (he incredible amount of attention f " " Seasonal roster of entertainment at Deer Creek Monday — Apm 28.1997 the Ellen DeGeneres affair has attracted is a result Music Center offers a plethora of shows and Single Copy Free — 1 Section VW. 20. No. 31 O 1997 Th* Sagamore ofJudeoChristian societal prejudices against gays. festivals guaranteed to satisfy fans of all genres. 9 AcMrtiUMg miorm<X'Ofv <317\ 274 .3456 Student dies at IU Natatorium Douglas had been at the pool with his girl­ tate Douglas through two-nun CPR. Douglas at the scene “for a long amount of The Marion County Coroner s office has ■ Pblke, coroner continue friend Monica Jackson, also an IUPUI stu Members of Indianapolis Fur Department time bdofteJie was transported.” McKinney not yet determined the exact cause of lKm investigating April 20 death dent. Jackson had been in the bleachers near Rescue Squad 13 were the first to arrive on said glas’ death the area of the pool and screamed for a life­ the scene — roughly five minutes after Dou­ Shortly after arriving at Wishurd Memorial “He was reportedly pulled from tin* bottom of 18-year-old IUPUI freshman. guard when she realized Douglas had not re­ glas had been pulled from the water, accord­ Hospital s trauma unit, and less than an hour of the pool and a fair amount ot fluid tame surfaced.
    [Show full text]
  • Dokken the Very Best of Dokken Mp3, Flac, Wma
    Dokken The Very Best Of Dokken mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: The Very Best Of Dokken Country: Canada Released: 1999 Style: Hard Rock, Heavy Metal MP3 version RAR size: 1113 mb FLAC version RAR size: 1722 mb WMA version RAR size: 1834 mb Rating: 4.1 Votes: 648 Other Formats: RA AIFF MOD AA AHX MPC TTA Tracklist Hide Credits Breaking The Chains 1 –Dokken 3:52 Bass, Vocals – Juan CroucierWritten-By – Don Dokken, George Lynch Paris Is Burning (Live In Europe, 1982) 2 –Dokken 5:09 Bass, Vocals – Juan CroucierWritten-By – Don Dokken, George Lynch Into The Fire 3 –Dokken 4:27 Written-By – Don Dokken, George Lynch, Jeff Pilson Just Got Lucky 4 –Dokken 4:36 Written-By – George Lynch, Jeff Pilson Alone Again 5 –Dokken 4:22 Written-By – Don Dokken, Jeff Pilson Tooth And Nail 6 –Dokken 3:42 Written-By – George Lynch, Jeff Pilson, Mick Brown The Hunter 7 –Dokken 4:08 Written-By – Don Dokken, George Lynch, Jeff Pilson, Mick Brown In My Dreams 8 –Dokken 4:20 Written-By – Don Dokken, George Lynch, Jeff Pilson, Mick Brown It's Not Love 9 –Dokken 5:00 Written-By – Don Dokken, George Lynch, Jeff Pilson, Mick Brown Dream Warriors 10 –Dokken 4:48 Written-By – George Lynch, Jeff Pilson Burning Like A Flame 11 –Dokken 4:46 Written-By – Don Dokken, George Lynch, Jeff Pilson, Mick Brown Heaven Sent 12 –Dokken 4:53 Written-By – Don Dokken, George Lynch, Jeff Pilson Mr. Scary 13 –Dokken 4:30 Written-By – George Lynch, Jeff Pilson Walk Away 14 –Dokken 5:02 Producer – Angelo ArcuriWritten-By – Don Dokken, George Lynch, Jeff Pilson Mirror
    [Show full text]
  • This Machine Kills Fascists" : the Public Pedagogy of the American Folk Singer
    University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 8-2016 "This machine kills fascists" : the public pedagogy of the American folk singer. Harley Ferris University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Part of the Rhetoric Commons Recommended Citation Ferris, Harley, ""This machine kills fascists" : the public pedagogy of the American folk singer." (2016). Electronic Theses and Dissertations. Paper 2485. https://doi.org/10.18297/etd/2485 This Doctoral Dissertation is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. “THIS MACHINE KILLS FASCISTS”: THE PUBLIC PEDAGOGY OF THE AMERICAN FOLK SINGER By Harley Ferris B.A., Jacksonville University, 2010 M.A., University of Louisville, 2012 A Dissertation Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English/Rhetoric and Composition Department of English University of Louisville Louisville, KY August 2016 “THIS MACHINE KILLS FASCISTS”: THE PUBLIC PEDAGOGY OF THE AMERICAN
