The Healing Tree: a Mermaid, a Poet and a Miracle

Total Page:16

File Type:pdf, Size:1020Kb

The Healing Tree: a Mermaid, a Poet and a Miracle TheHealing Tree A Mermaid, a Poet, and a Miracle Joe Tye The Healing Tree A Mermaid, a Poet, and a Miracle This is a work of fiction and a product of the author’s imagination. Any resemblance to real-world people, organizations, or events is strictly coincidental. Published by Paradox 21 Press Book Design and Illustration: Studio 6 Sense • www.studio6sense.com ISBN#: 9781-887511-29-2 Copyright © 2005, 2011, Joe Tye. All rights reserved. “I have heard the mermaids singing, each to each… We have lingered in the chambers of the sea.” T.S. Eliot: The Love Song of J. Alfred Prufrock www.Healing-Story.com Praise for The Healing Tree (from the original self-published edition) “The Healing Tree is a book that you will not be able to put down... I started reading and was completely swept up in the spell- binding story! The Healing Tree is completely captivating, soul- enriching and beautifully written. I was blown away with the creativity, the brilliance and the talent of Joe Tye. Out of ALL of the books that I have read in my lifetime (and believe me I’ve read thousands of books), this is one of THE best books I have ever read. I love it, love it, love it. If you are ready to be emo- tionally moved in a beautiful way get a copy of The Healing Tree now (or get two copies and give one to someone you deeply care about).” Peggy McColl, author of Your Destiny Switch and 21 Distinctions of Wealth “Anyone facing a serious illness, either personally or with a loved one, should read The Healing Tree. This heart-warming story shows how a time of trial can become a time for hope, faith, self- discovery, and ultimate transcendence. This is a book for anyone seeking to find meaning in a time of adversity.” C. Everett Koop, M.D., Sc.D., author of Koop: Memoirs of America’s Family Doctor “The Healing Tree is an inspirational book that lifts up all the im- portant themes of pain, struggle, loss, hope, and renewal. Its life- affirming message of ‘Yes You Can’ is important for all of us, not just those in the healing professions.” James A. Autry, author of Love and Profitand The Servant Leader “If you haven’t believed in miracles, you will after reading The Heal- ing Tree. In fact, you may go out and create your own miracles.” W Mitchell, author of It’s Not What Happens to You, It’s What You Do About It “The Healing Tree is an inspiring, touching account that will bring comfort to anyone facing life’s most difficult decisions.” Larry Dossey, M.D., author of Reinventing Medicine and Healing Words “A delight to read. The Healing Tree takes you on an enlightening journey of self-discovery. This is a richly human book that will touch both your heart and mind.” Roger Crawford, author of How High Can You Bounce? “The Healing Tree is a powerful reaffirmation of our real mission in the caring professions, and a poignant reminder that healing is a miraculous process which encompasses much more than just a physical cure. This book moved me to tears, but it also lifted my spirits and made me proud to be part of the movement to bring a greater sense of holistic healing into the traditional healthcare delivery system.” Patrick Charmel, co-author of Putting Patients First “The Healing Tree is an inspiring story guaranteed to warm the hearts and souls of those who read it. Carrie Anne’s path is indeed healing.” Brian Luke Seaward, Ph.D., author of Quiet Mind, Fearless Heart “If the measure of a great book is its ability to be read and re-read over time and to have the experience grow deeper each time, then The Healing Tree passes the test with flying colors. With each new ‘passage’ in our lives, a re-reading of this book is in order, some- thing that can be said of only a small number of books today.” Mike Casey, Professor of English, Graceland University If you enjoyed The Healing Tree you will want to read The Florence Prescription Your Dreams Are Too Small Never Fear, Never Quit 3 stories that can change your life. These books and others can be purchased at www.SparkStore.com Coming Next: Lilies in the Snow Life is a garden in the mountains, lovely and precarious. My father told me that the day I left for college 26 years ago. Now that the divorce had come through, I was happily tending to the garden of my new life. Before the Gray Lady confronted me in the violence of that liquid earthquake, it was a life where dead writers stayed dead and James MacWilder was just a photo on the back of a book jacket; a life where writing my own stories was something I would get around to — someday; a life where death was just the vague rumor of a distant catastrophe I wouldn’t personally experience until long after I’d written the last of those stories. Enjoy the lilies as soon as they bloom, my father had said, because one morning you might wake up to find them covered with snow. Dedication For Doug, born with the heart of a musician and the soul of a poet, who has always been a source of amazement and inspiration to his Dad. For Annie, who from that first toddle over to the spring horse, has lived life as an adventure. For Sally, because happiness is being married to