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UCLA UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Resistant Postmodernisms: Writing Postcommunism in Armenia and Russia Permalink https://escholarship.org/uc/item/32m003t0 Author Douzjian, Myrna Angel Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Resistant Postmodernisms: Writing Postcommunism in Armenia and Russia A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Comparative Literature by Myrna Angel Douzjian 2013 @ Copyright by Myrna Angel Douzjian 2013 ABSTRACT OF THE DISSERTATION Resistant Postmodernisms: Writing Postcommunism in Armenia and Russia by Myrna Angel Douzjian Doctor of Philosophy in Comparative Literature University of California, Los Angeles, 2013 Professor David W. MacFadyen, Co-Chair Professor Kathleen L. Komar, Co-Chair Many postcolonial scholars have questioned the ethics of postmodern cultural production. Critics have labeled postmodernism a conceptual dead end – a disempowering aesthetic that does not offer a theory of agency in response to the workings of empire. This dissertation enters the conversation about the political alignment of postmodernism through a comparative study of postcommunist writing in Armenia and Russia, where the debates about the implications and usefulness of postmodernism have been equally charged. This project introduces the directions in which postcommunist postmodernisms developed in Armenia and -
CV Emerson May2020
Caryl Emerson (May 2020) -1- CARYL EMERSON A. Watson Armour III University Professor of Slavic Languages and Literatures, Emeritus Princeton University 67 Dempsey Avenue Department of Slavic Languages Princeton, NJ 08540-3464 and Literatures phone: (609) 683-5227 249 East Pyne Princeton University [email protected] Princeton, NJ 08544-5264 Employment Professor of Slavic Languages and Literatures and of Comparative Literature ....................................................................... Princeton University (1988-2015) Professor of Slavic Language and Literatures ............................................... Princeton University (1987-88) Associate Professor of Russian Literature ......................................................... Cornell University (1986-87) Assistant Professor of Russian Literature .......................................................... Cornell University (1980-86) Assistant Professor in Russian Area Studies ............................... Windham College, Putney, VT (1972-76) Instructor in Russian Area Studies .................................................................... Windham College (1970-71) Teacher, American History, Lawrenceville High School .................................. Lawrenceville, NJ (1968-70) Education Ph.D. in Comparative Literature ............................................ University of Texas at Austin, 1980 M.A.T. in Russian Language Teaching ................................................. Harvard University, 1968 M.A. in Russian Studies ........................................................................ -
Terror and Transcendence in the Void: Viktor Pelevin's Philosophy Of
Terror and Transcendence in the Void: Viktor Pelevin’s Philosophy of Emptiness By © 2017 Rebecca Stakun M.A., University of Kansas, 2011 B.A., George Washington University, 2006 Submitted to the graduate degree program in Slavic Languages and Literatures and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ________________________________ Chair: Vitaly Chernetsky ________________________________ Co-Chair: Maria Carlson ________________________________ Marc Greenberg ________________________________ Ani Kokobobo ________________________________ Bruce Hayes Date Defended: 4 August 2017 The Dissertation Committee for Rebecca Stakun certifies that this is the approved version of the following dissertation: Terror and Transcendence in the Void: Viktor Pelevin’s Philosophy of Emptiness ________________________________ Chair: Vitaly Chernetsky Date Accepted: 4 August 2017 ii Abstract This dissertation explores the Russian experience of the “void” left in the wake of the collapse of the Soviet Union as it is reflected in Viktor Pelevin’s Chapaev and Pustota (1996), Generation “P” (1999), The Sacred Book of the Werewolf (2004), and Empire “V” (2006). If, as postmodernist theory suggests, there can be no overarching cultural (or other) narratives, then in the aftermath of the Soviet Union’s collapse post-Soviet Russia found itself in a void, with no old, established national narrative and no new “Russian idea” to shape future identity. At the very moment when post-Soviet -
Viktor Pelevin and Vladimir Sorokin
