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Transgender Representation on American Narrative Television from 2004-2014
TRANSJACKING TELEVISION: TRANSGENDER REPRESENTATION ON AMERICAN NARRATIVE TELEVISION FROM 2004-2014 A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Kelly K. Ryan May 2021 Examining Committee Members: Jan Fernback, Advisory Chair, Media and Communication Nancy Morris, Media and Communication Fabienne Darling-Wolf, Media and Communication Ron Becker, External Member, Miami University ABSTRACT This study considers the case of representation of transgender people and issues on American fictional television from 2004 to 2014, a period which represents a steady surge in transgender television characters relative to what came before, and prefigures a more recent burgeoning of transgender characters since 2014. The study thus positions the period of analysis as an historical period in the changing representation of transgender characters. A discourse analysis is employed that not only assesses the way that transgender characters have been represented, but contextualizes American fictional television depictions of transgender people within the broader sociopolitical landscape in which those depictions have emerged and which they likely inform. Television representations and the social milieu in which they are situated are considered as parallel, mutually informing discourses, including the ways in which those representations have been engaged discursively through reviews, news coverage and, in some cases, blogs. ii To Desmond, Oonagh and Eamonn For everything. And to my mother, Elaine Keisling, Who would have read the whole thing. iii ACKNOWLEDGMENTS Throughout the research and writing of this dissertation, I have received a great deal of support and assistance, and therefore offer many thanks. To my Dissertation Chair, Jan Fernback, whose feedback on my writing and continued support and encouragement were invaluable to the completion of this project. -
Tommy Hilfiger and Actor and Activist, Indya Moore Co-Design
TOMMY HILFIGER AND ACTOR AND ACTIVIST, INDYA MOORE CO-DESIGN GENDER FLUID CAPSULE COLLECTION The “TommyXIndya” capsule celebrates the beauty and diversity of the global community with a range of size- inclusive, non-gendered pieces. AMSTERDAM, THE NETHERLANDS (JULY 2021) – Tommy Hilfiger, which is owned by PVH Corp. [NYSE: PVH], announces the launch of the Summer Pre-Fall 2021 TommyXIndya capsule collection co-designed by non-binary actor and activist, Indya Moore. The collection celebrates the uniqueness, beauty and diversity of the global community and the belief that great style knows no boundaries, with a range of size-inclusive, non-gendered designs. The TommyXIndya partnership builds on Tommy Hilfiger’s ambitious People’s Place Program, a three-pillared platform with the mission of advancing representation in fashion and beyond. The TommyXIndya capsule will be available starting July 13th in the US on tommy.com, starting July 20th globally on tommy.com and at select retail locations in Europe. “Great style knows no boundaries, and this has always driven my dream to create fashion for all,” said Tommy Hilfiger. “Our People’s Place Program is a huge step in this direction, as we continue to work hard to advance representation and further inclusivity across all areas of fashion. This collection embodies everything we stand for. From the design process to the campaign, the TommyXIndya partnership is here to make people feel seen, accepted and included. This message means so much to everyone at Tommy Hilfiger. Working with Indya to share their story has been a unique and inspiring experience. We're so proud to share it with the world.” In co-designing the TommyXIndya capsule collection, Indya Moore sought to empower their community to express themselves without limitations. -
Ballrooms, Voguing, Houses
