Changeling Character Creation
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Tacsound On-Line
TACSound is a non-profit division of the Teachers' Association (Canada) affiliated with the Royal Scottish Country Dance Society. Your volunteer manager, Lydia Hedge, is TACSound pleased to offer you a unique selection of available recorded music for Scottish Country Dancing and your listening pleasure. Recorded Music Division of TO ORDER: Teachers’ Association (Canada) ONLINE : Go to http://sound.tac-rscds.org Select the albums you want, add them to your CART then proceed to the CHECKOUT pages to select shipping method and payment option. Payment online can be by PayPal or Invoice/Cheque (which includes VISA). If you are a member of TAC, you are entitled to a 5% discount . You need a Discount Coupon to receive this online. Contact Lydia for your coupon number. (See next page for more details about discounts) BY MAIL : Complete an Order Form (back of this catalogue) including Item #, Title, Quantity. Mail it to: TACSound ℅ Lydia Hedge 624 Three Fathom Harbour Road RR#2, Head of Chezzetcook Nova Scotia Canada B0J 1N0 Do not send payment but please note on the order form whether you want to remit in Canadian dollars, U.S. dollars, or Pounds Sterling. We will send an invoice at the current exchange rate with the goods. September 2013 Catalogue : 902-827-2033 BY PHONE BY EMAIL : Just compose an email, indicating which albums you want. Send it to: All Prices Shown are in Canadian Dollars [email protected] All prices shown in the catalogue are in Canadian dollars and are subje ct to change without notice because of price changes from our suppliers or currency fluctuations. -
Scotland's Storybook 2 Download
Scotland’s Storybook A magical collection of Scottish tales, legends, folk and fairy stories for all of Scotland’s children, young people and big folk. Wondrous tales and translations by Scottish storytellers Tom Muir and Martin MacIntyre with new illustrations by artist Kate Leiper. With special thanks to Dr Donald Smith and all at the Scottish Storytelling Centre in Edinburgh. www.scottishstorytellingcentre.co.uk Tom Muir http://www.scottishstorytellingcentre.co.uk/directory/Tellerview.asp?key=153 Martin MacIntyre http://www.scottishstorytellingcentre.co.uk/directory/Tellerview.asp?key=54 Kate Leiper - http://www.kateleiper.co.uk www.LTScotland.org.uk/scotlandsstories © 2010. All stories, translations and original artworks are copyright their respective authors and artists. They may be freely used within schools and early years centres in Scotland. Rights of reproduction for commercial purposes are strictly not permitted without prior written permission from copyright holders. 2 Contents FIONN MAC CUMHAIL AND THE SALMON OF KNOWLEDGE 4 OISÍN AND TIR NA N-OG 7 KING DAVID AND THE STAG 15 KING ARTHUR AND THE LADY OF THE LAKE 17 ANGUS AND BRIDE 20 ST COLUMBA AND ST MAGNUS 25 THOMAS THE RHYMER 29 DEIRDRE OF THE SORROWS 33 THE WEE BANNOCK 41 RASHIE COAT 45 WHUPPITY STOORIE 51 AULD CROOVIE 55 THE SELKIE HUNTER 60 ASSIPATTLE AND THE STOOR WORM 65 MALLIE AND THE TROW 72 THE LITTLE BROWN CALF 76 THE SALMON OF KNOWLEDGE 84 MACCODRAM AND HIS SEAL-WIFE 86 3 FIONN MAC CUMHAIL AND THE SALMON OF KNOWLEDGE The Story of Fionn Mac Cumhail comes from Ireland, but his tales are well known throughout the West Coast and Highlands of Scotland where he is known as Finn Mac Cool. -
Folklore, Folk Belief, and the Selkie
Supernatural Beings in the Far North: Folklore, Folk Belief, and The Selkie NANCY CASSELL MCENTIRE Within the world of folklore, stories of people turning into animals are well known. Either by accident or by design, a person may become a malevolent wolf, a swan, a helpful bird, a magic seal, a dog, a cat. Sometimes these stories are presented as folktales, part of a fictitious, make-believe world. Other times they are presented as legends, grounded in a narrator’s credibility and connected to everyday life. They may be sung as ballads or their core truths may be implied in a familiar proverb. They also affect human behavior as folk belief. Occasionally, sympathetic magic is involved: the human imagination infers a permanent and contiguous relationship between items that once were either in contact or were parts of a whole that later became separated or transformed. A narrative found in Ireland, England, and North America depicts a man who spends a night in a haunted mill, where he struggles with a cat and cuts off the cat’s paw. In the morning, the wife of a local villager has lost her hand (Baughman: 99; Disenchantment / Motif no. D702.1.1). France, French-speaking Canada and French-speaking Louisiana have stories of the loup-garou, a shape- shifter who is a person trapped in the body of an animal. One might suspect that he or she has encountered a loup-garou if that the animal is unusually annoying, provoking anger and hostile action. One penetrating cut will break the spell that has kept it trapped in animal form. -
