Molto Chic NEW YORK — Step Aside, Layers and Pilings and Bulk
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The Morgue File 2010
the morgue file 2010 DONE BY: ASSIL DIAB 1850 1900 1850 to 1900 was known as the Victorian Era. Early 1850 bodices had a Basque opening over a che- misette, the bodice continued to be very close fitting, the waist sharp and the shoulder less slanted, during the 1850s to 1866. During the 1850s the dresses were cut without a waist seam and during the 1860s the round waist was raised to some extent. The decade of the 1870s is one of the most intricate era of women’s fashion. The style of the early 1870s relied on the renewal of the polonaise, strained on the back, gath- ered and puffed up into an detailed arrangement at the rear, above a sustaining bustle, to somewhat broaden at the wrist. The underskirt, trimmed with pleated fragments, inserting ribbon bands. An abundance of puffs, borders, rib- bons, drapes, and an outlandish mixture of fabric and colors besieged the past proposal for minimalism and looseness. women’s daywear Victorian women received their first corset at the age of 3. A typical Victorian Silhouette consisted of a two piece dress with bodice & skirt, a high neckline, armholes cut under high arm, full sleeves, small waist (17 inch waist), full skirt with petticoats and crinoline, and a floor length skirt. 1894/1896 Walking Suit the essential “tailor suit” for the active and energetic Victorian woman, The jacket and bodice are one piece, but provide the look of two separate pieces. 1859 zouave jacket Zouave jacket is a collarless, waist length braid trimmed bolero style jacket with three quarter length sleeves. -
When You Buy a Fur Jo Ann Breckenridge Iowa State College
Volume 28 Article 7 Number 6 The Iowa Homemaker vol.28, no.6 1948 When You Buy A Fur Jo Ann Breckenridge Iowa State College Follow this and additional works at: http://lib.dr.iastate.edu/homemaker Part of the Home Economics Commons Recommended Citation Breckenridge, Jo Ann (1948) "When You Buy A Fur," The Iowa Homemaker: Vol. 28 : No. 6 , Article 7. Available at: http://lib.dr.iastate.edu/homemaker/vol28/iss6/7 This Article is brought to you for free and open access by the Student Publications at Iowa State University Digital Repository. It has been accepted for inclusion in The oI wa Homemaker by an authorized editor of Iowa State University Digital Repository. For more information, please contact [email protected]. by ./ o Ann Breckenridge A ND THERE were mink coats and a strap less ermine formal with a wrap to match Full length coats, above, m·e blended muskrat. and a leopard sport coat and a white mink shortie all floating around on pink cloud hangers. And the terribly handsome man said, 'All for you, fair lady,' just like a King Arthur knight. And just as I was putting on the mink, the alarm clock woke me up!" been patched. The best grade has as few seams as \t\Thether you dream of mink or mouton, Vicky's possible. Be sure the dye is even throughout. You'll discovered you'll need to take more with you than a pay $39 to $200 for your coat of coney. full piggy bank or a willing father when you go fur shopping. -
Here Was No Film in the Camera! It Was a Friend’S Camera, of Junkies, B-List Antiheroes, and the Many Faces That Defined Course, but It All Just Aroused My Curiosity
MicK RocK WORDS BY ADAM SHERREtt PHOTOGRAPHY BY JERRY BUttLES Mick Rock is the first to admit he has no photographic heroes. are obviously inspired by rock ‘n’ roll, and he certainly won’t Why should he when he’s been at the forefront of rock 'n' roll tell you it’s the other way around. Like him, without the music, for the last four decades? The name Mick Rock alone rolls off I wouldn’t be a photographer. The clothes just came with the acts. the tongue and conjures up images of underground glam and the sweat-soaked decadence of an era that is as much alive Would you say rock ‘n’ roll helped put you into the initial places today as it was when he first shot Syd Barrett in 1969. you needed to be to start your career? Or did you seek out the correlation of photography, fashion