DOCSLIB.ORG

CDANIEL Presidem DE PUTY DIRECTOR ROELLA H

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
CDANIEL Presidem DE PUTY DIRECTOR ROELLA H DEPARTMENT OF EXECUTIVE OFfiCES CITY PLANNING CITY OF Los ANGEL OFFICE OF HISTORIC RESOURCES S. GAil GOLDBERG, AICP CALIFORNIA DJREao~ 200 N. SPRING STREIT, ROOM620 Los ANGELES, CA. 90012-4801 1213) 978·1271 1213) 978-1200 VINCENT I'. BERTONI. AICP D'E PUTY DIRfcrOR CULTURAL HERITACE COMMISSION 12131978·1272 RICHARD BARRON EVA YUAN-MCDANIEL PRESIDEm DE PUTY DIRECTOR ROELLA H. LOUIE 12131 978-12 7J VICE-PRESIDENT FAX: 1213) 978-1275 GLEN C DAKE MIA M. LE.HRER OZSCOTT ANTONIO R. VILLARAIGOSA INFO.RMATION MAYOR (213) 978-1270 www.planning.lacity.org FELY C PINGOL COMMISSION EXECUTIVEASSl5TANT 1213) 978-1294 Date DEC i 6 2009 CD "3 Los Angeles City Council Room 395, City Hall 200 North Spring Street Los Angeles, California 90012 ATTENTION: Patrice Lattimore, Legislative Assistant Planning and Land Use Management Committee CASE NUMBER: C H C -2009-3041-H CM VAN DEKKER HOUSE 19950 WEST COLLIER STREET At the Cultural Heritage Commission meeting of December 3, 2009, the Commission moved to include the interior of the above property as an expansion of the currently desiqnated Historic-Cultural Monument, subject to adoption by the City Council. As required under the provisions of Section 22.171.10 of the Los Angeles Administrative Code, the Commission has solicited opinions and information from the office of the Council District in which the site is located and from any Department or Bureau of the city whose operations may be affected by the designation of such site as a Historic-Cultural Monument. Such designation in and of itself has no fiscal impact. Future applications for permits may cause minimal administrative costs. The City Council, according to the guidelines set forth in Section 22.171 of the Los Angeles Administrative Code, shall act on the proposed inclusion to the list within 90 days of the Councilor Commission action, whichever first occurs. By resolution, the Council may extend the period for good cause for an additional 15 days. The Cultural Heritage Commission would appreciate your inclusion of the subject modification to the list of Historic-Cultural Monuments upon adoption by the City Council. The above Cultural Heritage Commission action was taken by the following vote: Moved: Commissioner Scott Seconded: Commissioner Barron Ayes: Commissioners Dake and Louie Absent: Commissioner Lehrer Vote: 4-0 Attachment: Staff Report with Findings c: Councilrnernber Dennis P. Zine, Third Council District Josh Gorell A D. Modlin DEPARTMENT OF EXECUTIVE OFFICES CITY PLANNING CITY OF Los ANGEL--.S S. GAIL GOLDBERG, AICP OFFICE OF HISTORIC RESOURCES CALIFORNIA 200 N. SPRINGSTREET, ROOM 620 DIRECTOR Los ANGELES,CA 90012-4801 {2131978-1271 (213) 978-1200 VINCENT P. BERTON!, AICP DEPUl'I DIRECTOR CULTURAL HERITAGE COMMISSION (213) 978-1272 RICHARD BARRON EVA YUAN-MCDANIEL PRESIDENT DEPUl'I DIRECTOR ROELLA H. LOUIE (213) 978-1273 VICE-PRESIDENT FAX: (213) 978-1275 GLEN C. OAKE MIAM. LEHRER ozscon ANTONIO R, VILLARAIGOSA INFORMATION MAYOR (213) 978-1270 www.pianning.lacity.org FELYC. PINGOl COMMISSION EXECUTIVE ASSIST ANT (2131978-1294 Date DEC 1 6 2009 Josh Gorrell 19950 West Collier Street Los Angeles, CA 91364 CERTIFIED MAIL RETURN RECEIPT REQUESTED CASE NUMBER: CHC-2009-3041-HCM VAN DEKKER HOUSE 19950 WEST COLLIER STREET As you will note from the attached copy of our communication to the Los Angeles City Council, the Cultural Heritage Commission has moved to include the above-referenced property in the list of Historic- Cultural monuments, subject to adoption by the City Council. In due course, our transmittal will be given a council file number and will be referred to the Council's Planning and Land Use Management Committee for review and recommendation. If you are interested in attending the Council Committee meeting, you should call Patrice Lattimore at (213) 978-1068 for