Dailynews #3 / Thursday / 4 October 2012 1

Total Page:16

File Type:pdf, Size:1020Kb

Dailynews #3 / Thursday / 4 October 2012 1 DailyNews #3 / Thursday / 4 October 2012 1 OFFICIAL MAGAZINE OF THE 19TH GOLDEN DRUM 1234 INTERNATIONAL ADVERTISING FESTIVAL Thursday/ 4 October 2012 2 #3 / Thursday / 4 October 2012 Thursday, 04.10.2012 EUROPA HALL 12.15 Creative Academy by Leo EMERALD HALL Burnett: Talk the walk 10.15 Creative Academy by 11.00 Digital PR Lab: The One Independent Agencies Tomasz Hilt, CEO, Leo Burnett that Got Away Group, Poland You want? You can! Jacob Åström, Founder, Andrey Gubaydullin, Creative Adam Nowakowski, Head of Creative Director, Art Director, Strategy, Leo Burnett, Poland Director, Owner, Voskhod Dear Future, Sweden Creative Agency, Russia 14.00 Creative Academy by Désirée Maurd, Creative Director Free, free, set them free. Ogilvy: Innovation is nothing PR, Dear Future, Sweden The incredible adventures of an new art director and a writer. Will Rust, Executive Creative 12.00 Festival of Festivals: Lajos Horváth, Founder, Creative Director, Ogilvy & Mather, Czech ADCE 2012 – Screening of Director, Cluso, Hungary Republic Winners Simplicity is complicated. 14.45 Creative Academy by 16.15 Meet the President and Jean-Paul Lefebvre, Executive Grey EMEA: What if Kodak had Members of Single Channel and Creative Director, invented Hipstamatic? Jury Abracadabra, Belgium panel discussion moderated by Q & A session moderated by It’s great to have clients who Emily Hare, Managing Editor, Janez Rakušček, Executive work with you because they Contagious Magazine, UK want to, not because they have Creative Director, Luna\TBWA, to. guests: Alemsah Ozturk, Slovenia Juraj Vaculik, Owner, Founder, Founder, Chief Happiness CEO, MADE BY VACULIK, Officer, 41? 29!, Istanbul, Turkey Slovakia Lars Samuelsen, Strategic MEDITERANEA HALL Director, Head of Digital, 11.15 Creative Academy by 10.00 Golden Drum TBWA: Create. Uncle Grey, Copenhagen, Denmark Mihaly Varga, Head Competition: Screening of Ulrich Proeschel, Vice President of International Relations, Single Channel Finalists Business Development, TBWA\ CarnationGroup, Hungary Golden Drum Competition: Europe Dmitry Voskresensky, Digital Screening of Entries in group N Ilkay Gurpinar, Executive Strategic Planner, Grey Moscow, - New or innovative Creative Director, Vice President, Russia Jon Williams, Executive TBWA\ISTANBUL, Turkey Creative Director, Chief Digital 14.00 Golden Drum Officer, Grey EMEA Competition: Screening of Toygun Yilmazer, Head of Entries in groups V - Public Planning, Vice President TBWA\ 20.30 Golden Drum Single relations and W - Innovative ISTANBUL, Turkey Channel Awards Ceremony campaigns PIANO BAR & GRAND GARDEN Where to Party? TERRACE, GH Bernardin (11th 22:30 National Floor) PARTY EVENING Slovenian NIGHT 13.00 Happy Hour Paprika Club, 17.15 Closing Happy Hour Portorož/Lucija Hosted by Atlantic Grupa Hosted by Grey Group #3 / Thursday / 4 October 2012 3 Friday, 05.10.2012 EUROPA HALL guests: Gal Brill, CEO, Founder, UppSite DEAR DRUmmeRS! 09.30 New Agenda Session Please don’t forget to get Gamification: The Evolution of Uri Weinheber, CEO, Partner, your invitations for the Friday the Branded Game thetime Golden Drum Multi Chan- Jeff Coghlan, Founder, Luka Topolovec, CEO, Drugi Vid nel Awards & Festival Clos- Managing Director, Matmi ing Gala Ceremony at the 12.30 Creative Academy by New Media Design Ltd, United OMD and PHD: Beyond the Festival Reception Desk. Kingdom horizon. The future of media. And please be seated in the Europa Hall on Friday before 10.15 The CUP - Global Rupert Slade, Regional Head, 20.15 as due to a strict state Festival embracing Local Phd CEE, United Kingdom Culture protocol the doors will close 13.30 The Gunn Report exactly at 20.25, after which Jure Apih, Honorary President time no-one will be able to Emma Wilkie, Managing of Golden Drum, Founding attend the ceremony. member and CEO, ICAC – Director, The Gunn Report Ltd, Intercontinental Advertising United Kingdom Thank you for your under- Cup standing! 