Changeling NPC's by Kith
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The Last Train Changeling
SW00121 & SW00122 CHANGELING by angela forrest THE LAST TRAIN by val ormrod CHANGELING by Angela Forrest September, 2015 He isnae mine, hasnae been for twelve years. I know that now. It took a good long while tae admit it and I’ve tried tae make up for lost time, for a’ the years I dithered about whether or not it wis true. These last few years especially I’ve done ma best, done right by Lorna and wee Olivia even if they couldnae understand. They don’t know whit he is. They don’t know Bradley left us a long time ago, that day in the woods. September, 2003 This is ma favourite place. The way the trees come crowing up tae the shore of the loch, closing us in tae our own wee private beach: ye cannae beat it. Lorna’s minding the baby, letting her roll around on the picnic blanket among the half-chewed cheese and ham pieces. She’s still a stunner, my Lorna, even after having two weans. Run ragged looking after them, so she is, but ye’d never know it looking at her. She’s kept her hair long and bonny, not like a lot of they mum’s I see at the school gates. I catch her eye and she gies me a wink and a smile, holding up Olivia’s wee hand to wave at me. I wave back at ma girls and have a check in with ma boy. He’s near enough up tae my waist now. He’s trying tae skip stones across the water but they’re landing wi’ splattering plops. -
'Goblinlike, Fantastic: Little People and Deep Time at the Fin De Siècle
ORBIT-OnlineRepository ofBirkbeckInstitutionalTheses Enabling Open Access to Birkbeck’s Research Degree output ’Goblinlike, fantastic: little people and deep time at the fin de siècle https://eprints.bbk.ac.uk/id/eprint/40443/ Version: Full Version Citation: Fergus, Emily (2019) ’Goblinlike, fantastic: little people and deep time at the fin de siècle. [Thesis] (Unpublished) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email ‘Goblinlike, Fantastic’: Little People and Deep Time at the Fin De Siècle Emily Fergus Submitted for MPhil Degree 2019 Birkbeck, University of London 2 I, Emily Fergus, confirm that all the work contained within this thesis is entirely my own. ___________________________________________________ 3 Abstract This thesis offers a new reading of how little people were presented in both fiction and non-fiction in the latter half of the nineteenth century. After the ‘discovery’ of African pygmies in the 1860s, little people became a powerful way of imaginatively connecting to an inconceivably distant past, and the place of humans within it. Little people in fin de siècle narratives have been commonly interpreted as atavistic, stunted warnings of biological reversion. I suggest that there are other readings available: by deploying two nineteenth-century anthropological theories – E. B. Tylor’s doctrine of ‘survivals’, and euhemerism, a model proposing that the mythology surrounding fairies was based on the existence of real ‘little people’ – they can also be read as positive symbols of the tenacity of the human spirit, and as offering access to a sacred, spiritual, or magic, world. -
Tacsound On-Line
TACSound is a non-profit division of the Teachers' Association (Canada) affiliated with the Royal Scottish Country Dance Society. Your volunteer manager, Lydia Hedge, is TACSound pleased to offer you a unique selection of available recorded music for Scottish Country Dancing and your listening pleasure. Recorded Music Division of TO ORDER: Teachers’ Association (Canada) ONLINE : Go to http://sound.tac-rscds.org Select the albums you want, add them to your CART then proceed to the CHECKOUT pages to select shipping method and payment option. Payment online can be by PayPal or Invoice/Cheque (which includes VISA). If you are a member of TAC, you are entitled to a 5% discount . You need a Discount Coupon to receive this online. Contact Lydia for your coupon number. (See next page for more details about discounts) BY MAIL : Complete an Order Form (back of this catalogue) including Item #, Title, Quantity. Mail it to: TACSound ℅ Lydia Hedge 624 Three Fathom Harbour Road RR#2, Head of Chezzetcook Nova Scotia Canada B0J 1N0 Do not send payment but please note on the order form whether you want to remit in Canadian dollars, U.S. dollars, or Pounds Sterling. We will send an invoice at the current exchange rate with the goods. September 2013 Catalogue : 902-827-2033 BY PHONE BY EMAIL : Just compose an email, indicating which albums you want. Send it to: All Prices Shown are in Canadian Dollars [email protected] All prices shown in the catalogue are in Canadian dollars and are subje ct to change without notice because of price changes from our suppliers or currency fluctuations. -
Horse Motifs in Folk Narrative of the Supernatural