    [Show full text]
  • Nightlight: Tradition and Change in a Local Music Scene
    NIGHTLIGHT: TRADITION AND CHANGE IN A LOCAL MUSIC SCENE Aaron Smithers A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Curriculum of Folklore. Chapel Hill 2018 Approved by: Glenn Hinson Patricia Sawin Michael Palm ©2018 Aaron Smithers ALL RIGHTS RESERVED ii ABSTRACT Aaron Smithers: Nightlight: Tradition and Change in a Local Music Scene (Under the direction of Glenn Hinson) This thesis considers how tradition—as a dynamic process—is crucial to the development, maintenance, and dissolution of the complex networks of relations that make up local music communities. Using the concept of “scene” as a frame, this ethnographic project engages with participants in a contemporary music scene shaped by a tradition of experimentation that embraces discontinuity and celebrates change. This tradition is learned and communicated through performance and social interaction between participants connected through the Nightlight—a music venue in Chapel Hill, North Carolina. iii ACKNOWLEDGEMENTS Any merit of this ethnography reflects the commitment of a broad community of dedicated individuals who willingly contributed their time, thoughts, voices, and support to make this project complete. I am most grateful to my collaborators and consultants, Michele Arazano, Robert Biggers, Dave Cantwell, Grayson Currin, Lauren Ford, Anne Gomez, David Harper, Chuck Johnson, Kelly Kress, Ryan Martin, Alexis Mastromichalis, Heather McEntire, Mike Nutt, Katie O’Neil, “Crowmeat” Bob Pence, Charlie St. Clair, and Isaac Trogden, as well as all the other musicians, employees, artists, and compatriots of Nightlight whose combined efforts create the unique community that define a scene.
    [Show full text]
  • New Potentials for “Independent” Music Social Networks, Old and New, and the Ongoing Struggles to Reshape the Music Industry
    New Potentials for “Independent” Music Social Networks, Old and New, and the Ongoing Struggles to Reshape the Music Industry by Evan Landon Wendel B.S. Physics Hobart and William Smith Colleges, 2004 SUBMITTED TO THE DEPARTMENT OF COMPARATIVE MEDIA STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN COMPARATIVE MEDIA STUDIES AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY JUNE 2008 © 2008 Evan Landon Wendel. All rights reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. Signature of Author: _______________________________________________________ Program in Comparative Media Studies May 9, 2008 Certified By: _____________________________________________________________ William Uricchio Professor of Comparative Media Studies Co-Director, Comparative Media Studies Thesis Supervisor Accepted By: _____________________________________________________________ Henry Jenkins Peter de Florez Professor of Humanities Professor of Comparative Media Studies and Literature Co-Director, Comparative Media Studies 2 3 New Potentials for “Independent” Music Social Networks, Old and New, and the Ongoing Struggles to Reshape the Music Industry by Evan Landon Wendel Submitted to the Department of Comparative Media Studies on May 9, 2008 in Partial Fulfillment of the Requirements for the Degree of Master of Science in Comparative Media Studies Abstract This thesis explores the evolving nature of independent music practices in the context of offline and online social networks. The pivotal role of social networks in the cultural production of music is first examined by treating an independent record label of the post- punk era as an offline social network.
