The Nineteenth Sunday in Ordinary Time
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Leonard Bernstein
Leonard Bernstein Arias and Barcarolles (Bright Sheng version) 1988 31 min for mezzo and baritone, strings and percussion Orchestrated with the assistance of Bright Sheng perc(2):xyl/glsp/vib/small cym/small SD/large SD/chimes/small BD/ tamb/tgl/crotales/small tam-t/police whistle/small wdbl/large wdbl/ small susp.cym/TD-strings Availability: This work is available from Boosey & Hawkes for the world Arias and Barcarolles (Bruce Coughlin version) Leonard Bernstein photo © Susech Batah, Berlin (DG) Leonard Bernstein, arranged by Bruce Coughlin 1988, arr. 1993 31 min VOICE(S) AND ORCHESTRA arranged for mezzo-soprano, baritone and chamber orchestra 1(=picc).1(=corA).1(=Ebcl,asax).1-2.1.0.0-perc(2):timp/SD/low tom-t/ 1600 Pennsylvania Avenue trap set(hi-hat cym/ride cym/BD)/cyms/susp.cym/low gong/crot/ slapstick/rainstick/auto brake dr/police whistle/tamb/tgl/wdbl/ Selections for concert performance glsp/xyl/vib-strings(8.8.6.6.3 or 1.1.1.1.1) 1976 Availability: This work is available from Boosey & Hawkes for the world for solo voice and orchestra Bernstein's Blues Availability: This work is available from Boosey & Hawkes for the world Leonard Bernstein, arranged by Sid Ramin 2003 14 min 1600 Pennsylvania Avenue a suite of four songs arranged for voice and orchestra: Ain't Got No Tears Take Care of this House Left, Lonely Me, Screwed On Wrong, Big Stuff 1976 4 min 2.2.2.2.asax.tsax.barisax-2.2.2.1-timp-perc(trap set)-gtr-pft-strings for voice and orchestra Availability: This work is available from Boosey & Hawkes for the world 1.1.2.bcl.1-2.2.2.1-perc(2):timp/xyl/bells-harp-guitar-pft-strings -
Psalms of Praise: “Pesukei Dezimra ”
Dr. Yael Ziegler Pardes The Psalms 1 Psalms of Praise: “Pesukei DeZimra” 1) Shabbat 118b אמר רבי יוסי: יהא חלקי מגומרי הלל בכל יום. איני? והאמר מר: הקורא הלל בכל יום - הרי זה מחרף ומגדף! - כי קאמרינן - בפסוקי דזמרא R. Yosi said: May my portion be with those who complete the Hallel every day. Is that so? Did not the master teach: “Whoever recites the Hallel every day, he is blaspheming and scoffing?” [R. Yosi explained:] When I said it, it was regarding Pesukei DeZimra. Rashi Shabbat 118b הרי זה מחרף ומגדף - שנביאים הראשונים תיקנו לומר בפרקים לשבח והודיה, כדאמרינן בערבי פסחים, )קיז, א(, וזה הקוראה תמיד בלא עתה - אינו אלא כמזמר שיר ומתלוצץ. He is blaspheming and scoffing – Because the first prophets establish to say those chapters as praise and thanks… and he who recites it daily not in its proper time is like one who sings a melody playfully. פסוקי דזמרא - שני מזמורים של הילולים הללו את ה' מן השמים הללו אל בקדשו . Pesukei DeZimra – Two Psalms of Praise: “Praise God from the heavens” [Psalm 148]; “Praise God in His holiness” [Psalm 150.] Massechet Soferim 18:1 Dr. Yael Ziegler Pardes The Psalms 2 אבל צריכין לומר אחר יהי כבוד... וששת המזמורים של כל יום; ואמר ר' יוסי יהא חלקי עם המתפללים בכל יום ששת המזמורים הללו 3) Maharsha Shabbat 118b ה"ז מחרף כו'. משום דהלל נתקן בימים מיוחדים על הנס לפרסם כי הקדוש ברוך הוא הוא בעל היכולת לשנות טבע הבריאה ששינה בימים אלו ...ומשני בפסוקי דזמרה כפירש"י ב' מזמורים של הלולים כו' דאינן באים לפרסם נסיו אלא שהם דברי הלול ושבח דבעי בכל יום כדאמרי' לעולם יסדר אדם שבחו של מקום ואח"כ יתפלל וק"ל: He is blaspheming. -
Lewinsville Presbyterian Church June 6, 2021 2Nd Sunday After Pentecost 11:00 Am
- LEWINSVILLE PRESBYTERIAN CHURCH JUNE 6, 2021 2ND SUNDAY AFTER PENTECOST 11:00 AM WELCOME The Rev. Dr. Scott Ramsey PRELUDE Prelude on “O Gott du Frommer Gott” Ethyl Smyth OPENING PRAYER The Rev. Jen Dunfee * OPENING HYMN O Day of Rest and Gladness ES FLOG EIN KLEINS WALDOVÖGELEIN O day of rest and gladness, O day of joy and light, O balm of care and sadness, most beautiful, most bright; on you, the high and lowly, through ages joined in tune, sing "Holy, holy, holy" to the great God Triune. On you, at earth’s creation the light first had its birth; on you, for our salvation, Christ rose from depths of earth; on you, our Lord