your best friend. The greatest miracle of all is not something that happens to you, it’s something that happens within you. This is the story of one such miracle. The eight ball rolled to A dead stop in front of the pool table’s corner pocket and perched there like a fresh egg waiting for a short order cook to crack it open. Sammy DiMarco took a swig from his longneck Corona, set it down on the counter, and chalked up his custom pool cue. He walked slowly around the table, kissing the St. Pauli Girl poster for luck on the way, and positioned himself on the opposite end of the table from the money ball. Yes indeed, this was his night. “Deadeye.” He repeated the affirmation to the rhythm of his breath- ing: Deadeye in, Deadeye out – Deadeye in, Deadeye out. “Words have power,” his father had always told him, “so be careful what you call yourself.” Sammy set the chalk down on the edge of the table and sprinkled baby powder on his left hand. Closing his eyes and taking a slow deep breath, he pushed out of his mind the memory of all the missed shots, of all those times he’d capped a brilliant run by choking on the money ball. Deadeye in, Deadeye out. Sammy leaned over the table and peered across the seven feet of green felt that separated him from an easy two hundred bucks. He pumped his cue back and forth, slow and deliberate, and in his mind’s eye vi- sualized a taut crimson thread connecting the white cue ball with the black eight ball. The money ball. Slowly, Sammy pulled back the stick one last time, until his hand was parallel to the tobacco tin in the back pocket of his favorite denim jeans. The jukebox and the chatter of The Blue Room Bar faded into the shadows as he zeroed in. The instant the chalked tip of his stick punched into the cue ball, Sammy knew he’d won the game. The money ball slammed into the back of the corner pocket and disappeared down the rabbit hole. 1 2 The Healing Tree After buying a round of drinks and giving the waitress an overgen- erous tip, Sammy sauntered across the parking lot, oblivious to the cool night air and the full moon giving its benediction from above. The metal flake paint of his classic Dodge Charger sparkled candy apple red under the parking lot lights. He eased himself into the black leather bucket seat and slid the key into the ignition. Sammy pressed down on the polished aluminum accelerator pedal and the Charger’s fuel-injected hemi roared in response. “Life is good,” Sammy crooned as he rammed the chrome stick shift into first gear and gunned the Charger out of the parking lot. Saturday night traffic was backed up all along Howard Street. As the Charger crawled past the First Guardian Bank building, Sammy looked over at the clock where time and temperature leapfrogged each other toward an invisible finish line. He cursed under his breath, then shuddered slightly, vaguely aware of having stirred a subterranean memory of the taste of soap which had been irrevocably linked to those words in the years before he ran away from home. He was an hour late, and Sheila was not a patient woman. “Time for a shortcut, Dead- eye,” he said aloud. Sammy zipped through the shopping mall park- ing lot and came out on Benson Boulevard. “No lights, no law, no loitering.” As last words go, that pretty well captured all Sammy DiMarco had ever wanted out of life. He put the Charger through the gears, press- ing himself back against the leather seat. Just past the Galapagos Restaurant, Sammy had to slam on the brakes to avoid rear-ending an 18-wheeler wheezing its way up the hill. He downshifted and jammed the gas pedal to the floor as he yanked the Charger into the opposing lane to pass.
Recommended publications
  • Shadowrun Changeling SR6
    CHANGELING IN THE 6TH WORLD Version 1.1 by Ed “Runner Smurf” Pichon INTRODUCTION This is a writeup on how to use the old WhiteWolf Changeling setting and characters in Shadowrun. This writeup is updated for Shadowrun 6th Edition. I have often thought that the themes of Changeling, my favorite World of Darkness game, corresponded quite well with the Shadowrun campaign setting - faerie tales, ancient magics re- turned, corrupted innocence, struggling against an oppressive world. The Court of Shadows book, while an interest- ing attempt to bring more faerie tale elements into Shadowrun, didn’t quite do enough for me. After some experi- ments in my own games, I have found that bringing Changeling into can work quite well. Inspired by the release of the Changeling 20th Anniversary Edition, I have decided to revise and codify my house rules for bringing kithain into the 6th World. This writeup attempts to give some guidance on how to do it, and give ideas for addressing the technical questions. I suspect that there aren’t a lot of people who know and love both games, but for those of you that do, hopefully this will be useful to you. This is aimed at SR 6th Edition. I will be updating frequently as I get used to how 6th edition works, and have some practical experience in my games. Many thanks to the folks that put together the Changeling 20th Anniversary Edition (C20) - it’s a fantastic book, and a great compilation of all that has been put together for Changeling over the years, with some good updates.
