Book Review:" Mother of the Universe: Visions of the Goddess
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Sufism in the Western History : a Primary Outline
Sufism in the Western History : A Primary Outline Andrew Rawlinson University of Lancaster Abstract The phenomenon of Western Sufi teachers is unique, not just because of the individuals themselves, though they are certainly fascinating, but because of what they represent: the flowering of the Western genius, which has discovered Eastern traditions, absorbed them and in the process changed them and been changed by them. This paper is a primary outline of the main contours of this phenomenon, trying to brief its history and attempt an explanation of what it means. Keywords: Sufism, Western Sufism, Mysticism, History of Sufism Introduction About a century ago there were no Western gurus - no Westerners who were Hindu swamis, Zen roshis or Sufi sheikhs. Now there are hundreds. From a standing start, the West has produced its own spiritual teachers in traditions that were originally quite foreign. And in the last 25 years, a number of independent teachers have appeared, who belong to no tradition but teach from themselves. These people are changing Western culture by making available a view of the human condition which is new in the West. This view is based on four principles: - human beings are best understood in terms of consciousness and its modifications, - consciousness can be transformed by spiritual practice, - there are gurus/masters/teachers who have done this, - and they can help others to do the same by some form of transmission. Hundreds of thousands of Westerners now accept this teaching. To begin with, it was propounded by Easterners: Buddhists, Hindus and Sufis. But gradually Westerners began to teach the Buddhist, Hindu and Sufi versions of it. -
Treecuts : Video Classics
the meaning of a compulsion to endure this primitive race with Visual images of elephants, tigers, leopards, water buffalo, and Death. It ends with producer Bill Marpet in the bull ring, trembling in birds weave through the tape, powerful metaphors for states of being his boots but gamely waving a cloth before a bull calf. He grins and in life and death and the hereafter. Throughout, Reeves questions waves, now a participant as well as observer of this age-old ritual. what is real, what is lasting, what is meaningful. What can a poor man do? SABDA is his answer. Dan Reeves came to international prominence with his award- winning autobiographical tape, SMOTHERING DREAMS. Eager to sepa- Sabda rate from his searing memories of the Vietnam war, Reeves's recent have been more poetic, revealing Dan Reeves tapes, such as Haiku and Amida, by the profound influence of Eastern philsophy, religion, and an on his 1984. 15 min. color, work. Distributor: EAI. Formats: 314", VHS, Beta. Credits; ProducerlPhotographerlEditor Dan Reeves Associate ProducerlSound Recordist Debra Schweitzer Post-production Assistant Selected Treecuts Larry Mishkin CMX EditorlDigital Video Effects Richard Feist Post- Production Facility Matrix Video. Thanks Lillian R. Katz, Larry by Steina Mishkin, Marcia Dickerson, Marilyn and Bob Schweitzer, 185 Cor- poration. "Kabir's Song" translated 1981 . 6 min. color & b/w. by Swami Chidvilasananda; po- Vasulkas. Format: '14". -try by Nammalvar translated by A. K. Ramanujan; by Kabir, trans- Distributor: The lated by Linda Hess; by Basavanna, translated by A. K. Ramanujan; Awards: Ithaca Video Festival 5y Ramprasad Sen, translated by Leonard Nathan and Clinton Seely. -
The Heritage of India Series Bengali Lyrics
T HE HERITAGE O F INDIA SERIES Z A IA T he Right Reverend V . S . A R H , LL . D . o . ( Cantab . Bisho p of D rnakal A A . D . itt . J . N . F R QU H R , M . A , L A lready publi c/zed. h M A he of udd sm . SA UND R T Heart B i K J . E S , . M M A A o . A I s ka J CPH L , A E W C c u d . RINC I P L P R CY R N In ian Painting P B O , al tta . 2 d e d E A s u . I C B . Kanare e Literat re , n P R E , h T h am S m . A . I e s k ya yste BERR EDA LE KE ITH , D . Litt . h N M A m of M S . I C O L CNI C L M .A . Psal s arat a aints O , , D Litt . A s o of d u . A Hi t ry Hin i Literat re F . E KE Y , M D . Litt . m - T he M m ms . A . RRI DAL L Kar a i a a BE E E KEITH , D . C . D . Litt . m of the S mi S . I N B UR B A H ns Ta a e a n s GS , . y l ivit i t F K Y , nd I M a G . E . PH LLI P S , A . Ra r M C . b ind an at h T o . -
