Brains Before Bullets
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Revising the Western: Connecting Genre Rituals and American
CSCXXX10.1177/1532708614527561Cultural Studies <span class="symbol" cstyle="symbol">↔</span> Critical MethodologiesCastleberry 527561research-article2014 Article Cultural Studies ↔ Critical Methodologies 2014, Vol. 14(3) 269 –278 Revising the Western: Connecting © 2014 SAGE Publications Reprints and permissions: sagepub.com/journalsPermissions.nav Genre Rituals and American Western DOI: 10.1177/1532708614527561 Revisionism in TV’s Sons of Anarchy csc.sagepub.com Garret L. Castleberry1 Abstract In this article, I analyze the TV show Sons of Anarchy (SOA) and how the cable drama revisits and revises the American Western film genre. I survey ideological contexts and tropes that span Western mythologies like landscape and mise-en- scene to struggles for family, community, and the continuation of Native American plight. I trace connections between the show’s fictitious town setting and how the narrative inverts traditional community archetypes to reinsert a new outlaw status quo. I inspect the role of border reversal, from open expansion in Westerns to the closed-door post-globalist world of SAMCRO. I quickdraw from a number of film theory scholars as I trick shoot their critiques of Western cinema against the updated target of SOA’s fictitious Charming, CA. I reckon that this revised update of outlaw culture, gunslinger violence, and the drama’s subsequent popularity communicates a post-9/11 trauma playing out on television. Through the sage wisdom of autoethnography, I recall personal memories as an ideological travelogue for navigating the rhetoric power this drama ignites. As with postwar movements of biker history that follow World War II and Vietnam, SOA races against Western form while staying distinctly faithful. -
Sons of Anarchy - Bratva Pdf
FREE SONS OF ANARCHY - BRATVA PDF Christopher Golden,Kurt Sutter | 320 pages | 11 Nov 2014 | Titan Books Ltd | 9781783296927 | English | London, United Kingdom Christopher Golden - Wikipedia Sons of Anarchy is an American action crime drama television series created by Kurt Sutter that aired from to It follows the lives of a close-knit outlaw motorcycle club operating in Charming, a fictional town in California 's Central Valley. The show stars Charlie Hunnam as Jackson "Jax" Tellerwho is initially the vice president and subsequently the president of the club. After discovering a manifesto written by Sons of Anarchy - Bratva late father, John, who previously led the MC, he soon begins to question the club, himself, and his relationships. Love, brotherhood, Sons of Anarchy - Bratva, betrayal, and redemption are consistent themes throughout the show. Sons of Anarchy premiered on September 3,on the cable network FX. The series's third season attracted an average of 4. The season 4 and 5 premieres were the two highest-rated Sons of Anarchy - Bratva in FX's history. The series finale premiered on December 9, This series explored vigilantismgovernment corruption, and racism, and depicted an outlaw motorcycle club as an analogy for human transformation. David Labravaa real-life member of the Oakland chapter of Hells Angelsserved as a technical adviser, and also played the recurring character Happy Lowmanthe club's assassin. In NovemberSutter indicated that he was in talks with FX to make a Sons of Anarchy prequel set in the s [7]. In Februaryhe said Sons of Anarchy - Bratva would not begin work on the prequel, which is likely to be titled "The First 9" [ citation needed ]. -
YOGIS of ANARCHY” an Introduction to Kundalini Yoga with Charlie Hunnam and Ryan Hurst Sunday, May 19Th from 8:30 AM to 9:30 AM Happiness Is Your Birthright