THE UNIVERSITY OF CHICAGO MYTHOPOETICS OF POST-SOVIET LITERARY FICTION: VIKTOR PELEVIN AND VLADIMIR SOROKIN A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF SLAVIC LANGUAGES AND LITERATURES BY THEODORE ORSON TROTMAN CHICAGO, ILLINOIS DECEMBER 2017 Table of Contents List of Figures iii Abstract iv Introduction 1 Chapter 1: Myth as History: Mythopoetics in Pelevin’s Chapaev and the Void 43 Chapter 2: From Conceptualism to Postmodernism: Vladimir Sorokin’s The Queue 72 Chapter 3: The Mythic and the Utopian: Visions of the Future in Viktor Pelevin’s S.N.U.F.F. 105 Chapter 4: The Resurgence of Literary Dystopia: Vladimir Sorokin’s Day of the Oprichnik as the Ironic Dystopia 128 Conclusion 154 Bibliography 165 ii List of Figures Figure 1: Putin and Zaldostanov at the Sevastopol Bike Show 151 iii Abstract I sought to answer four broadly-construed, fundamental questions when writing this dissertation: 1) What is the role of literary fiction in contemporary Russian culture, and what is its relationship with other elements of culture, e.g., mass culture, popular culture, and myth? 2) How is Russian postmodernist literary fiction related to its preceding movements, e.g., Sots-Art, Socialist Realism, and modernism? 3) What is the role of the genre of utopia in the literary culture of the post-Soviet era, and how is such utopianism related to Soviet myth, mass culture, and Socialist Realism? 4) What can the sub-genre of dystopia tell us about the future of Russian literary fiction, and how can we reconcile the current manifestations of dystopian fiction with both extant models of utopian literary fiction and contemporary Russian culture? I answer these questions through engagement with works of writers of particular significance to both post- Soviet, Russian culture and also to the literary culture that it breeds. -
Liberation and the Authority of the Writer in the Russian, Czech and Slovak
Rajendra Anand Chitnis Liberation and the Authority of the Writer in the Russian, Czech and Slovak Fiction of the Changes School of Slavonic & East European Studies-UCL Submitted for the degree of Ph.D. Date: January 15* 2003 ProQuest Number: 10042785 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest 10042785 Published by ProQuest LLC(2016). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Abstract This dissertation represents the first comparative study of works by the ‘writers of the Changes’, those Russian, Czech and Slovak writers who, in the late 1980s and 1990s, presented themselves as ‘liberators’ of literature from its traditional function in Russian, Czech and Slovak culture as the ultimate authority on how to live. The ‘fiction of the Changes’ at once asserts the surrender of this position of authority and contemplates its consequences. In the introduction, the ‘fiction of the Changes’ is placed in the context of a longer retreat fi*om this position of authority in sanctioned fiction. Chapter 1 compares novels by Venedikt Erofeev, Hrabal and Vilikovsky which reflect the defeat of literature’s attempts to perfect the human being and the writer’s desire no longer to be implicated in such attempts. -
Literature on the Margins: Russian Fiction in the Nineties
Studies in 20th Century Literature Volume 24 Issue 1 Russian Culture of the 1990s Article 7 1-1-2000 Literature on the Margins: Russian Fiction in the Nineties Mark Lipovetsky Illinois Wesleyan University Follow this and additional works at: https://newprairiepress.org/sttcl Part of the Slavic Languages and Societies Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Lipovetsky, Mark (2000) "Literature on the Margins: Russian Fiction in the Nineties," Studies in 20th Century Literature: Vol. 24: Iss. 1, Article 7. https://doi.org/10.4148/2334-4415.1478 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Studies in 20th Century Literature by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. Literature on the Margins: Russian Fiction in the Nineties Abstract Despite shrinkage in print runs and readership, canonical Literature during the 1990s developed along three major lines that connected writers of various generations in both aesthetics and philosophy: realism, exemplified in Georgii Vladimov's prize-winning novel, The General and His Army (1994); postmodernism, richly represented in the fiction of Vladimir Sorokin, Viktor Pelevin, and Vladimir Sharov; and neosentimentalism, as derived from the naturalism of early perestroika, most consistently embraced by Liudmila Petrushevskaia, Liudmila Ulitskaia, and, in his paternal profession de foi, one of Russia's chief theorists of postmodernism, Mikhail Epshtein. All three tendencies aspired to the status of mainstream, which they failed to attain, owing to a fundamental instability that chaos theory has labeled a "bifurcation cascade." Inasmuch as that stage, according to specialists in chaos theory, leads to irreversible changes that effect a high level of stability, the outlook for Russian literature at century's end might be less bleak than prophesied by doomsayers. -
Authors Russian Fantasy & Science-Fiction Fantasy, Litrpg/Cyberpunk, Postapocalypsis, Romantasy, Space Opera, Young Adult & All Age