Ibn Al-'Arabi's Collection of 101 Transmissions
Bismillahi-r-Rahmani-r-Rahim ALLAH Beginning With The Name Of, the tenderly Merciful and Infinitely Loving PART I. From the introduction of the English translation & interpretation by Shaykh Nur/Lex Hixon & Shayka Fariha al-Jerrahi IBN AL-'ARABI'S COLLECTION OF 101 TRANSMISSIONS Ibn al-'Arabi, the Greatest Shaykh as he came to be called, was born in the 12th Century in Islamic Spain. At a young age his outstanding intellect and luminous presence had attracted many of the living teachers and guides. Very early he himself became a guide for the Sufi community and a spiritual authority on Qur'an and Hadith. The doctors of theology, the 'ulama, often found his radical interpretations, revealing the all-merciful nature of Allah, in contradiction to their own narrow point of view-- and at certain times his life was in danger from the people of dogma. However, his stature as a spiritual giant protected him. The volume of Ibn al-'Arabi's writing was immense, creating a vast reservoir of mystic knowledge for all seekers of knowledge and practitioners of Sufism. At the age of twenty five it was divinely revealed to him that he was the "Seal of Muhammadan Sainthood", "the Seal of the Saints". He was the one who would reveal to the greatest degree the light of the Prophet Muhammad's heart and the hidden oceanic depths of knowledge. Therefore he is the highest authority on the interpretation of Qur'an and Hadith after the Prophet and Hazreti 'Ali. This is why he came to be called the greatest of skaykhs, the treacher of shaykhs, al-Shaykh al-Akbar. -
Curriculum Vitae, C.B
The University of Chicago DEPARTMENT OF SOU TH ASIAN LANG UAGES AND CI VILI ZATIO NS Foster Hall 1130 East 59th Street Chicago • illinois 60637 [email protected] http://home.uchicago.edu/~cbs2/ May, 2012 Clinton B. Seely, Professor Emeritus DEGREES: A.B., Biology, Stanford University, 1963 A.M., South Asian Languages and Civilizations, The University of Chicago, 1968 Ph.D., South Asian Languages and Civilizations, The University of Chicago, 1976 DOCTORAL DISSERTATION TITLE: Doe in Heat: A Critical Biography of the Bengali Poet Jibanananda Das (1899-1954) with Relevant Literary History from the Mid-1920's to the Mid-1950's. PROFESSIONAL EXPERIENCE: Professor of Bengali, The University of Chicago, 2004- Associate Professor of Bengali, The University of Chicago, 1983-2004 Assistant Professor of Bengali, The University of Chicago, 1975-83 Assistant Professor of Bengali, University of Minnesota, 1977-78 Instructor in Bengali, The University of Chicago, 1971-75 Instructor in Bengali, University of Illinois, summer 1967 Assistant Language Coordinator, Peace Corps Training Program, The University of Chicago, 1966 Peace Corps Volunteer, East Pakistan, 1963-65 ACADEMIC AWARDS: National Defense Foreign Language Fellowship, The University of Chicago, 1965-68 Foreign Area Fellowship, England, India, East Pakistan, & the US, 1968-71 Fulbright-Hays Faculty Research Abroad Fellowship, Bangladesh, 1981-82 American Institute of Indian Studies, Senior Research Fellowship, India, 1982 U.S. Department of Education, 1983-85 Consortium for Language Teaching and Learning, 1988 Consortium for Language Teaching and Learning, 1989 "Ashoke Kumar Sarkar Memorial" Ananda Prize (Calcutta), 1993 Special Award, 2nd North America Bangla Literature & Culture Convention (Chicago), 1997 Dinesh Chandra Sen Research Society's "4th Annual Award for Excellence in Research in Bengali Literature" (Calcutta), 1999 Distinguished Service Award, Cultural Association of Bengal, presented at the North American Bengali Conference (Baltimore), 2004 A.K. -
