Osibisa Ojah Awake Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Osibisa Ojah Awake mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Ojah Awake Country: Yugoslavia Released: 1976 Style: Afrobeat, Funk, Disco MP3 version RAR size: 1227 mb FLAC version RAR size: 1431 mb WMA version RAR size: 1357 mb Rating: 4.4 Votes: 439 Other Formats: MIDI MP2 DTS MPC APE DXD DTS Tracklist Hide Credits The Coffee Song A1 3:14 Guitar – Jake Solo*Written-By – Hillard*, Miles* The Warrior A2 3:43 Guitar – Jake Solo*Written-By – Bertha Egnos, Gail Lakier Flying Bird 'Anoma' A3 4:40 Written-By – Gyan, Tontoh*, Amarfio*, Osei* Cherryfield A4 4:30 Violin – Graham SmithWritten-By – Tontoh*, Amarfio*, Osei*, Richardson* Dance The Body Music A5 3:48 Written-By – Gyan, Tontoh*, Amarfio*, Osei* Ojah Awake B1 4:52 Written-By – Gyan, Tontoh*, Amarfio*, Osei* Keep On Trying B2 5:17 Written-By – Gyan, Ayivor*, Tontoh*, Amarfio*, Osei* Hamattan B3 6:04 Written-By – Gyan, Tontoh*, Amarfio*, Osei* Sakabo B4 3:58 Written-By – Ayivor*, Tontoh*, Odumosu*, Amarfio*, Osei* Companies, etc. Recorded At – Roundhouse Studios Credits Backing Vocals – Osibisa Bass – Mike Odumosu Congas, Percussion – Kofi Ayivor Drums, Bongos, Bells [Cowbells] – Sol "RhythmMan" Amafio** Engineer – Ashley Howe Engineer [Assistant] – John Gallen, Mark Dearnley, Peter Gallen, Trevor Hallesy Guitar, Vocals – Wendell Richardson Lacquer Cut By – ZP* Organ, Piano, Clavinet, Synthesizer [Moog], Vocals – Kiki Gyan Photography By, Design Concept – Graham Hughes Producer – Gerry Bron Tenor Saxophone, Soprano Saxophone, Flute, Drums [African], Vocals, Producer [Assistant] – Teddy Osei Trumpet, Flugelhorn, Cabasa, Bells, Rattle, Timbales – Mac Tontoh Notes Recorded at the Roundhouse Recording Studios London, 1976 Barcode and Other Identifiers Matrix / Runout (Side A): LBS 70823-1 ZP 11177 Matrix / Runout (Side B): LBS 70823-2 ZP 11177 Other versions Category Artist Title (Format) Label Category Country Year ILPS 9411 Osibisa Ojah Awake (LP, Album) Bronze ILPS 9411 UK 1976 102.1077-2 Osibisa The Warrior (CD) Soundwings 102.1077-2 Europe 1991 BRON 411 Osibisa Ojah Awake (LP, Album) Bronze BRON 411 India 1976 24-411 Osibisa Ojah Awake (LP, Album) Bronze 24-411 Australia 1976 102.1077-2 Osibisa The Warrior (CD, RP) Soundwings 102.1077-2 Spain Unknown Related Music albums to Ojah Awake by Osibisa Various - Million Sellers 17 - The Seventies Osibisa - Dance The Body Music Osibisa - Osibisa Osibisa - Super Fly T.N.T. (Original Motion Picture Soundtrack) Various - The Bronze Story Osibisa - Happy Children Osibisa - Woyaya Osibisa - Heads.