14.30 Boss Drum Award With guests: Adrian Botan, Ami Showcase presentations Hasan, Ocakoglu Gunseli, Milka 16.00 Meet the President and Pogliani 20.30 Golden Drum Multi Members of Multi Channel Jury Channel Awards and Festival 11.00 Creative Academy Closing Gala Ceremony Q & A session moderated by by McCann Group: Startup Janez Rakušček, Executive advertising Creative Director, Luna\TBWA, Slovenia Adrian Botan, VP Creative EMERALD HALL Excellence for McCann 10.00 Creative Lab: “When Erickson CEE, Creative Partner, Advertising make the MEDITERANEA HALL Bucharest office, Romania difference” 10.00 Golden Drum Adrian Preda, Creative Director, 12.00 Festival of Festivals: Competition: Screening of MRM Bucharest, Romania ICAC the Cup 2011 – Screening finalists – Multi Channel of Winners Matias Palm Jensen, Chief Golden Drum Off Drum Creative Innovation Officer for 15.30 Festival of Festivals: Europe, McCann Worldgroup Epica Awards Competition: Screening of entries Piran Portorož Poster Nir Refuah, VP Creative, Andrew Rawlins, Founder of Award 2012 McCann Digital, Israel the Epica Awards 16.00 Festival of Festivals: Epica Awards – Screening of Winners Where to Party? 23:00 GOLDEN DRUM Ti – PIANO BAR & GRAND SINGLE – Mul GARDEN TERRACE, KULTI PARTY GH Bernardin PIANO BAR & GRAND GARDEN TERRACE, (11th Floor) GH Bernardin (11th Floor) 14.30 Closing Happy Hour 4 #3 / Thursday / 4 October 2012 New agency models Which ones will survive? It is indisputable that the world ity. She was aware that clients professionals around the world. is changing. The economy and want the best possible work for They are independently associ- technological development are lower budgets, the work that ated with the company, so their changing the consumer. Adver- can be done only by the best work represents only themselves, tisers are trying to adapt to the – old or young – while all com- not the entire company or agency consumer’s needs and desires munication solutions must be within which they work. Their as quickly as possible and the designed faster than ever before accountability is therefore much agencies realize more and more (without lowering the quality), higher. “With this model, there is that – in order to meet client as consumers expect immediate no place to hide,” says Henderson. requirements and consumer solutions.”Based on these re- “If their work is sloppy, unrespon- expectations – they need to quirements we need to draw up sive or of poor quality, they will change structurally and organi- the teams that will know how to no longer be a part of the fluid zationally. respond to all of them.” system.” The clients are therefore guaranteed that they will be work- Uroš Goričan, creative strategist This is why The Marketing Depart- ing with the best experts. at Saatchi & Saatchi, Ljubljana, ment employs 20 experts and is the moderator of the “New actively connected with between Another advantage of this agen- Agenda session: Left to our own one and two hundred of the best cy model is, that it is not firmly devices”, gave the floor to three professionals who have found their competitive advantage in the advertising market through the innovation of agency mod- els. Their visions of how the agencies should adapt to the new reality of our industry in the future differ widely. With this model, there is no place to hide Trevania Henderson, the founder and president of the Boston agency The Marketing Depart- ment, presented her model of fluid networks which in her opin- ion combines “the best special- ists with the best ideas which is only possible on the basis of the best organizational culture.” She founded her own fluid network in 1994 based on her under- standing of the advertising real- #3 / Thursday / 4 October 2012 5 structured, so the team is much son is confident that these kinds golden rules she learned about more