information as to the time and place of the Committee and City Council meetings regarding this matter. Please give Ms. Lattimore at least one week from the date of this letter to schedule this item on the Committee Agenda before you call her. Fel . Pin I, Commission Executive Assistant Cultural Heritage Commission Ifcp Attachment: CHC Declaration Letter to Council, Staff Report with Findings, and Additional Finding C: Notification List A. D. Modlin GIS Los Angeles Department of City Planning RECOMMENDATION REPORT CULTURAL HERITAGE COMMISSION CASE NO.: CHC-2009-3041-HCM ENV-2009-3042-CE HEARING DATE: December 3, 2009 Location: 19950 West Collier Street TIME: 10:00 AM Council District: 3 PLACE: City Hall, Room 1010 Community Plan Area: Canoga Park- 200 N. Spring Street Winnetka - Woodland Hills - West Hills Los Angeles, CA Area Planning Commission: South Valley 90012 Neighborhood Council: Woodland Hills - Warner Center Legal Description: Lot 66, Tract TR 8812 PROJECT: Historic-Cultural Monument Application for the VAN DEKKER HOUSE REQUEST: Declare the property a Historic-Cultural Monument APPLICANT: AD. Modlin 342 East Kingsley Avenue Pomona, CA 91767 OWNER: Josh Gorrell 19950 West Collier Street Los Angeles, CA 91364 RECOM MENDATION That the Cultural Heritage Commission: 1. Declare the property a Historic-Cultural Monument per Los Angeles Administrative Code Chapter 9, Division 22, Article 1, Section 22.171.7 2. Adopt the report findings. S. GAIL GOLDBERG, AICP Dl1::E9 Ken Bernstein, AICP, Manager ~er, Preservation Architect Office of Historic Resources Office of Historic Resources Attachments: September, 2009 Historic-Cultural Monument Application ZIMAS Report 19950 West Collier Street CHC-2009-3041-HCM Page 2 of 4 FINDINGS 1. The building "embodies the distinguishing characteristics of an architectural type specimen, inherently valuable for a study of a period style or method of construction" as an example of Modern style residential architecture. 2. The building is associated with a master builder, designer, or architect, as a work by master architect RM. Schindler (1887-1953). CRITERIA The criterion is the Cultural Heritage Ordinance which defines a historical or cultural monument as any site (including significant trees or other plant life located thereon) building or structure of particular historic or cultural significance to the City of Los Angeles, such as historic structures or sites in which the broad cultural, economic, or social history of the nation, State or community is reflected or exemplified, or which are identified with historic personages or with important events in the main currents of national, State or local history or which embody the distinguishing characteristics of an architectural type specimen, inherently valuable for a study of a period style or method of construction, or a notable work of a master builder, designer or architect whose individual genius influenced his age. SUMMARY Built in 1940 and located in Woodland Hills, this three-story, single-family residential building exhibits character-defining features of Modern style architecture. Built on a gently sloping hillside, the L-shaped home contains approximately 2,300 square feet of interior space. The building is oriented along a diagonal axis relative to due north. The asymmetrical, copper-clad gable roof is composed of two separate volumes which join at the knuckle of the building's "L" shaped plan. The main entrance, located on the ground floor at the northern corner of the building, has a door built from vertical wood siding and leads to a split-level entry foyer. The ground floor is recessed and clad in leopard-spot stone. The second and third floors of the house are clad in stucco and consist of irregular and cantilevered volumes unified by horizontal structural elements and bands of sliding wood-framed windows. Additional window types in the subject building include wooden awning windows, polygonal-shaped fixed pane windows, and fixed