victorious sent Spirit forth from heaven. And thus on you, most glorious, a triple light was given. On you, God’s people meeting, the Holy Scripture hear, Christ’s living presence greeting, through bread and wine made near. New graces ever gaining from this our day of read, We reach the rest remaining to spirits of the blest. CHILDREN’S MESSAGE SCRIPTURE READINGS 2 Corinthians 4:13 - 5:1 Linton Brooks Mark 3:20-35 SERMON Perceptions and Reality The Rev. Dr. Scott Ramsey BAPTISM OF KHOSROW ZAMANI INTRODUCTION OF NEW MEMBERS Wayne Ondiak Miriam St. Clair Khosrow Zamani * AFFIRMATION OF FAITH Apostles’ Creed I believe in God, the Father almighty, Maker of heaven and earth, and in Jesus Christ, his only Son, our Lord, who was conceived by the Holy Ghost, born of the Virgin Mary, suffered under Pontius Pilate, was crucified, dead, and buried; he descended into hell; the third day he rose again from the dead; he ascended into heaven, and sitteth on the right hand of God the Father Almighty; from thence he shall come to judge the quick and the dead. -
To See the 2018 Tanglewood Schedule
summer 2018 BERNSTEIN CENTENNIAL SUMMER TANGLEWOOD.ORG 1 BOSTON SYMPHONY ORCHESTRA ANDRIS NELSONS MUSIC DIRECTOR “That place [Tanglewood] is very dear to my heart, that is where I grew up and learned so much...in 1940 when I first played and studied there.” —Leonard Bernstein (November 1989) SEASONHIGHLIGHTS Throughoutthesummerof2018,Tanglewoodcelebratesthecentennialof AlsoleadingBSOconcertswillbeBSOArtisticPartnerThomas Adès(7/22), Lawrence-born,Boston-bredconductor-composerLeonardBernstein’sbirth. BSOAssistantConductorMoritz Gnann(7/13),andguestconductorsHerbert Bernstein’scloserelationshipwiththeBostonSymphonyOrchestraspanned Blomstedt(7/20&21),Charles Dutoit(8/3&8/5),Christoph Eschenbach ahalf-century,fromthetimehebecameaprotégéoflegendaryBSO (8/26),Juanjo Mena(7/27&29),David Newman(7/28),Michael Tilson conductorSergeKoussevitzkyasamemberofthefirstTanglewoodMusic Thomas(8/12),andBramwell Tovey(8/4).SoloistswiththeBSOalsoinclude Centerclassin1940untilthefinalconcertsheeverconducted,withtheBSO pianistsEmanuel Ax(7/20),2018KoussevitzkyArtistKirill Gerstein(8/3),Igor andTanglewoodMusicCenterOrchestraatTanglewoodin1990.Besides Levit(8/12),Paul Lewis(7/13),andGarrick Ohlsson(7/27);BSOprincipalflute concertworksincludinghisChichester Psalms(7/15), alilforfluteand Elizabeth Rowe(7/21);andviolinistsJoshua Bell(8/5),Gil Shaham(7/29),and orchestra(7/21),Songfest(8/4),theSerenade (after Plato’s “Symposium”) Christian Tetzlaff(7/22). (8/18),andtheBSO-commissionedDivertimentoforOrchestra(also8/18), ThomasAdèswillalsodirectTanglewood’s2018FestivalofContemporary -
Leonard Bernstein's Piano Music: a Comparative Study of Selected Works
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 5-2018 Leonard Bernstein's Piano Music: A Comparative Study of Selected Works Leann Osterkamp The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2572 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] LEONARD BERNSTEIN’S PIANO MUSIC: A COMPARATIVE STUDY OF SELECTED WORKS by LEANN OSTERKAMP A dissertation submitted to the Graduate Faculty in Music in partial fulfillment of the requirements for the degree of Doctor of Musical Arts, The City University of New York 2018 ©2018 LEANN OSTERKAMP All Rights Reserved ii Leonard Bernstein’s Piano Music: A Comparative Study of Selected Works by Leann Osterkamp This manuscript has been read and accepted for the Graduate Faculty in Music in satisfaction of the dissertation requirement for the degree of Doctor of Musical Arts. Date Ursula Oppens Chair of Examining Committee Date Norman Carey Executive Director Supervisory Committee Dr. Jeffrey Taylor, Advisor Dr. Philip Lambert, First Reader Michael Barrett, Second Reader THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Leonard Bernstein’s Piano Music: A Comparative Study of Selected Works by Leann Osterkamp Advisor: Dr. Jeffrey Taylor Much of Leonard Bernstein’s piano music is incorporated in his orchestral and theatrical works. The comparison and understanding of how the piano works relate to the orchestral manifestations validates the independence of the piano works, provides new insights into Bernstein’s compositional process, and presents several significant issues of notation and interpretation that can influence the performance practice of both musical versions. -