intimately connected (all of virtual organizations, i.e. fluid during her MBA studies: the communication is happening agencies, give room to creative - Test your strategies through digital communication solutions that satisfy the client channels, all of the involved spe- quickly. “The future will be in the - Be professional cialists carry the same weight hands of those who risk and cre- - We are all equal, equally impor- in the discussion and creation), ate innovative and good ideas, tant so the team can be much more and are at the same time ex- - Worship better, not perfect. creative, innovative, and on the perts in their field. And a single other hand faster because there agency simply cannot have such The founder of the American is no bureaucracy, as is often a great number of experts under agencies Rage, Grace & Part- the case in integrated agencies. one roof.” ners Craig Marcus took a slightly “Bureaucracy drives me crazy. I different approach to the new just want to do my work,” says model presentation. “There is a Henderson, and shows the es- There is no more room and lot of bullshit going on,” was his sential ethos of the core team of tolerance for bullshit assumption. He believes creative her fluid network. Simona Dan, from the Romanian industry is an industry of mas- The only serious challenge agency planBee talked about an ters of bullshit. Marcus however posed by this type of model is agency mode, which is almost stresses that there is no more that the client must trust in the the opposite of Henderson’s room and tolerance for bulls- creative team yet to be estab- model, but is she believes it sat- hit. In his opinion the future of lished. Traditional agencies have isfies the clients’ requirements advertising and of advertising already gained this trust through and the customers’ expecta- agencies is hidden in the truth, their tradition and they are still tions. According to Dan the hon- vulnerability and honesty, i.e. enjoying it a priori. But Hender- eycomb structure meets the four truthfulness. 6 #3 / Thursday / 4 October 2012 Are we selling dreams or altering reality? What is the task of advertising? can be a part of the change that Cola commercial »Hilltop«.
Recommended publications
  • The Adforum Business Creative Report 2020
    THE MOST CREATIVE CAMPAIGNS, BRANDS & AGENCIES BY BUSINESS SECTOR WELCOME TO THIS YEAR’S REPORT purpose-driven, suggesting that financial services companies are ready to portray It gives us great pleasure to present the fourth edition of the Business Creative themselves as the good guys. Report – a unique ranking of the world’s most-awarded campaigns by individual business sector. The Health & Beauty category bears little resemblance to last year’s results, perhaps due to the influence of the pandemic, with the “Courage Is Beautiful” campaign Based on the results of more than 20 different award shows globally, it is the only from Dove (and Ogilvy) – praising front line medical workers – in leading position. ranking of its kind. The report allows advertisers and agencies to benchmark their creative impact against competitors in the same sector. In the Luxury sector the highest spot is once again occupied by Lacoste (and its agency BETC), while premium automotive brands Volvo, BMW and Mercedes jostle This year the report once again covers eight categories: Automotive, Finance, for the remaining places. Food & Beverages, Health & Beauty, Luxury, Retail, Technology and Transport & Tourism. While the Tech category features plenty of cause-related work – with “Changing The Game" for the Xbox rising to the top slot from last year’s number three – Apple The ranking allows us to see which clients are backing and inspiring ground- is at number two with “Bounce”, a jazzy, uplifting film. In fact Apple was the most- breaking campaigns. In that respect Burger King was a clear leader, with the top awarded brand in the Technology sector because it had four ads in the top ten.