pane clerestory windows. In the subject building's interior, the space created by the union of the two roof volumes becomes the dominant feature of the living room. The roof itself defines the spatial characteristics of the third floor rooms. Significant interior elements include built in furniture and cabinetry. Secondary structures on the site include a curved retaining wall of leopard spot stone, and a carport with storage/service rooms. The subject building was designed by master architect R. M. Schindler (1887-1953). Schindler is internationally recognized for his modern architectural designs that were sensitive to local conditions, and has been the subject of exhibitions at the Museum of Contemporary Art (MaCA) and the MAK Center for Art and Architecture. Schindler designed the subject property for the famity of Albert Van Dekker, a film and television actor who performed in many well-known films and also served one term as a legislator in the California State Assembly. His best known roles are in films such as Dr. Cyclops (1940), Kiss Me Deadly (1955), and The Wild Bunch (1969). In 1955, Van Dekker sold the subject property to his colleague, Albert Isaac "Buzz" Bezzerides, who was the screen-writer for Kiss Me Deadly 19950 West Collier Street CHC-2009-3041-HCM Page 3 of 4 and several other critically and commercially successful movies of the 1940s and 1950s. Bezzerides resided in the home for over fifty years, until his death in 2007. Alterations to the subject building are chiefly a result of deferred maintenance and include replacement of some glass window panes with plywood, missing roof copper panels, missing bathroom tile-work, addition of wooden posts to the cantilevered roof over the living room porch, and removal of a trellis near this cantilevered roof. The garage and storage area appear to be in poor condition. DISCUSSION The Van Dekker House property successfully meets two of the specified Historic-Cultural Monument criteria: 1) "embodies the distinguishing characteristics of an architectural type specimen, inherently valuable for a study of a period style or method of construction, and 2) is associated with a master builder, designer, or architect. As a residential building designed in the Modern style by master architect RM.
Load more

Recommended publications
  • Medical Examiners Finding
    Harris County Archives Houston, Texas Finding Aid HARRIS COUNTY MEDICAL EXAMINER’S OFFICE RECORDS CR41 (1954 - 2012) Acquisition: Office of the Medical Examiner Accession Numbers: 2004.006, 2004.016, 2004.001, 2005.008, 2005.029, 2005.035, 2006.034, 2007.006, 2007.036, 2008.027 Citation: [Identification of Item], Harris County Medical Examiner’s Office, Harris County Archives, Houston, Texas. Agency History: During the Republic of Texas and until the Constitution of 1869, the office of coroner functioned primarily to identify homicides. In 1955 the Texas Legislature passed the Baker Bill which allowed counties with a population greater than 250,000 to establish an Office of Medical Examiner to assume those duties previously conducted by the Justices of the Peace. The revision of the Code of Criminal Procedure in 1965 mandated that counties with populations greater than 500,000 shall establish a Medical Examiner’s office. Currently, the statute requires counties of over 1,000,000 to establish a Medical Examiner’s office. Those counties with medical schools were exempted from the law. The Texas Code of Criminal Procedure, Article 49.25, mandates the Medical Examiner to determine the cause and manner of death in all cases of accident, homicide, suicide, and undetermined death. In cases of natural death, when the person is not under a doctor’s care, or the person passes away in less than 24 hours after admission to a hospital, an institution, a prison, or a jail, the Medical Examiner must be notified. Harris County, although it had a medical school, was among the first counties to opt for a medical-examiner system.
