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Sijo: Korean Poetry Form
Kim Leng East Asia: Origins to 1800 Spring 2019 Curriculum Project Sijo: Korean Poetry Form Rationale: This unit will introduce students to the sijo, a Korean poetic form, that predates the haiku. This popular poetic form has been written in Korea since the Choson dynasty (1392-1910). The three line poem is part of Korea’s rich cultural and literary heritage. Common Core English Language Art Standards: CCSS.ELA-Literacy.RL.9-10.4 Determine the meaning of words and phrases as they are used in the text, including figurative and connotative meanings; analyze the cumulative impact of specific word choices on meaning and tone (e.g., how the language evokes a sense of time and place; how it sets a formal or informal tone). CCSS.ELA-Literacy.RL.9-10.6 Analyze a particular point of view or cultural experience reflected in a work of literature from outside the United States, drawing on a wide reading of world literature. CCSS.ELA-Literacy.RL.9-10.10 By the end of grade 9, read and comprehend literature, including stories, dramas, and poems, in the grades 9-10 text complexity band proficiently, with scaffolding as needed at the high end of the range. Common Core Standards: L 3 Apply knowledge of language to understand how language functions in different contexts. L 5 Demonstrate understanding of figurative language, word relationships and nuances in meaning. English Language Arts Standards » Standard 10: Range, Quality, & Complexity » Range of Text Types for 6-12 Students in grades 6-12 apply the Reading standards to the following range of text types, with texts selected from a broad range of cultures and periods. -
Modern Literature After the 1960S in Korea 25 DOI: 10.1515/Ijas-2016-0002
DE SANGGUM LI. Modern literature after the 1960s in Korea 25 DOI: 10.1515/ijas-2016-0002 Research Note SANGGUM LI PUSAN NATIONAL UNIVERSITY Modern Literature after the 1960s in Korea Abstract (English): Since the beginning of the 1990s in Korea, the category and definition of new generation literature have become the topic of heated debate. One may understand this tendency as ‘generation severance’, ‘alienation between social classes’, or the ‘consumption- oriented culture of the masses’. Here, we call the literary youth born in approximately 1960 ‘the new generation’. In literature, the new generation refers to the appearance of a new culture and way of thinking. This generation passed their childhood in the 1970s and faced no such great difficulties as their parents combating poverty. However, they grew up under the indirect influence of a dark political outlook and suppression. Generally, they have a great affection for the culture produced by mass media. If we compare their development process with the literary stream in Korea, the 1960s could be defined as the era of literature for independence and strong self-awareness, the 1970s as the era for people, the 1980s as the era for the rights or emancipation of labour, and the 1990s as the era of new generation literature. Meanwhile, the appearance of the ‘Korean Wave’, or so-called ‘Hallyu’, has become one of the most beloved popular cultural phenomena both in Asia and in other countries since the late 1990s. Abstract (Korean): 특히 문학에서 1990년대 후반의 신세대가 새로운 문화의 등장과 새로운 사고로 특징되는 배경은 70년대에 유년시절을 그들의 부모세대와 달리 큰 어려움을 겪지 않고, 경제적으로도 궁핍하지 않게 성장할 수 있었기 때문일 것이다. -
Christian Communication and Its Impact on Korean Society : Past, Present and Future Soon Nim Lee University of Wollongong