The Case of American Sufi Movements1
HYBRIDIDENTITY FORMATIONS IN MUSLIMAMERICA Hybrid Identity Formations in Muslim America: The Case of American Sufi Movements’ Marcia Hermansen Loyola University Chicago, Illinois he minimal attention given to Sufi movements in much previous scholarship on Muslims in America’ is indicative of the assumption T that these movements were marginal to the concerns of most Muslims living in the United States and insignificant in terms of their impact on American culture and institution^.^ At the same time, organizations and publications sponsored by the American Muslim community have largely ignored S~fism.~One academic study called Sufis “the hidden Muslims” of America since they had been largely overlooked by the few sociological studies of American Muslim communities, and because, in many cases, adherents do not attend mosques or belong to mainstream Islamic organi- zations .5 The following study contends that these movements are worthy of attention and that their impact in terms of both the Muslim community and American culture is significant and increasing. The literary output of American Sufi movements is by now so vast that it would require a volume rather than an essay to adequately present the history and doctrines of each of the groups in detail. I therefore aim to provide an overview of major groups, their history and their activities. There is a range of movements that can be considered Sufi-oriented, or that have been influenced to various degrees by the tradition of Islamic mysticism. It is not within the scope of this paper to evaluate the authentici- ty of any movement or individual. However, if the standard for terming a movement “Sufi”were to mean the practice of Islamic law, not all of these movements would be included. -
Rel-3330-Religions-Of-India-Vose.Pdf
FLORIDA INTERNATIONAL UNIVERSITY Department of Religious Studies Religions of India: Journey to the Real REL 3330 / RLG 5331 Spring 2017 Instructor: Dr. Steven M. Vose Class Hours: TR 2:00-3:15 Office: DM 359-A Graduate Session: T 3:30-4:45 Office Hours: TR 12:30-1:45, or by appointment Classroom: PCA 150 Email: [email protected] Phone (office): 305-348-6728 ‘The self that is free from evils, free from old age and death, free from sorrow, free from hunger and thirst; the self whose desires and intentions are the Real— that is the self that you should try to discover.’ ~Chāndogya Upaniṣad, 8.7.1 Course Description: This course is a historical survey of the development of religious concepts, practices and traditions in the cultural region classically known as India and today referred to as South Asia. Beginning with a consideration of the Indus Valley Civilization and the formation of Vedic religion, the course traces the development of Hinduism, Jainism, Buddhism, Islam, and Sikhism. The course will compare concepts of the self, salvation, ethics, devotion, ritual practice and visual culture across traditions from the earliest writings and material objects to contemporary times. The course will also explore religious issues facing modern India, beginning with colonialism and Indian “reformers,” Gandhi and the independence movement, Partition, and culminating with a consideration of Hindu nationalism and the status of minority groups in India today. The course examines both continuity and change over time, demonstrating how contact and debates among traditions have given them their current shape. The graduate session will examine key readings shaping the study of religion in South Asia. -
Secularism Has Failed As a Social System, Indicating His Reservations About Ba‘Thist Domination of Syrian Society