    [Show full text]
  • Annual Report
    JAHRESBERICHT Rapport Annuel Annual Report Informe anual The Groupe ReveNue €6,610 M Table of Contents NeT INCOMe €737 M DILuTeD eps 2 Message from Maurice Lévy €3.36 4 Message from Élisabeth Badinter 5 The Supervisory Board DIvIDeND 9 The Strategic Leadership Team €0.90 14 THE GROUPE 16 The Human Digital Agency New BuSINeSS 18 Major Clients uS$3.5 20 Corporate Governance – Compliance BILLION 22 Re:Sources – Shared Service Centers AGENCIES 24 eMPLOYeeS 28 Advertising Agencies 58,000 36 Media & Digital Agencies 48 Specialized Agencies GLOBAL PReSeNCe 56 SOCIAL RESPONSIBILITY 108 58 Strengthening the Groupe’s CSR policies 59 A Selection of 2012 Pro Bono Campaigns COuNTRIeS 62 KEY FIGURES OPeRATING MARGIN 64 Key Figures € 65 Revenue and Organic Growth 1,064 M 66 Operating Margin 67 Shares & Net Income and Free Cash Flow OPeRATING MARGIN RATe 68 Debt & Stock Price 16.1% E profil Publicis Groupe is one of the world's leading communications groups. We offer the full range of services and skills: digital (Digitas, Razorfish, Rosetta, VivaKi), creative services (BBH, Leo Burnett, Publicis Worldwide, Saatchi & Saatchi), public affairs, corporate communications and events (MSLGROUP), media strategy, planning and buying (Starcom MediaVest Group and ZenithOptimedia) and healthcare communications, with Publicis Healthcare Communications Group (PHCG). Since 2004, Publicis Groupe has ranked first in Creative Performance (number of awards relative to revenue) in The Gunn Report. In 2012, at the 59th edition of the Cannes Lions International Festival of Creativity, Publicis Groupe took a total of 154 Lions, including 2 Grand Prix, 44 Gold, 42 Silver and 66 Bronze awards.
    [Show full text]
  • Epica Awards 2016 a Different Angle on Creativity
    EPICA AWARDS 2016 A DIFFERENT ANGLE ON CREATIVITY THE EPICA AWARDS 2016 will see the 30th edition of the annual Epica Awards. Epica is unique in the crowded awards sector as it is the only global creative prize judged by journalists from the marketing and communications press. Epica’s aim is to reward outstanding creativity and help agencies, production companies, media consultancies, photographers and design studios to develop their reputations beyond their national borders. Entering Epica allows your work to be judged by an independent jury whose members combine objectivity with expertise. More than 60 specialist titles and websites from 47 countries will be represented on the jury this year, which guarantees widespread coverage of the results. The best work will be featured in the annual Epica Book, published by Bloomsbury and sent free of charge to all entrants. It is also available to the public via design and visual arts bookstores around the world. CATEGORIES The awards encompass all main communications disciplines: TV, Press, Outdoor, Digital, Mobile, VR, Social, Radio, Promotions, Direct & Experiential Marketing, Media, Business-to-Business, Corporate Image, Public Relations, Film Craft, Print Craft, Branded Entertainment, Design, Packaging, Photography and Integrated Campaigns. AWARDS All Grand Prix and category winners (gold, silver and bronze) will receive Epica crystal pyramids and certificates. All the winners and a selection of other high-scoring entries will be published in the annual Epica Book. RESULTS Complete results
    [Show full text]
  • Epica Awards 2010 GRAND Prix & Category Winners