    [Show full text]
  • Artist of the Year
    THE 4 Trading Post Way Medford Lakes, New Jersey 08055 HARD REPORT' December 18, 1987 Issue #59 609-654-7272 ARTIST OF THE YEAR ZGI A a 112 MALE VOCAL ISLAND RADIO RATES THE BEST OF '87 COMEBACK BREAKTHROUGH GRATEFUL REM DEAD "DOCUMENT" "TOUCH OF GREY" IRS ARISTA FEMALE 6.vryttri,Vizer NEW FEMALE VOCAL SUZANNE VEGA ANN WILSON "SOLITUDE STANDING" "BAD ANIMALS" A&M CAPITOL IMAGE NEW MALE TURNAROUND RICHARD AEROSMITH MARX "PERMANENT EMI VACATION" GEFFEN WORLD PARTY NEW AMERICAN Private Revolution NEW IMPORT BAND ACT THE BRANDOS WORLD PARTY "HONOR AMONG "PRIVATE THIEVES" REVOLUTION" RELATIVITY CHRYSALIS AND NOW A WORD FROM OUR SPONSOR ... It's four in the morning and frcm where we sit, this Final Issue looks like a keeper. We've put a ton of time and energyinto this particular edition, and we think you'll have lots of fun with the overview. After all, with some 90 + stations responding to our sur- vey, it's basically your window on RockWorld as it went down this past year. The first year of any new business is hell on wheels, (Groanong, creaking, barking dog sound efx, please) and we've seen quite a parade in '87. When I look back over my final comments last year (after nine issues), it sounded as if we had moved mountains. And in a way we had, starting from scratch to a full service publication some 140 stations deep. But in the 12 months since, it has become readily apparent that we were barely walking then. We've extended our reporter roster well past the 200 mark; Our New Alternative and Hard Rock sections have inspired numerous imitators, and our combi- nation of high technology and people power has effectively re -defined what a tip sheet can and will be in the years to come.
    [Show full text]
  • Our Noise the Story of Merge Records, the Indie Label That Got Big and Stayed Small 1St Edition Download Free
    OUR NOISE THE STORY OF MERGE RECORDS, THE INDIE LABEL THAT GOT BIG AND STAYED SMALL 1ST EDITION DOWNLOAD FREE John Cook | 9781565126244 | | | | | Merge Records turns 20 To ask other readers questions about Our Noiseplease sign up. Listen to Bowerbirdssome combination of Michigan, Wisconisn and Iowa kidswho understood that Chapel Hill had an established independent bastion before they migrated south. Paperbackpages. Jul 15, Chris Jamieson rated it it was amazing. I do make time to hang out with my friends, because I love them. The inspiring and fun true story of an indie record label that has put out some of my all time favorite records. We operate in a conservative way, Ballance told Reuters from her office in Chapel Hill. The Indie Label That Got Big and Stayed Small 1st edition throughout Tryon Palace were in period costumes and persona, which added to the ambiance and authenticity of the tour. I just want to be a really good role model, and golf is a great way to be an influential figure to young kids. There may even be some American non-profit labels for new artists, but they lay outside of my research. Merge is still putting out first-rate music - take the albums they've released by Destroyer, Caribou and Waxahatachee so far this the Indie Label That Got Big and Stayed Small 1st edition - but both Arcade Fire and Spoon have left the label. From nut clusters and caramels, to dozens of types of truffles and chocolate-dipped strawberries, this shop offers a generous array of options.
    [Show full text]
  • Downtown Academy
    AVAILABLE AGAIN FROM THE DOWNTOWN ACADEMY DA001 - Whiskey Rebels / Hanover Saints split CD SLP: 13.98 This is the release that got things started in 2001 at The Downtown Academy. Since then, the WHISKEY REBELS have released full-lengths and splits on GMM Records, TKO Records, and People Like You Records ( Germany ), and have logged tens of thousands of miles on US and European tours. The songs on this split remain staples of their live set. HANOVER SAINTS have called it a day, but leave behind a loyal fan base nationwide, as well as full-lengths and splits on GMM Records and Facedown Records. Key markets: Sacramento, San Francisco, Los Angeles, Seattle, Chicago, Austin, Boise For fans of: Cock Sparrer, Cro Mags, Cockney Rejects ---------------------------DA003 – Suburban Threat / Revenge split CD SLP: 13.98 Continuing The Downtown Academy split series is a hardcore punk collaboration between SUBURBAN THREAT and REVENGE. SUBURBAN THREAT first made waves back in the early days of TKO Records with their debut full-length “American Punk” and has also appeared on TKO’s Punch Drunk compilations and GMM Records’ Skins & Pinz compilations. REVENGE is a project in the spirit of mid-80s New York hardcore bands like the Cro-Mags, Warzone, Agnostic Front and Judge. Featuring members of Pressure Point, Suburban Threat and Whiskey Rebels. Key markets: Sacramento, Buffalo, NYC, San Francisco, Chicago For fans of: Agnostic Front, Cro Mags, Judge ---------------------------DA004 – Pressure Point / Madhouse Disciples split CD SLP: 13.98 7 90168 54482 8 Next in The Downtown Academy split is a pairing of Oi! stalwarts PRESSURE POINT with up & comers MADHOSUE DISCIPLES.
    [Show full text]