    [Show full text]
  • The Prophet Elijah: Three Stories
    Digital Commons @ Touro Law Center Scholarly Works Faculty Scholarship Spring 2000 The Prophet Elijah: Three Stories Lawrence Raful Touro Law Center, [email protected] Follow this and additional works at: https://digitalcommons.tourolaw.edu/scholarlyworks Recommended Citation Raful, Lawrence, "The Prophet Elijah: Three Stories" (2000). Scholarly Works. 216. https://digitalcommons.tourolaw.edu/scholarlyworks/216 This Article is brought to you for free and open access by the Faculty Scholarship at Digital Commons @ Touro Law Center. It has been accepted for inclusion in Scholarly Works by an authorized administrator of Digital Commons @ Touro Law Center. For more information, please contact [email protected]. Lawrence Raful Professor of Law Elijah the Prophet lived in Israel during the ninth and 10th century BCE (Before Common Era). Although his name does not grace the title of any of the biblical books of the major and minor prophets, throughout the ages he has become the central figure in Jewish traditions, a mysterious and beloved “everyman.” Elijah, in various disguises and roles, works for justice and performs miracles to help the poor and downtrodden. He is best known as part of an important ritual in the Passover meal, and he is said to be present at births and weddings. But Elijah’s most prominent role, perhaps the major reason that he has become so popular, is as the precursor, the forerunner, of the coming of the Messiah (see Malachi 3:24). It is for this reason that Jews everywhere greet the end of the Sabbath day and the beginning of a new week with a prayer that, God willing, Elijah the Prophet will appear this week, to herald the coming of the Messianic era.
    [Show full text]
  • Three Stories and Three Questions About Participation in Genocide Aliza Luft
    Three Stories and Three Questions about Participation in Genocide Aliza Luft On Behavioral Variation in Genocide y first time walking into the Mutobo Demobilization Center for ex-combatants in Musanze, Rwanda, I thought I would feel confident. After all, I had been reading and thinking about the Rwandan Genocide for six years, and Mabout genocide more generally since I was ten. I knew perpetrators were most often people like you and me – ordinary men and women caught up in awful situations who participated in gruesome crimes for countless reasons; some we knew and already had well-established evidence of (obedience to authority, peer pressure), and some we didn’t (what is the role of ethno-racial categories in genocide?). I therefore surprised myself when, walking past the detainees, I began to feel nervous and afraid. These men and women were my age, but they had murdered someone; I hadn’t. Could I ever truly understand what motivated them to kill? For better or worse, my initial trepidations quickly gave way to confusion. I met with one man, then another; I observed as a large group of men, boys, and women took lessons on national history and politics; I went for a walk with one woman, recently repatriated from Democratic Republic of Congo, and then sat with her and another woman as they showed me pictures of their children and described their experiences fleeing Rwanda in summer 1994 and, now, returning home. Repeatedly, as these ordinary Rwandans told me about their experiences during the genocide, I heard something new: Yes, I participated in the genocide.
    [Show full text]
  • 3700 Connecticut Avenue NW
    HISTORIC PRESERVATION REVIEW BOARD STAFF REPORT AND RECOMMENDATION Landmark/District: Cleveland Park Historic District (X) Agenda Address: 3700 Connecticut Avenue NW ( ) Consent (X) Concept Meeting Date: January 26, 2017 ( ) Alteration Case Number: 17-216 (X) New Construction Staff Reviewer: Steve Callcott (X) Demolition ( ) Subdivision Murillo/Malnati Group LLC, with drawings prepared by Dynerman Architects, seeks concept review for demolition of a two-story frame house and construction of a three-story brick house in the Cleveland Park Historic District. Property Description The existing house at 3700 Connecticut Avenue was constructed in 1920 as one of three bungalow style houses designed by J.A. Moore for owner Catherine McCarron along Rodman Street. The property has been altered considerably over time, and in November 2006 (HPA 06- 377) the Board determined the house to be non-contributing due to significant alterations of the building's structure and the loss of numerous original and character defining features. As detailed in the November 2006 HPO report, the original side gable roof was removed during the 1960s and replaced with the current double-roof. The entrance was originally located on Rodman Street and included a full length porch with a stone base and wood columns; the porch has been enclosed and a new entrance and stoop added to the Connecticut Avenue elevation. Most of the original windows have been altered and the original wood clapboards have been covered with aluminum siding. In exchange for the conveyance of a small piece of land at the rear of site, the National Park Service holds an easement on the property that limits any new construction to a single-family home of the same general footprint as the existing house and with a maximum height of 40 feet.