    Frolic, Couples “The Bedroom” • Mars Bar, “The Crying Phone” • Panda Cheese, “You Can’t Say No to Panda” Campaign • Strongbow, “Final Push - Bankers” • Orangina, “Anytime, Anywhere” • Sunrise Com- munication, SMS Dialogues “Good Night” & “Hello Gorgeous” • Virgin Atlantic, “Your Airlines Either GotEpica It or It Hasn’t” Awards • FootLocker, 2010 “SneakerGrand Mastermind” Prix • First & for Category Women, “So Backwards” Winners • AIDES, “Graffiti” • Nokia, “Dot” • IKEA, “Happy Inside” • Dulux, “Walls” • Unilever / Dove Men+Care, “Dove Man” • Arena, “Baywatch” • SNK, SNK Campaign “The Bouquet” & “The Photo” • Volvo, “Capture the Moment” • Preem, “Road Food” • BBC, “Riot” • PMU, Online Sports Betting “Rugby” & “Tennis” • Young DirectorEPICA D’OR Award by CFP-E/Shots, “Drama Queen” • Migros-Genossenschafts-Bund, “Animal Farm” • Dli- france,Epica d’Or “Ready (Film) to Bake” • MiniUNITED KINGDOMChupa Chups,Aardman “Action Animations Man & Sindy” • Tine,Nokia N8 • “Dot”“Mountains” • Evian, “Baby Inside”Epica d’Or Campaign (Press) • Google SearchUNITED KINGDOM Engine, M&C“Jetlag”, Saatchi “Battleship” & “Astronaut”Dixons • “The Last Place You Want• Eurostar, to Go” Campaign “When was the lastEpica d’Or (Poster)time...?” CampaignResults FRANCE• Dixons, The LastFred & Farid Place Group You Want to Go Wrangler“Piers”, • “Red” Campaign “Sandals” & “Middle Eng- land”Epica • d’Or Bank (Interactive) Forum, The GermanUNITED KINGDOM Way “Punk”Brothers & and “Chaos” Sisters Creative • LICRA (Int’lMuseum League of London •Against “Streetmuseum” iPhone Racism
    [Show full text]
  • Entry Kit 2020
    ENTRY KIT 2020 THE EPICA AWARDS Epica is unique in the crowded awards sector as it is the only global creative prize judged by journalists from the marketing and communications press. Epica’s aim is to reward outstanding creativity and help agencies, production companies, media consultancies, advertisers, photographers and design studios to develop their reputations beyond their national borders. Entering Epica allows your work to be judged by an independent jury whose members combine objectivity with expertise. More than 200 specialist journalists from trade as well as mainstream titles and websites from over 50 countries will be represented on the jury this year, which guarantees widespread coverage of the results. The best work will be featured in the annual Epica Book, published by Bloomsbury and sent free of charge to all entrants. It is also available to the public via design and visual arts bookstores around the world. CATEGORIES The awards encompass all main communications disciplines: TV, Print, Digital, Mobile, VR, Social, Radio, Promotions, Direct & Experiential Marketing, Media, Business-to-Business, Corporate Image, Public Relations, Film Craft, Print Craft, Branded Entertainment, Design, Packaging, Photography and Integrated Campaigns. AWARDS All Grand Prix and category winners (gold, silver and bronze) will receive Epica crystal pyramids and certificates. All the winners and a selection of other high-scoring entries will be published in the annual Epica Book. Maydream/Epica Awards – 112 bis rue Cardinet 75017 Paris, France – Tel : +33 (0)1 42 04 04 32 - www.epica-awards.com - [email protected] 2019/1 EPICA AWARDS 2020 THE CREATIVE PRIZE JUDGED BY JOURNALISTS JUDGING CRITERIA Epica Awards entries are judged on the basis of 2 criteria only: the originality of the creative idea and the quality of its execution (except in the Craft & Imagery categories where only executional quality is taken into consideration).