and music with a focus of We had the chance to sit down with Mick to chat about knowing you needed to become a part of that scene? the role of fashion and music in his dynamic photographic It was a bit less thought out than that. I mean, I just took an career. What started with an acid trip, a camera without acid trip, picked up a camera and shot – well, I thought I was any film, and a beautiful muse has eventually found himself shooting pictures – of this particular young lady. It turns out capturing multiple generations of artists, tastemakers, A-list there was no film in the camera! It was a friend’s camera, of junkies, B-list antiheroes, and the many faces that defined course, but it all just aroused my curiosity. -
Omnibus Press 2017-18 Featuring Loudon Wainwright III, Jimmy
Omnibus Press 2017-18 Featuring Loudon Wainwright III, Jimmy Webb, Robert Forster, Leonard Cohen, Pamela Des Barres, Ian Hunter, Mod Art & a Few of Our Other Favourite Things. 2017/18 CATALOGUE 2017/18 CATALOGUE CONTENTS For over forty years Omnibus Press has been publishing the stories that matter from the music NEW TITLES 4 world. Omnibus Press is the World’s/Europe’s GIFT GUIDE 26 largest specialist publisher devoted to music writing, with around thirty new titles a year, with a backlist ROCK 28 of over two hundred and seventy titles currently in THE BEATLES 37 print and many more as digital downloads. POP 39 Omnibus Press covers pop, rock, classical, metal, country, psyche, prog, electronic, dance, PUNK & ALTERNATIVE 41 rap, jazz and many more genres, in a variety of formats. With books that tell stories through graphic art and photography, memoirs and biographies, Omnibus has constantly evolved its list METAL 44 to challenge what a music book can be and this year we are releasing our first talking books. Among Omnibus Press’ earliest acquisitions was Rock Family Trees, by acclaimed music archivist GRAPHIC NOVELS 45 Pete Frame, three editions of which remain in print to this day and have been the basis of two PHOTOGRAPHY 46 BBC TV series. Over the following decades Omnibus published many best-selling, definitive biographies on some of rock’s greatest superstars. These include Morrissey & Marr: The Severed CLASSICAL 48 Alliance by Johnny Rogan, Dear Boy: The Life Of Keith Moon by Tony Fletcher, Uptight: The Velvet Underground Story by Victor Bockris, Catch A Fire: The Life of Bob Marley by Timothy White, RHINEGOLD 49 Stevie Nicks - Visions, Dreams & Rumours by Zoë Howe, Without Frontiers The Life And Music OTHER 50 Of Peter Gabriel by Daryl Easlea and Under The Ivy: The Life & Music of Kate Bush and George Harrison: Behind The Locked Door, both by Graeme Thomson, all of which are regularly cited by THE LITTLE BLACK SONGBOOK 51 magazines and critics as being amongst the finest rock biographies ever published. -
Fashion,Costume,And Culture
FCC_TP_V4_930 3/5/04 3:59 PM Page 1 Fashion, Costume, and Culture Clothing, Headwear, Body Decorations, and Footwear through the Ages FCC_TP_V4_930 3/5/04 3:59 PM Page 3 Fashion, Costume, and Culture Clothing, Headwear, Body Decorations, and Footwear through the Ages Volume 4: Modern World Part I: 19004 – 1945 SARA PENDERGAST AND TOM PENDERGAST SARAH HERMSEN, Project Editor Fashion, Costume, and Culture: Clothing, Headwear, Body Decorations, and Footwear through the Ages Sara Pendergast and Tom Pendergast Project Editor Imaging and Multimedia Composition Sarah Hermsen Dean Dauphinais, Dave Oblender Evi Seoud Editorial Product Design Manufacturing Lawrence W. Baker Kate Scheible Rita Wimberley Permissions Shalice Shah-Caldwell, Ann Taylor ©2004 by U•X•L. U•X•L is an imprint of For permission to use material from Picture Archive/CORBIS, the Library of The Gale Group, Inc., a division of this product, submit your request via Congress, AP/Wide World Photos; large Thomson Learning, Inc. the Web at http://www.gale-edit.com/ photo, Public Domain. Volume 4, from permissions, or you may download our top to bottom, © Austrian Archives/ U•X•L® is a registered trademark used Permissions Request form and submit CORBIS, AP/Wide World Photos, © Kelly herein under license. Thomson your request by fax or mail to: A. Quin; large photo, AP/Wide World Learning™ is a trademark used herein Permissions Department Photos. Volume 5, from top to bottom, under license. The Gale Group, Inc. Susan D. Rock, AP/Wide World Photos, 27500 Drake Rd. © Ken Settle; large photo, AP/Wide For more information, contact: Farmington Hills, MI 48331-3535 World Photos. -