Copy Link

Recommended publications

Bulletin-072620-Fina
United Church of Christ Eighth Sunday After Pentecost July 26, 2020 Zoom Worship Pharaoh by A Sanctified Art WE GATHER TO WORSHIP GOD PRELUDE Go Down, Moses arr. Anthony Giamanco WELCOME & ANNOUCEMENTS Rev. Todd Atkins-Whitley 1 CALL TO WORSHIP Jack Stickler Listen. I have a story to tell— A story of a God who longed for justice. A story of a God who pushed back the waters to make dry land. A story of a God who would not take “no” for an answer when it came to the safety of God’s own. For God’s people were suffering. God’s people were crying out. God’s people were shackled and bound by oppression. So God said to Moses, “Speak.” “Let my people Go.” And Moses spoke— Over and over again. Moses stood up for justice, But over and over again, Pharaoh said no. Power said no. The path to justice is never easy, is it? The path to change is never a straight line, is it? So like Rosa, who sat on the bus, and Martin who had a dream, Moses kept trying. God kept speaking. Moses kept listening. Hope kept breathing. And when power tried to unravel justice, the people kept dreaming. God longed for justice. God still longs for justice. So let us worship God— For human injustice will never be strong enough to unravel God’s dream that all might be free, And all might know love. Let us worship holy God. PRAYER OF CONFESSION Rev. Mariah Callison One: God, you have asked us to be like Moses— Standing up for your people, standing up for justice.
[Show full text]
Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Afﬁnity-Afﬁnity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London.
[Show full text]
2008/04/05 Akwaaba / Osibisa Osibisa∼Woyaya Djama / Les
2008/04/05 Akwaaba / Osibisa Osibisa～Woyaya Djama / Les Amazones de Guinee Wamato Ali Farka Toure / Toumani Diabate The Mande Variations Kaounding Cissoko / Toumani Diabate The Mande Variations Prelude and Fugue No 5 in D Major, BWV850 / Glenn Gould The Little Bach Book If I Were An Angel / Marc Cohn Join The Parade Oh Happy Day / The Edwin Hawkins Singers Testify! - The Gospel Box Franklin's Tower / Grateful Dead Road Trips Vol. 1, No.1 : Fall‘79 Love The One You're With / Isley Brothers Givin' It Back Mambo / Cachao Master Sessions Volume 1 El Timbalero Travieso / Cachao Master Sessions Volume 2 In A Silent Way～It's About That Time / Miles Davis In A Silent Way 2008/04/12 Romanian Hora～Black Jack Grove / Mozaik Live from the Powerhouse O'Donoghue's / Mozaik Changing Trains Money's Too Tight / Valentine Brothers First Take What Does It Take (To Win Your Love) / Don Byron Do The Boomerang - the Music of Junior Walker We Can Work It Out / Stevie Wonder Love Songs Rainbow Road / Arthur Alexander Rainbow Road Stand By Your Man / Candi Staton Candi Staton I Can't Do Without You / Doris Duke I'm A Loser Stay With Me / Lorraine Ellison The Best of Loma Records Willie and Laura Mae Jones / Dusty Springfield Dusty In Memphis Willie and Laura Mae Jones / Shelby Lynne Just A Little Lovin' Bring In The Dawn / Roy Young Memphis Hard Times / Crusaders Scratch The Ghetto / Donny Hathaway These Songs For You, Live! Money's Too Tight (instrumental) / Valentine Brothers First Take 2008/04/19 As We Lay / Shirley Murdock Shirley Murdock Democracy / Albino
[Show full text]
Warner/Reprise Loss Leaders Booklet
THE WARNER BROS. LOSS LEADERS SERIES (1969-1980) Depending On How You Count Them, 34 Essential Various Artist Collections From Another Time We figured it was about time to pull together all of the incredible Warner Bros. Loss Leaders releases dating back to 1969 (and even a little earlier). For those who lived through the era, Warner Bros. Records was winning the sales of an entire generation by signing and supporting some of music’s most uniquely groundbreaking recording artists… during music’s most uniquely groundbreak- ing time. With an appealingly irreverent style (“targeted youth marketing,” it would be called today), WB was making lifelong fans of the kids who entered into the label’s vast catalog of art- ists via the Loss Leaders series—advertised on inner sleeves & brochures, and offering generous selections priced at $1 per LP, $2 for doubles and $3 for their sole 3-LP release, Looney Tunes And Merrie Melodies. And that was including postage. Yes… those were the days, but back then there were very few ways, outside of cut-out bins or a five-finger discount, to score bulk music as cheaply. Warners unashamedly admitted that their inten- tions were to sell more records, by introducing listeners to music they weren’t hearing on their radios, or finding in many of their (still weakly distributed) record stores. And it seemed to work… because the series continued until 1980, and the program issued approximately 34 titles, by our questionable count (detailed in later posts). But, the oldsters among us all fondly remember the multi-paged, gatefold sleeves and inviting artwork/packaging that beckoned from the inner sleeves of our favorite albums, not to mention the assorted rarities, b-sides and oddities that dotted many of the releases.