    [Show full text]
  • Monsters by Type Type CR Type CR Type CR Type CR Aberration Spider, Red-Banded Line
    TOME OF BEASTS MONSTERS BY TYPE Type CR Type CR Type CR Type CR Aberration Spider, Red-Banded Line .... 1/4 Tophet ................................... 8 Liosalfar ................................. 8 Arboreal Grappler ...................3 Spider, Sand ............................7 Ushabti .................................. 9 Rime Worm, Adult ................. 6 Asanbosam ..............................5 Suturefly ............................ 1/4 Witchlight .......................... 1/4 Rime Worm, Grub ...................1 Bagiennik ................................3 Swarm of Prismatic Beetles ......3 Xanka................................. 1/4 Sathaq Worm ....................... 10 Chelicerae ...............................7 Titanoboa .............................12 Dragon Slow Storm ............................ 15 Dorreq ................................... 4 War Ostrich ........................ 1/2 Dragon Eel ...........................12 Spark ......................................7 Eater of Dust .......................... 9 Wharfling ............................ 1/8 Dragon, Cave, Adult ..............16 Swarm of Fire Dancers ............7 Fate Eater ............................... 6 Wharfling, Swarm .................. 4 Dragon, Cave, Wyrmling ........ 2 Thuellai ................................ 10 Mamura ..................................5 Ychen Bannog ....................... 11 Dragon, Cave, Young .............. 8 Fey Mimic, Map ....................... 1/4 Celestial Dragon, Flame Adult .............16 Abominable Beauty ..............
    [Show full text]
  • Changeling Mechanics Packet Contents Introduction Chapter 1: Tempers, Seemings, Traits, Etc
    Changeling Mechanics Packet Contents Introduction Chapter 1: Tempers, Seemings, Traits, Etc. Chapter 2: Birthrights, Frailties, Boons, Flaws Chapter 3: Merits and Flaws Chapter 4: Realms Chapter 5: Arts Chapter 6: Bunks Chapter 7: Treasures and Inanimate Chimera Chapter 8: New Art Guidelines Chapter 9: Legendary Magic 1 Introduction: Unlike Werewolf and Vampire, Changeling received little in the way of Revised support and never received updated rules from the original printing. The two LARP books (Shining Host and the Shining Host Players Guide) stand among the most confusing and poorly written texts among MET regarding mechanics. The goal of this packet is to serve as a revised set of rules for Changeling-specific mechanics to be used as a baseline for the Org. While it is non-binding, it is strongly recommended that games wishing to employ changelings (either as prime genre or in addition to other genres) use these rules *particularly in regards to Arts and Realms* as a baseline, employing perhaps limited house rules from there. This packet includes many house rules and translations from various games around the org (borrowed with permission) and is by no means a singular effort. It also includes several optional rules for chronicles to customize their preferences, as well as frequently requested guidelines for things like adjudicating treasures. Finally, it also includes some original content for games to use if they so wish. Throughout the work, the author will seek to describe the reasons behind the material presented and the philosophy governing the recommendations. Chapter 1: Tempers, Seemings, Traits, Etc. Traits and tempers are among the most significant aspects of any MET rules set.