French and Fashionable Anne Beem Iowa State College
Volume 35 | Number 13 Article 6 1955 French and Fashionable Anne Beem Iowa State College Follow this and additional works at: http://lib.dr.iastate.edu/homemaker Part of the Home Economics Commons Recommended Citation Beem, Anne (1955) "French and Fashionable," The Iowa Homemaker: Vol. 35 : No. 13 , Article 6. Available at: http://lib.dr.iastate.edu/homemaker/vol35/iss13/6 This Article is brought to you for free and open access by the Student Publications at Iowa State University Digital Repository. It has been accepted for inclusion in The oI wa Homemaker by an authorized editor of Iowa State University Digital Repository. For more information, please contact [email protected]. Toni Miley reports- FRENCH and FASHIONABLE Toni Miley, after spending 14 months in France, by Anne Beem saw her exaggerated ideas of French creations take a T echnical Journalism junior nosedive when she discovered the aver.age French woman's taste in clothes. Paris- horne of the world Shoe styles in Paris are very similar to ours. The famous fashion designers- has even felt a modified greatest difference is the slender heel. The base of the influence of the Davy Crockett coonskin cap! A typi heel is very narrow, tapering off to a pencil-like thin cal example was the old French woman who used the ness. familiar cap with its tail hanging down the back to R egardless of where Toni went, French women were dress up her raccoon coat. seen in suits. The practical suit was worn for dressy occasions, semi-dressy events and even for shopping. -
IPG Spring 2020 Rock Pop and Jazz Titles
Rock, Pop, and Jazz Titles Spring 2020 {IPG} That Thin, Wild Mercury Sound Dylan, Nashville, and the Making of Blonde on Blonde Daryl Sanders Summary That Thin, Wild Mercury Sound is the definitive treatment of Bob Dylan’s magnum opus, Blonde on Blonde , not only providing the most extensive account of the sessions that produced the trailblazing album, but also setting the record straight on much of the misinformation that has surrounded the story of how the masterpiece came to be made. Including many new details and eyewitness accounts never before published, as well as keen insight into the Nashville cats who helped Dylan reach rare artistic heights, it explores the lasting impact of rock’s first double album. Based on exhaustive research and in-depth interviews with the producer, the session musicians, studio personnel, management personnel, and others, Daryl Sanders Chicago Review Press chronicles the road that took Dylan from New York to Nashville in search of “that thin, wild mercury sound.” 9781641602730 As Dylan told Playboy in 1978, the closest he ever came to capturing that sound was during the Blonde on Pub Date: 5/5/20 On Sale Date: 5/5/20 Blonde sessions, where the voice of a generation was backed by musicians of the highest order. $18.99 USD Discount Code: LON Contributor Bio Trade Paperback Daryl Sanders is a music journalist who has worked for music publications covering Nashville since 1976, 256 Pages including Hank , the Metro, Bone and the Nashville Musician . He has written about music for the Tennessean , 15 B&W Photos Insert Nashville Scene , City Paper (Nashville), and the East Nashvillian . -
2017 CATALOGUE for Over Forty Years Omnibus Press Has Been Publishing the Stories That Matter from the Music World