[Show full text]
The A-Z of Brent's Black Music History
THE A-Z OF BRENT’S BLACK MUSIC HISTORY BASED ON KWAKU’S ‘BRENT BLACK MUSIC HISTORY PROJECT’ 2007 (BTWSC) CONTENTS 4 # is for... 6 A is for... 10 B is for... 14 C is for... 22 D is for... 29 E is for... 31 F is for... 34 G is for... 37 H is for... 39 I is for... 41 J is for... 45 K is for... 48 L is for... 53 M is for... 59 N is for... 61 O is for... 64 P is for... 68 R is for... 72 S is for... 78 T is for... 83 U is for... 85 V is for... 87 W is for... 89 Z is for... BRENT2020.CO.UK 2 THE A-Z OF BRENT’S BLACK MUSIC HISTORY This A-Z is largely a republishing of Kwaku’s research for the ‘Brent Black Music History Project’ published by BTWSC in 2007. Kwaku’s work is a testament to Brent’s contribution to the evolution of British black music and the commercial infrastructure to support it. His research contained separate sections on labels, shops, artists, radio stations and sound systems. In this version we have amalgamated these into a single ‘encyclopedia’ and added entries that cover the period between 2007-2020. The process of gathering Brent’s musical heritage is an ongoing task - there are many incomplete entries and gaps. If you would like to add to, or alter, an entry please send an email to [email protected] 3 4 4 HERO An influential group made up of Dego and Mark Mac, who act as the creative force; Gus Lawrence and Ian Bardouille take care of business.
[Show full text]
Felix Issue 373, 1975
See OSIBISA in concert tomorrow. Great Hall 3.00pm FOUNDED IN 1949 NEWSPAPER OF IMPERIAL COLLEGE UNION No. 403 Friday 28th November, 1975 FREE! Aston pulls out of NUS AT THEIR UGfl last Tuesday, The University of Aston Students' Union decided by a majority of nearly three to Guilds Exec adopt one to disaffiliate from N'JS, the national student union. The meeting was attended by 1400 students with a total of over 1200 actually voting on the motion before the meeting, which wanted the Union to remain affiliated to Hoyle as presidential NUS. Mr Ian Minnis, President no immediate move to of the Students Union, said disaffiliate from other unions, candidate that this vote was a "kick- the real turning point will be THE UNEXPECTED resign- vice President of the Union. in-pants" for NUS and he at Scarborough when the ation of Keith Ahlers as In order to be eligible for expected to see some moderate motions on the NUS President of City and Guilds election as President, Mr unions such as Newcastle constitution are discussed, Union last week, has left a Hoyle has had to resign as and Liverpool to debate If the motion calling for considerable hole in the VP. His resignation is the question of disaffiliation. direct elections to the NUS Union structure. In addition effective from lst December. He would also like to see executive is defeated then to being President of C&G This has left the post of militant unions debating the there is a real possibility Union, he was also Vice VP open and means that issue, especially places like of a snowballing effect President of Imperial College Guilds Union is now functioning Kent and Essex.