HORSE MOTIFS IN FOLK NARRATIVE OF THE SlPERNA TURAL by Victoria Harkavy A Thesis Submitted to the Graduate Faculty of George Mason University in Partial Fulfillment of The Requirements for the Degree of Master of Arts Interdisciplinary Studies Committee: ___ ~C=:l!L~;;rtl....,19~~~'V'l rogram Director Dean, College of Humanities and Social Sciences Date: ~U_c-ly-=-a2..!-.:t ;LC>=-----...!/~'fF_ Spring Semester 2014 George Mason University Fairfax, VA Horse Motifs in Folk Narrative of the Supernatural A Thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts at George Mason University by Victoria Harkavy Bachelor of Arts University of Maryland-College Park 2006 Director: Margaret Yocom, Professor Interdisciplinary Studies Spring Semester 2014 George Mason University Fairfax, VA This work is licensed under a creative commons attribution-noderivs 3.0 unported license. ii DEDICATION This is dedicated to my wonderful and supportive parents, Lorraine Messinger and Kenneth Harkavy. iii ACKNOWLEDGEMENTS I would like to thank my committee, Drs. Yocom, Fraser, and Rashkover, for putting in the time and effort to get this thesis finalized. Thanks also to my friends and colleagues who let me run ideas by them. Special thanks to Margaret Christoph for lending her copy editing expertise. Endless gratitude goes to my family taking care of me when I was focused on writing. Thanks also go to William, Folklore Horse, for all of the inspiration, and to Gumbie, Folklore Cat, for only sometimes sitting on the keyboard. iv TABLE OF CONTENTS Page Abstract .............................................................................................................................. vi Interdisciplinary Elements of this Study ............................................................................. 1 Introduction ........................................................................................................................ -
Scotland's Storybook 2 Download
Scotland’s Storybook A magical collection of Scottish tales, legends, folk and fairy stories for all of Scotland’s children, young people and big folk. Wondrous tales and translations by Scottish storytellers Tom Muir and Martin MacIntyre with new illustrations by artist Kate Leiper. With special thanks to Dr Donald Smith and all at the Scottish Storytelling Centre in Edinburgh. www.scottishstorytellingcentre.co.uk Tom Muir http://www.scottishstorytellingcentre.co.uk/directory/Tellerview.asp?key=153 Martin MacIntyre http://www.scottishstorytellingcentre.co.uk/directory/Tellerview.asp?key=54 Kate Leiper - http://www.kateleiper.co.uk www.LTScotland.org.uk/scotlandsstories © 2010. All stories, translations and original artworks are copyright their respective authors and artists. They may be freely used within schools and early years centres in Scotland. Rights of reproduction for commercial purposes are strictly not permitted without prior written permission from copyright holders. 2 Contents FIONN MAC CUMHAIL AND THE SALMON OF KNOWLEDGE 4 OISÍN AND TIR NA N-OG 7 KING DAVID AND THE STAG 15 KING ARTHUR AND THE LADY OF THE LAKE 17 ANGUS AND BRIDE 20 ST COLUMBA AND ST MAGNUS 25 THOMAS THE RHYMER 29 DEIRDRE OF THE SORROWS 33 THE WEE BANNOCK 41 RASHIE COAT 45 WHUPPITY STOORIE 51 AULD CROOVIE 55 THE SELKIE HUNTER 60 ASSIPATTLE AND THE STOOR WORM 65 MALLIE AND THE TROW 72 THE LITTLE BROWN CALF 76 THE SALMON OF KNOWLEDGE 84 MACCODRAM AND HIS SEAL-WIFE 86 3 FIONN MAC CUMHAIL AND THE SALMON OF KNOWLEDGE The Story of Fionn Mac Cumhail comes from Ireland, but his tales are well known throughout the West Coast and Highlands of Scotland where he is known as Finn Mac Cool. -
Folklore, Folk Belief, and the Selkie
Supernatural Beings in the Far North: Folklore, Folk Belief, and The Selkie NANCY CASSELL MCENTIRE Within the world of folklore, stories of people turning into animals are well known. Either by accident or by design, a person may become a malevolent wolf, a swan, a helpful bird, a magic seal, a dog, a cat. Sometimes these stories are presented as folktales, part of a fictitious, make-believe world. Other times they are presented as legends, grounded in a narrator’s credibility and connected to everyday life. They may be sung as ballads or their core truths may be implied in a familiar proverb. They also affect human behavior as folk belief. Occasionally, sympathetic magic is involved: the human imagination infers a permanent and contiguous relationship between items that once were either in contact or were parts of a whole that later became separated or transformed. A narrative found in Ireland, England, and North America depicts a man who spends a night in a haunted mill, where he struggles with a cat and cuts off the cat’s paw. In the morning, the wife of a local villager has lost her hand (Baughman: 99; Disenchantment / Motif no. D702.1.1). France, French-speaking Canada and French-speaking Louisiana have stories of the loup-garou, a shape- shifter who is a person trapped in the body of an animal. One might suspect that he or she has encountered a loup-garou if that the animal is unusually annoying, provoking anger and hostile action. One penetrating cut will break the spell that has kept it trapped in animal form. -