FOR IMMEDIATE RELEASE MOTOR CITY COMIC CON ANNOUNCES YOGA CLASS, “YOGIS OF ANARCHY” An introduction to Kundalini Yoga with Charlie Hunnam and Ryan Hurst Sunday, May 19th from 8:30 AM to 9:30 AM Happiness is your birthright NOVI, MI. (March 13, 2019) – Motor City Comic Con, Michigan’s longest and largest comic pop- culture event, is pleased to announce “Sons of Anarchy” stars Charlie Hunnam and Ryan Hurst will teach an introduction to Kundalini Yoga class on Sunday, May 19th at 8:30 AM. Tickets for “Yogis of Anarchy” are on sale now on the Motor City Comic Con website and cost $75.00. Attendees are encouraged to bring their own yoga mat and to wear loose fitting clothes as well as a head cover or a hat. All attendees will have to provide proof of admission upon entering the yoga class. To purchase tickets, go to www.motorcitycomiccon.com/tickets. Kundalini Yoga, was brought to the West in 1969 by Yogi Bhajan, is an uplifting blend of spiritual and physical practices and incorporates movement, dynamic breathing techniques, meditation, and the chanting of mantras. The goal of this type of yoga is to build physical vitality and increase consciousness. The power of this yoga comes from the Kundalini (Sanskrit for “coiled serpent”), an enormous reserve of untapped potential within each of us, located around the sacrum or “sacred bone” at the base of the spine. By using proven techniques to gradually awaken this benign serpent and safely deploy its amazing beneficial powers, your life will be transformed into one of health, happiness and harmony. -
Homecoming 2015
October 1, 2015 Volume XXII Hawk Issue 1 Happenings A Publication of Hamburg Area High School, Windsor Street, Hamburg, PA 19526 Gravish Joins Meet our new superintendent - Dr. Mextorf Hamburg Eliza Moseman - 10 Area High New to Hamburg this year is Dr. Richard Mextorf, the superintendent from Grove City Area School District. Dr. Mextorf began his new career at Hamburg Area School District Staff July 1, and has said to have been graciously welcomed ever since. He and his wife Sierra Hafer – 9 moved here to be closer to their family. The main difference between Grove Dr. Stanley Shawn Gravish City and Hamburg is the atmosphere. became the principal at Hamburg Area High over Grove City hosted a college, and the summer. He attended obviously, Hamburg does not. However, Kutztown University to major in he says that Hamburg has very down Social Studies and Secondary to earth people that support the youth. Education and graduated with He originally began his love for his Bachelor’s in Secondary education and helping children when Education. During his college years, 1990-1994, he was he was about ten years old. Though he a student representative at resisted his parents made him attend KU on the Student Council, a Vacation Bible School. While there, he letterman on the men’s tennis was assigned to take care of Eric who team, and he had many other jobs. had cerebral palsy and spina bifida and Dr. Gravish’s favorite times of his high school days were lunch and history. After college was restricted to a wheelchair. -
Decoding Deviance with the Sons of Anarchy
Journal of the Scholarship of Teaching and Learning, Vol. 18, No. 2, June 2018, pp. 90-104. doi:10.14434/josotl.v18i2.22515 Decoding Deviance with the Sons of Anarchy Joseph Kremer Washington State University [email protected] Kristin Cutler Washington State University Abstract: This article explicates the ways that the popular television series Sons of Anarchy in conjunction with our content analysis coding tool can be used to teach theories and concepts central to Sociology of Deviance courses. We detail how students learned to understand deviance as a social constructed phenomenon by coding and analyzing the behaviors of their most liked and most hated Sons characters. Evidence extrapolated from students’ final projects, class discussions, and course evaluations suggests that this pedagogical technique creates a systematic teaching method enabling students to more actively engage in the course while enhancing connections to the course materials. Keywords: deviance, social construction of deviance, popular culture, content analysis Using television and film as a pedagogical tool in sociology is far from a new phenomenon. Scholars have attested to the fact that using television and film helps bring to life abstract sociological theories and concepts, helps to better engage students with course materials, and as a result stimulate their sociological imaginations (Burton, 1988; Champoux, 1997; Demerath III, 1981; Donaghy, 2000; Eaton & Uskul, 2004; Hannon & Marullo, 1988; Hutton & Mak, 2014; Khanna & Harris, 2015; Livingston, 2004; Loewen, 1991; Melander & Wortmann, 2011; Nefes, 2014; Trier, 2010; Wosner & Boyns, 2013). For example, when speaking to the benefits of using the cinema as a teaching tool Champoux (1999) states: “viewers are not passive observers. -