2017 CATALOGUE For over forty years Omnibus Press has been publishing the stories that matter from the music world. Omnibus Press is the World’s/Europe’s largest specialist publisher devoted to music writing, with around thirty new titles a year, with a backlist of over two hundred and seventy titles currently in print and many more as digital downloads. Omnibus Press covers pop, rock, classical, metal, country, psyche, prog, electronic, dance, rap, jazz and many more genres, in a variety of formats. With books that tell stories through graphic art and photography, memoirs and biographies, Omnibus has constantly evolved its list to challenge what a music book can be and this year we are releasing our first talking books. Among Omnibus Press’ earliest acquisitions was Rock Family Trees, by acclaimed music archivist Pete Frame, three editions of which remain in print to this day and have been the basis of two BBC TV series. Over the following decades Omnibus published many best-selling, definitive biographies on some of rock’s greatest superstars. These include Morrissey & Marr: The Severed Alliance by Johnny Rogan, Dear Boy: The Life Of Keith Moon by Tony Fletcher, Uptight: The Velvet Underground Story by Victor Bockris, Catch A Fire: The Life of Bob Marley by Timothy White, Stevie Nicks - Visions, Dreams & Rumours by Zoë Howe, Without Frontiers The Life And Music Of Peter Gabriel by Daryl Easlea and Under The Ivy: The Life & Music of Kate Bush and George Harrison: Behind The Locked Door, both by Graeme Thomson, all of which are regularly cited by magazines and critics as being amongst the finest rock biographies ever published. -
David Bowie's Urban Landscapes and Nightscapes
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 17 | 2018 Paysages et héritages de David Bowie David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text Jean Du Verger Electronic version URL: http://journals.openedition.org/miranda/13401 DOI: 10.4000/miranda.13401 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Jean Du Verger, “David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text”, Miranda [Online], 17 | 2018, Online since 20 September 2018, connection on 16 February 2021. URL: http://journals.openedition.org/miranda/13401 ; DOI: https://doi.org/10.4000/miranda.13401 This text was automatically generated on 16 February 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text 1 David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text Jean Du Verger “The Word is devided into units which be all in one piece and should be so taken, but the pieces can be had in any order being tied up back and forth, in and out fore and aft like an innaresting sex arrangement. This book spill off the page in all directions, kaleidoscope of vistas, medley of tunes and street noises […]” William Burroughs, The Naked Lunch, 1959. Introduction 1 The urban landscape occupies a specific position in Bowie’s works. His lyrics are fraught with references to “city landscape[s]”5 and urban nightscapes. The metropolis provides not only the object of a diegetic and spectatorial gaze but it also enables the author to further a discourse on his own inner fragmented self as the nexus, lyrics— music—city, offers an extremely rich avenue for investigating and addressing key issues such as alienation, loneliness, nostalgia and death in a postmodern cultural context. -
The Bates Student
Bates College SCARAB The aB tes Student Archives and Special Collections 2-15-1933 The aB tes Student - volume 60 number 24 - February 15, 1933 Bates College Follow this and additional works at: http://scarab.bates.edu/bates_student Recommended Citation Bates College, "The aB tes Student - volume 60 number 24 - February 15, 1933" (1933). The Bates Student. 511. http://scarab.bates.edu/bates_student/511 This Newspaper is brought to you for free and open access by the Archives and Special Collections at SCARAB. It has been accepted for inclusion in The aB tes Student by an authorized administrator of SCARAB. For more information, please contact [email protected]. • ■^■■■^w f5 Mod ernism can he as shortsighted as medievalism—Dr. Ralph W. Sockman FOUNDED FRESHMEN MEET IN 1873 indent HEBRON TO-NIGHT V()ll. LX. No. 24 U3WISTON, MAINK. WEDNESDAY, FEBRUARY 15, 1933 PRICE TEN CENTS & FROM WAR DEBTS TOPIC OF DEBATES BATES AND BOSTON COLLEQE SCIENTIFIC EXHIBIT OPENS THE TO MEET IN RADIO DEBATE TO-MORROW NIGHT AT 7.30 NEWS AGAINST WILLIAMS SAT. NIGHT Walter Norton "35 and Bond Per- Saturday will uphold the negative ry '35 will represent Bates in a ra- of the proposition, and thus will de- IN CARNEGIE AND HEDGE LAB garopeao Schoolboys AND BROWN HERE TUESDAY dio debate with Boston College over ;. ml the modern practice of adver- Caique Group station WXAC at four o'clock Satur- tising. This same advertising ques- Debate Begins Second Series Of Eastern League day afternoon. Moder;. advertising. tion will be used in the third trian- Students, Townspeople In ited To Attend- Waring Toints Out .; : lion that is being debated a gle of the Eastern Intercollegiate Career After College —Brown Here Tuesday To Discuss great deal in intercollegiate foren- Debating League. -
New Mexico Lobo, Volume 063, No 15, 10/27/1959." 63, 15 (1959)
University of New Mexico UNM Digital Repository 1959 The aiD ly Lobo 1951 - 1960 10-27-1959 New Mexico Lobo, Volume 063, No 15, 10/27/ 1959 University of New Mexico Follow this and additional works at: https://digitalrepository.unm.edu/daily_lobo_1959 Recommended Citation University of New Mexico. "New Mexico Lobo, Volume 063, No 15, 10/27/1959." 63, 15 (1959). https://digitalrepository.unm.edu/ daily_lobo_1959/71 This Newspaper is brought to you for free and open access by the The aiD ly Lobo 1951 - 1960 at UNM Digital Repository. It has been accepted for inclusion in 1959 by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. .,., '~ - ·-- ,,- . - ·--.;.:-;;,--c,.·-· ·-:·_~7;:- -.~,;:':"";::: -··: ----.,~.-$...- . l ' i I . ... I I 'CQ l,j ·j' ., . Waterl9. .,.s ' . ·• Homecoming · .; I .,.en Fol:mal tr;v:outs for' W atedous ·The Homecoming Committee will I I ~.. ChannelS To Test are J)lanned for this evenilig at 7 meet tonight at 8 p.tn. in room il30 . ._ in Johnson Gyn\. All intli'r~~;~ted in the NM Unlon. Committee hel!ds ~·· ---a ---0-:-· women swimmet•s are invited to try should have reports prepared on I LOB-- ...... ' " out, · · their committee Progress, NEW MEXIcd i\ ""ell I .g Children's Project TBE VOICE OF TBE UNIVERSITY QJi' NEW MEXICO SINCE 1897 ji ...... -TAIOO~ ~·ii[i:·. ~=-- 'i 0 Detnils of the new children's J program. vroj~ct, which the Na ' ~· THE BRASS KETTLE ·Vol. 63 Tuesday, October 27, 1959 No. 15 OS tional Educatlon&l Television and- . ""' Radio Center ha.11 been. -
TEACHERS PACK GLAM! the PERFORMANCE of STYLE 8 February – 12 May 2013
TEACHERS PACK 8 February – 12 May 2013 May –12 8 February OF STYLE GLAM! THE PERFORMANCE Peter Hujar Candy Darling on her Deathbed 1974 © The Peter Hujar Archive, LCC; courtesy Pace/MacGill Gallery, New York INTRODUCTION Glam, a visually extravagant pop style The pack is designed to support teachers and exploded across Britain during the years educators in planning a visit to the exhibition 1971–5. The exciting, futuristic sounds, with a collection of ideas, workshops and extravagant fashions and glitter-dappled points for discussion. The activities are personas emerging in this era had their suitable for all ages and can be adapted to roots firmly in British art schools. your needs before, during and after your visit. Glam! The Performance of Style is the A special school group price for exhibitions first exhibition to explore glam style is available if you book and pay at least and sensibility in depth. The exhibition two weeks in advance. Groups of students investigates artistic developments in under 18 years of age £4 and over 18s £4.40. Britain, Europe and North America through Teachers wanting to make a research trip the prism of glam, examining painting, to the exhibition in advance of a visit are sculpture, installation art, film, photography welcome to do so free of charge. Please and performance. book in advance. To book a visit please call 0151 702 7400. Bringing together more than 100 artworks, the exhibition will reveal the genealogy of For further details about visiting glam. Themes of camp, exaggerated identity, Tate Liverpool with your group see: androgyny, eroticism and dandyism will be www.tate.org.uk/learn/teachers/school-visits- explored in the work of David Hockney, tate-liverpool Andy Warhol, Cindy Sherman and many more.