Shadowrun Changeling SR6
CHANGELING IN THE 6TH WORLD Version 1.1 by Ed “Runner Smurf” Pichon INTRODUCTION This is a writeup on how to use the old WhiteWolf Changeling setting and characters in Shadowrun. This writeup is updated for Shadowrun 6th Edition. I have often thought that the themes of Changeling, my favorite World of Darkness game, corresponded quite well with the Shadowrun campaign setting - faerie tales, ancient magics re- turned, corrupted innocence, struggling against an oppressive world. The Court of Shadows book, while an interest- ing attempt to bring more faerie tale elements into Shadowrun, didn’t quite do enough for me. After some experi- ments in my own games, I have found that bringing Changeling into can work quite well. Inspired by the release of the Changeling 20th Anniversary Edition, I have decided to revise and codify my house rules for bringing kithain into the 6th World. This writeup attempts to give some guidance on how to do it, and give ideas for addressing the technical questions. I suspect that there aren’t a lot of people who know and love both games, but for those of you that do, hopefully this will be useful to you. This is aimed at SR 6th Edition. I will be updating frequently as I get used to how 6th edition works, and have some practical experience in my games. Many thanks to the folks that put together the Changeling 20th Anniversary Edition (C20) - it’s a fantastic book, and a great compilation of all that has been put together for Changeling over the years, with some good updates. -
The Significant Other: a Literary History of Elves
1616796596 The Significant Other: a Literary History of Elves By Jenni Bergman Thesis submitted for the degree of Doctor of Philosophy Cardiff School of English, Communication and Philosophy Cardiff University 2011 UMI Number: U516593 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U516593 Published by ProQuest LLC 2013. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 DECLARATION This work has not previously been accepted in substance for any degree and is not concurrently submitted on candidature for any degree. Signed .(candidate) Date. STATEMENT 1 This thesis is being submitted in partial fulfilment of the requirements for the degree of PhD. (candidate) Date. STATEMENT 2 This thesis is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged by explicit references. Signed. (candidate) Date. 3/A W/ STATEMENT 3 I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed (candidate) Date. STATEMENT 4 - BAR ON ACCESS APPROVED I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loan after expiry of a bar on accessapproved bv the Graduate Development Committee. -
Folklore Creatures BANSHEE: Scotland and Ireland
Folklore creatures BANSHEE: Scotland and ireland • Known as CAOINEAG (wailing woman) • Foretells DEATH, known as messenger from Otherworld • Begins to wail if someone is about to die • In Scottish Gaelic mythology, she is known as the bean sìth or bean-nighe and is seen washing the bloodstained clothes or armor of those who are about to die BANSHEE Doppelganger: GERMANY • Look-alike or double of a living person • Omen of bad luck to come Doppelganger Goblin: France • An evil or mischievous creature, often depicted in a grotesque manner • Known to be playful, but also evil and their tricks could seriously harm people • Greedy and love money and wealth Goblin Black Dog: British Isles • A nocturnal apparition, often said to be associated with the Devil or a Hellhound, regarded as a portent of death, found in deserted roads • It is generally supposed to be larger than a normal dog, and often has large, glowing eyes, moves in silence • Causes despair to those who see it… Black Dog Sea Witch: Great Britain • Phantom or ghost of the dead • Has supernatural powers to control fate of men and their ships at sea (likes to dash ships upon the rocks) The Lay Of The Sea Witch In the waters darkness hides Sea Witch Beneath sky and sun and golden tides In the cold water it abides Above, below, and on all sides In the Shadows she lives Without love or life to give Her heart is withered, black, dried And in the blackness she forever hides Her hair is dark, her skin is silver At her dangerous beauty men shiver But her tongue is sharp as a sliver And at -
Monsters by Type Type CR Type CR Type CR Type CR Aberration Spider, Red-Banded Line