Composition Catalog
1 LEONARD BERNSTEIN AT 100 New York Content & Review Boosey & Hawkes, Inc. Marie Carter Table of Contents 229 West 28th St, 11th Floor Trudy Chan New York, NY 10001 Patrick Gullo 2 A Welcoming USA Steven Lankenau +1 (212) 358-5300 4 Introduction (English) [email protected] Introduction 8 Introduction (Español) www.boosey.com Carol J. Oja 11 Introduction (Deutsch) The Leonard Bernstein Office, Inc. Translations 14 A Leonard Bernstein Timeline 121 West 27th St, Suite 1104 Straker Translations New York, NY 10001 Jens Luckwaldt 16 Orchestras Conducted by Bernstein USA Dr. Kerstin Schüssler-Bach 18 Abbreviations +1 (212) 315-0640 Sebastián Zubieta [email protected] 21 Works www.leonardbernstein.com Art Direction & Design 22 Stage Kristin Spix Design 36 Ballet London Iris A. Brown Design Boosey & Hawkes Music Publishers Limited 36 Full Orchestra Aldwych House Printing & Packaging 38 Solo Instrument(s) & Orchestra 71-91 Aldwych UNIMAC Graphics London, WC2B 4HN 40 Voice(s) & Orchestra UK Cover Photograph 42 Ensemble & Chamber without Voice(s) +44 (20) 7054 7200 Alfred Eisenstaedt [email protected] 43 Ensemble & Chamber with Voice(s) www.boosey.com Special thanks to The Leonard Bernstein 45 Chorus & Orchestra Office, The Craig Urquhart Office, and the Berlin Library of Congress 46 Piano(s) Boosey & Hawkes • Bote & Bock GmbH 46 Band Lützowufer 26 The “g-clef in letter B” logo is a trademark of 47 Songs in a Theatrical Style 10787 Berlin Amberson Holdings LLC. Deutschland 47 Songs Written for Shows +49 (30) 2500 13-0 2015 & © Boosey & Hawkes, Inc. 48 Vocal [email protected] www.boosey.de 48 Choral 49 Instrumental 50 Chronological List of Compositions 52 CD Track Listing LEONARD BERNSTEIN AT 100 2 3 LEONARD BERNSTEIN AT 100 A Welcoming Leonard Bernstein’s essential approach to music was one of celebration; it was about making the most of all that was beautiful in sound. -
The Book of Alternative Services of the Anglican Church of Canada with the Revised Common Lectionary
Alternative Services The Book of Alternative Services of the Anglican Church of Canada with the Revised Common Lectionary Anglican Book Centre Toronto, Canada Copyright © 1985 by the General Synod of the Anglican Church of Canada ABC Publishing, Anglican Book Centre General Synod of the Anglican Church of Canada 80 Hayden Street, Toronto, Ontario, Canada M4Y 3G2 [email protected] www.abcpublishing.com All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the written permission of the publisher. Acknowledgements and copyrights appear on pages 925-928, which constitute a continuation of the copyright page. In the Proper of the Church Year (p. 262ff) the citations from the Revised Common Lectionary (Consultation on Common Texts, 1992) replace those from the Common Lectionary (1983). Fifteenth Printing with Revisions. Manufactured in Canada. Canadian Cataloguing in Publication Data Anglican Church of Canada. The book of alternative services of the Anglican Church of Canada. Authorized by the Thirtieth Session of the General Synod of the Anglican Church of Canada, 1983. Prepared by the Doctrine and Worship Committee of the General Synod of the Anglican Church of Canada. ISBN 978-0-919891-27-2 1. Anglican Church of Canada - Liturgy - Texts. I. Anglican Church of Canada. General Synod. II. Anglican Church of Canada. Doctrine and Worship Committee. III. Title. BX5616. A5 1985 -
Mahzor Lev Shalem (Lev) to Machzor Eit Ratzon (Eit)