    [Show full text]
  • The Mermaid Series Thomas Hey Wood
    THE MERMAID SERIES THOMAS HEY WOOD LONDON ERNEST BENN, LTD. THE MERMAID SERIES THOMAS HEYWOOD EDITED BY A. WILSON VERITY WITH AN INTRODUCTION BY J. ADDINGTON SYMONDS •1 lie and dream of your full mermaid wine."—Beawnoni. LONDON ERNEST BENN LIMITED NEW YORK CHARLES SCRIBNER'S SONS " What things have we seen Done at the Memtiaid ! heard words that have been So nimble, and so full of subtle flame, As if that every one from whence they c&me Had meant to put his whole wit in a jest, i\nd had resolved to live a fool the rest Of his duU life." Master Francis Beaurmmt to Ben fonson. •* Souls of Poets dead and gone, What Elysium have ye known, Happy field or mossy cavern, Choicer than the Mermaid Tavern ?"' Kmts. Pritiied in Great Britain PAGE THOMAS HEYWOOD. ........ vii A WOMAN KILLED WITH KINDNESS i THE FAIR MAID OF THE WEST .75 THE ENGLISH TRAVELLER. .151 THE WISE WOMAN OF HOGSDON 249 THE RAPE OF LUCRECE 327 The world's a theatre, the earth a stage, * Which God and nature doth with actors fill: Kings have their entrance in due equipage, And some their parts play well, and others ill. The best no better are (in this thedtre), Where every humour's fitted in his kind ; This a true subject acts, and that a traitor, The first applauded, and the last confined ; This plays an honest man, and that a knave, A gentle person this, and he a clown, One man is ragged, and another brave : All men have parts, and each one acts his own.
    [Show full text]
  • 1457878351568.Pdf
    — Credits — Authors: Patrick Sweeney, Sandy Antunes, Christina Stiles, Colin Chapman, and Robin D. Laws Additional Material: Keith Sears, Nancy Berman, and Spike Y Jones Editor: Spike Y Jones Index: Janice M. Sellers Layout and Graphic Design: Hal Mangold Cover Art: Patricia Ann Lewis-MacDougall Interior Art: Janet Chui, Patricia Ann Lewis-MacDougall and Jennifer Meyer Playtesters: Elizabeth, Joey, Kathryn, Lauren, Ivy, Kate, Miranda, Mary, Michele, Jennifer, Rob, Bethany, Jacob, John, Kelly, Mark, Janice, Anne, and Doc Special Thanks To: Mark Arsenault, Elissa Carey, Robert “Doc” Cross, Darin “Woody” Eblom, Larry D. Hols, Robin D. Laws, Nicole Lindroos, David Millians, Rob Miller, Liam Routt, and Chad Underkoffler If you want your children to be intelligent, read them fairy tales. If you want them to be more intelligent, read them more fairy tales. —Albert Einstein Copyright 2007 by Firefly Games. All rights reserved under International Copyright Convention. Faery’s Tale and all characters and their likenesses are trademarks owned by and/or copyrights by Firefly Games. All situations, incidents and persons portrayed within are fictional and any similarity without satiric intent to individuals living or dead is strictly coincidental. Designed and developed by Firefly Games, 4514 Marconi Ave. #3, Sacramento CA 95821 [email protected] Visit our website at www.firefly-games.com. Published by Green Ronin Publishing 3815 S. Othello St. Suite 100, #304, Seattle, WA 98118 [email protected] Visit our website at www.greenronin.com. Table of Contents Preface .........................................................................3 A Sprite’s Tale .......................................................49 A Pixie’s Tale .............................................................4 Faery Princesses & Magic Wands ............51 Introduction ................................................................7 Titles ....................................................
    [Show full text]
  • Université Du Québec Mémoire Présenté À L'université Du
    UNIVERSITÉ DU QUÉBEC MÉMOIRE PRÉSENTÉ À L'UNIVERSITÉ DU QUÉBEC À TROIS-RIVIÉRES COMME EXIGENCE PARTIELLE DE LA MAITRISE EN LETTRES PAR AUDREY BOULANGER MYTHOLOGIE CELTE ET ESTHÉTIQUE DU VERTIGE DANS L'ŒUVRE DE LÉA SILHOL AVRIL 2012 Library and Archives Bibliothèque et Canada Archives Canada Published Héritage Direction du Branch Patrimoine de l'édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre référence ISBN: 978-0-494-88963-3 Our file Notre référence ISBN: 978-0-494-88963-3 NOTICE: AVIS: The author has granted a non- L'auteur a accordé une licence non exclusive exclusive license allowing Library and permettant à la Bibliothèque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l'Internet, prêter, télécommunication or on the Internet, distribuer et vendre des thèses partout dans le loan, distrbute and sell theses monde, à des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, électronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriété du droit d'auteur ownership and moral rights in this et des droits moraux qui protégé cette thèse. Ni thesis. Neither the thesis nor la thèse ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent être imprimés ou autrement printed or otherwise reproduced reproduits sans son autorisation. without the author's permission.