University of Wollongong Thesis Collections University of Wollongong Thesis Collection University of Wollongong Year Christian communication and its impact on Korean society : past, present and future Soon Nim Lee University of Wollongong Lee, Soon Nim, Christian communication and its impact on Korean society : past, present and future, Doctor of Philosphy thesis, School of Journalism and Creative Writing - Faculty of Creative Arts, University of Wollongong, 2009. http://ro.uow.edu.au/theses/3051 This paper is posted at Research Online. Christian Communication and Its Impact on Korean Society: Past, Present and Future Thesis submitted in fulfilment of the requirements for the award of the degree of Doctor of Philosophy University of Wollongong Soon Nim Lee Faculty of Creative Arts School of Journalism & Creative writing October 2009 i CERTIFICATION I, Soon Nim, Lee, declare that this thesis, submitted in partial fulfilment of the requirements for the award of Doctor of Philosophy, in the Department of Creative Arts and Writings (School of Journalism), University of Wollongong, is wholly my own work unless otherwise referenced or acknowledged. The document has not been submitted for qualifications at any other academic institution. Soon Nim, Lee 18 March 2009. i Table of Contents Certification i Table of Contents ii List of Tables vii Abstract viii Acknowledgements x Chapter 1: Introduction 1 Chapter 2: Christianity awakens the sleeping Hangeul 12 Introduction 12 2.1 What is the Hangeul? 12 2.2 Praise of Hangeul by Christian missionaries -
KOREA's LITERARY TRADITION 27 Like Much Folk and Oral Literature, Mask Dances Ch'unhyang Chòn (Tale of Ch'unhyang)
Korea’s Literary Tradition Bruce Fulton Introduction monks and the Shilla warrior youth known as hwarang. Corresponding to Chinese Tang poetry Korean literature reflects Korean culture, itself and Sanskrit poetry, they have both religious and a blend of a native tradition originating in Siberia; folk overtones. The majority are Buddhist in spirit Confucianism and a writing system borrowed from and content. At least three of the twenty-five sur- China; and Buddhism, imported from India by way viving hyangga date from the Three Kingdoms peri- of China. Modern literature, dating from the early od (57 B.C. – A.D. 667); the earliest, "Sòdong yo," 1900s, was initially influenced by Western models, was written during the reign of Shilla king especially realism in fiction and imagism and sym- Chinp'yòng (579-632). Hyangga were transcribed in bolism in poetry, introduced to Korea by way of hyangch'al, a writing system that used certain Japan. For most of its history Korean literature has Chinese ideographs because their pronunciation embodied two distinct characteristics: an emotional was similar to Korean pronunciation, and other exuberance deriving from the native tradition and ideographs for their meaning. intellectual rigor originating in Confucian tradition. The hyangga form continued to develop during Korean literature consists of oral literature; the Unified Shilla kingdom (667-935). One of the literature written in Chinese ideographs (han- best-known examples, "Ch'òyong ka" (879; “Song of mun), from Unified Shilla to the early twentieth Ch'òyong”), is a shaman chant, reflecting the influ- century, or in any of several hybrid systems ence of shamanism in Korean oral tradition and sug- employing Chinese; and, after 1446, literature gesting that hyangga represent a development of written in the Korean script (han’gùl). -
Open Torrey.Dissertation.Pdf
The Pennsylvania State University The Graduate School Department of Comparative Literature SET APART BY MIND AND SOUL: SUBJECTIVITY IN THE WRITINGS OF EARLY KOREAN CATHOLICS A Dissertation in Comparative Literature by Deberniere J. Torrey 2010 Deberniere J. Torrey Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy August 2010 The dissertation of Deberniere J. Torrey was reviewed and approved* by the following: Thomas O. Beebee Distinguished Professor of Comparative Literature and German Dissertation Advisor Chair of Committee Ronnie Hsia Edwin Earle Sparks Professor of History Alexander C.Y. Huang Assistant Professor of Comparative Literature, Chinese, and Asian Studies Richard Nichols Professor Emeritus of Theater Arts Donald Baker Director, Centre for Korean Research Associate Professor, Department of Asian Studies, University of British Columbia Special Member Cho Sung-Won Professor of English Language and Literature, Seoul Women’s University Special Signatory Caroline D. Eckhardt Head, Department of Comparative Literature Director, School of Languages and Literatures *Signatures are on file in the Graduate School. iii ABSTRACT In Korean intellectual historiography, engagement with Western Catholic thought is cited as one of several influences contributing to the epistemic change that marked the eighteenth and nineteenth centuries. However, studies of this influence have thus far been limited to intellectual and social historiography. This project helps to complete the general picture and to -