ANALYSE FPS - 2020 Ballrooms, Voguing, Houses : un bout de culture queer Ballrooms, Voguing, Houses : un bout de culture queer – FPS 2020 Eléonore Stultjens Secrétariat général des FPS Chargée d’études [email protected] Photo de couverture : POSE de BBC/FX Éditrice responsable : Noémie Van Erps, Place St-Jean, 1-2, 1000 Bruxelles. Tel : 02/515.04.01 2 Ballrooms, Voguing, Houses : un bout de culture queer – FPS 2020 Introduction Aujourd’hui être transgenre implique encore une multitude d’obstacles, que ce soit en Belgique ou ailleurs dans le monde1. Ceux-ci peuvent prendre des formes diverses : discrimination à l’emploi, comportements haineux, violences ou encore stigmatisation dans le secteur de la santé2. En tant que mouvement féministe, progressiste et de gauche nous prônons l’égalité dans le respect des identités de genre de chacun·e. Afin d’apporter une pierre à cet édifice de l’inclusion, nous souhaitons visibiliser dans cette analyse la culture spécifique des ballrooms, espaces d’émancipation et de pouvoir. Par ce biais, nous voulons également mettre en lumière les combats des personnes transgenres. Au travers d’une description de la culture des ballrooms dans le contexte étasunien, nous aborderons la problématique de l’appropriation culturelle de la danse voguing. Nous verrons que ce phénomène d’appropriation à des fins commerciales efface les discriminations plurielles et intersectionnelles subies par les communautés latino-noire transgenres et, en même temps, nie complètement les privilèges des américain·e·s blanc·he·s cisgenres. Ensuite, nous ferons un arrêt historique sur les luttes LGBTQIA+ et le combat contre le VIH pour appréhender la façon dont les luttes transgenres sont perçues au sein d’un mouvement plus large, entre des dynamiques d’inclusion et d’exclusion. -
Saturday Church
SATURDAY CHURCH A Film by Damon Cardasis Starring: Luka Kain, Margot Bingham, Regina Taylor, Marquis Rodriguez, MJ Rodriguez, Indya Moore, Alexia Garcia, Kate Bornstein, and Jaylin Fletcher Running Time: 82 minutes| U.S. Narrative Competition Theatrical/Digital Release: January 12, 2018 Publicist: Brigade PR Adam Kersh / [email protected] Rob Scheer / [email protected] / 516-680-3755 Shipra Gupta / [email protected] / 315-430-3971 Samuel Goldwyn Films Ryan Boring / [email protected] / 310-860-3113 SYNOPSIS: Saturday Church tells the story of 14-year-old Ulysses, who finds himself simultaneously coping with the loss of his father and adjusting to his new responsibilities as man of the house alongside his mother, younger brother, and conservative aunt. While growing into his new role, the shy and effeminate Ulysses is also dealing with questions about his gender identity. He finds an escape by creating a world of fantasy for himself, filled with glimpses of beauty, dance and music. Ulysses’ journey takes a turn when he encounters a vibrant transgender community, who take him to “Saturday Church,’ a program for LGBTQ youth. For weeks Ulysses manages to keep his two worlds apart; appeasing his Aunt’s desire to see him involved in her Church, while spending time with his new friends, finding out who he truly is and discovering his passion for the NYC ball scene and voguing. When maintaining a double life grows more difficult, Ulysses must find the courage to reveal what he has learned about himself while his fantasies begin to merge with his reality. *** DAMON CARDASIS, DIRECTOR STATEMENT My mother is an Episcopal Priest in The Bronx. -
GLAAD Where We Are on TV (2020-2021)
WHERE WE ARE ON TV 2020 – 2021 WHERE WE ARE ON TV 2020 – 2021 Where We Are on TV 2020 – 2021 2 WHERE WE ARE ON TV 2020 – 2021 CONTENTS 4 From the office of Sarah Kate Ellis 7 Methodology 8 Executive Summary 10 Summary of Broadcast Findings 14 Summary of Cable Findings 17 Summary of Streaming Findings 20 Gender Representation 22 Race & Ethnicity 24 Representation of Black Characters 26 Representation of Latinx Characters 28 Representation of Asian-Pacific Islander Characters 30 Representation of Characters With Disabilities 32 Representation of Bisexual+ Characters 34 Representation of Transgender Characters 37 Representation in Alternative Programming 38 Representation in Spanish-Language Programming 40 Representation on Daytime, Kids and Family 41 Representation on Other SVOD Streaming Services 43 Glossary of Terms 44 About GLAAD 45 Acknowledgements 3 WHERE WE ARE ON TV 2020 – 2021 From the Office of the President & CEO, Sarah Kate Ellis For 25 years, GLAAD has tracked the presence of lesbian, of our work every day. GLAAD and Proctor & Gamble gay, bisexual, transgender, and queer (LGBTQ) characters released the results of the first LGBTQ Inclusion in on television. This year marks the sixteenth study since Advertising and Media survey last summer. Our findings expanding that focus into what is now our Where We Are prove that seeing LGBTQ characters in media drives on TV (WWATV) report. Much has changed for the LGBTQ greater acceptance of the community, respondents who community in that time, when our first edition counted only had been exposed to LGBTQ images in media within 12 series regular LGBTQ characters across both broadcast the previous three months reported significantly higher and cable, a small fraction of what that number is today. -