    [Show full text]
  • 'Fairy' in Middle English Romance
    'FAIRY' IN MIDDLE ENGLISH ROMANCE Chera A. Cole A Thesis Submitted for the Degree of PhD at the University of St Andrews 2014 Full metadata for this item is available in St Andrews Research Repository at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/6388 This item is protected by original copyright This item is licensed under a Creative Commons Licence ‘FAIRY’ IN MIDDLE ENGLISH ROMANCE Chera A. Cole A thesis submitted for the degree of Doctor of Philosophy at the School of English in the University of St Andrews 17 December 2013 i ABSTRACT My thesis, ‘Fairy in Middle English romance’, aims to contribute to the recent resurgence of interest in the literary medieval supernatural by studying the concept of ‘fairy’ as it is presented in fourteenth- and fifteenth-century Middle English romances. This thesis is particularly interested in how the use of ‘fairy’ in Middle English romances serves as an arena in which to play out ‘thought-experiments’ that test anxieties about faith, gender, power, and death. My first chapter considers the concept of fairy in its medieval Christian context by using the romance Melusine as a case study to examine fairies alongside medieval theological explorations of the nature of demons. I then examine the power dynamic of fairy/human relationships and the extent to which having one partner be a fairy affects these explorations of medieval attitudes toward gender relations and hierarchy. The third chapter investigates ‘fairy-like’ women enchantresses in romance and the extent to which fairy is ‘performed’ in romance.
    [Show full text]
  • By Dan Dillon, Chris Harris, Rodrigo Garcia Carmona, and Wolfgang
    by Dan Dillon, Chris Harris, Rodrigo Garcia Carmona, and Wolfgang Baur SampleDeveloped by Steven Winter file TOME OF BEASTS CREDITS Design: Dan Dillon, Chris Harris, Cover Art: Marcel Mercado Rodrigo Garcia Carmona, and Wolfgang Baur Art Director: Marc Radle Additional Design: William Ryan Carden, Layout and Graphic Design: Marc Radle Christopher Carlson, Michael John Conard, James L. Crawford, Christopher Delvo, Matthew F. Dowd, Artists: Darren Calvert, Ivan Lee Dixon, Micah Epstein, Timothy Eagon, Matthew Eyman, Robert Fairbanks, Frank Garza, Felipe Gaona, Josh Hass, Ambrose H. Hoilman, David Gibson, Christopher Gilliford, John Henzel, Michael Jaecks, Eoghan Kerrigan, Guido Kuip, Pat Loboyko, Jeremy Hochhalter, Michael Holland, Ben Iglauer, Shawncee McCoy, Dio Mahesa, Justin Mayhew, James Introcaso, Dan Layman-Kennedy, Christopher Lockey, Marcel Mercado, Aaron Miller, Johnny Morrow, Maximilian Maier, Greg Marks, Dave Olson, Richard Pratt, Jason Rainville, Felipe Gaona Reydet, Kathryn Steele, Marc Radle, Jon Sawatsky, Ryan Shatford, Troy E. Taylor, Florian Stitz, Nakarin Sukontakorn, Andrew Teheran, Jorge A. Torres, Darius Uknuis, Ørjan Ruttenborg Svendsen, Byran Syme, Cory Trego-Erdner, Sersa Victory, and Ben Wertz Eva Widermann, and Keiran Yanner Development: Steven Winter Logo: Doug Wohlfeil Editing: Peter Hogan, Wade Rockett, and Wolfgang Baur Playtest Coordinator: Ben McFarland Proofreading: Dan Dillon Playtesters: Aaron Meadows, Aaron Sarver, Adam Sirois, Al Lencioni, Gregory Blair, Guillaume Berthome, Guy Parisi, Church, Alex
    [Show full text]
  • Gnomes and Imps: the Mythology of Brownies
    Gnomes and Imps: The Mythology of Brownies by Nicola Higgins 1 Co Contents Introduction 3 Brownies 4 Gnomes 5 Imps 6 Elves 7 Pixies 8 Sprites 9 Leprechauns 10 Ghillie Dhu 11 Kelpies 12 Bwbachod 13 Bibliography 14 2 Introduction "What I am going to do?" their mother sighed. "I can't keep the cottage tidy. If only we had a Brownie!" " What's a Brownie?" asked Tommy. "A Brownie is a magical little creature, which slips into houses very early before anyone is awake. It tidies toys, irons clothes, washes dishes and does all sorts of helpful things in secret," replied his mother. From The Brownie Story As many seven, eight and nine year-olds across the country could tell you, Brownies are magical little creatures, which come in the night and do secret good turns. They don’t ask for thanks or praise, they don’t expect payment. They simply come, do some chore that has been left undone, and then vanish to wherever they came from. But what else do we know about them? And what about Imps, Elves and Pixies? Gnomes, Sprites, and Ghillie Dhu? Not to mention Leprechauns, Kelpies and Bwbachod? This book tells stories of the hidden races. Imps at play, and Gnomes at work, Irish Leprechauns with their pots of gold and Scottish Kelpies who live in rivers and lakes. Read on and discover a whole new world! 3 Brownies The Brownie is a household creature. They are generally live in country houses, but have been known to appear in the city. They are friendly towards humans – though adults never see them.
