Tirupati Balaji Was a Buddhist Shrine
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11. Brahmotsavam
Our Sincere thanks to: 1. 'kaimkarya ratnam' Anbil Sri. Ramaswamy Swami, Editor of SrIRangaSrI e-magazine for his special report on the Brahmotsava Celebrations at Pomona, New York. 2. Sri. Murali Desikachari for compiling the source document 3. Sri.Lakshminarasimhan Sridhar, Sri.Malolan Cadambi, Sri. Murali BhaTTar of www.srirangapankajam.com. sadagopan.org sadagopan.org sadagopan.org www.ranganatha.org and Nedumtheru Sri.Mukund Srinivasan for contribution of images. 4. Smt. Jayashree Muralidharan for assembling the e-book. C O N T E N T S Introduction 1 Brahmotsava Ceremonies 5 Pre-Brahmotsavam 7 Ghanta Sevai 22 Bheri Taadanam 26 sadagopan.org sadagopan.org sadagopan.org Slokams used in Bheri Taadanam 31 Brahmotsavam at Pomona New York 73 Day 1 75 Day 2 80 Day 3 82 Final Day 84 In Conclusion 95 A special report by Sri. Anbil Ramaswamy 97 Just returned from Vaikuntham 99 sadagopan.org sadagopan.org sadagopan.org SrI ranganAtha with ubhaya nAcchiyArs during Brahmotsavam Pomona Temple, New York ïI> b INTRODUCTION Dear Sri RanganAyaki SamEtha Sri Ranganatha BhakthAs : The First BrahmOthsavam celebrations at Sri Ranganatha Temple have been sadagopan.org sadagopan.org sadagopan.org successfully concluded with the anugraham of Lord Ranganatha and the AchAaryAs. The details of each day's program is available at: http://www.Ranganatha.org A huge band of volunteers provided support for the various Kaimkaryams and including the Vaidhika events of the individual days from DhvajArOhaNam to DhvajAvarOhaNam. The daily alankArams, PuRappAdus, Live Naadhaswara Kaccheris, cultural events, Anna dhAnams, BhEri Taadanams et al during this BrahmOthsavam were a delight to enjoy. -
AZHWARS – 12 Vaishnavite Saints Who Had Totally Surrendered Unto the Holy Feet of Sriman Narayana
AZHWARS – 12 Vaishnavite Saints who had totally surrendered unto the Holy feet of Sriman Narayana. The below mentioned song is the benedictory verse of Manavala Mamunigal in his work Upadesa rathina malai.. Contd..2 -2- AzhwArgal vAzhi aruLichcheyal vAzhi thAzhvAdhumil kuravar thAm vAzhi – yEzhpArum uyya avargaL uraiththavaigaL thAm vAzhi seyyamaRai thannudanE sErndhu Meaning : May the divine azhwars live long! May their works, the divya prabandhams, live long! May the spotless poorvacharyas live long! May their accurate commentaries, which were generously offered so that people of the seven worlds can benefit from them; live long along with the sanskrit vedas! AZHWARS Azhwars are divine poets absorbed in Bhakti towards Sriman Narayana. Since they are always immersed (Azhndhu, tamil word for "in depth") in kalyana gunas (the most auspicious attributes) of Sriman Narayana, they are called Azhwars. Azhwars are known as Nityasuris or Divyasuris; those who reside permanently with the Lord in His Heavenly abode. They had incarnated as Vasihnavite Saints to propagate Bhakthi Marga - devotion towards Lord Vishnu in the 4th-9th centuries A.D. Contd..3 -3- There are 12 Azhwars, who are the main authors of Naalayira Divya Prabandham - 4000 poetic hymns sung in praise of Sriman Narayana, at various sacred shrines known as "Divya Desams" (108 in total). Divya Prabandham, in its present form was compiled by Nathamunigal during the 9th – 10th centuries. They are an incredible synthesis of poetic beauty, rhythmic magnificence, literary brilliance, spiritual loveliness and philosophical wisdom appealing to the head and heart of the masses. The Twelve Azhwars are : 1. PoigaiAzhwar 2. BoothathAzhwar 3. -
1. Introduction: Siting and Experiencing Divinity in Bengal