1L-Mock-Trial-Case-File Spring-2021
NO. 20-04202-CV TARA KNOWLES TELLER, individually § IN THE 42nd DISTRICT COURT and as Administrator of the Estate of JAX § TELLER, and as Next Friend for ABEL § TELLER § Plaintiff, § IN AND FOR LUBBOCK COUNTY § v. § SONS OF ANARCHY TRUCKING § EMPIRE, INC., § Defendant. § STATE OF LONE STAR Prepared by: Jacy Pawelek & Patricia Cabrera Texas Tech University School of Law ‘21 3311 18th Street Lubbock, Texas 79409 Copyright 2021 All Rights Reserved This case file was commissioned by the Texas Tech Board of Barristers and was prepared by Jacy Pawelek and Patricia Cabrera for the Spring 2021 1L Mock Trial Competition STATEMENT OF THE CASE Tara Knowles Teller, individually and as Administrator of the Estate of Jax Teller, and as Next Friend for Abel Teller, (“Knowles-Teller”) filed a Complaint against Sons of Anarchy Trucking Empire, Inc. (“SOA”), a corporation incorporated in and with its principal place of business in the State of Lone Star. The Complaint alleged that Jax Teller (“Teller”) was driving in Charming, Lubbock County, State of Lone Star on April 4, 2020, when his motorcycle was struck by a semi-truck owned by SOA and driven by a SOA employee. Teller died in the accident. Knowles- Teller alleged that she was Teller’s wife, and that her son, Abel Teller., born January 8, 2021, is Teller’s son. Knowles-Teller Complaint alleged that SOA employees were negligent in driving the semi-truck in reverse on an access road to a freeway at a high rate of speed and without maintaining proper lookout. The Complaint also alleges that SOA was negligent in entrusting its vehicle to an employee who was not competent to drive the semi-truck. -
Men on Bikes the Outlaw As the New American Anti-Hero in Sons of Anarchy
Men on Bikes The Outlaw as the New American Anti-Hero in Sons of Anarchy Diplomarbeit zur Erlangung des akademischen Grades einer Magistra der Philosophie an der Karl-Franzens-Universität Graz vorgelegt von Stephanie DIMAS am Institut für Amerikanistik Begutachter: Univ.-Prof. Mag. Dr. Stefan L. Brandt Graz, 2017 Eidesstattliche Erklärung Ich erkläre ehrenwörtlich, dass ich die vorliegende Arbeit selbständig und ohne fremde Hilfe verfasst, andere als die angegebenen Quellen nicht benutzt und die den Quellen wörtlich oder inhaltlich entnommenen Stellen als solche kenntlich gemacht habe. Die Arbeit wurde bisher in gleicher oder ähnlicher Form keiner anderen inländischen oder ausländischen Prüfungsbehörde vorgelegt und auch noch nicht veröffentlicht. Die vorliegende Fassung entspricht der eingereichten elektronischen Version. Graz, im August 2017 Unterschrift: 2 Acknowledgement First of all, I want to thank my family (Mama, Wolfgang, Dimitri, Anna, Oma) for their endless support and understanding. I know it took me longer than expected, but you kept encouraging and believing in me. Noah, a very special thank you goes to you even though you are still too young to appreciate it. You came into all our lives as a blessing in more ways than one. Hopefully, you will want to read this one day. Thanks, Papa, for being the very first long-haired biker that I ever admired in my life. Next, I need to give a special thanks to my amazing friends (Angi, Julia, Silke) who gave me the time I needed and still managed to be there every step of the way. I could not have done it without your motivational speeches and helpful distractions. -
Criminal Heroes in Television: Exploring Moral Ambiguity in Law and Justice