    [Show full text]
  • A HISTORY of RAVENSWOOD Excerpt from the Bugle, a Publication of the Brentwood Historical Society August 2011 by Preston Bain
    A HISTORY OF RAVENSWOOD Excerpt from The Bugle, a publication of the Brentwood Historical Society August 2011 By Preston Bain Thomas Wilson immigrated to America from Ireland in the mid 1700’s and followed the migration trail down through Virginia and the Carolinas and finally over into Tennessee where he settled in the late 1700’s. His grandson, James Hazard Wilson II, who built Ravenswood was born in 1800 and would be one of several children by James Hazard Wilson, Sr. and Ruth Davidson Wilson. James II grew up in Williamson County and chose to remain here and start a family while his brother, Samuel, moved west to Texas and became one of the first Secretaries of State after it’s admission to the Union in 1845. In March of 1821, James Hazard Wilson II married his cousin Emeline Wilson. Prominent Tennessee and Texas historical figure Sam Houston served as the best man at his wedding. James and Emeline would settle in Brentwood and build their home in 1825. The home was christened Ravenswood in honor of their friend Sam Houston whose Cherokee Indian name was “the Raven”, most likely due to the jet black hair of his youth. Sam Houston ran away from home when he turned 16 and went to live with the Cherokee Indians near the Hiawassee River. The tribal chief became a father figure to Sam and gave him the Cherokee name Colonneh, meaning "the Raven”. Sam lived with the Cherokee for about 3 years before returning home to Maryville, TN and enlisting to fight in the War of 1812.
    [Show full text]
  • A Prologue and Three Stories
    Murray State's Digital Commons Murray State Theses and Dissertations Graduate School 2019 A Prologue and Three Stories Billie Pritchett Murray State University Follow this and additional works at: https://digitalcommons.murraystate.edu/etd Part of the Fine Arts Commons, and the Literature in English, North America Commons Recommended Citation Pritchett, Billie, "A Prologue and Three Stories" (2019). Murray State Theses and Dissertations. 144. https://digitalcommons.murraystate.edu/etd/144 This Thesis is brought to you for free and open access by the Graduate School at Murray State's Digital Commons. It has been accepted for inclusion in Murray State Theses and Dissertations by an authorized administrator of Murray State's Digital Commons. For more information, please contact [email protected]. A PROLOGUE AND THREE STORIES A Thesis Presented to the Faculty of the Department of English and Philosophy Murray State University Murray, KY In Partial Fulfillment of the Requirements for the Degree of Master of Fine Arts in Creative Writing by BILLIE PRITCHETT AUGUST 2019 iii To Helen iv TABLE OF CONTENTS Acknowledgements iii Table of Contents iv Prologue 1 Samson 13 Blue Nile 39 Good News 63 Works Cited 85 1 PROLOGUE A confession: I hate most books written on the craft of fiction, not because I think they’re unhelpful, but because they’re overwhelming. Michael Kardos’s The Art and Craft of Fiction is overwhelming. The second chapter is on the selection of details for stories. The fourth chapter is on what he selectively labels the elements of fiction— character, plot, setting, point of view, voice, and theme.