Shadowrun Changeling SR6
CHANGELING IN THE 6TH WORLD Version 1.1 by Ed “Runner Smurf” Pichon INTRODUCTION This is a writeup on how to use the old WhiteWolf Changeling setting and characters in Shadowrun. This writeup is updated for Shadowrun 6th Edition. I have often thought that the themes of Changeling, my favorite World of Darkness game, corresponded quite well with the Shadowrun campaign setting - faerie tales, ancient magics re- turned, corrupted innocence, struggling against an oppressive world. The Court of Shadows book, while an interest- ing attempt to bring more faerie tale elements into Shadowrun, didn’t quite do enough for me. After some experi- ments in my own games, I have found that bringing Changeling into can work quite well. Inspired by the release of the Changeling 20th Anniversary Edition, I have decided to revise and codify my house rules for bringing kithain into the 6th World. This writeup attempts to give some guidance on how to do it, and give ideas for addressing the technical questions. I suspect that there aren’t a lot of people who know and love both games, but for those of you that do, hopefully this will be useful to you. This is aimed at SR 6th Edition. I will be updating frequently as I get used to how 6th edition works, and have some practical experience in my games. Many thanks to the folks that put together the Changeling 20th Anniversary Edition (C20) - it’s a fantastic book, and a great compilation of all that has been put together for Changeling over the years, with some good updates. -
Folklore Creatures BANSHEE: Scotland and Ireland
Folklore creatures BANSHEE: Scotland and ireland • Known as CAOINEAG (wailing woman) • Foretells DEATH, known as messenger from Otherworld • Begins to wail if someone is about to die • In Scottish Gaelic mythology, she is known as the bean sìth or bean-nighe and is seen washing the bloodstained clothes or armor of those who are about to die BANSHEE Doppelganger: GERMANY • Look-alike or double of a living person • Omen of bad luck to come Doppelganger Goblin: France • An evil or mischievous creature, often depicted in a grotesque manner • Known to be playful, but also evil and their tricks could seriously harm people • Greedy and love money and wealth Goblin Black Dog: British Isles • A nocturnal apparition, often said to be associated with the Devil or a Hellhound, regarded as a portent of death, found in deserted roads • It is generally supposed to be larger than a normal dog, and often has large, glowing eyes, moves in silence • Causes despair to those who see it… Black Dog Sea Witch: Great Britain • Phantom or ghost of the dead • Has supernatural powers to control fate of men and their ships at sea (likes to dash ships upon the rocks) The Lay Of The Sea Witch In the waters darkness hides Sea Witch Beneath sky and sun and golden tides In the cold water it abides Above, below, and on all sides In the Shadows she lives Without love or life to give Her heart is withered, black, dried And in the blackness she forever hides Her hair is dark, her skin is silver At her dangerous beauty men shiver But her tongue is sharp as a sliver And at -
Monsters by Type Type CR Type CR Type CR Type CR Aberration Spider, Red-Banded Line
TOME OF BEASTS MONSTERS BY TYPE Type CR Type CR Type CR Type CR Aberration Spider, Red-Banded Line .... 1/4 Tophet ................................... 8 Liosalfar ................................. 8 Arboreal Grappler ...................3 Spider, Sand ............................7 Ushabti .................................. 9 Rime Worm, Adult ................. 6 Asanbosam ..............................5 Suturefly ............................ 1/4 Witchlight .......................... 1/4 Rime Worm, Grub ...................1 Bagiennik ................................3 Swarm of Prismatic Beetles ......3 Xanka................................. 1/4 Sathaq Worm ....................... 10 Chelicerae ...............................7 Titanoboa .............................12 Dragon Slow Storm ............................ 15 Dorreq ................................... 4 War Ostrich ........................ 1/2 Dragon Eel ...........................12 Spark ......................................7 Eater of Dust .......................... 9 Wharfling ............................ 1/8 Dragon, Cave, Adult ..............16 Swarm of Fire Dancers ............7 Fate Eater ............................... 6 Wharfling, Swarm .................. 4 Dragon, Cave, Wyrmling ........ 2 Thuellai ................................ 10 Mamura ..................................5 Ychen Bannog ....................... 11 Dragon, Cave, Young .............. 8 Fey Mimic, Map ....................... 1/4 Celestial Dragon, Flame Adult .............16 Abominable Beauty .............. -
On the Trail of Scotlands Myths and Legends Free