[Show full text]
Songs by Title
16,341 (11-2020) (Title-Artist) Songs by Title 16,341 (11-2020) (Title-Artist) Title Artist Title Artist (I Wanna Be) Your Adams, Bryan (Medley) Little Ole Cuddy, Shawn Underwear Wine Drinker Me & (Medley) 70's Estefan, Gloria Welcome Home & 'Moment' (Part 3) Walk Right Back (Medley) Abba 2017 De Toppers, The (Medley) Maggie May Stewart, Rod (Medley) Are You Jackson, Alan & Hot Legs & Da Ya Washed In The Blood Think I'm Sexy & I'll Fly Away (Medley) Pure Love De Toppers, The (Medley) Beatles Darin, Bobby (Medley) Queen (Part De Toppers, The (Live Remix) 2) (Medley) Bohemian Queen (Medley) Rhythm Is Estefan, Gloria & Rhapsody & Killer Gonna Get You & 1- Miami Sound Queen & The March 2-3 Machine Of The Black Queen (Medley) Rick Astley De Toppers, The (Live) (Medley) Secrets Mud (Medley) Burning Survivor That You Keep & Cat Heart & Eye Of The Crept In & Tiger Feet Tiger (Down 3 (Medley) Stand By Wynette, Tammy Semitones) Your Man & D-I-V-O- (Medley) Charley English, Michael R-C-E Pride (Medley) Stars Stars On 45 (Medley) Elton John De Toppers, The Sisters (Andrews (Medley) Full Monty (Duets) Williams, Sisters) Robbie & Tom Jones (Medley) Tainted Pussycat Dolls (Medley) Generation Dalida Love + Where Did 78 (French) Our Love Go (Medley) George De Toppers, The (Medley) Teddy Bear Richard, Cliff Michael, Wham (Live) & Too Much (Medley) Give Me Benson, George (Medley) Trini Lopez De Toppers, The The Night & Never (Live) Give Up On A Good (Medley) We Love De Toppers, The Thing The 90 S (Medley) Gold & Only Spandau Ballet (Medley) Y.M.C.A.
[Show full text]
WARNER BROS. / WEA RECORDS 1970 to 1982
AUSTRALIAN RECORD LABELS WARNER BROS. / WEA RECORDS 1970 to 1982 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, APRIL 2019 WARNER BROS. / WEA RECORDS, 1970–1982 A BRIEF WARNER BROS. / WEA HISTORY WIKIPEDIA TELLS US THAT... WEA’S ROOTS DATE BACK TO THE FOUNDING OF WARNER BROS. RECORDS IN 1958 AS A DIVISION OF WARNER BROS. PICTURES. IN 1963, WARNER BROS. RECORDS PURCHASED FRANK SINATRA’S REPRISE RECORDS. AFTER WARNER BROS. WAS SOLD TO SEVEN ARTS PRODUCTIONS IN 1967 (FORMING WARNER BROS.-SEVEN ARTS), IT PURCHASED ATLANTIC RECORDS AS WELL AS ITS SUBSIDIARY ATCO RECORDS. IN 1969, THE WARNER BROS.-SEVEN ARTS COMPANY WAS SOLD TO THE KINNEY NATIONAL COMPANY. KINNEY MUSIC INTERNATIONAL (LATER CHANGING ITS NAME TO WARNER COMMUNICATIONS) COMBINED THE OPERATIONS OF ALL OF ITS RECORD LABELS, AND KINNEY CEO STEVE ROSS LED THE GROUP THROUGH ITS MOST SUCCESSFUL PERIOD, UNTIL HIS DEATH IN 1994. IN 1969, ELEKTRA RECORDS BOSS JAC HOLZMAN APPROACHED ATLANTIC'S JERRY WEXLER TO SET UP A JOINT DISTRIBUTION NETWORK FOR WARNER, ELEKTRA, AND ATLANTIC. ATLANTIC RECORDS ALSO AGREED TO ASSIST WARNER BROS. IN ESTABLISHING OVERSEAS DIVISIONS, BUT RIVALRY WAS STILL A FACTOR —WHEN WARNER EXECUTIVE PHIL ROSE ARRIVED IN AUSTRALIA TO BEGIN SETTING UP AN AUSTRALIAN SUBSIDIARY, HE DISCOVERED THAT ONLY ONE WEEK EARLIER ATLANTIC HAD SIGNED A NEW FOUR-YEAR DISTRIBUTION DEAL WITH FESTIVAL RECORDS. IN MARCH 1972, KINNEY MUSIC INTERNATIONAL WAS RENAMED WEA MUSIC INTERNATIONAL. DURING THE 1970S, THE WARNER GROUP BUILT UP A COMMANDING POSITION IN THE MUSIC INDUSTRY. IN 1970, IT BOUGHT ELEKTRA (FOUNDED BY HOLZMAN IN 1950) FOR $10 MILLION, ALONG WITH THE BUDGET CLASSICAL MUSIC LABEL NONESUCH RECORDS.