chapter 1 Introduction : Siting and Experiencing Divinity in Bengal-Vaishnavism background The anthropology of Hinduism has amply established that Hindus have a strong involvement with sacred geography. The Hindu sacred topography is dotted with innumerable pilgrimage places, and popu- lar Hinduism is abundant with spatial imaginings. Thus, Shiva and his partner, the mother goddess, live in the Himalayas; goddesses descend to earth as beautiful rivers; the goddess Kali’s body parts are imagined to have fallen in various sites of Hindu geography, sanctifying them as sacred centers; and yogis meditate in forests. Bengal similarly has a thriving culture of exalting sacred centers and pilgrimage places, one of the most important being the Navadvip-Mayapur sacred complex, Bengal’s greatest site of guru-centered Vaishnavite pilgrimage and devo- tional life. While one would ordinarily associate Hindu pilgrimage cen- ters with a single place, for instance, Ayodhya, Vrindavan, or Banaras, and while the anthropology of South Asian pilgrimage has largely been single-place-centered, Navadvip and Mayapur, situated on opposite banks of the river Ganga in the Nadia District of West Bengal, are both famous as the birthplace(s) of the medieval saint, Chaitanya (1486– 1533), who popularized Vaishnavism on the greatest scale in eastern India, and are thus of massive simultaneous importance to pilgrims in contemporary Bengal. For devotees, the medieval town of Navadvip represents a Vaishnava place of antique pilgrimage crammed with cen- turies-old temples and ashrams, and Mayapur, a small village rapidly 1 2 | Chapter 1 developed since the nineteenth century, contrarily represents the glossy headquarters site of ISKCON (the International Society for Krishna Consciousness), India’s most famous globalized, high-profile, modern- ized guru movement. -
In the Name of Krishna: the Cultural Landscape of a North Indian Pilgrimage Town
In the Name of Krishna: The Cultural Landscape of a North Indian Pilgrimage Town A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY Sugata Ray IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Frederick M. Asher, Advisor April 2012 © Sugata Ray 2012 Acknowledgements They say writing a dissertation is a lonely and arduous task. But, I am fortunate to have found friends, colleagues, and mentors who have inspired me to make this laborious task far from arduous. It was Frederick M. Asher, my advisor, who inspired me to turn to places where art historians do not usually venture. The temple city of Khajuraho is not just the exquisite 11th-century temples at the site. Rather, the 11th-century temples are part of a larger visuality that extends to contemporary civic monuments in the city center, Rick suggested in the first class that I took with him. I learnt to move across time and space. To understand modern Vrindavan, one would have to look at its Mughal past; to understand temple architecture, one would have to look for rebellions in the colonial archive. Catherine B. Asher gave me the gift of the Mughal world – a world that I only barely knew before I met her. Today, I speak of the Islamicate world of colonial Vrindavan. Cathy walked me through Mughal mosques, tombs, and gardens on many cold wintry days in Minneapolis and on a hot summer day in Sasaram, Bihar. The Islamicate Krishna in my dissertation thus came into being. -
The Mahabharata of Krishna-Dwaipayana Vyasa SALYA
The Mahabharata of Krishna-Dwaipayana Vyasa SALYA PARVA translated by Kesari Mohan Ganguli In parentheses Publications Sanskrit Series Cambridge, Ontario 2002 Salya Parva Section I Om! Having bowed down unto Narayana and Nara, the most exalted of male beings, and the goddess Saraswati, must the word Jaya be uttered. Janamejaya said, “After Karna had thus been slain in battle by Savyasachin, what did the small (unslaughtered) remnant of the Kauravas do, O regenerate one? Beholding the army of the Pandavas swelling with might and energy, what behaviour did the Kuru prince Suyodhana adopt towards the Pandavas, thinking it suitable to the hour? I desire to hear all this. Tell me, O foremost of regenerate ones, I am never satiated with listening to the grand feats of my ancestors.” Vaisampayana said, “After the fall of Karna, O king, Dhritarashtra’s son Suyodhana was plunged deep into an ocean of grief and saw despair on every side. Indulging in incessant lamentations, saying, ‘Alas, oh Karna! Alas, oh Karna!’ he proceeded with great difficulty to his camp, accompanied by the unslaughtered remnant of the kings on his side. Thinking of the slaughter of the Suta’s son, he could not obtain peace of mind, though comforted by those kings with excellent reasons inculcated by the scriptures. Regarding destiny and necessity to be all- powerful, the Kuru king firmly resolved on battle. Having duly made Salya the generalissimo of his forces, that bull among kings, O monarch, proceeded for battle, accompanied by that unslaughtered remnant of his forces. Then, O chief of Bharata’s race, a terrible battle took place between the troops of the Kurus and those of the Pandavas, resembling that between the gods and the Asuras. -
Mz-Issue-12.Pdf
the minison zine The Minison Project © all our wonderful, respective authors issue 12 index ASIAN MYTHS: Regina Jade ................................................................................................................................................................. 4 Ankur Jyoti Saikia ..................................................................................................................................................... 6 Pramod Subbaraman .............................................................................................................................................. 8 Oormila Vijayakrishnan Prahlad ....................................................................................................................... 9 Sanjana Ramanathan ........................................................................................................................................... 10 GREEK MYTHS: Sadie Maskery ......................................................................................................................................................... 13 Alison Bainbridge .................................................................................................................................................. 14 Arden Hunter .......................................................................................................................................................... 15 Ankur Jyoti Saikia ................................................................................................................................................. -
Journal 16Th Issue
Journal of Indian History and Culture JOURNAL OF INDIAN HISTORY AND CULTURE September 2009 Sixteenth Issue C.P. RAMASWAMI AIYAR INSTITUTE OF INDOLOGICAL RESEARCH (affiliated to the University of Madras) The C.P. Ramaswami Aiyar Foundation 1 Eldams Road, Chennai 600 018, INDIA September 2009, Sixteenth Issue 1 Journal of Indian History and Culture Editor : Dr.G.J. Sudhakar Board of Editors Dr. K.V.Raman Dr. Nanditha Krishna Referees Dr. A. Chandrsekharan Dr. V. Balambal Dr. S. Vasanthi Dr. Chitra Madhavan Published by Dr. Nanditha Krishna C.P.Ramaswami Aiyar Institute of Indological Research The C.P. Ramaswami Aiyar Foundation 1 Eldams Road Chennai 600 018 Tel : 2434 1778 / 2435 9366 Fax : 91-44-24351022 E-Mail: [email protected] Website: www.cprfoundation.org ISSN : 0975 - 7805 Layout Design : R. Sathyanarayanan & P. Dhanalakshmi Sub editing by : Mr. Narayan Onkar Subscription Rs. 150/- (for 2 issues) Rs. 290/- (for 4 issues) 2 September 2009, Sixteenth Issue Journal of Indian History and Culture CONTENTS Prehistoric and Proto historic Strata of the Lower Tungabhadra Region of Andhra Pradesh and Adjoining Areas by Dr. P.C. Venkatasubbiah 07 River Narmada and Valmiki Ramayana by Sukanya Agashe 44 Narasimha in Pallava Art by G. Balaji 52 Trade between Early Historic Tamilnadu and China by Dr. Vikas Kumar Verma 62 Some Unique Anthropomorphic Images Found in the Temples of South India - A Study by R. Ezhilraman 85 Keelakarai Commercial Contacts by Dr. A.H. Mohideen Badshah 101 Neo trends of the Jaina Votaries during the Gangas of Talakad - with a special reference to Military General Chamundararaya by Dr. -
Essays and Addresses on the Śākta Tantra-Śāstra