Aflatuni, Sukhbat Bochkov, Valery CATALOGUE Burchuladze, Zaza 2017 Danilov, Dmitri Eidman, Igor Grigorenko, Aleksandr Kanovich, Grigori Kochergin, Eduard Lesnyanski, Aleksei Loiko, Sergei Martinovich, Viktor Matveeva, Anna Nikitin, Aleksei Norbekov, Mirzakarim Odnobibl, Mikhail Pavlov, Oleg Rakitin, Aleksei contact Sekisov, Anton Thomas Wiedling Senchin, Roman t | +49-89-62242844 Sharov, Vladimir m | +49-174-2759072 fax | +49-8152-78548 Slapovski, Aleksei [email protected] Slavnikova, Olga wiedling-litag.com Yuzefovich, Leonid fantasy.wiedling-litag.com Zaionchkovski, Oleg news.wiedling-litag.com awards.wiedling-litag.com topseller.wiedling-litag.com Wiedling Literary Agency Pappenheimstrasse 3 80335 Munich, Germany authors Russian Fantasy & Science-Fiction Fantasy, LitRPG/Cyberpunk, Postapocalypsis, Romantasy, Space Opera, Young Adult & All Age Michael Atamanov | Aleksei Bobl | Andrei Levitski | Andrei Livadny | Vasily Mahanenko | H.L. Oldie | Aleksei Osadchuk | Nik Perumov | Dmitri Rus | Vitali Sertakov | Elena Zvezdnaya fantasy.wiedling-litag.com Sukhbat Aflatuni title Poklonenie volkhvov The Adoration of the Magi Novel. Ripol. Moscow 2015. 776 pages The saga of the Triyarski family covers Russian history from the tsars in the middle of the 19th century through the revolution and the red terror to beyond the soviet era. The patriarch of the family, Nikolai, is a progressive architect who associates with enlightened secret societies in St. Petersburg. These are betrayed as being agitators and senten- ced to death. On the 22nd December 1849, they are taken to the scaffold and about to be executed together with Dostoevski, but are surprisingly reprieved at the last second by the Tsar himself. Nikolai is unaware that he has his sister Varvara to thank for the reprieve. -
The Burden of Freedom: Russian Literature After Communism
Cambridge University Press 978-1-107-06851-3 - Russian Literature: Since 1991 Edited by Evgeny Dobrenko and Mark Lipovetsky Excerpt More information Chapter 1 Th e burden of freedom: Russian literature after communism Evgeny Dobrenko and Mark Lipovetsky After censorship Even among specialists, not to mention the much wider reading public, the widespread impression of Russian literature is limited to the works of the great nineteenth-century writers as well as those of the heroic mod- ernists of the Soviet period. For the majority of fans of Russian litera- ture, it ceases to exist after Solzhenitsyn and Brodsky – that is, after the end of the communist era. Meanwhile, the time from the 1990s onward is unique in the history of Russian culture: it is the only lengthy interval in which Russian literature developed in the complete absence of censorship of both the political and moral varieties. Today, when censorship seemingly is returning, Russian literature enters a new cycle already enriched by the experience of unprecedented freedom. With the weakening of censorship in the late Soviet years, at the peak of Gorbachev ’s reforms, but particularly in the course of the two decades that have passed since the elimination of censorship, practically all of the signifi cant literary work that was written over the course of the twenti- eth century but banned in the USSR has now been published in Russia. Th is includes literature written both in Russian and in foreign languages. Furthermore, the unity of Russian culture, which throughout the Soviet era was split among the offi cial, the uncensored (underground), and the emigrant cultures, has now been practically restored. -
Russian Literature: Recommended Resources
The Reader’s Mini-Guide to New Russian Books by Grigory Ryzhakov Copyright © 2015 Grigory Ryzhakov This e-book is licensed for your personal enjoyment only. This e-book may not be re-sold or given away to other people. If you would like to share this book with another person, please purchase an additional copy for each recipient. If you’re reading this book and did not purchase it, or it was not purchased for your use only, then please return to Amazon.com and purchase your own copy. Thank you for respecting the hard work of this author. To receive e-mail alerts on Grigory’s new books and bargains, please sign up here Editing: edit-my-book.com Also by Grigory Ryzhakov: Becoming Agie Mr Right and Mr Wrong Made In Bionia Visit the author’s website at ryzhakov.co.uk 2 Contents Introduction ................................................................... 5 Modern Russia: 1990s, Putin’s era and office prose ......... 8 Debut (modern fiction by young authors) ..................... 15 The Soviet Period ......................................................... 18 Women and Love .......................................................... 24 Family Life .................................................................... 31 Psychological Novel ...................................................... 38 Religion ........................................................................ 43 Humor .......................................................................... 48 Prison Life ................................................................... -
Writing the Cityscape