    [Show full text]
  • A N E W S L E T T E R F R O M D D B M U D R a G R O
    H tStuff A newsletter from DDB Mudra Group - Issue 1, 2015 HotStuff Book Issue (Cover Front Back) Open Size : (W) 472 X (H) 345 mm Last Word Contents Transforming Reality 0101 Madhukar’s Message 2121 - 2323 Best of DDB Mudra Engaging Creativity for Growth Future Group Hewlett-Packard Volkswagen Polo Sony Max 0202 - 0707 Global Connect Fastrack Global Wins Livon Global News Tupperware Tresca With investment from tech companies and applications outside the world of Smirnoff Black 0808 - 1717 The Highlights gaming, more companies are seeing the potential for Augmented Reality (AR) Shine.com Omnicom India’s First Leadership Summit devices, from entertainment to medicine to advertising to shopping. AR has HBO sends winning picture into space 2424 Thus Spake Zeigler the ability to change the way we view the world forever. Sonal pens lyrics for McDowell’s No. 1 DDB Mudra pulls off a grand teaser in TOI Google Glass, Microsoft’s Project Fortaleza, Sony’s Morpheus, and 2525 Thought Leadership DDB Mudra hosts Evoke 2014: Sexuality Facebook’s recent acquisition of Oculus Rift for $2 billion are positive Madhukar Kamath Columbia comes calling... yet again Sonal Dabral indicators of the future of this amazing technology. Consumers are just Students check out DDB Mudra Ashish Mishra starting to see examples of how boundless AR can be. For instance, one Vietnam Ahoy! demo allows users to explore a Tuscan villa without leaving the comfort of New Joinee 2626 Pecking Order their own home. Another uses AR to help amputees become accustomed to Bernbach Fridays their prosthetics. In Conversation with… Achal Bakeri 2727 Guts & Glory MICA - Campus Snippets The mass market will begin to see this technology with the Samsung Gear 28-2928-29 Amazing People VR powered by Oculus, which will be compatible with the Galaxy Note 4.
    [Show full text]
  • PRESELECTED WORK for the 2018 SEASON Congratulations to All. Final Results to Be Announced on November 16
    PRESELECTED WORK FOR THE 2018 SEASON Congratulations to all. Final results to be announced on November 16. ARGENTINA Grey for ELA with the 3 parts campaign "Stairs / Door / Bathtub" in Radio Advertising ARGENTINA Grey for SAU with "Break the Taboo" in Public Interest - Health & Safety ARGENTINA Mercado McCann for Shutterstock with the 3 parts campaign "Shapes" in Corporate Image ARGENTINA Ogilvy Argentina for Directv with "Mini Varsky" in Media ARGENTINA Ponce Buenos Aires for FOX Networks Group Latin America with "Who?" in Online & Viral Films Wunderman Buenos Aires for Fundación Banco de Bosques with the 2 parts campaign "Armnimals" in Advertising ARGENTINA Photography ARGENTINA Wunderman Buenos Aires for Movistar with "Perspectives" in Communication & Public Services ARGENTINA Wunderman Buenos Aires for Movistar with "Perspectives" in Mobile Sites & Apps AUSTRALIA CHE Proximity for carsales.com.au with "AutoAds" in Social Networks AUSTRALIA CHE Proximity for carsales.com.au with "AutoAds" in Vehicles, Automotive Services & Accessories AUSTRALIA CHE Proximity for Cochlear with "Hearprint" in Creative Technology AUSTRALIA CHE Proximity for LEGO Australia with "Making the List" in Online Ads AUSTRALIA CHE Proximity for Swann Insurance with "Inconvenience Stores" in Financial Services AUSTRALIA CHE Proximity for Swann Insurance with "Inconvenience Stores" in Promotions & Incentives AUSTRALIA Emotive for Audible.com.au with "Said I Read You... But I Lied" in Branded Content - Music Video Fenton Stephens Advertising for Master Builders Association
    [Show full text]
  • 2015 Results: Another Record Year
    P R E S S R E L E A S E Puteaux, February 25, 2016 2015 RESULTS: ANOTHER RECORD YEAR Revenue €2,188 million, +17.3% Organic growth +5.1% Operating margin up a further 30 bps to 14.4% • Revenue: €2,188 million for full-year 2015 § Organic growth: +5.1% § Unadjusted growth: +17.3% • Income from operations €315 million (+20%) § Income from operations margin: 14.4% (+ 30 basis points) • Net income, Group share: 172 M€ (+22.7%) • Earnings per share of 41 centimes (€) (+21%) • Proposed annual dividend of 15 centimes (€) (+15%) • Net cash of €88 million at December 31, 2015 compared to €43 million at December 31, 2014 Yannick Bolloré, Havas CEO, commented: " 2015 was another record year for the Group, which once again posted one of the strongest performances in the industry. Havas ended the year with growth in reported revenue of 17.3% and organic growth of 5.1%. We delivered growth in all our regions, increased income from operations margin by an additional 30 basis points to 14.4% and maintained a strong balance sheet to support our future growth. These results are the outcome of a highly effective strategy centered on collaboration and integration among all the Group's areas of expertise, to provide our clients with an efficient and innovative service that seamlessly combines creative, media and digital. I would especially like to thank our clients for their loyalty and trust. I would also like to thank our 18 600 talents all over the world who have made such good results possible.