ŚAKTI AND ŚĀKTA ESSAYS AND ADDRESSES ON THE ŚĀKTA TANTRAŚĀSTRA BY SIR JOHN WOODROFFE THIRD EDITION REVISED AND ENLARGED Celephaïs Press Ulthar - Sarkomand - Inquanok – Leeds 2009 First published London: Luzac & co., 1918. Second edition, revised and englarged, London: Luzac and Madras: Ganesh & co., 1919. Third edition, further revised and enlarged, Ganesh / Luzac, 1929; many reprints. This electronic edition issued by Celephaïs Press, somewhere beyond the Tanarian Hills, and mani(n)fested in the waking world in Leeds, England in the year 2009 of the common error. This work is in the public domain. Release 0.95—06.02.2009 May need furthur proof reading. Please report errors to [email protected] citing release number or revision date. PREFACE TO THIRD EDITION. HIS edition has been revised and corrected throughout, T and additions have been made to some of the original Chapters. Appendix I of the last edition has been made a new Chapter (VII) in the book, and the former Appendix II has now been attached to Chapter IV. The book has moreover been very considerably enlarged by the addition of eleven new Chapters. New also are the Appendices. The first contains two lectures given by me in French, in 1917, before the Societé Artistique et Literaire Francaise de Calcutta, of which Society Lady Woodroffe was one of the Founders and President. The second represents the sub- stance (published in the French Journal “Le Lotus bleu”) of two lectures I gave in Paris, in the year 1921, before the French Theosophical Society (October 5) and at the Musée Guimet (October 6) at the instance of L’Association Fran- caise des amis de L’Orient. -
Bhoga-Bhaagya-Yogyata Lakshmi
BHOGA-BHAAGYA-YOGYATA LAKSHMI ( FULFILLMENT AS ONE DESERVES) Edited, compiled, and translated by VDN Rao, Retd. General Manager, India Trade Promotion Organization, Ministry of Commerce, Govt. of India, Pragati Maidan, New Delhi, currently at Chennai 1 Other Scripts by the same Author: Essence of Puranas:-Maha Bhagavata, Vishnu Purana, Matsya Purana, Varaha Purana, Kurma Purana, Vamana Purana, Narada Purana, Padma Purana; Shiva Purana, Linga Purana, Skanda Purana, Markandeya Purana, Devi Bhagavata;Brahma Purana, Brahma Vaivarta Purana, Agni Purana, Bhavishya Purana, Nilamata Purana; Shri Kamakshi Vilasa Dwadasha Divya Sahasranaama: a) Devi Chaturvidha Sahasra naama: Lakshmi, Lalitha, Saraswati, Gayatri; b) Chaturvidha Shiva Sahasra naama-Linga-Shiva-Brahma Puranas and Maha Bhagavata; c) Trividha Vishnu and Yugala Radha-Krishna Sahasra naama-Padma-Skanda-Maha Bharata and Narada Purana. Stotra Kavacha- A Shield of Prayers Purana Saaraamsha; Select Stories from Puranas Essence of Dharma Sindhu Essence of Shiva Sahasra Lingarchana Essence of Paraashara Smtiti Essence of Pradhana Tirtha Mahima Dharma Bindu Essence of Upanishads : Brihadaranyaka , Katha, Tittiriya, Isha, Svetashwara of Yajur Veda- Chhandogya and Kena of Saama Veda-Atreya and Kausheetaki of Rig Veda-Mundaka, Mandukya and Prashna of Atharva Veda ; Also ‘Upanishad Saaraamsa’ (Quintessence of Upanishads) Essence of Virat Parva of Maha Bharata Essence of Bharat Yatra Smriti Essence of Brahma Sutras Essence of Sankhya Parijnaana- Also Essence of Knowledge of Numbers Essence of Narada Charitra; Essence Neeti Chandrika-Essence of Hindu Festivals and Austerities- Essence of Manu Smriti*- Quintessence of Manu Smriti* - *Essence of Pratyaksha Bhaskara- Essence of Maha Narayanopanishad*-Essence of Vidya-Vigjnaana-Vaak Devi* Note: All the above Scriptures already released on www. -
1 Component-I (A) – Personal Details
Component-I (A) – Personal details: 1 Component-I (B) – Description of module: Subject Name Indian Culture Paper Name Outlines of Indian History Module Name/Title South Indian kingdoms : pallavas and chalukyas Module Id I C/ OIH/ 15 Political developments in South India after Pre-requisites Satavavahana and Sangam age To study the Political and Cultural history of South Objectives India under Pallava and Chalukyan periods Keywords Pallava / Kanchi / Chalukya / Badami E-text (Quadrant-I) 1. Introduction The period from C.300 CE to 750 CE marks the second historical phase in the regions south of the Vindhyas. In the first phase we notice the ascendency of the Satavahanas over