FREE ON THE TRAIL OF SCOTLANDS MYTHS AND LEGENDS PDF Stuart McHardy | 152 pages | 01 Apr 2005 | LUATH PRESS LTD | 9781842820490 | English | Edinburgh, United Kingdom Myths and legends play a major role in Scotland's culture and history. From before the dawn of history, the early ancestors of the people we now know as the Scots, built impressive monuments which have caught the imagination of those who have followed in their wake. Stone circles, chambered cairns, brochs and vitrified forts stir within us something primeval and stories have been born from their mystical qualities. Scottish myths and legends have drawn their inspiration from many sources. Every land has its tales of dragons, but Scotland is an island country, bound to the sea. Cierein Croin, a gigantic sea serpent is said to be the largest creature ever. Yes, Nessie is classified as a dragon although she may be a member of that legendary species, the each-uisge or water horse. However, the cryptozoologists will swear that she is a leftover plesiosaurus. The Dalriadan Scots shared more than the Gaelic tongue with their trading partners in Ireland. They were great storytellers and had a culture rich in tales of heroes and mythical creatures. Many of the similarities between Irish and Scottish folklore can be accounted for by their common Celtic roots. Tales of Finn On the Trail of Scotlands Myths and Legends Cumhall and his warrior band, the Fianna are as commonplace on the Hebrides as in Ireland. Many of the myths centre around the cycle of nature and the passing of the seasons with the battle between light and darkness, summer and winter. -
Changeling Mechanics Packet Contents Introduction Chapter 1: Tempers, Seemings, Traits, Etc
Changeling Mechanics Packet Contents Introduction Chapter 1: Tempers, Seemings, Traits, Etc. Chapter 2: Birthrights, Frailties, Boons, Flaws Chapter 3: Merits and Flaws Chapter 4: Realms Chapter 5: Arts Chapter 6: Bunks Chapter 7: Treasures and Inanimate Chimera Chapter 8: New Art Guidelines Chapter 9: Legendary Magic 1 Introduction: Unlike Werewolf and Vampire, Changeling received little in the way of Revised support and never received updated rules from the original printing. The two LARP books (Shining Host and the Shining Host Players Guide) stand among the most confusing and poorly written texts among MET regarding mechanics. The goal of this packet is to serve as a revised set of rules for Changeling-specific mechanics to be used as a baseline for the Org. While it is non-binding, it is strongly recommended that games wishing to employ changelings (either as prime genre or in addition to other genres) use these rules *particularly in regards to Arts and Realms* as a baseline, employing perhaps limited house rules from there. This packet includes many house rules and translations from various games around the org (borrowed with permission) and is by no means a singular effort. It also includes several optional rules for chronicles to customize their preferences, as well as frequently requested guidelines for things like adjudicating treasures. Finally, it also includes some original content for games to use if they so wish. Throughout the work, the author will seek to describe the reasons behind the material presented and the philosophy governing the recommendations. Chapter 1: Tempers, Seemings, Traits, Etc. Traits and tempers are among the most significant aspects of any MET rules set. -
The Mermaid Series Thomas Hey Wood
THE MERMAID SERIES THOMAS HEY WOOD LONDON ERNEST BENN, LTD. THE MERMAID SERIES THOMAS HEYWOOD EDITED BY A. WILSON VERITY WITH AN INTRODUCTION BY J. ADDINGTON SYMONDS •1 lie and dream of your full mermaid wine."—Beawnoni. LONDON ERNEST BENN LIMITED NEW YORK CHARLES SCRIBNER'S SONS " What things have we seen Done at the Memtiaid ! heard words that have been So nimble, and so full of subtle flame, As if that every one from whence they c&me Had meant to put his whole wit in a jest, i\nd had resolved to live a fool the rest Of his duU life." Master Francis Beaurmmt to Ben fonson. •* Souls of Poets dead and gone, What Elysium have ye known, Happy field or mossy cavern, Choicer than the Mermaid Tavern ?"' Kmts. Pritiied in Great Britain PAGE THOMAS HEYWOOD. ........ vii A WOMAN KILLED WITH KINDNESS i THE FAIR MAID OF THE WEST .75 THE ENGLISH TRAVELLER. .151 THE WISE WOMAN OF HOGSDON 249 THE RAPE OF LUCRECE 327 The world's a theatre, the earth a stage, * Which God and nature doth with actors fill: Kings have their entrance in due equipage, And some their parts play well, and others ill. The best no better are (in this thedtre), Where every humour's fitted in his kind ; This a true subject acts, and that a traitor, The first applauded, and the last confined ; This plays an honest man, and that a knave, A gentle person this, and he a clown, One man is ragged, and another brave : All men have parts, and each one acts his own. -