    [Show full text]
  • Reports from Our Operating Brands
    Reports from our operating brands Agency networks p28-48 Media Investment Management p49-55 Information, Insight & Consultancy p56-60 Public Relations & Public Affairs p61-66 Branding & Identity p67-71 Healthcare Communications p72-73 Specialist Communications p74-77 WPP Digital p78-79 How we’re doing Agency networks Ogilvy Group Ogilvy & Mather Worldwide OgilvyOne Worldwide Ogilvy Public Relations Worldwide Ogilvy Healthworld OgilvyAction Report by Shelly Lazarus (right) Chairman and chief executive officer 007 was a year that tested us. It was a year that saw massive industry upheaval, waning consumer confidence and an increasingly uncertain global economy. Yet it was also a year where our founding belief in the power of big brand ideas was reaffirmedand rewarded. 2007 was a year in which most of our clients fully integrated digital media into their marketing plans. It was a year that saw mobile channels outgrowing traditional ones, as our digital revenues continued to grow faster than those of our traditional advertising business. It was a year when we brought digital, interactive, public relations, consumer Mark Schäfer 2007 © experience and a range of other communications disciplines ever closer as we expanded our definition of advertising. It was a year during which we turned the corner into the Agency of the Year by Campaign magazine; Germany was future and saw the promise that lies ahead. named Best Online Agency of the Year by the Art Directors 2007 was also the year that a 75-second film, created by Club of Germany and Agency of the Year by the German our Toronto office for a small sales activation assignment, Dialogue Marketing Awards; and our Toronto team was won an unprecedented double Grand Prix at the Cannes honored for strategic excellence by Strategy magazine.
    [Show full text]
  • Appendix 1: Sample List of Authorized Anglicisms Issued by the BVP
    Appendix 1: Sample List of Authorized Anglicisms Issued by the BVP Termes etrangers Deconseilles Authorises Airbag X X (terme generique) (lorsque faisant partie de Ia marque deposee) Beatnik X Bella X Blues man X Box office X Brushing X Bunker X Cartooner (verbe) X Cash X Challenge X Chalenge (ecrit ou prononce a Ia (ram;aise) Ciao X Clip X Clipper (verbe) X Cookies X Cool X Cow boy X Crash X Crooner X Design X DJ (prononce a X l'anglaise) Escalator X Fan club X Ferry X Fiesta X Flash (appareil X photographique) Flashant (dans le sens X de l'ef(et dCt a I'absorption de drogue) 247 248 Appendix 1 Termes etrangers Deconseilles Authorises Footing X Garden party X Hamburger X Hello X jazz man X job X jumping X Kit X KO X Leader X Listing X Live X Look X Looping X Magnet X Meeting aerien X Miles (contexte X maritime) Milks hake X Non stop X OK X Pack X X (en matiere de sport) (pour les paquets) Poster X Pressing X Punch X Quizz X Remix X Rock star X Scoop X Show X Skate X Smash X Snack X Speed X Sponsor X X (terme generique) (si marque deposee) Spray X Star X Stick X Swing X Thriller X Top X Week-end X Yeah X Appendix 2: Web Resource Directory Advertising agencies BDDP & Fils www.bddpetfils.fr EURO RSCG Worldwide www.eurorscg.com ]. Walter Thompson www.jwt.com LM Young & Rubicam www.lmyr.com McCann-Erickson www.mccann.com Ogilvy & Mather www.ogilvy.com Publicis Conseil www.