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Wilfrid Laurier University Wilfrid Laurier University Scholars Commons @ Laurier Theses and Dissertations (Comprehensive) 2018 Criminal Heroes in Television: Exploring Moral Ambiguity in Law and Justice Amy Henry [email protected] Follow this and additional works at: https://scholars.wlu.ca/etd Part of the Criminology Commons, Social Control, Law, Crime, and Deviance Commons, and the Sociology of Culture Commons Recommended Citation Henry, Amy, "Criminal Heroes in Television: Exploring Moral Ambiguity in Law and Justice" (2018). Theses and Dissertations (Comprehensive). 2105. https://scholars.wlu.ca/etd/2105 This Thesis is brought to you for free and open access by Scholars Commons @ Laurier. It has been accepted for inclusion in Theses and Dissertations (Comprehensive) by an authorized administrator of Scholars Commons @ Laurier. For more information, please contact [email protected]. Running head: MORAL AMBIGUITY IN LAW AND JUSTICE CRIMINAL HEROES IN TELEVISION: EXPLORING MORAL AMBIGUITY IN LAW AND JUSTICE by Amy Henry B.A. Honours Specialization Criminology Western University, 2013 THESIS Submitted to the Department of Criminology in partial fulfillment of the requirements for Master of Arts in Criminology Wilfrid Laurier University © Amy Henry 2018 ii MORAL AMBIGUITY IN LAW AND JUSTICE “Law and justice are not always the same. When they aren't, destroying the law may be the first step toward changing it.” ― Gloria Steinem (Grana, 2010) iii MORAL AMBIGUITY IN LAW AND JUSTICE Abstract Criminal justice is a popular theme in both news and entertainment media. How crime and justice issues are framed can actually legitimize corruption in a society. -
Roget's Thesaurus of English Words and Phrases
Roget's Thesaurus of English Words and Phrases By Roget, Peter Mark English A Doctrine Publishing Corporation Digital Book 493 This book is indexed by ISYS Web Indexing system to allow the reader find any word or number within the document. AND PHRASES*** These files were assembled by L. John Old, Napier University, Edinburgh, #22). ROGET'S THESAURUS OF ENGLISH WORDS AND PHRASES Notes on the automatically-generated Index to Roget's Thesaurus, 1911 edition. Introduction A true Roget's Thesaurus (as opposed to an alphabetically-listed synonym dictionary) is composed of three parts: - a hierarchical classification structure (hierarchy or "Synopsis of Categories"); - a body, which lists the Categories (whose titles are sometimes referred to as "head words" or "headings"), under which are found the groups of semantically- or conceptually-related words and phrases (also called synonyms or entries); - and an Index that lists the entries alphabetically (along with the Category titles and numbers under which the entry may be found in the body). This document contains the complete Index to the 1911 (American) edition. It was generated from the entries (synonyms, phrases and word lists) contained in the Gutenburg/MICRA free E- text thesaurus 14a (plain text version). It is larger than the original 1911 Roget's Thesaurus Index, containing all text entries (i.e. excluding numbers, special characters and parenthetical information) up to 25 characters long (91,000+ entries). Index Entries This Index lacks the intelligence found in the original hand-edited Index, where common-sense aggregations occur. For example A B C and A.B.C. are found under a single Index entry in the original Index. -
00001. Rugby Pass Live 1 00002. Rugby Pass Live 2 00003
00001. RUGBY PASS LIVE 1 00002. RUGBY PASS LIVE 2 00003. RUGBY PASS LIVE 3 00004. RUGBY PASS LIVE 4 00005. RUGBY PASS LIVE 5 00006. RUGBY PASS LIVE 6 00007. RUGBY PASS LIVE 7 00008. RUGBY PASS LIVE 8 00009. RUGBY PASS LIVE 9 00010. RUGBY PASS LIVE 10 00011. NFL GAMEPASS 1 00012. NFL GAMEPASS 2 00013. NFL GAMEPASS 3 00014. NFL GAMEPASS 4 00015. NFL GAMEPASS 5 00016. NFL GAMEPASS 6 00017. NFL GAMEPASS 7 00018. NFL GAMEPASS 8 00019. NFL GAMEPASS 9 00020. NFL GAMEPASS 10 00021. NFL GAMEPASS 11 00022. NFL GAMEPASS 12 00023. NFL GAMEPASS 13 00024. NFL GAMEPASS 14 00025. NFL GAMEPASS 15 00026. NFL GAMEPASS 16 00027. 24 KITCHEN (PT) 00028. AFRO MUSIC (PT) 00029. AMC HD (PT) 00030. AXN HD (PT) 00031. AXN WHITE HD (PT) 00032. BBC ENTERTAINMENT (PT) 00033. BBC WORLD NEWS (PT) 00034. BLOOMBERG (PT) 00035. BTV 1 FHD (PT) 00036. BTV 1 HD (PT) 00037. CACA E PESCA (PT) 00038. CBS REALITY (PT) 00039. CINEMUNDO (PT) 00040. CM TV FHD (PT) 00041. DISCOVERY CHANNEL (PT) 00042. DISNEY JUNIOR (PT) 00043. E! ENTERTAINMENT(PT) 00044. EURONEWS (PT) 00045. EUROSPORT 1 (PT) 00046. EUROSPORT 2 (PT) 00047. FOX (PT) 00048. FOX COMEDY (PT) 00049. FOX CRIME (PT) 00050. FOX MOVIES (PT) 00051. GLOBO PORTUGAL (PT) 00052. GLOBO PREMIUM (PT) 00053. HISTORIA (PT) 00054. HOLLYWOOD (PT) 00055. MCM POP (PT) 00056. NATGEO WILD (PT) 00057. NATIONAL GEOGRAPHIC HD (PT) 00058. NICKJR (PT) 00059. ODISSEIA (PT) 00060. PFC (PT) 00061. PORTO CANAL (PT) 00062. PT-TPAINTERNACIONAL (PT) 00063. RECORD NEWS (PT) 00064. -