TOME OF BEASTS MONSTERS BY TYPE Type CR Type CR Type CR Type CR Aberration Spider, Red-Banded Line .... 1/4 Tophet ................................... 8 Liosalfar ................................. 8 Arboreal Grappler ...................3 Spider, Sand ............................7 Ushabti .................................. 9 Rime Worm, Adult ................. 6 Asanbosam ..............................5 Suturefly ............................ 1/4 Witchlight .......................... 1/4 Rime Worm, Grub ...................1 Bagiennik ................................3 Swarm of Prismatic Beetles ......3 Xanka................................. 1/4 Sathaq Worm ....................... 10 Chelicerae ...............................7 Titanoboa .............................12 Dragon Slow Storm ............................ 15 Dorreq ................................... 4 War Ostrich ........................ 1/2 Dragon Eel ...........................12 Spark ......................................7 Eater of Dust .......................... 9 Wharfling ............................ 1/8 Dragon, Cave, Adult ..............16 Swarm of Fire Dancers ............7 Fate Eater ............................... 6 Wharfling, Swarm .................. 4 Dragon, Cave, Wyrmling ........ 2 Thuellai ................................ 10 Mamura ..................................5 Ychen Bannog ....................... 11 Dragon, Cave, Young .............. 8 Fey Mimic, Map ....................... 1/4 Celestial Dragon, Flame Adult .............16 Abominable Beauty .............. -
On the Trail of Scotlands Myths and Legends Free
FREE ON THE TRAIL OF SCOTLANDS MYTHS AND LEGENDS PDF Stuart McHardy | 152 pages | 01 Apr 2005 | LUATH PRESS LTD | 9781842820490 | English | Edinburgh, United Kingdom Myths and legends play a major role in Scotland's culture and history. From before the dawn of history, the early ancestors of the people we now know as the Scots, built impressive monuments which have caught the imagination of those who have followed in their wake. Stone circles, chambered cairns, brochs and vitrified forts stir within us something primeval and stories have been born from their mystical qualities. Scottish myths and legends have drawn their inspiration from many sources. Every land has its tales of dragons, but Scotland is an island country, bound to the sea. Cierein Croin, a gigantic sea serpent is said to be the largest creature ever. Yes, Nessie is classified as a dragon although she may be a member of that legendary species, the each-uisge or water horse. However, the cryptozoologists will swear that she is a leftover plesiosaurus. The Dalriadan Scots shared more than the Gaelic tongue with their trading partners in Ireland. They were great storytellers and had a culture rich in tales of heroes and mythical creatures. Many of the similarities between Irish and Scottish folklore can be accounted for by their common Celtic roots. Tales of Finn On the Trail of Scotlands Myths and Legends Cumhall and his warrior band, the Fianna are as commonplace on the Hebrides as in Ireland. Many of the myths centre around the cycle of nature and the passing of the seasons with the battle between light and darkness, summer and winter. -
Changeling Mechanics Packet Contents Introduction Chapter 1: Tempers, Seemings, Traits, Etc
Changeling Mechanics Packet Contents Introduction Chapter 1: Tempers, Seemings, Traits, Etc. Chapter 2: Birthrights, Frailties, Boons, Flaws Chapter 3: Merits and Flaws Chapter 4: Realms Chapter 5: Arts Chapter 6: Bunks Chapter 7: Treasures and Inanimate Chimera Chapter 8: New Art Guidelines Chapter 9: Legendary Magic 1 Introduction: Unlike Werewolf and Vampire, Changeling received little in the way of Revised support and never received updated rules from the original printing. The two LARP books (Shining Host and the Shining Host Players Guide) stand among the most confusing and poorly written texts among MET regarding mechanics. The goal of this packet is to serve as a revised set of rules for Changeling-specific mechanics to be used as a baseline for the Org. While it is non-binding, it is strongly recommended that games wishing to employ changelings (either as prime genre or in addition to other genres) use these rules *particularly in regards to Arts and Realms* as a baseline, employing perhaps limited house rules from there. This packet includes many house rules and translations from various games around the org (borrowed with permission) and is by no means a singular effort. It also includes several optional rules for chronicles to customize their preferences, as well as frequently requested guidelines for things like adjudicating treasures. Finally, it also includes some original content for games to use if they so wish. Throughout the work, the author will seek to describe the reasons behind the material presented and the philosophy governing the recommendations. Chapter 1: Tempers, Seemings, Traits, Etc. Traits and tempers are among the most significant aspects of any MET rules set.