This page guide enables you to determine the page in the Machzor Eit Ratzon (Eit) that corresponds to a page in Machzor Lev Shalem (Lev) in the Rosh Hashanah Service. (Note that in most cases only the initial page is given for an individual prayer.) You may cut out this page guide and tape it to the inside cover of a copy of Machzor Eit Ratzon. Page Guide – Rosh Hashanah Services from Mahzor Lev Shalem (Lev) to Machzor Eit Ratzon (Eit) Lev Eit Lev Eit Evening Torah Service Psalm 92 (on Shabbat) 4 6-7 Taking Torah from Ark 96ff 201ff Bar’chu 5 8 Blessings for aliyah 99 205 Sh’ma 6 10 Torah Reading – Day 1 100 212 V’shamru + Tiku 9 16 Torah Reading – Day 2 103 220 Half Kaddish 10 17 Haftarah – Day 1 108 216 Silent Amidah 11ff 18ff Haftarah – Day 2 111 223 Vaychulu (on Shabbat) 18 49 Haftarah blessings 114 209 Complete Kaddish 19 73 Shofar Service 119 241 Kiddush 24 74 Musaf Aleynu 25 75 Ashrei 120 243 Mourner’s Kaddish 26 78 Return Torah to Ark 121 245 Psalm 27 27 79 Half Kaddish 123 247 Yigdal 28 81 Silent Musaf Amidah 125ff 250ff Morning Hin’ni 140 249 Morning Blessings 34 83 Repetition of Amidah 141ff 250ff Psalm 30 45 91 Un’taneh Tokef 143 252 Mourner’s Kaddish 46 78 K’dushah 145 255 Baruch She’amar 47 93 V’chol Maaminim 146 257 Psalm 19 51 94 Uv’chein Tein Pachdcha 149 259 Psalm 34 52 96 V’yeetayu 150 260 Psalm 91 54 98 Malchuyot 154 265 Psalm 136 56 100 – Shofar 158 270 Psalm 92 58 101 Zichronot 160 271 Psalm 93 59 98 – Shofar 162 276 Ashrei 60 103 Shofarot 164 277 Psalm 146 61 105 – Shofar 166 281 Psalm 148 62 106 Priestly Blessing -
Reflection and Emergence: Celebrating 20 Years of the Academy for the Love of Learning and Leonard Bernstein’S 100Th
Reflection and Emergence: Celebrating 20 years of the Academy for the Love of Learning and Leonard Bernstein’s 100th 201 AUGUST 25 8 1 Copyright © 2018 Academy for the Love of Learning, Inc. © Kate Russell About the Academy 2018 marks both The Academy for the Love of Learning’s 20th anniversary and the centennial of the birth of the 20th century musical giant Leonard Bernstein. The Academy shares a deep history with Leonard Bernstein, and ultimately was birthed from an intense collaboration between Bernstein and Academy founder and President Aaron Stern during the fnal decade of Bernstein’s life. Stern, then Dean of the American Conservatory of Music in Chicago, had a profound discovery about learning while observing how music students learned music. From that discovery, Stern recognized that a restoration of the human capacity to learn was essential not only to the revitalization of music, but all of education and more generally, Western culture itself. From this, Stern began to develop a body of work, pedagogy and learning methodologies that are now at the center of the Academy for the Love of Learning. Stern’s approach to learning found its counterpart in Bernstein’s vision for a better world and a lifelong commitment to sharing that vision through music. Stern’s clear conviction that by “taking the lid of learning, we can learn ourselves to a better world, individually and collectively” touched and inspired Bernstein deeply toward the end of his life. Bernstein invested in Stern enormously during that last decade of his life. Following Bernstein’s death in 1990, Stern developed further and implemented peripatetically the methodologies he frst began to explore while at the Conservatory. -
Tbsl Tyrxs SHACHARIT L’SHABBAT Shabbat Morning Connection I Kabbalah4all Transliteration Guidelines
tbsl tyrxs SHACHARIT L’SHABBAT Shabbat Morning Connection i Kabbalah4All Transliteration Guidelines Please note that transliteration guidelines are different according to each culture and also within each movement of Judaism. We have developed these guidelines for use with our transliterated documents. They may or may not apply to transliterations put out by other movements including the various organizations teaching Kabbalah. a as in Creator ai as in aisle e as in red ei as in eight i as in pizza o as in no oy as in toy u as in tune ch as in Bach in German (strong sound from the throat) g as in give tz as in lots ’ typically adds an “EH” sound after a consonant, this is known as a Shva Na or pronounced Shva as in the word “Sh’ma”. - a dash is simply used to aid in