Saginaw SOGI YAC
Saginaw SOGI YAC Sexual Orientation and Gender Identity Youth Advocacy Council Mission: Identify risks and explore needs for SOGI youth in our community with a focus on collaboration, education, outreach and support. Volume 1, Issue 16 August 2018 TV’s First Transgender Superhero Upcoming Events LGBTQ Youth Leadership Camp The CW series Supergirl will make history by welcoming tel- Thursday, August 23, 4:30 to 6:30pm evision’s first transgender superhero in Season 4. The role of Saginaw YMCA Nia Nal, aka Dreamer, will be played by trans activist and 1915 Fordney St, Saginaw, MI 48601 actress Nicole Maines. In 2014, Maines, who has identified as a female since age 2, successfully sued her school district Understanding LGBTQ after her elementary school denied her access to the girl’s Communities restroom. It was the first time a court had ruled in favor of a transgender stu- Hosted by Perceptions dent’s right to use the restroom congruent with her gender identity. Tuesday, August 28, 7 to 9pm Based on the DC Comics character, Supergirl follows the title character as she Midland Center for the Arts learns to embrace her super powers. The series has received praise in the past for 1801 W. Saint Andrews Rd. its inclusive storytelling and accurate portrayal of the coming out process as expe- Midland, MI 48640 rienced by another lead character. In the upcoming season, the character of Nia Drag Queen Bingo Brunch Nal will join the CatCo Magazine reporting team in the fictional universe. Sunday, September 9, 1:00pm For LGBTQ youth, especially those lacking support or resources, high profile Hamilton St. -
A Study of Transgender Characters in Scripted Programming Then and Now
TRANSNORMATIVE TELEVISION: DOES SOCIAL RESPONSIBILITY BENEFIT THE TV INDUSTRY? A Study of Transgender Characters in Scripted Programming Then and Now David Olsson Department of Radio, Television, Film Honors Thesis May 7th, 2016 Lawrence Herbert School of Communication HOFSTRA UNIVERSITY Faculty Advisor - Nancy F. Kaplan, Ph.D David Olsson | TRANSNORMATIVE TELEVISION: Does Social Responsibility Benefit the TV Industry? Hofstra University Department of Radio, Television, Film Honors Thesis ! TABLE OF CONTENTS INTRODUCTION… p. 2 KEY DEFINITIONS AND ORGANIZATIONS… p. 7 THEORIES AND LITERATURE REVIEW… p. 12 A HISTORY OF SCRIPTED TRANSGENDER APPEARANCES… p. 16 TRANSGENDER AMERICA: FACTS AND STATISTICS… p. 27 SOCIAL ANALYSIS… p. 30 INDUSTRY ANALYSIS… p. 38 CONCLUSIONS… p. 48 REFERENCES… p. 51 !1 David Olsson | TRANSNORMATIVE TELEVISION: Does Social Responsibility Benefit the TV Industry? Hofstra University Department of Radio, Television, Film Honors Thesis ! INTRODUCTION There is an oft-discussed concept in political media that is referred to as the “gay agenda.” It alleges that the cultural normalization of gay and lesbian citizens by LGBT advocates is part of an organized endeavor to indoctrinate youths into a so-called “gay lifestyle.” Phil Burress (2012) of the anti-LGBT group Citizens for Community Values, like other proponents of this belief, supposed that “it’s going to continue to confuse children. This is the way the homosexual activists continue to build their numbers - is to get people confused about their gender identity and start -
A National Epidemic: Fatal Anti-Transgender Violence in the United States in 2019 from President Alphonso David