    [Show full text]
  • Battle Ground : a Novel of the Dresden Files / Jim Butcher
    ALSO BY JIM BUTCHER THE DRESDEN FILES STORM FRONT FOOL MOON GRAVE PERIL SUMMER KNIGHT DEATH MASKS BLOOD RITES DEAD BEAT PROVEN GUILTY WHITE NIGHT SMALL FAVOR TURN COAT CHANGES GHOST STORY COLD DAYS SKIN GAME PEACE TALKS SIDE JOBS (Anthology) BRIEF CASES (Anthology) THE CINDER SPIRES THE AERONAUT’S WINDLASS THE CODEX ALERA FURIES OF CALDERON ACADEM’S FURY CURSOR’S FURY CAPTAIN’S FURY PRINCEPS’ FURY FIRST LORD’S FURY SHADOWED SOULS (EDITED BY JIM BUTCHER AND KERRIE L. HUGHES) ACE Published by Berkley An imprint of Penguin Random House LLC penguinrandomhouse.com Copyright © 2020 by Jim Butcher “Christmas Eve” copyright © 2018 by Jim Butcher Penguin Random House supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. You are supporting writers and allowing Penguin Random House to continue to publish books for every reader. ACE is a registered trademark and the A colophon is a trademark of Penguin Random House LLC. Library of Congress Cataloging-in-Publication Data Names: Butcher, Jim, 1971– author. Title: Battle ground : a novel of the Dresden files / Jim Butcher. Description: First Edition. | New York : Ace, [2020] | Series: The Dresden files Identifiers: LCCN 2020008653 (print) | LCCN 2020008654 (ebook) | ISBN 9780593199305 (hardcover) | ISBN 9780593199329 (ebook) Subjects: GSAFD: Fantasy fiction. Classification: LCC PS3602.U85 B88 2020 (print) | LCC PS3602.U85 (ebook) | DDC 813/.6—dc23 LC record available at https://lccn.loc.gov/2020008653 LC ebook record available at https://lccn.loc.gov/2020008654 Jacket art by Chris McGrath Jacket design by Adam Auerbach This is a work of fiction.