pronounciation, usually if two like vowels follow each other, as in the word “da-at.” In Hebrew, the accent generally falls on the last syllable, however it sometimes falls somewhere else in the word. In our transliteration, when the syllable falls somewhere else other than the last syllable, that stressed syllable will be underlined. Example: Melech. Hebrew Rules The following are some of the Hebrew rules you may notice in our siddurim (connection books). In Hebrew, the accent generally falls on the last syllable, however it sometimes falls Kjl¤ n«¤ somewhere else in the word. Whenever a syllable other than the last is accented, a “meteg” (the vertical line under the first letter) will appear. The “masoret” above the letter Chaf indicates that this is a Kamatz Katan, which is lkǨ pronounced as “o”; in this example the word is “kol.” The “rafe” above a letter indicates it is a Shva Na. -
The Daily Morning Service
The Daily Morning Service - Bir-kot Ha-Shachar, Blessings of Dawn This section contains the blessings for the ritual garments usually worn during prayer – tallit and tefilin. SS Hebrew Name Description/Thoughts 2 Modeh Ani, I Give Thanks 4 …L’hit-a-teyf Ba-tzit-tzit, To engulf oneself in tzitzit 4 …L’ha-niach tefilin, to place tefilin (for the arm) 4 …Al Mitzvat tefilin, concerning the mitzvah of tefilin (for the head) 6 V’ay-ris-tich Li L’Olam, I will betroth you to me forever 6 ...Asher Yatzar, Who formed (humanity with wisdom) 6 …La-Asok B’Divrei Torah, To be occupied with words of Torah 8 Elohai Neshama, Almighty, the soul (which you have given me is pure) 10 …Asher Natan La-Shich-vei…, Who has Given to the rooster (the ability to distinguish day from night) 23 Shir Shel Yom. A different Psalm for each day of the week. Sunday’s is on Page 23 of Sim Shalom 50 (Psalm 30) Mizmor Shir Hanukat Ha Bayit, A Song for the Dedication of the Temple 52 Kadish Yitom, Mourners Kaddish P’sukei d’Zimra, Verses of Song SS Hebrew Name Description/Thoughts 54 Baruch she’amar, Blessed is the One who spoke (and the world came into being) 54 Chronicles 16:8-36, which describes David bringing the Ark into Jerusalem 58 A mixture of verses from psalms, beginning with Romemu (exalt God) 60 (Psalm 100) Mizmor L’Todah, A Song of Thanks 80 Mixture of Biblical Verses 80 (Psalm 145) Ashrei; For its use in the liturgy, two lines are added to Psalm 145. -
WEST SIDE STORY at La Scala
rt• s News for friends of Leonard Bernstein Spring/Summer 2000 The Leonard Bernstein To Our Collection Online Readers )$'. Leonard Bernstein Collection - Netscape ll!!I~ £i n typically exuberant fashion, file fdit )!iew Lao y,!indow !:!elp ILeonard Bernstein has taken a ~~drif.~l bold posthumous leap into the Search Guide Print Security 21st Century. Ever the multi media artist, Bernstein now has ~ Instant Message @) Internet d Lookup O New!.Cool @) RealPlayer a groundbreaking Internet AiW#!WMMAW11#11JM!AM-WMMiWiWM!AM•MMWl&WM;W#S presence through his archives, made available online by the Library of Congress. When the idea for this project was first being discussed eight years ago, C~onard it almost seemed like science fiction: the Bernstein archives accessible from a home computer? ~e-rnste-io Really? As usual, Bernstein turns out to be on the cutting edge. Colle-ctio At the same time that new media are being explored, it's ca.1920-1989 good to see the old media being Music Division, Library of Congress preserved, as the Grammy Foundation is doing with the Search by Keyword I Browse by Title Index I Name Index I Subject Index restoration of Bernstein's Omnibus kinescopes. And in another showing in an old medium - that creaky by Mark Eden Horowitz photographs, 1,100 pieces of dence, photographs, audio and dinosaur, television - we saw correspondence, 177 scripts from video recordings, fan mail, two WEST SIDE STORY leap to life hen WEST SIDE the "Young People's Concerts," conducting suits worn by Bernstein, in a crackling series of commer STORY debuted in 74 scripts from the "Thursday batons, and other types of materials.