I. Introduction
TRANSACTIONS ROYAL ASIATIC SOCIETY Korea Branch Volume 93 – 2018 1 COVER: The seal-shaped emblem of the RAS-KB consists of the following Chinese characters: 槿 (top right), 域 (bottom right), 菁 (top left), 莪 (bottom left), pronounced Kŭn yŏk Ch’ŏng A in Korean. The first two characters mean “the hibiscus region,” referring to Korea, while the other two (“luxuriant mugwort”) are a metaphor inspired by Confucian commentaries on the Chinese Book of Odes, and could be translated as “enjoy encouraging erudition.” SUBMISSIONS: Transactions invites the submission of manuscripts of both scholarly and more general interest pertaining to the anthropology, archeology, art, history, language, literature, philosophy, and religion of Korea. Manuscripts should be prepared in MS Word format and should be submitted in digital form. The style should conform to The Chicago Manual of Style (most recent edition). The covering letter should give full details of the author’s name, address and biography. Romanization of Korean words and names must follow either the McCune-Reischauer or the current Korean government system. Submissions will be peer- reviewed by two readers specializing in the field. Manuscripts will not be returned and no correspondence will be entered into concerning rejections. Transactions (ISSN 1229-0009) General Editor: Jon Dunbar Copyright © 2019 Royal Asiatic Society – Korea Branch Room 611, Christian Building, Daehangno 19 (Yeonji-dong), Jongno-gu, Seoul 110-736 Republic of Korea Tel: (82-2) 763-9483; Fax: (82-2) 766-3796; Email: [email protected] Visit our website at www.raskb.com TRANSACTIONS Volume 93 – 2018 Contents The Diamond Mountains: Lost Paradise Brother Anthony 1 Encouragement from Dongducheon 19 North Korean Fragments of Post-Socialist Guyana Moe Taylor 31 The Gyehu Deungnok Mark Peterson 43 “Literature Play” in a New World Robert J. -
Thoughts on Korean Poetry in Translation an Sonjae
Translating Korean-ness: Thoughts on Korean Poetry in Translation An Sonjae (Brother Anthony) A paper presented at an International Comparative Literature Symposium held in Keimyung University, Daegu, on May 27, 2016. The essential “Koreanness” of Korean poetry is also its most certainly untranslateable feature. What gets lost in translation is, inevitably, its specifically “Korean” quality, much more than any abstract “poetic” quality it might have. This is at the most superficial level quite obvious. Korean poetry is (almost by definition) written in Korean language. Translated Korean poetry is not. When poetry originally written in Korean is translated into English, it loses one primary aspect of its Korean identity, its Korean language. Whatever is considered “poetic” about the original poem by its original readers is thereby strongly compromised, indeed it is utterly “lost in translation.” It is not so easy to say in what sense a Korean poem, once it has been translated into English, is still a “Korean poem.” In indealistic terms, of course, a poem is a poem universally, it has no national identity. But Koreans are intensely aware of national identity issues, perhaps precisely because Korean identity is so hard to define. At the immediate level, it is not only the vocabulary and the grammar which have changed in the process of translation; no matter how hard the version may strive to be “conservative” or “faithful,” almost always there will have been radical changes in the sequence of words and phrases in the attempt to create a “poem” in the target language, to say nothing of rhythms and sounds. -
01:574:420 Traditional Korean Poetry: Sijo