Addiction-ATL-Creative-Summary-2017.Pdf
Contact: Global Film Group Raja Collins [email protected] 310.728.5689 Kirkwood Entertainment Pat Asanti [email protected] 323.646.1027 LOGLINE: A 91/2 Weeks meets Unfaithful erotic thriller where a beautiful and emotionally vulnerable woman married to an emotionally repressed workaholic share an idyllic life, but all is unraveled when she becomes entangled in an addictive sexual relationship with a relentless and charismatic ex-street junkie. GENRE: Erotic Thriller COMPARISONS: Unfaithful, The Perfect Guy, Fatal Attraction that generated $53MM to $157MM at the domestic box office PLUS $66MM to $164MM at the foreign box office SYNOPSIS DeAnn is a beautiful, upscale professional woman married to Mark, an emotionally repressed workaholic. Their seemingly idyllic life, that includes a home in an affluent suburb, is shattered when DeAnn becomes entangled in an addictive sexual relationship with Vic, a charismatic ex-street junkie, whom she meets as a passenger in his commercial sedan. Vic is “reformed” and in “program.” Yet, his addictive tendencies emerge, praying on DeAnn’s vulnerability, manipulating her into obsessive erotic acts. DeAnn attempts to break off the relationship before it becomes too out of hand. But, she loses all control as her own addictive tendencies are uncovered. Mark becomes suspicious and hires a private detective. Once Mark discovers the affair and confronts his wife, DeAnn makes another attempt to end the relationship. However, Vic is relentless in his obsession. Finally, at the end of a long day, DeAnn, who is home alone, finds Vic in her suburban bedroom. Although she tries to resist his advances, she melts to his will as they make love in her marital bed. -
The Visual Representation of the Anti-Hero in Quality Tv Case Studies: Breaking Bad, Mad Men and Sons of Anarchy
THE VISUAL REPRESENTATION OF THE ANTI-HERO IN QUALITY TV CASE STUDIES: BREAKING BAD, MAD MEN AND SONS OF ANARCHY Angelica Drappa MASTER THESIS CREATIVE INDUSTRIES FACULTY OF ARTS RADBOUD UNIVERSITY Supervisor: Timotheus Vermeulen August 2016 1 Abstract In this thesis, I investigate the visual style of Breaking Bad, Mad Men and Sons of Anarchy, particularly in regards to each show’s protagonist. Walter White, Don Draper and Jax Teller fall into the same category, the anti-hero, and present the same complex personality, internal struggle and moral ambiguity. In addition, they belong to the same subgenre of Quality TV, whose characteristic is a visual style that strives towards the cinematic. Thus, despite all the traits they have in common, each show employs different visual techniques that set it apart from the others. While addressing the struggle that define each character into analysis, I discuss specific tools the showrunners used to depict and portray their anti-hero and their journey. Specifically, in the case of Breaking Bad I discuss the color symbolism used to depict Walter White and his evolution from family man to drug lord. In regards to Mad Men, I investigate the way space can be used to create an anti-hero in certain physical environments rather than others, and lastly, in regards to Sons of Anarchy, I examine how the concept of Utopia is at the core of the show and this specific anti-hero as a way to maintain the internal conflict typical of this type of character. Ultimately, my research has helped reveal three different way in which the anti-hero can be portrayed, and three different facets in which the cinematic aesthetic belonging to Quality TV can be used to support the narrative.