Ushig (Annemarie Allan)
A TEACHER’S GUIDE TO USHIG by Annemarie Allan www.florisbooks.co.uk Themes/issues addressed in this book Kelpies Series Summary Family, friendship, trust, betrayal, Scottish folklore, kelpies, selkies, responsibility, The award-winning Kelpies series is danger Scotland’s favourite collection of children’s fiction. Floris Books took Book Summary over the list in 2001, republishing On holiday in Scotland, Ellen and Davie attempt to help a stray pony back to safety, but classic works by authors such as to their horror it turns into a huge, black kelpie and attempts to overpower them. Ellen Kathleen Fidler, Mollie Hunter, George manages to fight against it and they seem to repel its power. However, the kelpie shifts Mackay Brown and Allan Campbell shape and follows them back home to London in the guise of a boy named Ushig, and McLean. Since then, we have continued it is clear that he has ‘glamoured’ Davie. When Ushig takes Davie away to an alternate to add to the series with a range of Aldhammer, where the Queen of the Night rules, Ellen manages to follow and attempts highly successful new Scottish novels to free Davie from the power Ushig has over him. Ushig is bewildered by the lengths for children including books by Ellen will go to to save her brother, and when he betrays the pair to the Wild Hunt, it Gill Arbuthnott, Alex Nye, Lari Don, seems that all is lost. However, Ellen and Davie discover they have selkie blood in them Anne Forbes, Annemarie Allan, and their selkie relatives come to their aid. -
1457878351568.Pdf
— Credits — Authors: Patrick Sweeney, Sandy Antunes, Christina Stiles, Colin Chapman, and Robin D. Laws Additional Material: Keith Sears, Nancy Berman, and Spike Y Jones Editor: Spike Y Jones Index: Janice M. Sellers Layout and Graphic Design: Hal Mangold Cover Art: Patricia Ann Lewis-MacDougall Interior Art: Janet Chui, Patricia Ann Lewis-MacDougall and Jennifer Meyer Playtesters: Elizabeth, Joey, Kathryn, Lauren, Ivy, Kate, Miranda, Mary, Michele, Jennifer, Rob, Bethany, Jacob, John, Kelly, Mark, Janice, Anne, and Doc Special Thanks To: Mark Arsenault, Elissa Carey, Robert “Doc” Cross, Darin “Woody” Eblom, Larry D. Hols, Robin D. Laws, Nicole Lindroos, David Millians, Rob Miller, Liam Routt, and Chad Underkoffler If you want your children to be intelligent, read them fairy tales. If you want them to be more intelligent, read them more fairy tales. —Albert Einstein Copyright 2007 by Firefly Games. All rights reserved under International Copyright Convention. Faery’s Tale and all characters and their likenesses are trademarks owned by and/or copyrights by Firefly Games. All situations, incidents and persons portrayed within are fictional and any similarity without satiric intent to individuals living or dead is strictly coincidental. Designed and developed by Firefly Games, 4514 Marconi Ave. #3, Sacramento CA 95821 [email protected] Visit our website at www.firefly-games.com. Published by Green Ronin Publishing 3815 S. Othello St. Suite 100, #304, Seattle, WA 98118 [email protected] Visit our website at www.greenronin.com. Table of Contents Preface .........................................................................3 A Sprite’s Tale .......................................................49 A Pixie’s Tale .............................................................4 Faery Princesses & Magic Wands ............51 Introduction ................................................................7 Titles .................................................... -
Université Du Québec Mémoire Présenté À L'université Du
UNIVERSITÉ DU QUÉBEC MÉMOIRE PRÉSENTÉ À L'UNIVERSITÉ DU QUÉBEC À TROIS-RIVIÉRES COMME EXIGENCE PARTIELLE DE LA MAITRISE EN LETTRES PAR AUDREY BOULANGER MYTHOLOGIE CELTE ET ESTHÉTIQUE DU VERTIGE DANS L'ŒUVRE DE LÉA SILHOL AVRIL 2012 Library and Archives Bibliothèque et Canada Archives Canada Published Héritage Direction du Branch Patrimoine de l'édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre référence ISBN: 978-0-494-88963-3 Our file Notre référence ISBN: 978-0-494-88963-3 NOTICE: AVIS: The author has granted a non- L'auteur a accordé une licence non exclusive exclusive license allowing Library and permettant à la Bibliothèque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l'Internet, prêter, télécommunication or on the Internet, distribuer et vendre des thèses partout dans le loan, distrbute and sell theses monde, à des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, électronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriété du droit d'auteur ownership and moral rights in this et des droits moraux qui protégé cette thèse. Ni thesis. Neither the thesis nor la thèse ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent être imprimés ou autrement printed or otherwise reproduced reproduits sans son autorisation. without the author's permission.