Sufism 00a_i-xii_c 14/11/08 17:32 Page i Catharina Raudvere is Professor of the History of Religions at Copenhagen University, and the author of The Book and the Roses: Sufi Women, Visibility, and Zikir in Contemporary Istanbul (I.B.Tauris, 2003), Islam: An Introduction and Muslim Women’s Rituals (both forthcoming, I.B.Tauris). Leif Stenberg is Associate Professor of Islamology at Lund University, and co-editor, with Birgit Shaebler, of Globalization and the Muslim World: Culture, Religion and Modernity. Sufism 00a_i-xii_c 14/11/08 17:32 Page ii Library of Modern Religion 1. Returning to Religion: Why a Secular Age is Haunted by Faith Jonathan Benthall 978 1 84511 718 4 2. Knowing the Unknowable: Science and Religions on God and the Universe John Bowker [Ed] 978 1 84511 757 3 3. Sufism Today: Heritage and Tradition in the Global Community Catharina Raudvere & Leif Stenberg [Eds.] 978 1 84511 762 7 4. Apocalyptic Islam and Iranian Shi’ism Abbas Amanat 978 1 84511 124 3 5. Global Pentecostalism: Encounters with Other Religious Traditions David Westerlund 978 1 84511 877 8 6. Dying for Faith: Religiously Motivated Violence in the Contemporary World Madawi Al-Rasheed & Marat Shterin [Eds.] 978 1 84511 686 6 7. The Hindu Erotic: Exploring Hinduism and Sexuality David Smith 978 1 84511 361 2 8. The Power of Tantra: Religion, Sexuality and the Politics of South Asian Studies Hugh B. Urban 978 1 84511 873 0 9. Jewish Identities in Iran: Resistance and Conversion to Islam and the Baba’i Faith Mehrdad Amanat 978 1 84511 891 4 10. -
The Rise of Shyama Sangeet in Bengal: Domestication of the Ferocious Kali Through Songs
ISSN 2664-8067 (Print) & ISSN 2706-5782 (Online) South Asian Research Journal of Arts, Language and Literature Abbreviated Key Title: South Asian Res J Art Lang Lit | Volume-3 | Issue-5 | Sep-Oct- 2021 | DOI: 10.36346/sarjall.2021.v03i05.001 Review Article The Rise of Shyama Sangeet in Bengal: Domestication of the Ferocious Kali through Songs Sudeshna Saha Roy* M.A Literary Arts and Creative Writing (2019-21), Ambedkar University Delhi, Lothian Road, Kashmere Gate, Delhi- 110006, India *Corresponding Author Sudeshna Saha Roy Article History Received: 22.07.2021 Accepted: 30.08.2021 Published: 03.09.2021 Abstract: In this paper, I will be focusing on Ramprasadi Shyama Sangeet - how Ramprasad‟s songs were beyond his subject, bringing in several contexts that emphasized the portrayal of his subject, Kali. Ramprasad Sen (1718-1775) wrote and composed almost 300 Shakta songs in Bengali dedicated to Maa Kali. Other poets like Kamalakanta Bhattacharya, Mahendranath Bhattacharya were other notable poets who followed Ramprasad Sen. Their written poems were sung and performed in the villages and they later found their way to the cities. Shyama Sangeet is one of the most integral parts of Bengali culture. This experience has found a continuous representation in all his songs. He wrote songs for farmers, businessmen mirroring the social crises, debts that a common man has. These brought in the social and economic aspects of the Bengal province of Colonial India. The rise of these songs took place in an extremely volatile political state. On one level, it was used as a tool for creating an anti-Mughal attitude on the other level it created an anti- colonial mindset by grasping the roots of power and motherhood of the nation. -
Journal of Religious Culture Journal Für Religionskultur
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Hochschulschriftenserver - Universität Frankfurt am Main _________________________ Journal of Religious Culture Journal für Religionskultur Ed. by / Hrsg. von Edmund Weber in Association with / in Zusammenarbeit mit Matthias Benad Institute of Religious Peace Research / Institut für Wissenschaftliche Irenik Goethe-Universität Frankfurt am Main ISSN 1434-5935 - © E.Weber – E-mail: [email protected] - web.uni-frankfurt.de/irenik __________________________________ No. 129.2 (2009) The Emancipation of Goddess Kali in the Songs of Ramprasad Sen By Edmund Weber Introduction In the poems of the great Bengali poet Ramprasad Sen we see female emancipa- tion is not restricted to human beings only but to divine ones, too. In this case a mythical figure 1, Kali, the Mother-Goddess, liberates herself from the bondage 1 The ground of human existence is not at the disposal of human