[Show full text]
Highlife in the Ghanaian Music Scene: a Historical and Socio-Political Perspective Micah Motenko SIT Study Abroad
SIT Graduate Institute/SIT Study Abroad SIT Digital Collections Independent Study Project (ISP) Collection SIT Study Abroad Fall 2011 Highlife in the Ghanaian Music Scene: A Historical and Socio-Political Perspective Micah Motenko SIT Study Abroad Follow this and additional works at: https://digitalcollections.sit.edu/isp_collection Part of the African Studies Commons, Musicology Commons, and the Place and Environment Commons Recommended Citation Motenko, Micah, "Highlife in the Ghanaian Music Scene: A Historical and Socio-Political Perspective" (2011). Independent Study Project (ISP) Collection. 1107. https://digitalcollections.sit.edu/isp_collection/1107 This Unpublished Paper is brought to you for free and open access by the SIT Study Abroad at SIT Digital Collections. It has been accepted for inclusion in Independent Study Project (ISP) Collection by an authorized administrator of SIT Digital Collections. For more information, please contact [email protected]. School for International Training Study Abroad: Ghana Social Transformation and Cultural Expression Fall 2011 Highlife in the Ghanaian Music Scene: A Historical and Socio-Political Perspective Micah Motenko (College of Wooster) Project Advisor: Dr. Nathan Damptey University of Ghana, Legon, Institute of African Studies Academic Director: Dr. Olayemi Tinuoye Data Collection Date: November 1 st , 2011 – November 30 th , 2011 Abstract 1. Title: Highlife in the Ghanaian Music Scene: A Historical and Socio-political Perspective 2. Author: Micah David Motenko ( [email protected] ; College of Wooster) 3. Objective: The objective of this project was multifaceted: i. To understand the history of Highlife music and its various offshoots in Ghana, with regards its socio-political and cultural significance over time. ii. To examine the current music scene in Ghanaian cities and analyze it with regards to its socio-political and cultural significance.
[Show full text]
Record World Salutes
DEDICATED TO THE i\IEEDS OF THE MUSIC/RECORD INDUSTRY JANUARY 26, 1974 WHO IN THE WORLD: SEALS & CROFTS Seals & Crofts Fans Eagerly Await The Warner Bros. Duo's Next Album And Single, 'Unborn Child.' Meanwhile, Their 'Diamond Girl' Is In Its 38th Week On The Album Charts. Its Predecessor, 'Summer Breeze,' Is Second In Chart Longevity Only To 'Tapestry' With Its 54 -Week Ride. See Story On Page 70. HITS OF THE WEEK t" ELVISPRESLEY, "I'VE GOT A THINGtr) GENEREDDING, "THIS HEART" (prod. by BOB DYLAN, "PLANET WAVES." Dylan ABOUT YOU BABY" (Swamp w Dennis LambertandBrian and The Band . a perfect match disc - 0 Fox, WhiteHaven, ASCAP).w Potter)(ABC / Dunhill,BMI). wise. In this long-awaited album, ship- z The Kingisback withthisw The first on Lambert and Pot- pinggold,the"NashvilleSkyline" uptempotuneshowinghis ter's label holds untold possi- sound has grown up and Dylan fluctu- ability to get as as the bilities as a charttopper. atesbetweenthisand best of them. Tight and tasty, Redding's voice comes across "gritty" vocalizing. Cuts with particular it should find the number one splendidly; nifty back-up and dazzle are "On A Night Like This," spot waiting with open arms. rhythmworkcompletethe "Forever Young" and "You Angel You." RCA APB0-0196. coup! Haven 7000 (Capitol). Elektra/Asylum 7E-1003 (6.98). THEJ.GEILS BAND, "DID YOU NO JOHNNY WINTER, "STONE COUNTY" JONI MITCHELL, "COURT AND SPARK." WRONG" (prod. by Bill Szym- (prod. by Rick Derringer) Ms. Mitchell's musical dynamics have APC59czyk).(JukeJoint,Walden, (Goshen Road, BMI). From his upsurged to the point where they are - )ASCAP).