A NATIONAL EPIDEMIC: FATAL ANTI-TRANSGENDER VIOLENCE IN THE UNITED STATES IN 2019 FROM PRESIDENT ALPHONSO DAVID At this moment, transgender women of color are living in crisis. Over the past several years, more than 150 transgender people have been killed in the United States, nearly all of them Black transgender women. At the time of publication of this report, we advocates who have been doing this work for know of at least 22 transgender and gender decades to provide additional support, advance non-conforming people who have been killed programs and ultimately change systems to this year in this country. drive long-term change across this country. With our partners, we are working to support While the details of the cases differ, it is clear advocates through capacity building, leverage that the intersections of racism, sexism and our strengths with our corporate and community transphobia conspire to deny so many members partners to deliver new economic and training of the transgender community access to opportunities, and work with local governments housing, employment and other necessities to to drive systematic change in areas most survive and thrive. needed – public safety, healthcare, housing, education and employment. As the stories documented in this report make clear, this is a national crisis that demands the This is urgent work — and it requires all of us attention of lawmakers, law enforcement, the to engage. In this report, the Human Rights media and every American. Campaign’s team of researchers, policy experts and programmatic specialists have For transgender women of color who are living laid out steps that every person can take to in crisis, their crisis must become our crisis help eliminate anti-transgender stigma, remove as well. -
Costume Designer
LINDSAY PUGH - Costume Designer https://cargocollective.com/lindsaypugh SENSE8 (Series 2) Directors: Andy Wachowski and Lana Wachowski. Producers: Marcus Loges, Alex Boden and L. Dean Jones Jr. Starring: Tuppence Middleton, Jamie Clayton, Freema Agyeman and Naveen Andrews. Georgeville Television / Netflix. AND THEN THERE WERE NONE Director: Craig Viveiros. Producer: Abi Bach. Starring: Charles Dance, Toby Stephens, Miranda Richardson and Sam Neill. Mammoth Screen. SENSE8 (Series 1) Directors: Andy Wachowski, Lana Wachowski, James McTeigue, Tom Twyker and Dan Glass. Producers: Marcus Loges, Alex Boden and L. Dean Jones Jr. Starring: Daryl Hannah, Jamie Clayton, Freema Agyeman and Naveen Andrews. Georgeville Television / Netflix. THE SUSPICIONS OF MR WHICHER: “BEYOND THE PALE” / “THE TIES THAT BIND” Directors: Geoff Sax and David Blair. Producer: David Boulter. Starring: Paddy Considine, Helen Bradbury, Alex Robertson, John Heffernan and Adrian Quinton. Hat Trick Productions. SUPERBOB Director: Jon Drever. Producers: Robert Jones and Wayne Marc Godfrey. Starring: Brett Goldstein, Catherine Tate and Laura Haddock. The Fyzz Facility. LUCKY 13 (Musical Circus) Writer/Director: Cal McCrystal. Producer: Nell Gifford. PRESSURE Director: Ron Scalpello. Producer: Jason Newmark. Starring: Matthew Goode, Danny Huston, Joe Cole and Alan McKenna. 4929 Wilshire Blvd., Ste. 259 Los Angeles, CA 90010 ph 323.782.1854 fx 323.345.5690 [email protected] LINDSAY PUGH - Costume Designer Pinewood Films No 8 Ltd. ENDEAVOUR Directors: Ed Bazalgette, Tom Vaughan, Craig Viveiros and Colm McCarthy. Producer: Dan McCulloch. Starring: Shaun Evans, Roger Allam, Patrick Malahide, Flora Montgomery, John Light, Jack Ashton and Daisy Head. Mammoth Screen. DANCING ON THE EDGE Director: Stephen Poliakoff. Producer: Nicky Kentish-Barnes. Starring: John Goodman, Chiwetel Ejiofor, and Matthew Goode. -
Representações Da Performatividade LGBTQ+ No Audiovisual a Partir Do Seriado Pose (2018)
UNIVERSIDADE FEDERAL DE UBERLÂNDIA INSTITUTO DE HISTÓRIA PROGRAMA DE PÓS-GRADUAÇÃO Olávio Bento Costa Neto Queerness em tela: representações da performatividade LGBTQ+ no audiovisual a partir do seriado Pose (2018) UBERLÂNDIA 2020 OLÁVIO BENTO COSTA NETO Queerness em tela: representações da performatividade LGBTQ+ no audiovisual a partir do seriado Pose (2018) Dissertação apresentada ao Programa de Pós-graduação em História da Universidade Federal de Uberlândia como requisito para a obtenção do título de Mestre em História. Linha de pesquisa: História e Cultura Orientadora: Profª. Drª. Mônica Brincalepe Campo 04/12/2020 SEI/UFU - 1861490 - Ata de Defesa - Pós-Graduação UNIVERSIDADE FEDERAL DE UBERLÂNDIA Coordenação do Programa de Pós-Graduação em História Av. João Naves de Ávila, 2121, Bloco 1H, Sala 1H50 - Bairro Santa Mônica, Uberlândia-MG, CEP 38400-902 Telefone: (34) 3239-4395 - www.ppghis.inhis.ufu.br - [email protected] ATA DE DEFESA - PÓS-GRADUAÇÃO Programa de Pós-Graduação História em: Defesa de: DISSERTAÇÃO DE MESTRADO, Ata 4, PPGHI Dezenove de fevereiro de dois