beings. Its articulation is the matter for religion, whereas all the concretisations of existence organised by the capacities of human beings constitute culture. Religion has to be mythical in order to secure the indefinable condition of human existence. Substituting it by pseudo-rational definitions a non-mythical articulation only covers the indefinability. Then a serious look at the existential ground is not possible anymore, and the human being is at the mercy of his illusionary self-definitions. Therefore, contending the so-called 'Giving Meaning' as the main duty of religion turns upside down. Reason is 'Giving Meaning' is nothing than a cultural fabrication, moreover it is the most aggressive and dangerous illusion about human exis- tence. -
The Reorganization of Political Power 2
Contents Preface xxv Acknowledgments xxix A Note on Transliteration xxxi Chronology xxxiii Thematic Table of Contents xli List of Maps lvii 1. The Eighteenth Century: Ferment and Change 1 The Reorganization of Political Power 2 Aurangzeb: Letters to His Sons 4 Shah Wali-Allah: The Urgency of Political Instability 5 Iradat Khan: Decay at the Center of the Empire 7 Rebelling Against the Mughals: The Sikhs 8 Muhammad Qasim on Banda Bahadur’s Sikh Army 9 The Sikh Religious Code: Lives of Discipline and Devotion 10 Marathas: Courtiers, Rebels, Raiders, and State Builders 11 The History of Khafi Khan and the Story of Tara Bai 12 Ahilya Bai Holkar: A Maratha Woman Ruler 13 vi Contents The Marathas as Raiders: A Bengali Perspective 14 Forts and War: The Essential Features of Any Kingdom 15 The Reality of War for a Common Soldier 16 The Chronicle of Bhausahib: Defeat in 1761 of the Marathas at Panipat 16 Tipu Sultan: Visionary Ruler of Mysore 18 The Infl uence of Commerce 20 Bankers and Traders: The Powers Behind the Thrones 21 “Business Men are the Glory and Ornament of the Kingdom” 22 Ananda Ranga Pillai: Merchant and Agent of the French 23 Ghulam Husain Khan: The Nawab of Bengal, the Marathas, and the Jagat Seths 24 Abu Talib: Cultural Comparisons, India Versus the West 26 On the Margins of Power 27 The Sannyasi Uprising 28 Himmat Bahadur, the People’s Hero 29 Religious Expressions, Devotional and Intellectual 30 Ramprasad Sen: Singing to the Goddess in Bengal 31 The Poetry of Nagaridas: Krishna Devotion in Vrindavan 33 Tyagaraja: Telegu Composer -
Ramprasad Sen - Poems
Classic Poetry Series Ramprasad Sen - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Ramprasad Sen(1718 - 1775) Ramprasad Sen was a Shakta poet of eighteenth century Bengal. His bhakti poems, known as Ramprasadi, are still popular in Bengal—they are usually addressed to the Hindu goddess Kali and written in Bengali. Stories of Ramprasad's life typically include legends and myths mixed with biographical details. It is said that, Ramprasad was born into a Tantric family, and showed an inclination towards poetry from an early age. He became a disciple of Agamavisha, a Tantric scholar and yogi. Ramprasad became well known for his devotional songs, eventually becoming the court poet for the king Krishna Chandra of Nadia. His life has been the subject of many stories depicting his devotion to, and relationship with, Kali. Ramprasad's literary works include Vidyasundar, Kali-kirtana, Krishna-kirtana and Shaktigiti. Ramprasad is credited with creating a new compositional form that combined the Bengali folk style of Baul music with classical melodies and kirtan. The new style took root in Bengali culture with many poet-composers combining folk and raga- based melodies, mixing every common style of music from classical to semi- classical and folk. His songs are sung today, with a popular collection—Ramprasadi Sangit ("Songs of Ramprasad")—sold at Shakta temples and pithas in Bengal. <b>Biography</b> Biographies of Ramprasad are a mixture of biography, metaphor, and legend. <b>Early Life</b> Ramprasad was born in Halisahar, a village on the banks of the Ganges about thirty-five miles north of Kolkata, into a Tantric Vaidya-Brahmin family.