    [Show full text]
  • How We're Doing
    How we’re doing Financial summary Our total revenue in 2008 surpassed that of all our competitors, regaining the No.1 worldwide position for the third time. 2008 2007 Change % Billings1 £36,929m £31,666m +16.6 Revenue £7,477m £6,186m +20.9 Headline EBITDA2 £1,291m £1,072m +20.4 Headline operating profit2 £1,072m £887m +20.9 Reported operating profit £876m £805m +8.9 Headline PBIT2 £1,118m £928m +20.5 Headline PBIT margin 15.0% 15.0% – Headline PBT2 £968m £817m +18.5 Reported PBT £747m £719m +3.8 Headline diluted earnings per share2,4 55.5p 45.8p +21.2 Headline diluted earnings per ADR2,3,4 $5.14 $4.58 +12.2 Ordinary dividend per share 15.47p 13.45p +15.0 Ordinary dividend per ADR3 $1.43 $1.35 +5.9 Net debt at year-end £3,068m £1,286m +138.6 Average net debt5 £2,206m £1,458m +51.3 Ordinary share price at year-end 402.5p 6 47.0 p - 37.8 ADR price at year-end $29.59 $64.29 -54.0 Market capitalisation at year-end £5,053m £7,70 9 m - 3 4.5 At 8 April 2009 Ordinary share price 419.0p ADR price $30.86 Market capitalisation £5,260m The financial statements have been prepared under IFRS (International Financial Reporting Standards, incorporating International Accounting Standards). 1 Billings is defined on page 176. 2 The calculation of ‘headline’ measurements of performance (including headline EBITDA, headline operating profit, headline PBIT, headline PBT and headline earnings) is shown in note 31 of the financial statements.
    [Show full text]
  • 2015 Design & Graphic Arts
    Design & Graphic Arts 2 015 Now including Photography Design & Graphic Arts 2015 Contents Introductory Textbooks 2 Design Management 3 Graphic Design 6 Illustration 10 Colour 11 Animation and Interactive Design 12 World History of Design 16 History and Culture of Design 17 History and Culture of Craft 24 Photography 26 Advertising 30 Index 31 Representatives and Agents 32 Inspection/exam Textbook Books with this symbol are available on inspection / as exam copies copies and eBooks and are particularly suitable for course use. You can request them directly from www.bloomsbury.com. If you would like to request any other paperback books on inspection please contact us at [email protected] (North and South America) or [email protected] (UK and rest of world). www/Textbook In addition to the above, books with this symbol also have a companion website or online resources. A New Look for Fairchild Books EBooks As of 2015, Fairchild Books has updated its logo to Available for your e-reader or library for many titles. Please consult our commemorate its new ventures into the digital landscape. website for pricing availability. UK, Europe and US, Canada, Central Bloomsbury Rest of World and South America head offices Bloomsbury Publishing Bloomsbury Academic 50 Bedford Square, 1385 Broadway, 5th floor and distributors London, WC1B 3DP, UK New York, NY 1098, USA T +44 (0)207 631 5600 T +1 212 419 5300 F +44 (0)207 631 5800 [email protected] [email protected] US Trade Orders UK Trade Orders Bloomsbury USA Macmillan Distribution (MDL) MPS/BUSA Orders Brunel Road, Houndmills, 16365 James Madison Highway, Basingstoke, RG21 6XT, UK Gordonsville, VA 22942, USA T +44 (0)1256 302692 T +1 888 330 8477 F +44 (0)1256 812521 / 812558 F +1 800 672 2054 [email protected] [email protected] [email protected] Contact us Review copies For copies of books for review in journals, please email [email protected] in North and South America and [email protected] in the UK and rest of world.
    [Show full text]