Hora de Data: Hora de início: 16:00 17h28 mil e vinte encerramento: Matrícula do 11812HIS014 Discente: Nome do Olávio Bento Costa Neto Discente: Título do Queerness em tela: representações da performavidade LGBTQ+ no audiovisual a parr do seriado Trabalho: Pose (2018) Área de História Social concentração: Linha de História e Cultura pesquisa: Projeto de Narravas Subjevas: a memória, a história e o discurso em primeira pessoa nas narravas Pesquisa de cinematográficas vinculação: Reuniu-se na Sala 48, Bloco 1H - Campus Santa Mônica, da Universidade Federal de Uberlândia, a Banca Examinadora, designada pelo Colegiado do Programa de Pós-graduação em História, assim composta: Professores Doutores: Reinaldo Maximiano Pereira (UFU), Sabina Reggiani Anzuategui (FACASPER - parcipou via SKYPE), Mônica Brincalepe Campo orientadora do candidato. -
Film Locations in San Francisco
Film Locations in San Francisco Title Release Year Locations A Jitney Elopement 1915 20th and Folsom Streets A Jitney Elopement 1915 Golden Gate Park Greed 1924 Cliff House (1090 Point Lobos Avenue) Greed 1924 Bush and Sutter Streets Greed 1924 Hayes Street at Laguna The Jazz Singer 1927 Coffee Dan's (O'Farrell Street at Powell) Barbary Coast 1935 After the Thin Man 1936 Coit Tower San Francisco 1936 The Barbary Coast San Francisco 1936 City Hall Page 1 of 588 10/02/2021 Film Locations in San Francisco Fun Facts Production Company The Essanay Film Manufacturing Company During San Francisco's Gold Rush era, the The Essanay Film Manufacturing Company Park was part of an area designated as the "Great Sand Waste". In 1887, the Cliff House was severely Metro-Goldwyn-Mayer (MGM) damaged when the schooner Parallel, abandoned and loaded with dynamite, ran aground on the rocks below. Metro-Goldwyn-Mayer (MGM) Metro-Goldwyn-Mayer (MGM) Warner Bros. Pictures The Samuel Goldwyn Company The Tower was funded by a gift bequeathed Metro-Goldwyn Mayer by Lillie Hitchcock Coit, a socialite who reportedly liked to chase fires. Though the tower resembles a firehose nozzle, it was not designed this way. The Barbary Coast was a red-light district Metro-Goldwyn Mayer that was largely destroyed in the 1906 earthquake. Though some of the establishments were rebuilt after the earthquake, an anti-vice campaign put the establishments out of business. The dome of SF's City Hall is almost a foot Metro-Goldwyn Mayer Page 2 of 588 10/02/2021 Film Locations in San Francisco Distributor Director Writer General Film Company Charles Chaplin Charles Chaplin General Film Company Charles Chaplin Charles Chaplin Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Warner Bros. -
Bottom Line Inside Happy Mother’S Day! 021 •
NEWS Local news and entertainment since 1969 Bottom Line A look at the color Happy Mother’s Day! Inside and sights of local GREATER LAS CRUCES CHAMBER OF COMMERCE • MAY 2021 • WWW.LASCRUCES.ORG TABLE OF CONTENTS A year like no other From the GLCC President premier of “Walking By BRANDI MISQUEZ It’s Mother’s Day..............................2 The pressures of main- A Mom’s 10 Rules for taining a household during the future workforce .......................3 a pandemic are intense on their own. 2020 brought 2021 Annual Chamber additional pressures to Gala Winners ................................4-5 millions of households with parents being tasked with Herb.” to uphold their own work 2021 Annual Chamber responsibilities, while Awards Video ................................6 also ensuring their kids are learning effectively. 2021 LCHBA Parents wanting to instill Casa for a Cause .............................7 some sense of normalcy into their kids’ lives while page 3 New/rewewing upholding these tasks can members ........................................8 simply be summed up by FRIDAY, one word for me: balance. It’s clear that being a par- COURTESY PHOTO MAY ent during COVID-19 times The pandemic changed everything for families like that of Brandi Misquez and Matthew Arguello. GREATER LAS CRUCES has not been an easy feat. 7, 2021 CHAMBER OF COMMERCE From my perspective, this for their virtual school- the Greater Las Cruces walls. It’s been both terrible I Volume 53, Number 19 150 E. LOHMAN AVE. has awarded us a unique ing once the quarantine Chamber of Commerce. and amazing all at the same LAS CRUCES, NM 88001 challenge mixed with a phase was lifted.