01:574:420 Traditional Korean Poetry: Sijo BTAA Korean Studies e-Course (Rutgers, Minnesota, Illinois-Urbana Champaign) Professor Young-mee Yu Cho [[email protected]] Tuesday & Friday 11:30-12:50 Office Hours: Friday 10-11 am, 12:50-1:30 pm & by appointment AB-5140 Spring 2020 Syllabus Course Description The course examines one of the most prominent and enduring poetic forms of traditional Korea, sijo. Sijo, a three-line verse form written to be performed in a musical setting, emerged in the latter part of the Koryŏ dynasty (918-1392), flourished through the Chosŏn dynasty (1392-1910), and has transformed itself into contemporary forms. First, we will situate sijo within the larger context of traditional East Asian poetic tradition, and then explore its unique structural and thematic properties through the lens of the language, religion and culture of Korea. Lastly, we will analyze the historical backgrounds of modified sasŏl sijo of the 18th century and modern sijo of the 20th century, and uncover cultural and linguistic implications of sijo translation and the current popularity of sijo in North America. The course consists of three units: Unit 1 "Poetry in Traditional East Asia" introduces traditional East Asian verse forms that have influenced Korean vernacular poetry such as hyangga, Koryŏ sogyo, sijo and kasa, and chronicles the rise of sijo as a distinctive genre in Korean literature; Unit 2 "The Structure of Sijo" focuses on the linguistic structure of sijo in its variant forms (p’yŏngsijo, ŏssijo and sasŏl sijo) and the interface between literature and music; and Unit 3 "Thematic and Prosodic Expansion" deals with the development of sijo and its resilience to absorb a wide range of themes, poetic devices and metrical qualities both in historical and contemporary settings. -
Korean Sijo Poems and Their Transformations
KOREAN SIJO POEMS AND THEIR TRANSFORMATIONS Kyong-geun OH Institute of Linguistics Department of Korean Studies Adam Mickiewicz University in Poznań [email protected] Abstract: Sijo is an original genre of short Korean poems with a strictly defined structure reflecting the rhythm of a traditional Korean song. Sijo poems are the only traditional genre of Korean poetry, which is still practised by contemporary Korean poets. It gained tremendous popularity during the reign of the Joseon dynasty, espe- cially among the Confucian scholars and noblemen who ruled the country. Sijo poetry has undergone a transformation as far as the topics and structure of sijo poems are concerned. Initially the authors of sijo belonged to the ruling class and were solely men (Confucian scholars). But with the passage of time and the development of socie- ty the representatives of the middle class started writing sijo poems as well. The sijo transformations also included the linguistic changes, which may be observed through the course of sijo history. The topics also changed as new types of sijo appeared be- side traditional sijo devoted mainly to Confucian ideas formulated in a refined lan- guage. Keywords: Sijo, Dan-sijo, Yeon-sijo, Saseol-sijo, Gangho-sijo, Gyohun-sijo, Gagaek- sijo, Confucianism, Confucian scholar, Gisaeng 한국의 전통시가 시조의 변화상 개요: 시조는 한국 전통시가의 운율을 바탕으로 엄격하게 규정된 형태와 구조를 지닌 한국 고유의 단시이다. 시조는 한국의 전통시가들 중에서는 유일하게 현재까지도 창작되는 장르이다. 조선시대에 시조는 지배계급이었던 사대부- 23 International Journal of Korean Humanities and Social Sciences, vol. 1/2015 유학자들 사이에서 크게 애호되었다. 시조는 그 역사 속에서 주제 및 형태가 변화되었다. -
A History of Korean Literature
AHISTORYOF KOREAN LITERATURE e dite d by PETER H. LEE publishe d by the pre ss syndicate of the unive rsity of cambridge The Pitt Building, Trumpington Street, Cambridge, United Kingdom cambridge unive rsity pre ss The Edinburgh Building, Cambridge, cb2 2ru,UK 40 West 20th Street, New York, ny 10011–4211, USA 477 Williamstown Road, Port Melbourne, vic 3207, Australia Ruiz de Alarcon´ 13, 28014 Madrid, Spain Dock House, The Waterfront, Cape Town 8001, South Africa http://www.cambridge.org C Cambridge University Press 2003 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2003 Printed in the United Kingdom at the University Press, Cambridge Typeface Adobe Garamond 11/12.5 pt. System LATEX 2ε [tb] A catalogue record for this book is available from the British Library isbn 0 521 82858 9 hardback Contents List of illustrations page x List of contributors xi Preface xiii Note on the text xvi Korean dynasties xix Glossary xxi Introduction 1 Peter H. Lee 1. Language, forms, prosody, and themes 15 Ho-Min Sohn and Peter H. Lee 2. From oral to written literature 52 Peter H. Lee 3. Hyangga 66 Peter H. Lee 4. Silla writings in Chinese 87 Peter H. Lee 5. Koryo˘ songs 99 Peter H. Lee 6. Koryo˘ writings in Chinese 118 Peter H. Lee 7. Early Choson˘ eulogies 148 Peter H. Lee 8. Early Choson˘ sijo 168 Peter H. Lee vii viii Contents 9. -
Hwang Jini: an Examination of Life As a Joseon Kisaeng Kayley Edgin Marquette University
Marquette University e-Publications@Marquette Maria Dittman Library Research Competition: Library (Raynor Memorial Libraries) Student Award Winners 1-1-2013 Hwang Jini: An Examination of Life as a Joseon Kisaeng Kayley Edgin Marquette University Freshman/Sophomore category recipient of the Library's Maria Dittman Award, Spring 2013. This paper was written for History 1501: East Asia. © Kayley Edgin. HIST 1501 Social Biography Kayley Edgin Hwang Jini: An Examination of Life as a Joseon Kisaeng Hwang Jini was a famous Joseon Dynasty kisaeng, likely to have been born around 1506 in the scenic city of Kaesong, now in modern-day North Korea. She was known also by her adopted kisaeng name of Myeongwol, meaning “bright moon”. Details of her birth are inconclusive at best, but it is generally agreed that she was born the illegitimate daughter of a yangban, who, having been seduced by her mother’s beauty and charm, had consented to relations1. Growing up, she was noted for her exceptional beauty and musical prowess, and a story stands that a young man of the village, so distressed by his unrequited love for her, had died of heartbreak. This story is instrumental in the development of a picture of young Jini, because during the young man’s funeral procession, she laid her blouse on the casket as a sign of her regret and sorrow2. This sensitivity to life and the needs of others, combined with her natural beauty and talent, made her an appropriate candidate to become a kisaeng. A kisaeng is an officially sanctioned female entertainer, trained in music, dancing, and poetry composition. -
SILLA KOREA and the SILK ROAD GOLDEN AGE, GOLDEN THREADS COPYRIGHT ©2006 the Korea Society All Rights Reserved
SILLA KOREA AND THE SILK ROAD GOLDEN AGE, GOLDEN THREADS COPYRIGHT ©2006 The Korea Society All rights reserved. No part of this book may be reproduced in any manner without written permission from the publisher except in the context of reviews. ISBN # 0-9729704-1-X Project director: Yong Jin Choi Consultants: Jong-wook Lee, Bangryong Park, Richard D. McBride, II, Gari Ledyard and Ned Shultz Curriculum writers: Marjorie Wall Bingham and Yong Jin Choi Editor: Frederick F. Carriere Editorial assistants: Rebecca Brabant, Grace Chon, Delmas Hare, Jennifer Kim and Louis Wittig Mini lesson writer: Ane Lintvedt Graphic designer/ Illustrator: Seho Kim Book design: Seho Kim (Cover) Gold crown ornament from Kumgwan Tumulus, Kyongju, 5th century CE Photo Credit: Reproduced by permission of the Kyongju National Museum of Korea. (Back cover) Gold crown from Kumgwan Tumulus, Kyongju, 5th century CE Photo Credit: Reproduced by permission of the Kyongju National Museum of Korea. (Right page) Photo caption and credit– Sword hilt, gold, Silla period; 5th–6th century Reproduced by permission of the Samsung Foundation of Culture. Grateful acknowledgement is made to the friends of The Korea Society, The Freeman Foundation and The Academy of Korean Studies for their support. We also are grateful to the organiza- tions and individuals who provided images for this publication. This publication has been made possible by the generous fi- nancial support of the northeast asian history foundation. Table of Contents Introduction iv I. Was Silla Part of the Silk Road? A. WHY STUDY SILLA? A CASE STUDY IN CREATIVITY Handout 1 1 B. A COMPARATIVE TIMELINE Handout 2 8 C.