[Show full text]
The Bird with Its Head Tilted Backwards
The Bird With Its Head Tilted Backwards A Call for ‘Sankofa’ in Music Fig. 1: Kofi Ghanaba (aka Guy Warren), inventor of Afro-jazz and star of Sankofa (1993), peeking through a sceptre with the Sankofa symbol atop, 2007. © Nana Kofi Acquah.1 Alexander Lewis-Whitaker 18812187 Digital Music & Sound Arts AG317 Final Essay Supervised by Johanna Bramli 13/01/21 1 N. K. Acquah, ‘The man who gave the world African jazz’, The Power of Culture, 2007, http://www.krachtvancultuur.nl/en/current/2007/september/ghanaba.html, last accessed 11 January 2021. 1 Contents Abstract 3 Introduction 4 1. Scrambled Africa 5 2. Universal Uniforms 8 3. Elder Speech 11 4. Old Rock 'N' Roll, Not What You've Been Told 14 5. Ideal Nonsense 17 6. The 21st Century Plantation 20 Conclusion 22 Bibliography 23 List of Works 29 2 Abstract The colonisation of the Gold Coast by the British in the 19th century set in motion the syncretism of musical forms between this area of West Africa and the Western world that resulted in new genres including highlife, hiplife, Afropop, and gospel. However, it also spurred a psychological change among those colonised in which their supposedly inferior ways of life were suppressed in favour of a Western lifestyle. Despite achieving independence in 1957 under the leadership of Kwame Nkrumah, the newly-renamed Ghana and its diaspora are still victim to Eurocentric hegemony under the guise of globalisation, unfair trade practice, and a failure to restore the ways of the past. The political instability and failing economy that followed Nkrumah’s overthrow in 1966 forced musicians out of the country, birthing new generations with inevitably little knowledge of their roots.
[Show full text]
1036 Osibisa.Cdr
International PO Box 935, Byron Bay Tel: 61 2 6687 4441 NSW, 2481 Australia Fax: 61 2 6687 4445 Tel: (02) 6687 4441 Web:http://www.aiminternational.com Fax: (02) 6687 4445 E-Mail:[email protected] TRADING GROUP Pty Ltd ABN 78 093 907 914 AVAILABLE NOW CELEBRATION THE BAEIMST 1O03F6 OCDSIBISA In 1970 a new style of music, known as Afro- rock, burst into international prominence with the launch in London of OSIBISA, formed by three Ghanaians - sax player Teddy Ossei, trumpeter Mac Tontoh and drummer Sol Amarfio. OSIBISA were the original superstars of African Music, their breath taking concerts combined with the sheer virtuosity of their albums propelled them onto the world's concert stages. The band continues to this day playing and creating their unique style of African Music and few bands in the world can follow them on to a stage after one of their incredible performances. The impact of OSIBISA's fusion of African Music 1. MAKING EVERYBODY HAPPY and Rock was felt throughout a generation of 2. HAPPY CHILDREN African Musicians, particularly those who were teenagers during the time of The Beatles and 3. CELEBRATION Rolling Stones. 4. I FEEL (PATA PATA) They were heralded as superstars of the music scene, definitely on a par with bands such as 5. WOYAYA Santana, Sly and The Family Stone, and Cat 6. AYIKO BIA Stevens. 7. WELCOME HOME The sections on CELEBRATION - THE BEST OF OSIBISA are their classic songs from the albums 8. MEETING POINT OSIBISA, WOYAYA, HEADS, WELCOME HOME, OJAH AWAKE, HAPPY CHILDREN, AFRICAN 9.
[Show full text]