    [Show full text]
  • 1455189355674.Pdf
    THE STORYTeller’S THESAURUS FANTASY, HISTORY, AND HORROR JAMES M. WARD AND ANNE K. BROWN Cover by: Peter Bradley LEGAL PAGE: Every effort has been made not to make use of proprietary or copyrighted materi- al. Any mention of actual commercial products in this book does not constitute an endorsement. www.trolllord.com www.chenaultandgraypublishing.com Email:[email protected] Printed in U.S.A © 2013 Chenault & Gray Publishing, LLC. All Rights Reserved. Storyteller’s Thesaurus Trademark of Cheanult & Gray Publishing. All Rights Reserved. Chenault & Gray Publishing, Troll Lord Games logos are Trademark of Chenault & Gray Publishing. All Rights Reserved. TABLE OF CONTENTS THE STORYTeller’S THESAURUS 1 FANTASY, HISTORY, AND HORROR 1 JAMES M. WARD AND ANNE K. BROWN 1 INTRODUCTION 8 WHAT MAKES THIS BOOK DIFFERENT 8 THE STORYTeller’s RESPONSIBILITY: RESEARCH 9 WHAT THIS BOOK DOES NOT CONTAIN 9 A WHISPER OF ENCOURAGEMENT 10 CHAPTER 1: CHARACTER BUILDING 11 GENDER 11 AGE 11 PHYSICAL AttRIBUTES 11 SIZE AND BODY TYPE 11 FACIAL FEATURES 12 HAIR 13 SPECIES 13 PERSONALITY 14 PHOBIAS 15 OCCUPATIONS 17 ADVENTURERS 17 CIVILIANS 18 ORGANIZATIONS 21 CHAPTER 2: CLOTHING 22 STYLES OF DRESS 22 CLOTHING PIECES 22 CLOTHING CONSTRUCTION 24 CHAPTER 3: ARCHITECTURE AND PROPERTY 25 ARCHITECTURAL STYLES AND ELEMENTS 25 BUILDING MATERIALS 26 PROPERTY TYPES 26 SPECIALTY ANATOMY 29 CHAPTER 4: FURNISHINGS 30 CHAPTER 5: EQUIPMENT AND TOOLS 31 ADVENTurer’S GEAR 31 GENERAL EQUIPMENT AND TOOLS 31 2 THE STORYTeller’s Thesaurus KITCHEN EQUIPMENT 35 LINENS 36 MUSICAL INSTRUMENTS
    [Show full text]
  • Monster Manual III
    Greater Siege Crab . 157 Siege Crab . 156 Greater Ssvaklor . 166 Skindancer . 158 Contents Grimweird . .75 Slaughterstone Behemoth . 159 Introduction . .4 Grisgol . .76 Slaughterstone Eviscerator . 160 Reading the Entries . .4 Gulgar . .78 Snowfl ake Ooze . .161 Statistics Block . .4 Hangman Golem . .69 Spellwarped Creature . .162 Monsters A to Z . .8 Harpoon Spider . .80 Spellwarped Ettin . .162 Alchemical Golem . .66 Harssaf . .82 Splinterwaif . 164 Ambush Drake . .8 Horrifi c Vasuthant . 183 Ssvaklor . 166 Ancient Night Twist . .111 Infernal Confl agration Ooze . .31 Stonesinger . 168 Ironclad Mauler . .84 Summoning Ooze . .169 Arcane Ooze . .9 CONTENTS Armand . .10 Justicator . .85 Susurrus . 170 OF TABLE Astral Stalker . .12 Kenku . .86 Swamp Strider Swarm . 171 Avalancher . .13 Knell Beetle . .88 Ten-Headed Terror . 155 Battlebriar . .14 Lesser Bonedrinker . .19 Thorn . 172 Bearhound . .16 Lesser Knell Beetle . .89 Topiary Guardian . 173 Boar Topiary Guardian . .174 Lhosk . .90 Alternative Topiary Guardians . .175 Boneclaw . .17 Lion Topiary Guardian . .174 Triceratops Topiary Guardian . .174 Bonedrinker . .18 Living Blasphemy . .93 Trilloch . .176 Brood Keeper . .20 Living Spell . .91 Troll, Cave . 177 Brood Keeper Larva Swarm . .21 Lizardfolk, Blackscale . .95 Troll, Crystalline . 178 Cadaver Collector . .22 Lizardfolk, Poison Dusk . .96 Troll, Forest . 179 Changeling . .24 Lumi . .98 Troll, Mountain . 180 Charnel Hound . .26 Lurking Strangler . 100 Troll, War . 181 Chelicera . .27 Mastodon . 101 Vasuthant . 182 Chilling Fog . .92 Mindshredder . 102 Vermin Lord . 184 Chraal . .28 Mindshredder Larva . 102 Visilight . 186 Chrysalis . 122 Mindshredder Warrior . 103 Voidmind Creature . 187 Cinder Swarm . .29 Mindshredder Zenthal . 104 Voidmind Grimlock . 187 Confl agration Ooze . .30 Mivilorn . 106 Warbound Impaler (Lesser Battlebriar) . .15 Deathshrieker . .32 Mud Golem .
    [Show full text]