the Deccan and that of the Sangam Age Kingdoms in Southern Tamilnadu. In these areas and also in Vidarbha from 3rd Century to 6th Century CE there arose about two dozen states which are known to us from their land charters. In Northern Maharashtra and Vidarbha (Berar) the Satavahanas were succeeded by the Vakatakas. Their political history is of more importance to the North India than the South India. But culturally the Vakataka kingdom became a channel for transmitting Brahmanical ideas and social institutions to the South. The Vakataka power was followed by that of the Chalukyas of Badami who played an important role in the history of the Deccan and South India for about two centuries until 753 CE when they were overthrown by their feudatories, the Rashtrakutas. The eastern part of the Satavahana Kingdom, the Deltas of the Krishna and the Godavari had been conquered by the Ikshvaku dynasty in the 3rd Century CE. -
Hinduism Lesson Concepts 1. What Is Hinduism
Religion A set of specific beliefs and practices shared by a Vedas Books of authority in Hinduism. community. Brahman the Supreme being; Brahman both is and supports the Bhagavad Gita ‘Song of the divine'. Book of authority for whole universe Hindus. Brahma God as the creator. He has four heads and holds Holi Spring festival. Celebrated by sprinkling scriptures. He is often shown sitting on a white lotus coloured powders and waters. Vishnu God as the preserver of the universe. He is said to Diwali Festival of light. Autumn festival celebrated descend to earth ten times as the 'Avatars' for the good with lamps to mark the day Rama returned of mankind. from exile. Year: 7/8 Shiva God as the destroyer. Often shown in meditation with a Dharma Religion or religious duty is the usual Term: 1 snake curled round his neck and has three eyes. translation into English, but literally it means Topic: Hinduism ‘that which sustains one's existence.’ Trimurti the three main deities, Brahma (the creator), Vishnu (the Karma The Law of Karma (action) is used to mean the sustainer), and Shiva (the destroyer) law of cause and effect on personal terms. Shakti 'Energy' - depicted as a mother goddess, the consort of Reincarnation The rebirth of the soul in another body Shiva. Parvati The consort of Shiva and a mother Goddess. The Yoga Path to God through meditation Lesson Concepts personification of power. Saraswati A mother goddess, the mother of all learning, art and Om the most important mantra for Hindus, often 1. What is Hinduism? music. -
Budhadeva (Mercury Planet)
Budha-deva (Mercury Planet) When Chandradeva (the Moon) came of age, he conquered he three worlds and several times performed the Rajasuya sacrifice, which gives Lordship. Nine goddesses served him as well as many other deities. Then, having achieved rare glory, he became inordinately arrogant and overstepped the boundaries of propriety. Chandradeva was the chief disciple of Jupiter (Brihaspatideva), the guru of the celestials and was also the favourite of Tara (The Star), Jupiter's wife, who was attracted to him by his character, nature and beauty. Once it so happened - when Jupiter was away on an errand for the Devas, Tara and Chandradeva eloped. When Jupiter returned home, he found out that his wife was gone, and discovered her whereabouts, and several times sent messages to the Moon requesting his wife©s return. Chandradeva, however, repeatedly refused to comply with these requests, maintaining that Tara had accompanied him on her own accord and would leave only when she was satiated with him. These replies so infuriated Jupiter that he communicated with them to his disciple Lord Indra deva, who sent an ultimatum to the Moon. When the Moon refused to yield, Indra deva then commenced a war. Venus and the asuras (demons) took the side of the Moon in this war, because of the ongoing enmity between Jupiter and Venus, while Lord Shiva took the side of the devas for his love and respect for his preceptor Angiras Maha Rishi, the Rishi who was Jupiter©s father. As the battle was due to the desire (kama) for Tara, it was known as Tara-kaamayam.