    [Show full text]
  • 1 the Minutes of the 641 St Stated Meeting of The
    THE MINUTES OF THE 641ST STATED MEETING OF THE PHILADELPHIA HISTORICAL COMMISSION FRIDAY, 8 JANUARY 2016 ROOM 18-029, 1515 ARCH STREET SARA MERRIMAN, ACTING CHAIR PRESENT Sara Merriman, Acting Chair, Commerce Department Richardson Dilworth III, Ph.D. Dominique Hawkins, AIA, NCARB, LEED AP Rosalie Leonard, Esq., Office of City Council President Melissa Long, Office of Housing & Community Development John Mattioni, Esq. Thomas McDade, Department of Public Property R. David Schaaf, RA, Philadelphia City Planning Commission Robert Thomas, AIA Betty Turner, M.A. Jonathan E. Farnham, Executive Director Randal Baron, Historic Preservation Planner III Kim Broadbent, Historic Preservation Planner II Laura DiPasquale, Historic Preservation Planner II Meredith Keller, Historic Preservation Planner I ALSO PRESENT Pinchas Lando, Talmudical Yeshiva of Philadelphia David Feldman, Right-Sized Homes, LLC Sean Whalen, Esq., Klehr Harrison Edward Mattio Christopher Kelly Patrick Hannigan, Gemini Design Associates Henry Friedman Eric Leighton, Cecil Baker + Partners, Architects Nona Bergsten, Cecil Baker + Partners, Architects Josh Kobylarz, Esq., Mattioni, Counselors at Law, Ltd. Michael Mattioni, Esq., Mattioni, Counselors at Law, Ltd. Adam Motolbano, Moto Designshop James Campbell, Campbell Thomas & Co. Stuart Lacheen Yao Huang, YCH Architects Taylor Stevenson, YCH Architects Mark Travis John Marshall, Marshall Sabatini Michael Salomone Chris Carickhoff, Morrisey Design CALL TO ORDER Ms. Merriman called the meeting to order at 9:00 a.m. Commissioners Dilworth, Hawkins, Leonard, Long, Mattioni, McDade, Schaaf, Thomas, and Turner joined him. PHILADELPHIA HISTORICAL COMMISSION, 8 JANUARY 2016 1 PHILADELPHIA’S PRINCIPAL PUBLIC STEWARD OF HISTORIC RESOURCES MINUTES OF THE 640TH STATED MEETING OF THE PHILADELPHIA HISTORICAL COMMISSION ACTION: Ms. Turner moved to adopt the minutes of the 640th Stated Meeting of the Philadelphia Historical Commission, held 11 December 2015.
    [Show full text]
  • Defense Mechanism Reflected in the Character Gregory House in Tv Series House M.D Season 1-3
    DEFENSE MECHANISM REFLECTED IN THE CHARACTER GREGORY HOUSE IN TV SERIES HOUSE M.D SEASON 1-3 A FINAL PROJECT In Partial Fulfillment of the Requirement For S-1 Degree in American Studies In English Department, Faculty of Humanities Universitas Diponegoro Submitted by: Nadhifa Azzahra Irawan 13020114140096 Faculty of Humanities Universitas Diponegoro SEMARANG 2017 ii PRONOUNCEMENT The writer sincerely affirms that she compiles this thesis entitled ‘Defense Mechanism Reflected in the Character Gregory House in TV Series House M.D Season 1-3’ by herself without taking any result from other researchers in S-1, S- 2, S-3, and in diploma degree of any university. The writer also emphasizes she does not quote any material from the existed someone’s journal or paper except from the references mentioned later. Semarang, 16 July 2018 Nadhifa Azzahra Irawan iii MOTTO AND DEDICATION And He found you lost and guided [you] ad-Dhuha : 7 We are here and alive in our own little corner of time. John O’Callaghan Use your mind and make it talk Cause in this world it's all you've got We all fall down from the highest clouds to the lowest ground The Answer, Kodaline This final project is dedicated for myself, and my family. iv APPROVAL DEFENSE MECHANISM REFLECTED IN THE CHARACTER GREGORY HOUSE IN TV SERIES HOUSE M.D SEASON 1-3 Written by: Nadhifa Azzahra Irawan NIM: 13020114140096 is approved by Thesis Advisor on July 27th, 2018 Thesis Advisor, Rifka Pratama, S.Hum., M.A. NPPU. H.7.199004282018071001 The Head of English Departement, Dr.