Writing the Cityscape Narratives of Moscow since 1991 Mark John Griffiths University College London A thesis submitted for the degree of PhD Russian Literature and Urban Studies 1 Declaration I, Mark John Griffiths, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. 2 To my family, old and new, with thanks. 3 Abstract This thesis considers how continuity and transformation, the past and the future, are inscribed into the cityscape. Drawing on Roland Barthes’ image of the city as ‘a discourse’ and Michel de Certeau’s concept of the Wandersmänner, who write the city with their daily movements, this thesis takes urban space as both a repository of, and inspiration for, narratives. In few cities is the significance of writing narratives more visible than in Moscow. In the 1930s, it was conceived as the archetypal Soviet city, embodying the Soviet Union’s radiant future. Since the deconstruction of this grand narrative and the fall of the Soviet Union, competing ideas have flooded in to fill the void. With glass shopping arcades, a towering new business district, and reconstructed old churches, Moscow’s facelift offers only part of the picture. A number of other visions have been imprinted onto the post- Soviet city: nostalgic impulses for the simplicity of old Moscow; the search for a new, stable, powerful centre; desires for luxury, privatized gated communities; and feelings of abandonment in the grey, decaying, sprawling suburbs. Following an overview of recent changes to Moscow’s topography, these four major themes are investigated through the prism of post-Soviet Russian literature. -
HETEROTOPIA in CONTEMPORARY RUSSIAN FICTION by Irina
HETEROTOPIA IN CONTEMPORARY RUSSIAN FICTION by Irina Anisimova B.A., Saratov State University, 2001 Submitted to the Graduate Faculty of the Kenneth P. Dietrich Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2015 UNIVERSITY OF PITTSBURGH THE KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Irina Anisimova It was defended on November 19, 2014 and approved by David Birnbaum, Professor, Department of Slavic Languages and Literatures, University of Pittsburgh Mark Leiderman (Lipovetsky), Professor, Department of Russian Studies, Germanic, and Slavic Languages and Literatures, University of Colorado-Boulder Vladimir Padunov, Associate Professor, Slavic Languages and Literatures, University of Pittsburgh Dissertation Advisor: Nancy Condee, Professor, Department of Slavic Languages and Literatures, University of Pittsburgh ii Copyright © by Irina Anisimova 2015 iii HETEROTOPIA IN CONTEMPORARY RUSSIAN FICTION Irina Anisimova, PhD University of Pittsburgh, 2015 This dissertation examines Russian culture of the twenty-first century by analyzing fiction and film with speculative elements. Each chapter focuses on the core concerns of a particular author: Pelevin’s preoccupation with neocolonialism and empire, Slavnikova’s contrast between dystopian history and “utopian” death, Sorokin’s interest in historical trauma and the inner workings of terror, and Fedorchenko and Osokin’s eccentric utopian projects. The dissertation helps to understand contemporary culture, since speculative fiction’s imagined realities and envisioned futures are closely connected with sociocultural tendencies. The sustained investigation of the 2000s is merited by the fact that “the Zeroes,” as the decade is known in Russia, is characterized by significant cultural shifts. -
Thursday, December 6, 2018
Thursday, December 6, 2018 Registration Desk: 9:00 AM – 5:30 PM, 4th Floor Exhibit Hall Hours: 6:00 – 8:00 PM, 3rd Floor Audio-Visual Practice Room: 10:00 AM – 6:00 PM, 4th Floor, office beside Registration Desk Cyber Cafe - Third Floor Atrium Lounge, 3 – Open Area Slavic Digital Humanities - Provincetown, 4 – 8:00 AM – 12:00 PM ASEEES Board of Directors Meeting - (Meeting) - Regis, 3 – 8:00 AM – 12:00 PM East Coast Consortium of Slavic Library Collections - (Meeting) - Falmouth, 4 – 8:00 – 12:00 PM Pacific Coast Slavic and East European Library Consortium - (Meeting) - Connecticut, 5 – 8:00 – 12:00 PM Ukrainian Language Education Centre/Canadian Institute of Ukrainian Studies, University of Alberta - (Reception) - Orleans, 4 – 9:00 – 11:00 AM Session 1 – Thursday – 12:00-1:45 pm ASEEES Russian, East European and Eurasian Music Study Group - (Meeting) - Connecticut, 5 Carpatho-Rusyn Research Center - (Meeting) - Rhode Island, 5 1-01 War and the Soviet Doctor - Arlington, 3 Chair: Donald Filtzer, U of East London (UK) Papers: Frances Lee Bernstein, Drew U "How to Be a Soviet Doctor" Paula Michaels, Monash U (Australia) "Soviet Physicians in the Antinuclear Movement" Benjamin Zajicek, Towson U "Soviet Psychiatry and the War Neuroses: 1939-1945" Disc.: Greta Bucher, U.S. Military Academy, West Point 1-02 Laws, Morals, and Sovereignty in Late Imperial and Soviet Russia - Berkeley, 3 Chair: Jeremy Smith, U of Eastern Finland (Finland) Papers: Tatiana Borisova, NRU Higher School of Economics St. Petersburg (Russia) "‘Moral Right’ to Violate