    [Show full text]
  • National Register of Historic Places Inventory—Nomination Form 1
    NFS Form 10-900 (3-82) OHB No. 1024-0018 Expires 10-31-87 United States Department of the Interior National Park Service For NPS use only National Register of Historic Places received FEB | 0 1986 Inventory—Nomination Form date entered See instructions in How to Complete National Register Forms ;•&: I 3 j&o Type all entries—complete applicable sections_______________ 1. Name historic Oak Hall and or common Century Oak 2. Location street & number 1704 Wilson Pike N/A not for publication city, town Brentwood _X_ vicinity of state Tennessee C0de °47 county Williamson code 187 3. Classification Category Ownership Status Present Use district public _X_ occupied agriculture museum X building(s) X private unoccupied commercial -**— park structure both work in progress educational private residence site Public Acquisition Accessible entertainment religious object M/ A in process X yes: restricted government scientific being considered _ yes: unrestricted industrial transportation no military other; 4. Owner off Property name Mrs. Samuel Madtson Stubblefteld street & number Wilson Pike city, town Frank!in N/A vicinity of state Tennessee 5. Location off Legal Description courthouse, registry of deeds, etc. Williamson County CourthQU§e street & number Pub! JC Square city, town Franklin state Tennessee 6. Representation in Existing Surveys tme Williamson County Survey has this property been determined eligible? yes _X_ no date 1982 federal X state county local depository for survey records Tennessee Historical Commission city, town Nashville state Tennessee 7. Description Condition Check one Check one excellent deteriorated ^ _ unaltered X original site * good ruins A altered moved date fair unexposed Describe the present and original (if known) physical appearance Located on the east side of Wilson Ptke near Brentwood (pop, 9,608) in NtlltWDSQn County, Tennessee, Oak Hall is a two story red brick residence built In 1845 for Samuel S, fttlssn.
    [Show full text]
  • Steve Fogleman Thesis
    Distribution Agreement In presenting this thesis or dissertation as a partial fulfillment of the requirements for an advanced degree from Emory University, I hereby grant to Emory University and its agents the non-exclusive license to archive, make accessible, and display my thesis or dissertation in whole or in part in all forms of media, now or hereafter known, including display on the world wide web. I understand that I may select some access restrictions as part of the online submission of this thesis or dissertation. I retain all ownership rights to the copyright of the thesis or dissertation. I also retain the right to use in future works (such as articles or books) all or part of this thesis or dissertation. Signature: ________________________________ _____________ Stephen Fogleman Date The Rózsa Touch: Challenging Classical Hollywood Norms Through Music By Stephen Fogleman Master of Arts Film Studies ____________________________________ Matthew H. Bernstein, Ph.D. Advisor ____________________________________ Karla Oeler, Ph.D. Committee Member ____________________________________ Michele Schreiber, Ph.D. Committee Member Accepted: ____________________________________ Lisa A. Tedesco, Ph.D. Dean of the James T. Laney School of Graduate Studies ____________________________________ Date The Rózsa Touch: Challenging Classical Hollywood Norms through Music By Stephen Fogleman B.A. Appalachian State University, 2009 Advisor: Matthew H. Bernstein, Ph.D. An abstract of A thesis submitted to the Faculty of the James T. Laney School of Graduate Studies of Emory University in partial fulfillment of the requirements for the degree of Master of Arts in Film Studies 2011 Abstract The Rózsa Touch: Challenging Classical Hollywood Norms through Music By Stephen Fogleman If film noir is a body of work that is partially characterized by its difference from other Classical Hollywood films, many of the scores for these films work to reinforce that difference.
    [Show full text]
  • Kiss Me Deadly Nephew of John D
    March 13, 2001 (III:8) ROBERT ALDRICH (9 August 1918, Cranston, Rhode Island – 5 December 1983, Los Angeles, kidney failure), a Kiss Me Deadly nephew of John D. Rockefeller, Jr., and cousin of New 1955, 106 minutes, York’s quondam governor, worked as an assistant director Parklane Pictures to Chaplin and Renoir before becoming a director himself. He is one of those directors whose films are more likely to Director Robert Aldrich turn up on critics’ Secret Pleasures lists than their Grand Script by A.I Bezzerides, based on = Films lists. He directed 31 films, among them All the Marbles Mickey Spillane s novel 1981, The Choirboys 1977, Twilight's Last Gleaming 1977, Producer Robert Aldrich Hustle 1975, The Longest Yard 1974, The Killing of Sister Original music Frank De Vol George 1968, The Dirty Dozen 1967, Hush... Hush, Sweet Cinematographer Ernest Laszlo Charlotte 1964, What Ever Happened to Baby Jane? 1962, The Film Editor Michael Luciano Big Knife 1955, Apache 1954, and Vera Cruz 1954. Art Director William Glasgow Ralph Meeker Mike Hammer ERNEST LASZLO (23 April 1898 – 6 January 1984, Hollywood) was a cinematographer for 50 years, beginning with The Pace that Kills 1928 and ending Albert Dekker Dr. G.E. Soberin with The Domino Principle 1977. He shot 66 other films, among them Logan's Run Paul Stewart Carl Evello 1976, Airport 1970, Star! 1968, Luv 1967, Fantastic Voyage 1966, Baby the Rain Must Juano Hernandez Eddie Yeager Fall 1965, Ship of Fools 1965, It's a Mad Mad Mad Mad World 1963, Judgment at Wesley Addy Pat Chambers Nuremberg 1961, Inherit the Wind 1960, The Big Knife 1955, The Kentuckian 1955, Gaby Rogers Lily Carver Apache 1954, The Naked Jungle 1954, Vera Cruz 1954, Stalag 17 1953, The Moon Is Blue Marian Carr Friday 1953, D.O.A.
    [Show full text]
  • Staff Report 05.01.2014
    CITY OF SOMERVILLE, MASSACHUSETTS MAYOR’S OFFICE OF STRATEGIC PLANNING & COMMUNITY DEVELOPMENT JOSEPH A. CURTATONE MAYOR MICHAEL F. GLAVIN EXECUTIVE DIRECTOR PLANNING DIVISION STAFF GEORGE PROAKIS, DIRECTOR OF PLANNING Case #: ZBA 2014-21 LORI MASSA, SENIOR PLANNER Date: May 1, 2014 AMIE HAYES, PLANNER Recommendation: Denial MELISSA WOODS, PLANNER DAWN PEREIRA, ADMINISTRATIVE ASSISTANT PLANNING STAFF REPORT Site: 19 Cambria Street Applicant Name: Willard D. Cunningham Applicant Address: 19 Cambria Street, Somerville MA 02143 Property Owner Name: Willard D. Cunningham Property Owner Address: 19 Cambria Street, Somerville MA 02143 Alderman: Robert McWatters Revised Legal Notice: Applicant and Owner, Willard D. Cunningham, seeks a Variance under SZO §5.5, to increase the number of stories of the two-family structure from 2 ½ to 3 stories, and a Special Permit under §4.4.1 to alter the nonconforming structure by adding an approx 180sf addition and a rear deck. RA / Ward 3 Dates of Public Hearing: Zoning Board of Appeals May 7, 2014 I. PROJECT DESCRIPTION 1. Subject Property: The existing property is a 2 ½ story, two-family dwelling on a 3,244 square foot lot. There is a two-story flat roof addition that was added onto the house at some point in time. There is no record of prior Zoning Board files for this address. 2. Proposal: The proposal is to build an addition on the rear of the structure making the house three- stories tall for a portion of the rear. Also, dormers will be constructed on the roof that make up more than 50% of the roof making the gable portion of the house also three-stories.
    [Show full text]